Creativities: the what, how, where, who and why of the creative process
Saved in:
| Main Authors: | , , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cheltenham, UK ; Northampton, Massachusetts
Edward Elgar Publishing
[2022]
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Literaturangaben |
| Physical Description: | xvi, 158 Seiten Illustrationen (teilweise farbig) |
| ISBN: | 9781788979474 9781788979498 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048250377 | ||
| 003 | DE-604 | ||
| 005 | 20241115 | ||
| 007 | t| | ||
| 008 | 220601s2022 xx a||| |||| 00||| eng d | ||
| 020 | |a 9781788979474 |c hardback |9 978-1-78897-947-4 | ||
| 020 | |a 9781788979498 |c paperback |9 978-1-78897-949-8 | ||
| 035 | |a (OCoLC)1334017818 | ||
| 035 | |a (DE-599)BVBBV048250377 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-739 |a DE-355 |a DE-12 |a DE-M382 | ||
| 084 | |a MR 6300 |0 (DE-625)123531: |2 rvk | ||
| 084 | |a QP 210 |0 (DE-625)141841: |2 rvk | ||
| 100 | 1 | |a Bilton, Chris |e Verfasser |0 (DE-588)1054727988 |4 aut | |
| 245 | 1 | 0 | |a Creativities |b the what, how, where, who and why of the creative process |c Chris Bilton (Reader in Creative Industries, Centre for Cultural & Media Policy Studies, University of Warwick, UK), Stephen Cummings (Professor of Strategy and Co-Director of The Atom Innovation Space, Victoria University of Wellington, New Zealand), dt ogilvie (Professor of Urban Entrepreneurship & Economic Development, Saunders College of Business, Rochester Institute of Technology, USA) |
| 264 | 1 | |a Cheltenham, UK ; Northampton, Massachusetts |b Edward Elgar Publishing |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a xvi, 158 Seiten |b Illustrationen (teilweise farbig) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Literaturangaben | ||
| 650 | 0 | 7 | |a Kreativität |0 (DE-588)4032903-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schaffensprozess |0 (DE-588)7633342-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Innovationsmanagement |0 (DE-588)4161817-8 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Kreativität |0 (DE-588)4032903-3 |D s |
| 689 | 0 | 1 | |a Schaffensprozess |0 (DE-588)7633342-5 |D s |
| 689 | 0 | 2 | |a Innovationsmanagement |0 (DE-588)4161817-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Cummings, Stephen |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)17169306X |4 aut | |
| 700 | 0 | |a dt ogilvie |e Verfasser |0 (DE-588)1123730563 |4 aut | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, eBook |z 978-1-78897-948-1 |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033630699&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033630699 | |
Record in the Search Index
| _version_ | 1815808593777131520 |
|---|---|
| adam_text |
CONTENTS Acknowledgements Nigella, Jamie and the process of encouraging creativities The What: what ingredients will you create with? viii ix xii The How: how witt you combine the ingredients? xii The Where: the set-up of the operation in which you wilt create xii The Who: who are your community and your 'users'? xiii The Why: why do you want to be creative? xiii PART I THE WHAT - CREATIVE ELEMENTS 3 4 The 'What' framework: the market crate 1.1 Pushing out: gathering different Recipe 1. Lewis Latimer: tooking beyond the 'light bulb moment' (Menlo Park) 1.2 4 7 Pushing right: using abundance Recipe 2. Royal Shakespeare Company I: Such Tweet Sorrow (Stratford-Upon-Avon) 8 Recipe 3. The Young Vic: networking creativity (London) 11 1.3 13 Pushing in: tradition with a twist and evolvingauthenticity Recipe 4. Peaches Bartkowicz: the twist behind the modern backhand (Louisville) 15 1.4 16 Pushing left: embracing scarcity Recipe 5. Jua kali and jugaad: extraordinary with less (Nairobi and Mumbai) 18 Recipe 6. Ofo Bikes: cheap o!d bikes,with a high-tech twist (Beijing) PART II 20 THE HOW - CREATIVE BLENDS The 'How' framework: blending creative teams using creative leadership 2.1 Creative sifting: putting together the creative team Recipe 7. Leeds United again: Bielsa Ball (Santiago, Bilbao, Marseille, LiUe and Leeds) 2.2 27 29 30 Creative mixing: stirring things up 32 Recipe 8. South Park: animation on speed (Culver City) 2.3 Balancing creativity: resisting excess, achieving an architectural batanee Recipe 9. The Weinstein effect: the dangers of creative excess (Los Angeles) 34 36
