Jill Enfield's guide to photographic alternative processes: popular historical and contemporary techniques
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge
2020
|
| Ausgabe: | Second edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xii, 354 Seiten Illustrationen |
| ISBN: | 9781138229075 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804184100590845952 |
|---|---|
| adam_text | Contents Dedication v Acknowledgments xiii Introduction: History of Photography ֊ A brief timeline Chapter 1 Safety with Chemicals 1 4 Taking Basic Precautions Suggestions on Buying, Mixing, and Storing Chemicals 6 Chemicals from Grocery Stores and Other Suppliers Ventilating Your Workspace Disposing of Materials Chapter 2 7 8 A Guide to Materials and Techniques Stock Up Your Darkroom Light Sources Paper 13 14 20 21 Learning the Basic Techniques 23 Preparing and Cleaning Glass and Other Supports Acidifying Papers 24 25 Sizing Formulas 25 Sizing Techniques 29 Sensitizing Techniques 31 Basic Steps For Applying Sensitizer With a Brush Drying Techniques 33 34 Protecting Finished Images Chapter 3 5 35 The Digital Negative Process: and Other Approaches to Making and Printing Negatives 37 The Process 39 Reasons For Doing Different Types of Negatives Getting Started 40 39 xvii
viii Contents Instructions Curves 40 43 Making Separation Negatives For Gum Printing 43 Other Approaches to Making and Printing Negatives 47 Troubleshooting Chapter 4 Fugitive (Impermanent) and Not-So-Fugitive Printing: Anthotypes; Photosynthesis, and Lumen Prints 51 Some History Anthotypes 52 53 Photosynthesis Lumen Prints 56 57 Cool and Different 59 Chemical Experiments Chapter 5 46 60 Cyanotypes: Old and New Approaches, Plus the Cuprotype (Copper) Process 63 The Process 65 Mixing the Chemicals For Stock Solutions Traditonal Cyanotype 68 69 Chemistry Mix For Printing On Glass Mike Ware’s New Cyanotype’’ 70 71 Prepare the Support For Sensitizing With Emulsion 74 Mixing the Stock Solutions to Make the Sensitizer For Traditional Cyanotype 74 Coating Paper 75 Checking the Exposure 75 Determining the Proper Exposure Washing the Print Drying the Print 76 76 76 Changing the Color From Blue to ... To Produce Different Colors Tips 77 79 Troubleshooting 79 The Cuprotype Process Getting Ready to Print 80 81 Mixing the Stock Solutions 82 77
Contents 83 Directions Toning Options For Other Colors Other Toning _ ¡apter 6 83 83 Salted and Albumen Prints 87 Photographic Printing Before 1850 Differences in Dilutions Organic Sizing 89 89 Watercolor Paper Choices Plain Salted Paper Sizing Papers 90 91 92 Sizing With Starch 92 Glossy Albumen Matte Albumen 93 94 Making the Silver Solution Sensitizing Your Support Negatives Needed 99 Exposing Your Print 99 Toning 88 96 97 100 101 Borax Gold Toning Platinum Toning 101 Troubleshooting 102 What to Do With Those Left Over Egg Yolks Chapter 7 Van Dyke brown, Kallitype, and Argyrotype Prints Creating Van Dyke Brown Prints Creating Kallitypes Troubleshooting 107 108 117 Argyrotype Process Chapter 8 102 125 126 Traditional Platinum and Palladium Prints, the Malde-Ware Technique and the Ziatype 129 Creating Platinum and Palladium Prints - The Developing Out Way 131 Troubleshooting 148 Malde-Ware Technique The Ziatype 158 150 ix
x Contents Chapter 9 163 Wet Plate Collodion One Process, Many Outcomes 166 The Process Equipment 167 170 Mixing Chemistry Steps to Prepare Your Plates Set Up Your Darkroom Pouring Collodion 178 178 179 Sensitizing the Plate 180 Exposing the Plate 180 Developing the Plate Fix 164 181 184 Washing 184 Drying the Plate 184 Varnishing the Plate 185 Helpful Notes and Troubleshooting 186 A Few Other Thoughts in No Particular Category Exposing a Positive Image With An Enlarger Chapter 10 197 Liquid Emulsion Prints and Dry Plate Tintypes Preparing Your Base Support Coating Your Base Support Drying Your Base Support 202 204 206 Exposing Your Base Support 207 Increasing the Contrast of Your Image Developing Your Print 209 Finishing Your Surface 211 Troubleshooting Troubleshooting Gum Printing The Process 208 211 Gelatin Dry Plate: Glass and Tintypes Chapter 11 196 196 Negatives vs. Positives Fun Things To Do 195 213 221 225 226 Things to Think About Before You Start 227 199
