Imaging the scenes of war: aesthetic crossovers in American visual culture
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bielefeld
transcript
[2022]
|
| Schriftenreihe: | American culture studies
volume 38 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 157 Seiten Illustrationen 22.5 cm x 14.8 cm, 258 g |
| ISBN: | 9783837662023 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | ACKNOWLEDGEMENTS
....................................................................................................
7
INTRODUCTION
..................................................................................................................
9
1
TRAUMA
NARRATIVES,
MIXED
MEDIA,
AND
THE
MEDITATION
ON
THE
INVISIBLE
..
15
TWO
PHOTOGRAPHS
........................................................................................................
15
CONCEPTUALIZING
MIXED
MEDIA
.....................................................................................
18
HEMINGWAY,
CRANE,
AND
THE
DIALECTIC
OF
WOUND
CULTURES
.......................................
20
PAINTING,
PHOTOGRAPHY,
AND
WORLD
WAR
II
...................................................................
24
MIXING
DIGITAL
AND
ANALOGUE
MEDIA
.........................................................................
27
THE
PRACTICE
OF
WITNESSING
........................................................................................
31
2
IMAGING
AXIS
TERROR:
WAR
PROPAGANDA
AND
THE
1943
THE
NATURE
OF
THE
ENEMY
EXHIBITION
AT
ROCKEFELLER
CENTER
.......................
35
FIGHTING
THE
NAZI
METHOD
.........................................................................................
36
THE
NATURE
OF
THE
ENEMY
EXHIBITION
AT
ROCKEFELLER
CENTER
......................................
41
EMPATHY
VS.
VICARIOUS
EXPERIENCE
...........................................................................
46
CONCENTRATION
CAMPS
ON
DISPLAY
...............................................................................
50
FRAMING
THE
HORRORS
OF
WAR
........................................................................................
54
3
IN
SEARCH
OF
A
COMMON
VISION:
BEN
SHAHN,
PHOTOGRAPHY,
AND
THE
FAMILY
OF
MAN
EXHIBITION
IN
1955
............................................
61
THE
ART
OF
PHOTOGRAPHY
...............................................................................................
62
PHOTOGRAPHY
VS.
PAINTING:
THE
NEW
YORK
TIMES
DEBATE
..........................................
64
PHOTOGRAPHY
AS
VISIONS
OF
CONTACT
...........................................................................
68
SHAHN S
BOONE
COUNTY
PHOTOGRAPH
.............................................................................
71
CREATING
RELATABLE
SYMBOLS
........................................................................................
78
EMBEDDED
PHOTOGRAPHS:
ITALIAN
LANDSCAPE
(1943/44)
.............................................
81
4
TRANSNATIONAL
ROMANCE:
LOVE
AND
POLITICS
IN
THE
CINEMA
OF
THE
1930S
AND
1940S
............................................................................
91
ROMANCE,
TRANSNATIONALISM,
AND
THE
CINEMA
..........................................................
93
PERFORMING
AMERICANNESS
..........................................................................................
95
FANTASIES
OF
LOVE
AND
FREEDOM
.................................................................................
99
CREATING
ROMANTIC
COUPLES
....................................................................................
103
5
POETRY
AND
FILM,
FILM
AS
POETRY:
NOTES
ON
A
HISTORY
OF
CREATIVE
INTERACTIONS
........................................................................
109
POEMS
ABOUT
THE
CINEMA,
FILMS
ABOUT
POETS
.........................................................
ILL
POETRY
AS
A
NARRATIVE
ELEMENT
..................................................................................
113
FILMS
AS
POETRY
...........................................................................................................
117
VIDEOPOETRY
..................................................................................................................
119
POETIC
SEQUENCES
.......................................
:
..............................................................
122
6
SCREENING
HOLOCAUST:
AMERICAN
TELEVISION
AND
THE
DISCOURSE
ON
VICTIM
CULTURES
IN
WEST
GERMANY
.................................................
