Spellbound by Marcel: Duchamp, love, and art
"In 1915, a group of French artists fled war-torn Europe for New York. In the few months between their arrival--and America's entry into the war in April 1917--they pushed back the boundaries of the possible, in both life and art. The vortex of this transformation was the apartment at 33 W...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Pegasus Books
March 2022
|
| Ausgabe: | First Pegasus Books cloth edition |
| Schlagworte: | |
| Zusammenfassung: | "In 1915, a group of French artists fled war-torn Europe for New York. In the few months between their arrival--and America's entry into the war in April 1917--they pushed back the boundaries of the possible, in both life and art. The vortex of this transformation was the apartment at 33 West 67th Street, owned by Walter and Louise Arensberg, where artists and poets met nightly to talk, eat, drink, discuss each others' work, play chess, plan balls, organise magazines and exhibitions, and fall in and out of love. At the center of all this activity stood the mysterious figure of Marcel Duchamp, always approachable, always unreadable. His exhibit of a urinal, which he called Fountain, briefly shocked the New York art world before falling, like its perpetrator, into obscurity. Many people (of both sexes) were in love with Duchamp. Henri-Pierre Roché and Beatrice Wood were among them; they were also, briefly, and (for her) life-changingly, in love with each other. Both kept daily diaries, which give an intimate picture of the events of those years. Or rather two pictures--for the views they offer, including of their own love affair, are stunningly divergent. Spellbound by Marcel follows Duchamp, Roché, and Beatrice as they traverse the twentieth century. Roché became the author of Jules and Jim, made into a classic film by François Truffaut. Beatrice became a celebrated ceramicist. Duchamp fell into chess-playing obscurity until, decades later, he became famous for a second time--as Fountain was elected the twentieth century's most influential artwork"--Book jacket flap |
| Beschreibung: | XII, 241 Seiten, 16 ungezählte Seiten Tafeln Illustrationen 24 cm |
| ISBN: | 9781643138619 |
Internformat
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| 300 | |a XII, 241 Seiten, 16 ungezählte Seiten Tafeln |b Illustrationen |c 24 cm | ||
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| 505 | 8 | |a Introduction -- Part one: Prewar. The Armory Show, 1913 ; Marcel, 1912 -- Part two: Wartime. Marcel, 1915 ; Marcel, New York, 1915 ; Beatrice, 1916 ; Artistic life, New York, 1916 ; Pierre, 1917 ; The Blind Man ; Mr. Mutt's foundation ; Beatrice's sentimental education ; The buddha of the bathroom ; Pierre's American loves, 1917 ; Leaving New York 1: Beatrice ; Leaving New York 2: Pierre ; Leaving New York 3: Marcel -- Part three: Between continents. Marcel, Paris, 1919 ; True love: Man Ray, Picabia, Pierre, and Marcel ; Mary ; Marcel married: Paris, 1927 ; Marcel discovers love -- Part four: Late fame. Beatrice ; Pierre ; Marcel ; Surviving Marcel | |
| 520 | 3 | |a "In 1915, a group of French artists fled war-torn Europe for New York. In the few months between their arrival--and America's entry into the war in April 1917--they pushed back the boundaries of the possible, in both life and art. The vortex of this transformation was the apartment at 33 West 67th Street, owned by Walter and Louise Arensberg, where artists and poets met nightly to talk, eat, drink, discuss each others' work, play chess, plan balls, organise magazines and exhibitions, and fall in and out of love. At the center of all this activity stood the mysterious figure of Marcel Duchamp, always approachable, always unreadable. His exhibit of a urinal, which he called Fountain, briefly shocked the New York art world before falling, like its perpetrator, into obscurity. Many people (of both sexes) were in love