Encounters with ceramic: the writings of Tony Birks
Tony Birks was a prolific writer on art, particularly in British studio ceramics. This is the first publication to bring together his writings in a single volume. 0During the 1970s studio ceramic grew dramatically as a force on the international art scene. In Britain and America particularly, but al...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Norwich
Sainsbury Center for Visual Arts
[2021]
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Zusammenfassung: | Tony Birks was a prolific writer on art, particularly in British studio ceramics. This is the first publication to bring together his writings in a single volume. 0During the 1970s studio ceramic grew dramatically as a force on the international art scene. In Britain and America particularly, but also across Europe, practice flourished and powerful thinkers sought to define and describe what was happening. It was a dynamic and a controversial time, in which the nature of pottery showed itself capable of radical change. In the decades that followed this outburst, ceramic consolidated into a complex aesthetic and cultural discourse.0Tony Birks was at the heart of this new wave of activity. A consummate writer and an artist himself, he supported what had happened in previous decades to generate a Modern ceramic art, and he championed the new generation blossoming around him. His publications provided crucial support to a discipline barely served by mainstream art history and criticism. He wrote monographs on major established figures, but he also had an extraordinarily perceptive eye for new talent, which served to bring attention to vibrant young artists. A number of these went on to become leading forces on the international scene. This book gathers together for the first time a comprehensive selection of Tony Birks's writing. A number of the essays are about the nature of ceramic practice, but the majority are about individual practitioners, among them are Bernard Leach, Lucie Rie, Hans Coper, Claudi Casanovas, Tony Hepburn, Andrew Lord, Ruth Duckworth and Takeshi Yasuda. Taken as a whole, the book is a window on the world of ceramic art at a crucial time in its growth - the issues and the personalities - opened for us by one of its most significant critical voices. The book also includes a catalogue of the ceramic works owned by Tony Birks that were gifted to the Sainsbury Centre at the University of East Anglia |
| Beschreibung: | 176 Seiten Illustrationen 23 cm |
| ISBN: | 1916133673 9781916133679 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048256802 | ||
| 003 | DE-604 | ||
| 005 | 20220721 | ||
| 007 | t | ||
| 008 | 220607s2021 a||| |||| 00||| eng d | ||
| 020 | |a 1916133673 |9 1-916133-67-3 | ||
| 020 | |a 9781916133679 |9 978-1-916133-67-9 | ||
| 035 | |a (OCoLC)1315530914 | ||
| 035 | |a (DE-599)KXP180123941X | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 050 | 0 | |a NK3700-4695 | |
| 082 | 0 | |a 738 | |
| 084 | |a KUNST |q DE-14 |2 fid | ||
| 084 | |a LH 78617 |0 (DE-625)95075:9 |2 rvk | ||
| 084 | |a 3 |2 KUBA2 | ||
| 100 | 1 | |a Birks, Tony |d 1937- |e Verfasser |0 (DE-588)141990929 |4 aut | |
| 245 | 1 | 0 | |a Encounters with ceramic |b the writings of Tony Birks |c edited by Paul Greenhalgh ; with an essay by Tanya Harrod |
| 246 | 1 | 3 | |a The writings of Tony Birks |
| 250 | |a First edition | ||
| 264 | 1 | |a Norwich |b Sainsbury Center for Visual Arts |c [2021] | |
| 300 | |a 176 Seiten |b Illustrationen |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Tony Birks was a prolific writer on art, particularly in British studio ceramics. This is the first publication to bring together his writings in a single volume. 0During the 1970s studio ceramic grew dramatically as a force on the international art scene. In Britain and America particularly, but also across Europe, practice flourished and powerful thinkers sought to define and describe what was happening. It was a dynamic and a controversial time, in which the nature of pottery showed itself capable of radical change. In the decades that followed this outburst, ceramic consolidated into a complex aesthetic and cultural discourse.0Tony Birks was at the heart of this new wave of activity. A consummate writer and an artist himself, he supported what had happened in previous decades to generate a Modern ceramic art, and he championed the new generation blossoming around him. His publications provided crucial support to a discipline barely served by mainstream art history and criticism. He wrote monographs on major established figures, but he also had an extraordinarily perceptive eye for new talent, which served to bring attention to vibrant young artists. A number of these went on to become leading forces on the international scene. This book gathers together for the first time a comprehensive selection of Tony Birks's writing. A number of the essays are about the nature of ceramic practice, but the majority are about individual practitioners, among them are Bernard Leach, Lucie Rie, Hans Coper, Claudi Casanovas, Tony Hepburn, Andrew Lord, Ruth Duckworth and Takeshi Yasuda. Taken as a whole, the book is a window on the world of ceramic art at a crucial time in its growth - the issues and the personalities - opened for us by one of its most significant critical voices. The book also includes a catalogue of the ceramic works owned by Tony Birks that were gifted to the Sainsbury Centre at the University of East Anglia | |