37
CREATIVITIES Recipe 10. MIT Buiteling 20: the magical incubator (Boston) 2.4 Creative remixing Recipe 11. Abraham Lincoln: a blend of rivals (Washington, DC) Recipe 12. Royal Shakespeare Company II: remixing the ensemble (Stratford-Upon-Avon) PART III 46 THE WHERE - THE CREATIVE SET-UP The 'Where' framework: the creative bench formation 3.1 The creative M-form: elephants can dance (sort of) Recipe 13. Toyota: dynamic creative capabilities (Toyota City, Japan) 3.2 The creative X-form: in squad we trust Recipe 14. Walt Disney: Dishey's plus (Los Angeles) 3.3 The Star-form: a singular focus Recipe 15. Steve 3obs and the Tiger King: star-centred (San Francisco and Oklahoma) 3.4 The О-form: gather round Recipe 16. Factory Records: coffee table creativity (Manchester, UK) 3.5 Additional forms: organizational hybrids, drawing your 'where', and overcoming creative approach stagnation Recipe 17. Rivigo: relay trucking vs the 37th caste (India) Recipe 18. Skunk Works: a new modus operandi (Palmdale, USA) PART IV 40 42 44 54 55 59 62 64 67 68 70 72 74 75 76 THE WHO - ENGAGING CREATIVE USERS AND COMMUNITIES The 'Who' framework: four circles of co-creation 88 4.1 Joining the circte: from creation to co-creation ,90 Recipe 19. Jack White, Third Man Records: crafting co-creation (Detroit) 91 4.2 Reversing the circle: from one-way to two-way co-creation 94 Recipe 20. Tower Records: a tale of two towers (Japan) 95 Recipe 21. Boomshakalakal: how NBA Jam reinvented basketball· (USA) 98 4.3 Expanding the circİe: from core to periphery Recipe 22. Norway's cultural rucksack: a national
experiment in everyday creativity (Norway) Recipe 23. From Oprah to Shondaland: breaking the network's creative code (USA) 105 4.4 Breaking the circle: from chaos to complexity Recipe 24. The Hartem Shake: who started the virus? (New York or nowhere) 101 102 107 110
CONTENTS PART V THE WHY ֊ CREATIVE PURPOSES 119 119 The 'Why' framework: the creative pathways matrix 5.1 The personal· why Recipe 25. The Beatles: separate whys (UK) 5.2 The productional· why (or how creative products take on a üfe of their own) 5.3 Stepping off: taking the exit ramp 120 124 126 Recipe 26. Ben Jerry's: the accidental· entrepreneurs (Vermont) 127 Hopping on: the creative product as a Launch pad 130 Recipe 27. Papi Jiang: hyper-ordinary creativity (China) 132 5.4 5.5 Selting out: creative new directions 135 Recipe 28. Stanİey Kirk Burrell: Hammer time after time (Oakland, CA) 5.6 139 No exit: creativity trapped Recipe 29. Diego Maradona: creativity cornered (Buenos Aires and Naples) 5.7 5.8 Index 140 Scaling up: doubling down and going for growth Recipe 30. A creative good: the operational· hijab (New ZeaÍand/ The World) Why next? 136 143 144 147 155 |
| adam_txt |
CONTENTS Acknowledgements Nigella, Jamie and the process of encouraging creativities The What: what ingredients will you create with? viii ix xii The How: how witt you combine the ingredients? xii The Where: the set-up of the operation in which you wilt create xii The Who: who are your community and your 'users'? xiii The Why: why do you want to be creative? xiii PART I THE WHAT - CREATIVE ELEMENTS 3 4 The 'What' framework: the market crate 1.1 Pushing out: gathering different Recipe 1. Lewis Latimer: tooking beyond the 'light bulb moment' (Menlo Park) 1.2 4 7 Pushing right: using abundance Recipe 2. Royal Shakespeare Company I: Such Tweet Sorrow (Stratford-Upon-Avon) 8 Recipe 3. The Young Vic: networking creativity (London) 11 1.3 13 Pushing in: tradition with a twist and evolvingauthenticity Recipe 4. Peaches Bartkowicz: the twist behind the modern backhand (Louisville) 15 1.4 16 