131
PRESENTING
HOLOCAUST
................................................................................................
135
THE
RECEPTION
OF
HOLOCAUST
AND
A
NEW
PEDAGOGY
OF
SUFFERING
...........................
137
ENVISIONING
VICTIM
CULTURES
.....................................................................................
143
HOLOCAUST
AND
BEYOND
................................................................................................
147
INDEX
...........................................................................................................................
155
Contents Acknowledgements...................................................... 7 Introduction.................................................................................. 9 1 Trauma Narratives, Mixed Media, and the Meditation on the Invisible .. 15 Two Photographs........................................................................... 15 Conceptualizing Mixed Media................................... 18 Hemingway, Crane, and the Dialectic of Wound Cultures............................ 20 Painting, Photography, and World War II...................... 24 Mixing Digital and Analogue Media....................................................... 27 The Practice of Witnessing................................................................ 31 2 Imaging Axis Terror: War Propaganda and the 1943 The Nature of the Enemy Exhibition at Rockefeller Center................. 35 Fighting the “Nazi Method ................................................................ 36 The Nature of the Enemy Exhibition at Rockefeller Center........................... 41 Empathy vs. Vicarious Experience...................................................... 46 Concentration Camps on Display......................................................... 50 Framing the Horrors of War............................................................... 54 In Search of a Common Vision: Ben Shahn, Photography, and The Family of Han Exhibition in 1955................................ 61 The Art of Photography............................................................ 62 Photography vs. Painting: The New York Times
Debate............................... 64 Photography as Visions of Contact....................................................... 68 3
Shahn s Boone County Photograph.......................................................... 71 Creating Relatable Symbols.................................................................. 78 Embedded Photographs: Italian Landscape (1943/44).................................. 81 4 Transnational Romance: Love and Politics in the Cinema of the 1930s and 1940s......................................................... 91 Romance, Transnationalism, and the Cinema............................................ 93 Performing Americanness.................................................................... 95 Fantasies of Love and Freedom............................................................. 99 Creating Romantic Couples............................................................... 103 Poetry and Film, Film as Poetry: Notes on a History of Creative Interactions..................................................... 109 Poems About the Cinema, Films About Poets ..................... 111 Poetry as a Narrative Element .......................................................... 113 Filmsas Poetry.......... .......................................................... ;.......... 117 Videopoetry...................................................................................... 119 Poetic Sequences............................................................................. 122 5 Screening Holocaust: American Television and the Discourse on *Victim Cultures in West Germany.................................... 131 Presenting
Holocaust........................................................................ 135 The Reception of Holocaust anda New Pedagogy of Suffering............. ........ 137 Envisioning Victim Cultures............. ...... ........................................... 143 Holocaust and Beyond........................................................................ 147 6 Index............................................................................................. 155
|
| adam_txt |
ACKNOWLEDGEMENTS
.
7
INTRODUCTION
.
9
1
TRAUMA
NARRATIVES,
MIXED
MEDIA,
AND
THE
MEDITATION
ON
THE
INVISIBLE
.
15
TWO
PHOTOGRAPHS
.
15
CONCEPTUALIZING
MIXED
MEDIA
.
18
HEMINGWAY,
CRANE,
AND
THE
DIALECTIC
OF
WOUND
CULTURES
.
20
PAINTING,
PHOTOGRAPHY,
AND
WORLD
WAR
II
.
24
MIXING
DIGITAL
AND
ANALOGUE
MEDIA
.
27
THE
PRACTICE
OF
WITNESSING
.
31
2
IMAGING
AXIS
TERROR:
WAR
PROPAGANDA
AND
THE
1943
THE
NATURE
OF
THE
ENEMY
EXHIBITION
AT
ROCKEFELLER
CENTER
.
35
FIGHTING
THE
"NAZI
METHOD"
.
36
THE
NATURE
OF
THE
ENEMY
EXHIBITION
AT
ROCKEFELLER
CENTER
.