| 600 | 1 | 7 | |a Birks, Tony |d 1937- |0 (DE-588)141990929 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1970-2000 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Keramik |0 (DE-588)4030270-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Pottery | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Birks, Tony |d 1937- |0 (DE-588)141990929 |D p |
| 689 | 0 | 1 | |a Keramik |0 (DE-588)4030270-2 |D s |
| 689 | 0 | 2 | |a Geschichte 1970-2000 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Greenhalgh, Paul |d 1955- |0 (DE-588)143881507 |4 edt | |
| 700 | 1 | |a Harrod, Tanya |d 1951- |0 (DE-588)1025758846 |4 wat | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033637028 | ||
Datensatz im Suchindex
| _version_ | 1804184057802653696 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Birks, Tony 1937- |
| author2 | Greenhalgh, Paul 1955- |
| author2_role | edt |
| author2_variant | p g pg |
| author_GND | (DE-588)141990929 (DE-588)143881507 (DE-588)1025758846 |
| author_facet | Birks, Tony 1937- Greenhalgh, Paul 1955- |
| author_role | aut |
| author_sort | Birks, Tony 1937- |
| author_variant | t b tb |
| building | Verbundindex |
| bvnumber | BV048256802 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NK3700-4695 |
| callnumber-raw | NK3700-4695 |
| callnumber-search | NK3700-4695 |
| callnumber-sort | NK 43700 44695 |
| callnumber-subject | NK - Decorative Arts |
| classification_rvk | LH 78617 |
| ctrlnum | (OCoLC)1315530914 (DE-599)KXP180123941X |
| dewey-full | 738 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 738 - Ceramic arts |
| dewey-raw | 738 |
| dewey-search | 738 |
| dewey-sort | 3738 |
| dewey-tens | 730 - Sculpture and related arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| edition | First edition |
| era | Geschichte 1970-2000 gnd |
| era_facet | Geschichte 1970-2000 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03614nam a2200493 c 4500</leader><controlfield tag="001">BV048256802</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220721 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220607s2021 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1916133673</subfield><subfield code="9">1-916133-67-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781916133679</subfield><subfield code="9">978-1-916133-67-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1315530914</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP180123941X</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">NK3700-4695</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">738</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUNST</subfield><subfield code="q">DE-14</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 78617</subfield><subfield code="0">(DE-625)95075:9</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Birks, Tony</subfield><subfield code="d">1937-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)141990929</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Encounters with ceramic</subfield><subfield code="b">the writings of Tony Birks</subfield><subfield code="c">edited by Paul Greenhalgh ; with an essay by Tanya Harrod</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">The writings of Tony Birks</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Norwich</subfield><subfield code="b">Sainsbury Center for Visual Arts</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">176 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Tony Birks was a prolific writer on art, particularly in British studio ceramics. This is the first publication to bring together his writings in a single volume. 0During the 1970s studio ceramic grew dramatically as a force on the international art scene. In Britain and America particularly, but also across Europe, practice flourished and powerful thinkers sought to define and describe what was happening. It was a dynamic and a controversial time, in which the nature of pottery showed itself capable of radical change. In the decades that followed this outburst, ceramic consolidated into a complex aesthetic and cultural discourse.0Tony Birks was at the heart of this new wave of activity. A consummate writer and an artist himself, he supported what had happened in previous decades to generate a Modern ceramic art, and he championed the new generation blossoming around him. His publications provided crucial support to a discipline barely served by mainstream art history and criticism. He wrote monographs on major established figures, but he also had an extraordinarily perceptive eye for new talent, which served to bring attention to vibrant young artists. A number of these went on to become leading forces on the international scene. This book gathers together for the first time a comprehensive selection of Tony Birks's writing. A number of the essays are about the nature of ceramic practice, but the majority are about individual practitioners, among them are Bernard Leach, Lucie Rie, Hans Coper, Claudi Casanovas, Tony Hepburn, Andrew Lord, Ruth Duckworth and Takeshi Yasuda. Taken as a whole, the book is a window on the world of ceramic art at a crucial time in its growth - the issues and the personalities - opened for us by one of its most significant critical voices. The book also includes a catalogue of the ceramic works owned by Tony Birks that were gifted to the Sainsbury Centre at the University of East Anglia</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Birks, Tony</subfield><subfield code="d">1937-</subfield><subfield