Pushing left: embracing scarcity Recipe 5. Jua kali and jugaad: extraordinary with less (Nairobi and Mumbai) 18 Recipe 6. Ofo Bikes: cheap o!d bikes,with a high-tech twist (Beijing) PART II 20 THE HOW - CREATIVE BLENDS The 'How' framework: blending creative teams using creative leadership 2.1 Creative sifting: putting together the creative team Recipe 7. Leeds United again: Bielsa Ball (Santiago, Bilbao, Marseille, LiUe and Leeds) 2.2 27 29 30 Creative mixing: stirring things up 32 Recipe 8. South Park: animation on speed (Culver City) 2.3 Balancing creativity: resisting excess, achieving an architectural batanee Recipe 9. The Weinstein effect: the dangers of creative excess (Los Angeles) 34 36
37
CREATIVITIES Recipe 10. MIT Buiteling 20: the magical incubator (Boston) 2.4 Creative remixing Recipe 11. Abraham Lincoln: a blend of rivals (Washington, DC) Recipe 12. Royal Shakespeare Company II: remixing the ensemble (Stratford-Upon-Avon) PART III 46 THE WHERE - THE CREATIVE SET-UP The 'Where' framework: the creative bench formation 3.1 The creative M-form: elephants can dance (sort of) Recipe 13. Toyota: dynamic creative capabilities (Toyota City, Japan) 3.2 The creative X-form: in squad we trust Recipe 14. Walt Disney: Dishey's plus (Los Angeles) 3.3 The Star-form: a singular focus Recipe 15. Steve 3obs and the Tiger King: star-centred (San Francisco and Oklahoma) 3.4 The О-form: gather round Recipe 16. Factory Records: coffee table creativity (Manchester, UK) 3.5 Additional forms: organizational hybrids, drawing your 'where', and overcoming creative approach stagnation Recipe 17. Rivigo: relay trucking vs the 37th caste (India) Recipe 18. Skunk Works: a new modus operandi (Palmdale, USA) PART IV 40 42 44 54 55 59 62 64 67 68 70 72 74 75 76 THE WHO - ENGAGING CREATIVE USERS AND COMMUNITIES The 'Who' framework: four circles of co-creation 88 4.1 Joining the circte: from creation to co-creation ,90 Recipe 19. Jack White, Third Man Records: crafting co-creation (Detroit) 91 4.2 Reversing the circle: from one-way to two-way co-creation 94 Recipe 20. Tower Records: a tale of two towers (Japan) 95 Recipe 21. Boomshakalakal: how NBA Jam reinvented basketball· (USA) 98 4.3 Expanding the circİe: from core to periphery Recipe 22. Norway's cultural rucksack: a national
experiment in everyday creativity (Norway) Recipe 23. From Oprah to Shondaland: breaking the network's creative code (USA) 105 4.4 Breaking the circle: from chaos to complexity Recipe 24. The Hartem Shake: who started the virus? (New York or nowhere) 101 102 107 110
CONTENTS PART V THE WHY ֊ CREATIVE PURPOSES 119 119 The 'Why' framework: the creative pathways matrix 5.1 The personal· why Recipe 25. The Beatles: separate whys (UK) 5.2 The productional· why (or how creative products take on a üfe of their own) 5.3 Stepping off: taking the exit ramp 120 124 126 Recipe 26. Ben Jerry's: the accidental· entrepreneurs (Vermont) 127 Hopping on: the creative product as a Launch pad 130 Recipe 27. Papi Jiang: hyper-ordinary creativity (China) 132 5.4 5.5 Selting out: creative new directions 135 Recipe 28. Stanİey Kirk Burrell: Hammer time after time (Oakland, CA) 5.6 139 No exit: creativity trapped Recipe 29. Diego Maradona: creativity cornered (Buenos Aires and Naples) 5.7 5.8 Index 140 Scaling up: doubling down and going for growth Recipe 30. A creative good: the operational· hijab (New ZeaÍand/ The World) Why next? 136 143 144 147 155 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Bilton, Chris Cummings, Stephen ca. 20./21. Jh dt ogilvie |
| author_GND | (DE-588)1054727988 (DE-588)17169306X (DE-588)1123730563 |
| author_facet | Bilton, Chris Cummings, Stephen ca. 20./21. Jh dt ogilvie |
| author_role | aut aut aut |
| author_sort | Bilton, Chris |
| author_variant | c b cb s c sc d o do |
| building | Verbundindex |
| bvnumber | BV048250377 |
| classification_rvk | MR 6300 QP 210 |
| ctrlnum | (OCoLC)1334017818 (DE-599)BVBBV048250377 |
| discipline | Soziologie Wirtschaftswissenschaften |
