Theatre and war: notes from the field
"Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and i...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Open Book Publishers
[2016]
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Online-Zugang: | Volltext |
Zusammenfassung: | "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to 'doing', without undervaluing the importance of 'thinking about doing'. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry--Why, Where, Who, What, When--and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre--practitioners, researchers, and students alike--as well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website |
Beschreibung: | 1 Online-Ressource (199 Seiten) |
ISBN: | 1783742585 1783742593 1783742607 1783742615 1783742623 2821884036 9781783742585 9781783742592 9781783742608 9781783742615 9781783742622 9782821884038 |
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505 | 8 | |a Introduction -- 1. Why -- 2. Where -- 3. Who -- 4. What -- 5. When -- Conclusions -- Bibliography -- Index | |
520 | 3 | |a "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to 'doing', without undervaluing the importance of 'thinking about doing'. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry--Why, Where, Who, What, When--and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre--practitioners, researchers, and students alike--as well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website | |
650 | 7 | |a Arts du spectacle |2 Aspect politique | |
650 | 4 | |a Guerre et théâtre | |
650 | 4 | |a Théâtre et société | |
650 | 7 | |a Théâtre |2 Aspect politique | |
650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |2 Literary | |
650 | 7 | |a Performing arts |2 Political aspects | |
650 | 4 | |a Society and social sciences Society and social sciences | |
650 | 4 | |a Sociology and anthropology | |
650 | 4 | |a The arts | |
650 | 4 | |a Theater and society | |
650 | 7 | |a Theater |2 Political aspects | |
650 | 4 | |a Theatre direction and production | |
650 | 4 | |a Theatre studies | |
650 | 4 | |a War and theater | |
650 | 4 | |a Performing arts |x Political aspects | |
650 | 4 | |a Theater and society | |
650 | 4 | |a Theater |x Political aspects | |
650 | 4 | |a War and theater | |
653 | 1 | |a Dinesh, Nandita | |
653 | 1 | |a Dinesh, Nandita | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
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author | Dinesh, Nandita |
author_facet | Dinesh, Nandita |
author_role | aut |
author_sort | Dinesh, Nandita |
author_variant | n d nd |
building | Verbundindex |
bvnumber | BV048278617 |
collection | ZDB-4-EOAC |
contents | Introduction -- 1. Why -- 2. Where -- 3. Who -- 4. What -- 5. When -- Conclusions -- Bibliography -- Index |
ctrlnum | (OCoLC)957692063 (DE-599)BVBBV048278617 |
format | Electronic eBook |
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id | DE-604.BV048278617 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:00:48Z |
indexdate | 2024-07-10T09:33:59Z |
institution | BVB |
isbn | 1783742585 1783742593 1783742607 1783742615 1783742623 2821884036 9781783742585 9781783742592 9781783742608 9781783742615 9781783742622 9782821884038 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033658783 |
oclc_num | 957692063 |
open_access_boolean | 1 |
owner | DE-355 DE-BY-UBR |
owner_facet | DE-355 DE-BY-UBR |
physical | 1 Online-Ressource (199 Seiten) |
psigel | ZDB-4-EOAC |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Open Book Publishers |
record_format | marc |
spelling | Dinesh, Nandita Verfasser aut Theatre and war notes from the field Nandita Dinesh Cambridge Open Book Publishers [2016] ©2016 1 Online-Ressource (199 Seiten) txt rdacontent c rdamedia cr rdacarrier Introduction -- 1. Why -- 2. Where -- 3. Who -- 4. What -- 5. When -- Conclusions -- Bibliography -- Index "Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for ethical deliberation and social justice. In it Dinesh asks how theatre might intervene in times and places of conflict and how we might reflect on such interventions. In pursuit of answers, Theatre and War adopts the methods of auto-ethnography, positioning the theatrical practitioner at the heart of conflict zones in northern Uganda, Guatemala, Northern Ireland, Mexico, Rwanda, Kenya, Nagaland, and Kashmir. No longer a detached observer, the researcher and practitioner has to be able to meld theory with practice; to speak to 'doing', without undervaluing the importance of 'thinking about doing'. Each chapter approaches the need for a synthesis of theory and practice by way of a term of inquiry--Why, Where, Who, What, When--and each is equipped with a set of unflinchingly honest field notes that are designed to reveal some of the 'hows' from the author's own repertoire: questions and issues that were encountered during her own theatrical undertakings, along with first hand reflection on the complexities, potential, and challenges that attended her global work in community theatre. Within these notes are strategies that give the reader a practical insight into how the discussion might find its footing on the ground of war. The range and scope of this book make it required reading for those interested in theatre--practitioners, researchers, and students alike--as well as those seeking to understand the applications of the arts for ethics, politics, and education."--Publisher's website Arts du spectacle Aspect politique Guerre et théâtre Théâtre et société Théâtre Aspect politique BIOGRAPHY & AUTOBIOGRAPHY Literary Performing arts Political aspects Society and social sciences Society and social sciences Sociology and anthropology The arts Theater and society Theater Political aspects Theatre direction and production Theatre studies War and theater Dinesh, Nandita Electronic books Open Book Publishers Sonstige oth 9781783742585 9781783742592 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1357200 Verlag kostenfrei Volltext |
spellingShingle | Dinesh, Nandita Theatre and war notes from the field Introduction -- 1. Why -- 2. Where -- 3. Who -- 4. What -- 5. When -- Conclusions -- Bibliography -- Index Arts du spectacle Aspect politique Guerre et théâtre Théâtre et société Théâtre Aspect politique BIOGRAPHY & AUTOBIOGRAPHY Literary Performing arts Political aspects Society and social sciences Society and social sciences Sociology and anthropology The arts Theater and society Theater Political aspects Theatre direction and production Theatre studies War and theater |
title | Theatre and war notes from the field |
title_auth | Theatre and war notes from the field |
title_exact_search | Theatre and war notes from the field |
title_exact_search_txtP | Theatre and war notes from the field |
title_full | Theatre and war notes from the field Nandita Dinesh |
title_fullStr | Theatre and war notes from the field Nandita Dinesh |
title_full_unstemmed | Theatre and war notes from the field Nandita Dinesh |
title_short | Theatre and war |
title_sort | theatre and war notes from the field |
title_sub | notes from the field |
topic | Arts du spectacle Aspect politique Guerre et théâtre Théâtre et société Théâtre Aspect politique BIOGRAPHY & AUTOBIOGRAPHY Literary Performing arts Political aspects Society and social sciences Society and social sciences Sociology and anthropology The arts Theater and society Theater Political aspects Theatre direction and production Theatre studies War and theater |
topic_facet | Arts du spectacle Guerre et théâtre Théâtre et société Théâtre BIOGRAPHY & AUTOBIOGRAPHY Performing arts Society and social sciences Society and social sciences Sociology and anthropology The arts Theater and society Theater Theatre direction and production Theatre studies War and theater Performing arts Political aspects Theater Political aspects |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1357200 |
work_keys_str_mv | AT dineshnandita theatreandwarnotesfromthefield AT openbookpublishers theatreandwarnotesfromthefield |