code="0">(DE-588)141990929</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1970-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Keramik</subfield><subfield code="0">(DE-588)4030270-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Pottery</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Birks, Tony</subfield><subfield code="d">1937-</subfield><subfield code="0">(DE-588)141990929</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Keramik</subfield><subfield code="0">(DE-588)4030270-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1970-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Greenhalgh, Paul</subfield><subfield code="d">1955-</subfield><subfield code="0">(DE-588)143881507</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Harrod, Tanya</subfield><subfield code="d">1951-</subfield><subfield code="0">(DE-588)1025758846</subfield><subfield code="4">wat</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033637028</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV048256802 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:58:44Z |
| indexdate | 2024-07-10T09:33:17Z |
| institution | BVB |
| isbn | 1916133673 9781916133679 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033637028 |
| oclc_num | 1315530914 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 176 Seiten Illustrationen 23 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Sainsbury Center for Visual Arts |
| record_format | marc |
| spelling | Birks, Tony 1937- Verfasser (DE-588)141990929 aut Encounters with ceramic the writings of Tony Birks edited by Paul Greenhalgh ; with an essay by Tanya Harrod The writings of Tony Birks First edition Norwich Sainsbury Center for Visual Arts [2021] 176 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Tony Birks was a prolific writer on art, particularly in British studio ceramics. This is the first publication to bring together his writings in a single volume. 0During the 1970s studio ceramic grew dramatically as a force on the international art scene. In Britain and America particularly, but also across Europe, practice flourished and powerful thinkers sought to define and describe what was happening. It was a dynamic and a controversial time, in which the nature of pottery showed itself capable of radical change. In the decades that followed this outburst, ceramic consolidated into a complex aesthetic and cultural discourse.0Tony Birks was at the heart of this new wave of activity. A consummate writer and an artist himself, he supported what had happened in previous decades to generate a Modern ceramic art, and he championed the new generation blossoming around him. His publications provided crucial support to a discipline barely served by mainstream art history and criticism. He wrote monographs on major established figures, but he also had an extraordinarily perceptive eye for new talent, which served to bring attention to vibrant young artists. A number of these went on to become leading forces on the international scene. This book gathers together for the first time a comprehensive selection of Tony Birks's writing. A number of the essays are about the nature of ceramic practice, but the majority are about individual practitioners, among them are Bernard Leach, Lucie Rie, Hans Coper, Claudi Casanovas, Tony Hepburn, Andrew Lord, Ruth Duckworth and Takeshi Yasuda. Taken as a whole, the book is a window on the world of ceramic art at a crucial time in its growth - the issues and the personalities - opened for us by one of its most significant critical voices. The book also includes a catalogue of the ceramic works owned by Tony Birks that were gifted to the Sainsbury Centre at the University of East Anglia Birks, Tony 1937- (DE-588)141990929 gnd rswk-swf Geschichte 1970-2000 gnd rswk-swf Keramik (DE-588)4030270-2 gnd rswk-swf Pottery (DE-588)4143413-4 Aufsatzsammlung gnd-content Birks, Tony 1937- (DE-588)141990929 p Keramik (DE-588)4030270-2 s Geschichte 1970-2000 z DE-604 Greenhalgh, Paul 1955- (DE-588)143881507 edt Harrod, Tanya 1951- (DE-588)1025758846 wat |
| spellingShingle | Birks, Tony 1937- Encounters with ceramic the writings of Tony Birks Birks, Tony 1937- (DE-588)141990929 gnd Keramik (DE-588)4030270-2 gnd |
| subject_GND | (DE-588)141990929 (DE-588)4030270-2 (DE-588)4143413-4 |
| title | Encounters with ceramic the writings of Tony Birks |
| title_alt | The writings of Tony Birks |
| title_auth | Encounters with ceramic the writings of Tony Birks |
| title_exact_search | Encounters with ceramic the writings of Tony Birks |
| title_exact_search_txtP | Encounters with ceramic the writings of Tony Birks |
| title_full | Encounters with ceramic the writings of Tony Birks edited by Paul Greenhalgh ; with an essay by Tanya Harrod |
| title_fullStr | Encounters with ceramic the writings of Tony Birks edited by Paul Greenhalgh ; with an essay by Tanya Harrod |
| title_full_unstemmed | Encounters with ceramic the writings of Tony Birks edited by Paul Greenhalgh ; with an essay by Tanya Harrod |
| title_short | Encounters with ceramic |
| title_sort | encounters with ceramic the writings of tony birks |
| title_sub | the writings of Tony Birks |
| topic | Birks, Tony 1937- (DE-588)141990929 gnd Keramik (DE-588)4030270-2 gnd |
| topic_facet | Birks, Tony 1937- Keramik Aufsatzsammlung |
| work_keys_str_mv | AT birkstony encounterswithceramicthewritingsoftonybirks AT greenhalghpaul encounterswithceramicthewritingsoftonybirks AT harrodtanya encounterswithceramicthewritingsoftonybirks AT birkstony thewritingsoftonybirks AT greenhalghpaul thewritingsoftonybirks AT harrodtanya thewritingsoftonybirks |