| discipline_str_mv | Soziologie Wirtschaftswissenschaften |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV048250377</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241115</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">220601s2022 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781788979474</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-78897-947-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781788979498</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-78897-949-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1334017818</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048250377</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-739</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-M382</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MR 6300</subfield><subfield code="0">(DE-625)123531:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">QP 210</subfield><subfield code="0">(DE-625)141841:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bilton, Chris</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1054727988</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Creativities</subfield><subfield code="b">the what, how, where, who and why of the creative process</subfield><subfield code="c">Chris Bilton (Reader in Creative Industries, Centre for Cultural & Media Policy Studies, University of Warwick, UK), Stephen Cummings (Professor of Strategy and Co-Director of The Atom Innovation Space, Victoria University of Wellington, New Zealand), dt ogilvie (Professor of Urban Entrepreneurship & Economic Development, Saunders College of Business, Rochester Institute of Technology, USA)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cheltenham, UK ; Northampton, Massachusetts</subfield><subfield code="b">Edward Elgar Publishing</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvi, 158 Seiten</subfield><subfield code="b">Illustrationen (teilweise farbig)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Literaturangaben</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kreativität</subfield><subfield code="0">(DE-588)4032903-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schaffensprozess</subfield><subfield code="0">(DE-588)7633342-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Innovationsmanagement</subfield><subfield code="0">(DE-588)4161817-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kreativität</subfield><subfield code="0">(DE-588)4032903-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Schaffensprozess</subfield><subfield code="0">(DE-588)7633342-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Innovationsmanagement</subfield><subfield code="0">(DE-588)4161817-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cummings, Stephen</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)17169306X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="0" ind2=" "><subfield code="a">dt ogilvie</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1123730563</subfield><subfield code="4">aut</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, eBook</subfield><subfield code="z">978-1-78897-948-1</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033630699&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033630699</subfield></datafield></record></collection> |
| id | DE-604.BV048250377 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:56:55Z |
| indexdate | 2024-11-15T17:00:19Z |
| institution | BVB |
| isbn | 9781788979474 9781788979498 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033630699 |
| oclc_num | 1334017818 |
| open_access_boolean | |
| owner | DE-739 DE-355 DE-BY-UBR DE-12 DE-M382 |
| owner_facet | DE-739 DE-355 DE-BY-UBR DE-12 DE-M382 |
| physical | xvi, 158 Seiten Illustrationen (teilweise farbig) |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edward Elgar Publishing |
| record_format | marc |