Contents 227 The Negatives Paper 228 Sizing 228 229 Brushes 229 Pigments The Solutions Directions 231 232 Multiple Printing Clearing 234 235 Contrast Control 236 236 Tips and Troubleshooting Chapter 12 Transfers and Decals 245 Wax Paper or Plastic Sheet Transfers Process 247 Solvent Transfers 249 Transferiez - Inkaid Transfer Medium Other Ideas For Printing Chapter 13 246 252 254 Hand Painting Photographs: Silver Prints, Non-Silver and Inkjet Prints 263 Creating Hand Painted Photographs Getting Started 265 Painting Mediums Papers 267 268 Painting on Non֊Silver Prints Painting on Inkjet Prints 270 Evaluating Your Print 270 Preparing Your Print 271 Mixing Colors 268 272 Using Water-Based Colors Using Oil-Based Colors 273 275 Using Other Mediums 279 Finishing Your Surface 283 264 xi
xii Contents Chapter 14 Multiple Printing and Other Techniques 285 Inkjet With Processes on Top and Another Really Cool Way to Layer Images 286 Inkjet Prints on Watercolor Paper With Any Alternative Processes on Top 286 Multiple Printing 288 Other Techniques ֊ Back to the Future Chapter 15 Ceramics and Photography Pyrofoto 291 299 303 Laser Transfer Decals 304 Gum Bichromate Printing 305 Dichromate Egg Mixture, As Per Kit Anderson Cyanotype 309 Silkscreen 310 Photo Transfer 313 Sources, Websites and Podcasts Bibliography 323 Conversion Tables List of Artists Index 333 307 327 325 315
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| adam_txt |
Contents Dedication v Acknowledgments xiii Introduction: History of Photography ֊ A brief timeline Chapter 1 Safety with Chemicals 1 4 Taking Basic Precautions Suggestions on Buying, Mixing, and Storing Chemicals 6 Chemicals from Grocery Stores and Other Suppliers Ventilating Your Workspace Disposing of Materials Chapter 2 7 8 A Guide to Materials and Techniques Stock Up Your Darkroom Light Sources Paper 13 14 20 21 Learning the Basic Techniques 23 Preparing and Cleaning Glass and Other Supports Acidifying Papers 24 25 Sizing Formulas 25 Sizing Techniques 29 Sensitizing Techniques 31 Basic Steps For Applying Sensitizer With a Brush Drying Techniques 33 34 Protecting Finished Images Chapter 3 5 35 The Digital Negative Process: and Other Approaches to Making and Printing Negatives 37 The Process 39 Reasons For Doing Different Types of Negatives Getting Started 40 39 xvii
viii Contents Instructions Curves 40 43 Making Separation Negatives For Gum Printing 43 Other Approaches to Making and Printing Negatives 47 Troubleshooting Chapter 4 Fugitive (Impermanent) and Not-So-Fugitive Printing: Anthotypes; Photosynthesis, and Lumen Prints 51 Some History Anthotypes 52 53 Photosynthesis Lumen Prints 56 57 Cool and Different 59 Chemical Experiments Chapter 5 46 60 Cyanotypes: Old and New Approaches, Plus the Cuprotype (Copper) Process 63 The Process 65 Mixing the Chemicals For Stock Solutions Traditonal Cyanotype 68 69 Chemistry Mix For Printing On Glass Mike Ware’s "New Cyanotype’’ 70 71 Prepare the Support For Sensitizing With Emulsion 74 Mixing the Stock Solutions to Make the Sensitizer For Traditional Cyanotype 74 Coating Paper 75 Checking the Exposure 75 Determining the Proper Exposure Washing the Print Drying the Print 76 76 76 Changing the Color From Blue to . To Produce Different Colors Tips 77 79 Troubleshooting 79 The Cuprotype Process Getting Ready to Print 80 81 Mixing the Stock Solutions 82 77
Contents 83 Directions Toning Options For Other Colors Other Toning _ '¡apter 6 83 83 Salted and Albumen Prints 87 Photographic Printing Before 1850 Differences in Dilutions Organic Sizing 89 89 Watercolor Paper Choices Plain Salted Paper Sizing Papers 90 91 92 Sizing With Starch 92 Glossy Albumen Matte Albumen 93 94 Making the Silver Solution Sensitizing Your Support Negatives Needed 99 Exposing Your Print 99 Toning 88 96 97 100 101 Borax Gold Toning Platinum Toning 101 Troubleshooting 102 What to Do With Those Left Over Egg Yolks Chapter 7 Van Dyke brown, Kallitype, and Argyrotype Prints Creating Van Dyke Brown Prints Creating Kallitypes Troubleshooting 107 108 117 Argyrotype Process Chapter 8 102 125 126 Traditional Platinum and Palladium Prints, the Malde-Ware Technique and the Ziatype 129 Creating Platinum and Palladium Prints - The Developing Out Way 131 Troubleshooting 148 Malde-Ware Technique The Ziatype 158 150 ix
