In a province: studies in the writing of South Africa
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Liverpool
Liverpool University Press
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 256 Seiten 24 cm |
| ISBN: | 9781800854901 |
Internformat
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Datensatz im Suchindex
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Contents Acknowledgements ix Biographical note by Laura Pechey xi Introduction by Derek Attridge 1 Part One: South African Literature in Transition: 1990-1998 1 ‘Cultural Struggle’ and the Narratives of South African Freedom 15 2 Post-Apartheid Narratives 25 3 Ihe Post-Apartheid Sublime: Rediscovering the Extraordinary 51 4 Carnal Knowledge: Reading the Body of South African Writing 73 5 Post-Apartheid Reason: Critical Theory in South Africa 91 Part Two: Fiction Before and After Apartheid 6 The Story of an African Farm: Colonial History and the Discontinuous Text 113 7 Antithetical Anti-Heroes: Uses of the Past in Schoeman and Matthee 129 8 The Criticism of Njabulo S. Ndebele 139 9 ‘The Woman s Rose’: Olive Schreiner, the Short Story, and Grand History 10 155 Coetzee’s Purgatorial Africa: The Case of Disgrace 169 Part Three: The Language of South African Poetry 11 ‘A complex and violent revelation’: Epiphanies of Africa in South African Literature 183
viii In a Province: Studies in the Writing of South Africa by Graham Pechey 12 Roy Campbell, F. T. Prince, and the Lexicon of Emigration 205 13 Periphrases, Portmanteaux, and Plurals: Aspects of Roy Campbell’s Poetic Diction 217 Bibliography 235 Index 249
lhe distinguished South African scholar and critic Graham Pechey was one of the leading voices in the debates about literature’s role in the apartheid state and he continued to reflect influentially on its importance and function after the establishment of democracy. Pechey died in 2016 without putting the finishing touches on a book about South African literature and culture which had been some 20 years in the making. He wrote on a wide range of South African literature across the racial divide and across periods, combining an acute sense of the historical and geopolitical situation of South African writing with a sensitive ear to the workings of the literary; thus he was able to do justice to both the singular grain of individual works and their broad political and cultural implications. This collection brings together the most significant of these essays, organized in a way that reflects his major concerns. Topics addressed include the role of culture in the transition from apartheid to democracy, the specificity of English as a literary medium in South Africa, the freedom of the artist in an authoritarian state, and the global trajectory of South African words. Among the authors discussed are Olive Schreiner, Njabulo Ndebele, Nadine Gordimer, J. Μ. Coetzee, William Plomer, F. T. Prince, and Roy Campbell. |
| adam_txt |
Contents Acknowledgements ix Biographical note by Laura Pechey xi Introduction by Derek Attridge 1 Part One: South African Literature in Transition: 1990-1998 1 ‘Cultural Struggle’ and the Narratives of South African Freedom 15 2 Post-Apartheid Narratives 25 3 Ihe Post-Apartheid Sublime: Rediscovering the Extraordinary 51 4 Carnal Knowledge: Reading the Body of South African Writing 73 5 Post-Apartheid Reason: Critical Theory in South Africa 91 Part Two: Fiction Before and After Apartheid 6 The Story of an African Farm: Colonial History and the Discontinuous Text 113 7 Antithetical Anti-Heroes: Uses of the Past in Schoeman and Matthee 129 8 The Criticism of Njabulo S. Ndebele 139 9 ‘The Woman s Rose’: Olive Schreiner, the Short Story, and Grand History 10 155 Coetzee’s Purgatorial Africa: The Case of Disgrace 169 Part Three: The Language of South African Poetry 11 ‘A complex and violent revelation’: Epiphanies of Africa in South African Literature 183
viii In a Province: Studies in the Writing of South Africa by Graham Pechey 12 Roy Campbell, F. T. Prince, and the Lexicon of Emigration 205 13 Periphrases, Portmanteaux, and Plurals: Aspects of Roy Campbell’s Poetic Diction 217 Bibliography 235 Index 249
lhe distinguished South African scholar and critic Graham Pechey was one of the leading voices in the debates about literature’s role in the apartheid state and he continued to reflect influentially on its importance and function after the establishment of democracy. Pechey died in 2016 without putting the finishing touches on a book about South African literature and culture which had been some 20 years in the making. He wrote on a wide range of South African literature across the racial divide and across periods, combining an acute sense of the historical and geopolitical situation of South African writing with a sensitive ear to the workings of the literary; thus he was able to do justice to both the singular grain of individual works and their broad political and cultural implications. This collection brings together the most significant of these essays, organized in a way that reflects his major concerns. Topics addressed include the role of culture in the transition from apartheid to democracy, the specificity of English as a literary medium in South Africa, the freedom of the artist in an authoritarian state, and the global trajectory of South African words. Among the authors discussed are Olive Schreiner, Njabulo Ndebele, Nadine Gordimer, J. Μ. Coetzee, William Plomer, F. T. Prince, and Roy Campbell. |
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| title | In a province studies in the writing of South Africa |
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| title_exact_search | In a province studies in the writing of South Africa |
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| title_full | In a province studies in the writing of South Africa by Graham Pechey ; edited by Derek Attridge and Laura Pechey |
| title_fullStr | In a province studies in the writing of South Africa by Graham Pechey ; edited by Derek Attridge and Laura Pechey |
| title_full_unstemmed | In a province studies in the writing of South Africa by Graham Pechey ; edited by Derek Attridge and Laura Pechey |
| title_short | In a province |
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