| spelling | Bilton, Chris Verfasser (DE-588)1054727988 aut Creativities the what, how, where, who and why of the creative process Chris Bilton (Reader in Creative Industries, Centre for Cultural & Media Policy Studies, University of Warwick, UK), Stephen Cummings (Professor of Strategy and Co-Director of The Atom Innovation Space, Victoria University of Wellington, New Zealand), dt ogilvie (Professor of Urban Entrepreneurship & Economic Development, Saunders College of Business, Rochester Institute of Technology, USA) Cheltenham, UK ; Northampton, Massachusetts Edward Elgar Publishing [2022] © 2022 xvi, 158 Seiten Illustrationen (teilweise farbig) txt rdacontent n rdamedia nc rdacarrier Literaturangaben Kreativität (DE-588)4032903-3 gnd rswk-swf Schaffensprozess (DE-588)7633342-5 gnd rswk-swf Innovationsmanagement (DE-588)4161817-8 gnd rswk-swf Kreativität (DE-588)4032903-3 s Schaffensprozess (DE-588)7633342-5 s Innovationsmanagement (DE-588)4161817-8 s DE-604 Cummings, Stephen ca. 20./21. Jh. Verfasser (DE-588)17169306X aut dt ogilvie Verfasser (DE-588)1123730563 aut Erscheint auch als Online-Ausgabe, eBook 978-1-78897-948-1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033630699&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bilton, Chris Cummings, Stephen ca. 20./21. Jh dt ogilvie Creativities the what, how, where, who and why of the creative process Kreativität (DE-588)4032903-3 gnd Schaffensprozess (DE-588)7633342-5 gnd Innovationsmanagement (DE-588)4161817-8 gnd |
| subject_GND | (DE-588)4032903-3 (DE-588)7633342-5 (DE-588)4161817-8 |
| title | Creativities the what, how, where, who and why of the creative process |
| title_auth | Creativities the what, how, where, who and why of the creative process |
| title_exact_search | Creativities the what, how, where, who and why of the creative process |
| title_exact_search_txtP | Creativities the what, how, where, who and why of the creative process |
| title_full | Creativities the what, how, where, who and why of the creative process Chris Bilton (Reader in Creative Industries, Centre for Cultural & Media Policy Studies, University of Warwick, UK), Stephen Cummings (Professor of Strategy and Co-Director of The Atom Innovation Space, Victoria University of Wellington, New Zealand), dt ogilvie (Professor of Urban Entrepreneurship & Economic Development, Saunders College of Business, Rochester Institute of Technology, USA) |
| title_fullStr | Creativities the what, how, where, who and why of the creative process Chris Bilton (Reader in Creative Industries, Centre for Cultural & Media Policy Studies, University of Warwick, UK), Stephen Cummings (Professor of Strategy and Co-Director of The Atom Innovation Space, Victoria University of Wellington, New Zealand), dt ogilvie (Professor of Urban Entrepreneurship & Economic Development, Saunders College of Business, Rochester Institute of Technology, USA) |
| title_full_unstemmed | Creativities the what, how, where, who and why of the creative process Chris Bilton (Reader in Creative Industries, Centre for Cultural & Media Policy Studies, University of Warwick, UK), Stephen Cummings (Professor of Strategy and Co-Director of The Atom Innovation Space, Victoria University of Wellington, New Zealand), dt ogilvie (Professor of Urban Entrepreneurship & Economic Development, Saunders College of Business, Rochester Institute of Technology, USA) |
| title_short | Creativities |
| title_sort | creativities the what how where who and why of the creative process |
| title_sub | the what, how, where, who and why of the creative process |
| topic | Kreativität (DE-588)4032903-3 gnd Schaffensprozess (DE-588)7633342-5 gnd Innovationsmanagement (DE-588)4161817-8 gnd |
| topic_facet | Kreativität Schaffensprozess Innovationsmanagement |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033630699&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT biltonchris creativitiesthewhathowwherewhoandwhyofthecreativeprocess AT cummingsstephen creativitiesthewhathowwherewhoandwhyofthecreativeprocess AT dtogilvie creativitiesthewhathowwherewhoandwhyofthecreativeprocess |