x Contents Chapter 9 163 Wet Plate Collodion One Process, Many Outcomes 166 The Process Equipment 167 170 Mixing Chemistry Steps to Prepare Your Plates Set Up Your Darkroom Pouring Collodion 178 178 179 Sensitizing the Plate 180 Exposing the Plate 180 Developing the Plate Fix 164 181 184 Washing 184 Drying the Plate 184 Varnishing the Plate 185 Helpful Notes and Troubleshooting 186 A Few Other Thoughts in No Particular Category Exposing a Positive Image With An Enlarger Chapter 10 197 Liquid Emulsion Prints and Dry Plate Tintypes Preparing Your Base Support Coating Your Base Support Drying Your Base Support 202 204 206 Exposing Your Base Support 207 Increasing the Contrast of Your Image Developing Your Print 209 Finishing Your Surface 211 Troubleshooting Troubleshooting Gum Printing The Process 208 211 Gelatin Dry Plate: Glass and Tintypes Chapter 11 196 196 Negatives vs. Positives Fun Things To Do 195 213 221 225 226 Things to Think About Before You Start 227 199
Contents 227 The Negatives Paper 228 Sizing 228 229 Brushes 229 Pigments The Solutions Directions 231 232 Multiple Printing Clearing 234 235 Contrast Control 236 236 Tips and Troubleshooting Chapter 12 Transfers and Decals 245 Wax Paper or Plastic Sheet Transfers Process 247 Solvent Transfers 249 Transferiez - Inkaid Transfer Medium Other Ideas For Printing Chapter 13 246 252 254 Hand Painting Photographs: Silver Prints, Non-Silver and Inkjet Prints 263 Creating Hand Painted Photographs Getting Started 265 Painting Mediums Papers 267 268 Painting on Non֊Silver Prints Painting on Inkjet Prints 270 Evaluating Your Print 270 Preparing Your Print 271 Mixing Colors 268 272 Using Water-Based Colors Using Oil-Based Colors 273 275 Using Other Mediums 279 Finishing Your Surface 283 264 xi
xii Contents Chapter 14 Multiple Printing and Other Techniques 285 Inkjet With Processes on Top and Another Really Cool Way to Layer Images 286 Inkjet Prints on Watercolor Paper With Any Alternative Processes on Top 286 Multiple Printing 288 Other Techniques ֊ Back to the Future Chapter 15 Ceramics and Photography Pyrofoto 291 299 303 Laser Transfer Decals 304 Gum Bichromate Printing 305 Dichromate Egg Mixture, As Per Kit Anderson Cyanotype 309 Silkscreen 310 Photo Transfer 313 Sources, Websites and Podcasts Bibliography 323 Conversion Tables List of Artists Index 333 307 327 325 315 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T20:00:41Z |
| indexdate | 2024-07-10T09:33:58Z |
| institution | BVB |
| isbn | 9781138229075 |
| language | English |
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| physical | xii, 354 Seiten Illustrationen |
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| spelling | Enfield, Jill 1954- Verfasser (DE-588)1264437145 aut Jill Enfield's guide to photographic alternative processes popular historical and contemporary techniques Jill Enfield Second edition New York Routledge 2020 xii, 354 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Fototechnik (DE-588)4174558-9 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Fotografie (DE-588)4045895-7 s Fototechnik (DE-588)4174558-9 s DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033658116&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Enfield, Jill 1954- Jill Enfield's guide to photographic alternative processes popular historical and contemporary techniques Fototechnik (DE-588)4174558-9 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)4174558-9 (DE-588)4045895-7 |
| title | Jill Enfield's guide to photographic alternative processes popular historical and contemporary techniques |
| title_auth | Jill Enfield's guide to photographic alternative processes popular historical and contemporary techniques |
| title_exact_search | Jill Enfield's guide to photographic alternative processes popular historical and contemporary techniques |
| title_exact_search_txtP | Jill Enfield's guide to photographic alternative processes popular historical and contemporary techniques |
| title_full | Jill Enfield's guide to photographic alternative processes popular historical and contemporary techniques Jill Enfield |
| title_fullStr | Jill Enfield's guide to photographic alternative processes popular historical and contemporary techniques Jill Enfield |
| title_full_unstemmed | Jill Enfield's guide to photographic alternative processes popular historical and contemporary techniques Jill Enfield |
| title_short | Jill Enfield's guide to photographic alternative processes |
| title_sort | jill enfield s guide to photographic alternative processes popular historical and contemporary techniques |
| title_sub | popular historical and contemporary techniques |
| topic | Fototechnik (DE-588)4174558-9 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Fototechnik Fotografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033658116&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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