41
EMPATHY
VS.
VICARIOUS
EXPERIENCE
.
46
CONCENTRATION
CAMPS
ON
DISPLAY
.
50
FRAMING
THE
HORRORS
OF
WAR
.
54
3
IN
SEARCH
OF
A
COMMON
VISION:
BEN
SHAHN,
PHOTOGRAPHY,
AND
THE
FAMILY
OF
MAN
EXHIBITION
IN
1955
.
61
THE
ART
OF
PHOTOGRAPHY
.
62
PHOTOGRAPHY
VS.
PAINTING:
THE
NEW
YORK
TIMES
DEBATE
.
64
PHOTOGRAPHY
AS
VISIONS
OF
CONTACT
.
68
SHAHN'S
BOONE
COUNTY
PHOTOGRAPH
.
71
CREATING
RELATABLE
SYMBOLS
.
78
EMBEDDED
PHOTOGRAPHS:
ITALIAN
LANDSCAPE
(1943/44)
.
81
4
TRANSNATIONAL
ROMANCE:
LOVE
AND
POLITICS
IN
THE
CINEMA
OF
THE
1930S
AND
1940S
.
91
ROMANCE,
TRANSNATIONALISM,
AND
THE
CINEMA
.
93
PERFORMING
AMERICANNESS
.
95
FANTASIES
OF
LOVE
AND
FREEDOM
.
99
CREATING
ROMANTIC
COUPLES
.
103
5
POETRY
AND
FILM,
FILM
AS
POETRY:
NOTES
ON
A
HISTORY
OF
CREATIVE
INTERACTIONS
.
109
POEMS
ABOUT
THE
CINEMA,
FILMS
ABOUT
POETS
.
ILL
POETRY
AS
A
NARRATIVE
ELEMENT
.
113
FILMS
AS
POETRY
.
117
VIDEOPOETRY
.
119
POETIC
SEQUENCES
.
:
.
122
6
SCREENING
HOLOCAUST:
AMERICAN
TELEVISION
AND
THE
DISCOURSE
ON
'VICTIM
CULTURES'
IN
WEST
GERMANY
.
131
PRESENTING
HOLOCAUST
.
135
THE
RECEPTION
OF
HOLOCAUST
AND
A
NEW
PEDAGOGY
OF
SUFFERING
.
137
ENVISIONING
VICTIM
CULTURES
.
143
HOLOCAUST
AND
BEYOND
.
147
INDEX
.
155
Contents Acknowledgements. 7 Introduction. 9 1 Trauma Narratives, Mixed Media, and the Meditation on the Invisible . 15 Two Photographs. 15 Conceptualizing Mixed Media. 18 Hemingway, Crane, and the Dialectic of Wound Cultures. 20 Painting, Photography, and World War II. 24 Mixing Digital and Analogue Media. 27 The Practice of Witnessing. 31 2 Imaging Axis Terror: War Propaganda and the 1943 The Nature of the Enemy Exhibition at Rockefeller Center. 35 Fighting the “Nazi Method". 36 The Nature of the Enemy Exhibition at Rockefeller Center. 41 Empathy vs. Vicarious Experience. 46 Concentration Camps on Display. 50 Framing the Horrors of War. 54 In Search of a Common Vision: Ben Shahn, Photography, and The Family of Han Exhibition in 1955. 61 The Art of Photography. 62 Photography vs. Painting: The New York Times
Debate. 64 Photography as Visions of Contact. 68 3
Shahn's Boone County Photograph. 71 Creating Relatable Symbols. 78 Embedded Photographs: Italian Landscape (1943/44). 81 4 Transnational Romance: Love and Politics in the Cinema of the 1930s and 1940s. 91 Romance, Transnationalism, and the Cinema. 93 Performing Americanness. 95 Fantasies of Love and Freedom. 99 Creating Romantic Couples. 103 Poetry and Film, Film as Poetry: Notes on a History of Creative Interactions. 109 Poems About the Cinema, Films About Poets . 111 Poetry as a Narrative Element . 113 Filmsas Poetry. . ;. 117 Videopoetry. 119 Poetic Sequences. 122 5 Screening Holocaust: American Television and the Discourse on *Victim Cultures' in West Germany. 131 Presenting
Holocaust. 135 The Reception of Holocaust anda New Pedagogy of Suffering. . 137 Envisioning Victim Cultures. . . 143 Holocaust and Beyond. 147 6 Index. 155 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Decker, Christof |
| author_GND | (DE-588)128367598 |
| author_facet | Decker, Christof |
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| ctrlnum | (OCoLC)1294508984 (DE-599)DNB1250593565 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1930-1950 gnd |
| era_facet | Geschichte 1930-1950 |
| format | Book |
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| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV048247801 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:56:19Z |