with Duchamp. Henri-Pierre Roché and Beatrice Wood were among them; they were also, briefly, and (for her) life-changingly, in love with each other. Both kept daily diaries, which give an intimate picture of the events of those years. Or rather two pictures--for the views they offer, including of their own love affair, are stunningly divergent. Spellbound by Marcel follows Duchamp, Roché, and Beatrice as they traverse the twentieth century. Roché became the author of Jules and Jim, made into a classic film by François Truffaut. Beatrice became a celebrated ceramicist. Duchamp fell into chess-playing obscurity until, decades later, he became famous for a second time--as Fountain was elected the twentieth century's most influential artwork"--Book jacket flap | |
| 600 | 1 | 7 | |a Duchamp, Marcel |d 1887-1968 |0 (DE-588)11852772X |2 gnd |9 rswk-swf |
| 653 | 1 | |a Duchamp, Marcel / 1887-1968 | |
| 653 | 1 | |a Duchamp, Marcel / 1887-1968 / Biography | |
| 653 | 1 | |a Duchamp, Marcel / 1887-1968 / Friends and associates | |
| 653 | 1 | |a Roché, Henri Pierre / 1879-1959 | |
| 653 | 1 | |a Wood, Beatrice | |
| 653 | 0 | |a Artists / France / 20th century | |
| 653 | 0 | |a Authors / 20th century | |
| 653 | 0 | |a Artistes / France / 20e siècle | |
| 653 | 0 | |a Écrivains / 20e siècle | |
| 653 | 1 | |a Duchamp, Marcel / 1887-1968 | |
| 653 | 1 | |a Roché, Henri Pierre / 1879-1959 | |
| 653 | 1 | |a Wood, Beatrice | |
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Datensatz im Suchindex
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| author | Brandon, Ruth 1943- |
| author_GND | (DE-588)188421750 |
| author_facet | Brandon, Ruth 1943- |
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| bvnumber | BV048256200 |
| contents | Introduction -- Part one: Prewar. The Armory Show, 1913 ; Marcel, 1912 -- Part two: Wartime. Marcel, 1915 ; Marcel, New York, 1915 ; Beatrice, 1916 ; Artistic life, New York, 1916 ; Pierre, 1917 ; The Blind Man ; Mr. Mutt's foundation ; Beatrice's sentimental education ; The buddha of the bathroom ; Pierre's American loves, 1917 ; Leaving New York 1: Beatrice ; Leaving New York 2: Pierre ; Leaving New York 3: Marcel -- Part three: Between continents. Marcel, Paris, 1919 ; True love: Man Ray, Picabia, Pierre, and Marcel ; Mary ; Marcel married: Paris, 1927 ; Marcel discovers love -- Part four: Late fame. Beatrice ; Pierre ; Marcel ; Surviving Marcel |
| ctrlnum | (OCoLC)1322838215 (DE-599)BVBBV048256200 |
| edition | First Pegasus Books cloth edition |
| format | Book |
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| genre_facet | Biografie |
| id | DE-604.BV048256200 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:58:30Z |
| indexdate | 2024-07-10T09:33:16Z |
| institution | BVB |
| isbn | 9781643138619 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033636434 |
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| physical | XII, 241 Seiten, 16 ungezählte Seiten Tafeln Illustrationen 24 cm |
| publishDate | 2022 |
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| publisher | Pegasus Books |
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| spelling | Brandon, Ruth 1943- Verfasser (DE-588)188421750 aut Spellbound by Marcel Duchamp, love, and art Ruth Brandon First Pegasus Books cloth edition New York ; London Pegasus Books March 2022 XII, 241 Seiten, 16 ungezählte Seiten Tafeln Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Introduction -- Part one: Prewar. The Armory Show, 1913 ; Marcel, 1912 -- Part two: Wartime. Marcel, 1915 ; Marcel, New York, 1915 ; Beatrice, 1916 ; Artistic life, New York, 1916 ; Pierre, 1917 ; The Blind Man ; Mr. Mutt's foundation ; Beatrice's sentimental education ; The buddha of the bathroom ; Pierre's American loves, 1917 ; Leaving New York 1: Beatrice ; Leaving New York 2: Pierre ; Leaving New York 3: Marcel -- Part three: Between continents. Marcel, Paris, 1919 ; True love: Man Ray, Picabia, Pierre, and Marcel ; Mary ; Marcel married: Paris, 1927 ; Marcel discovers love -- Part four: Late fame. Beatrice ; Pierre ; Marcel ; Surviving Marcel "In 1915, a group of French artists fled war-torn Europe for New York. In the few months between their arrival--and America's entry into the war in April 1917--they pushed back the boundaries of the possible, in both life and art. The vortex of this transformation was the apartment at 33 West 67th Street, owned by Walter and Louise Arensberg, where artists and poets met nightly to talk, eat, drink, discuss each others' work, play chess, plan balls, organise magazines and exhibitions, and fall in and out of love. At the center of all this activity stood the mysterious figure of Marcel Duchamp, always approachable, always unreadable. His exhibit of a urinal, which he called Fountain, briefly shocked the New York art world before falling, like its perpetrator, into obscurity. Many people (of both sexes) were in love with Duchamp. Henri-Pierre Roché and Beatrice Wood were among them; they were also, briefly, and (for her) life-changingly, in love with each other. Both kept daily diaries, which give an intimate picture of the events of those years. Or rather two pictures--for the views they offer, including of their own love affair, are stunningly divergent. Spellbound by Marcel follows Duchamp, Roché, and Beatrice as they traverse the twentieth century. Roché became the author of Jules and Jim, made into a classic film by François Truffaut. Beatrice became a celebrated ceramicist. Duchamp fell into chess-playing obscurity until, decades later, he became famous for a second time--as Fountain was elected the twentieth century's most influential artwork"--Book jacket flap Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd rswk-swf Duchamp, Marcel / 1887-1968 Duchamp, Marcel / 1887-1968 / Biography Duchamp, Marcel / 1887-1968 / Friends and associates Roché, Henri Pierre / 1879-1959 Wood, Beatrice Artists / France / 20th century Authors / 20th century Artistes / France / 20e siècle Écrivains / 20e siècle Artists Authors Friendship France 1900-1999 Biography Biographies (DE-588)4006804-3 Biografie gnd-content Duchamp, Marcel 1887-1968 (DE-588)11852772X p DE-604 |
| spellingShingle | Brandon, Ruth 1943- Spellbound by Marcel Duchamp, love, and art Introduction -- Part one: Prewar. The Armory Show, 1913 ; Marcel, 1912 -- Part two: Wartime. Marcel, 1915 ; Marcel, New York, 1915 ; Beatrice, 1916 ; Artistic life, New York, 1916 ; Pierre, 1917 ; The Blind Man ; Mr. Mutt's foundation ; Beatrice's sentimental education ; The buddha of the bathroom ; Pierre's American loves, 1917 ; Leaving New York 1: Beatrice ; Leaving New York 2: Pierre ; Leaving New York 3: Marcel -- Part three: Between continents. Marcel, Paris, 1919 ; True love: Man Ray, Picabia, Pierre, and Marcel ; Mary ; Marcel married: Paris, 1927 ; Marcel discovers love -- Part four: Late fame. Beatrice ; Pierre ; Marcel ; Surviving Marcel Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd |
| subject_GND | (DE-588)11852772X (DE-588)4006804-3 |
| title | Spellbound by Marcel Duchamp, love, and art |
| title_auth | Spellbound by Marcel Duchamp, love, and art |
| title_exact_search | Spellbound by Marcel Duchamp, love, and art |
| title_exact_search_txtP | Spellbound by Marcel Duchamp, love, and art |
| title_full | Spellbound by Marcel Duchamp, love, and art Ruth Brandon |
| title_fullStr | Spellbound by Marcel Duchamp, love, and art Ruth Brandon |
| title_full_unstemmed | Spellbound by Marcel Duchamp, love, and art Ruth Brandon |
| title_short | Spellbound by Marcel |
| title_sort | spellbound by marcel duchamp love and art |
| title_sub | Duchamp, love, and art |
| topic | Duchamp, Marcel 1887-1968 (DE-588)11852772X gnd |
| topic_facet | Duchamp, Marcel 1887-1968 Biografie |
| work_keys_str_mv | AT brandonruth spellboundbymarcelduchamploveandart |