| indexdate | 2024-07-10T09:33:02Z |
| institution | BVB |
| isbn | 9783837662023 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033628158 |
| oclc_num | 1294508984 |
| open_access_boolean | |
| owner | DE-824 DE-355 DE-BY-UBR DE-19 DE-BY-UBM DE-703 |
| owner_facet | DE-824 DE-355 DE-BY-UBR DE-19 DE-BY-UBM DE-703 |
| physical | 157 Seiten Illustrationen 22.5 cm x 14.8 cm, 258 g |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | transcript |
| record_format | marc |
| series | American culture studies |
| series2 | American culture studies |
| spelling | Decker, Christof Verfasser (DE-588)128367598 aut Imaging the scenes of war aesthetic crossovers in American visual culture Christof Decker Bielefeld transcript [2022] © 2022 157 Seiten Illustrationen 22.5 cm x 14.8 cm, 258 g txt rdacontent n rdamedia nc rdacarrier American culture studies volume 38 Geschichte 1930-1950 gnd rswk-swf Zerstörung Motiv (DE-588)4222883-9 gnd rswk-swf Krieg Motiv (DE-588)4136410-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Film Photography Visual Culture World War II USA Media America Image American Studies Visual Studies Cultural Studies USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Krieg Motiv (DE-588)4136410-7 s Zerstörung Motiv (DE-588)4222883-9 s Geschichte 1930-1950 z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-3-8394-6202-7 (DE-604)BV048268663 American culture studies volume 38 (DE-604)BV039594852 38 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033628158&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033628158&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20220129 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Decker, Christof Imaging the scenes of war aesthetic crossovers in American visual culture American culture studies Zerstörung Motiv (DE-588)4222883-9 gnd Krieg Motiv (DE-588)4136410-7 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4222883-9 (DE-588)4136410-7 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | Imaging the scenes of war aesthetic crossovers in American visual culture |
| title_auth | Imaging the scenes of war aesthetic crossovers in American visual culture |
| title_exact_search | Imaging the scenes of war aesthetic crossovers in American visual culture |
| title_exact_search_txtP | Imaging the scenes of war aesthetic crossovers in American visual culture |
| title_full | Imaging the scenes of war aesthetic crossovers in American visual culture Christof Decker |
| title_fullStr | Imaging the scenes of war aesthetic crossovers in American visual culture Christof Decker |
| title_full_unstemmed | Imaging the scenes of war aesthetic crossovers in American visual culture Christof Decker |
| title_short | Imaging the scenes of war |
| title_sort | imaging the scenes of war aesthetic crossovers in american visual culture |
| title_sub | aesthetic crossovers in American visual culture |
| topic | Zerstörung Motiv (DE-588)4222883-9 gnd Krieg Motiv (DE-588)4136410-7 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Zerstörung Motiv Krieg Motiv Film USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033628158&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033628158&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV039594852 |
| work_keys_str_mv | AT deckerchristof imagingthescenesofwaraestheticcrossoversinamericanvisualculture |
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