The "white" mask and the "gypsy" mask in film:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg
Heidelberg University Publishing
2022
|
| Schriftenreihe: | Interdisciplinary studies in antigypsyism
volume 3 |
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext Inhaltsverzeichnis |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9783968221311 |
| DOI: | 10.17885/heiup.989 |
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| 245 | 1 | 0 | |a The "white" mask and the "gypsy" mask in film |c Radmila Mladenova |
| 246 | 1 | 3 | |a The ‘white’ mask and the ‘gypsy’ mask in film |
| 264 | 1 | |a Heidelberg |b Heidelberg University Publishing |c 2022 | |
| 300 | |a 1 Online-Ressource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 1 | |a Interdisciplinary studies in antigypsyism |v volume 3 | |
| 502 | |b Dissertation |c Universität Heidelberg |d 2021 | ||
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Datensatz im Suchindex
| _version_ | 1813306106345160704 |
|---|---|
| adam_text |
TABLE
OF
CONTENTS
PREFACE
XI
ACKNOWLEDGEMENTS
XV
ABSTRACT
XIX
1
TWO
MASKS,
ONE
CULTURAL
CONSCIOUSNESS
1
THEORETICAL
BACKGROUND
1.1
THE
ALTERNATIVE
ENDING
IN
EMIR
KUSTURICA
'
S
FILM
1
TIME
OF
THE
GYPSIES
(1988)
AS
AN
INTRODUCTION
1.2
THE
MASK
AS
A
WORKING
CONCEPT
7
1.3
THE
SEMIOSPHERE:
YURI
LOTMAN
'
S
DIALOGIC
MODEL
OF
CULTURE
1
1
1.3.1
CULTURAL
CENTRE
AND
PERIPHERY
13
1.3.2
CULTURAL
BOUNDARY
14
1.3.3
NORM
FACE
AND
ANTI-FACE
16
1.4
THE
'
WHITE
'
MASK
OR
THE
ASPIRATIONAL
IDEAL
OF
'
WHITENESS
'
20
1.4.1
THE
VISUAL
RHETORIC
OF
WHITENESS
26
1.4.2
WHITENESS
AS
AN
AESTHETIC
TECHNOLOGY
29
1.5
THE
DYNAMIC
PRINCIPLE
OF
THE
'
WHITE
'
MASK
AND
30
THE
DYNAMIC
PRINCIPLE
OF
THE
'
GYPSY
'
MASK
2
ON
THE
FILM
CORPUS
41
2.1
THE
CORPUS
STRUCTURE
AND
SELECTION
CRITERIA
41
2.2
QUANTITATIVE
DESCRIPTION
44
2.3
SOURCES
OF
INFORMATION
47
2.4
THE
CORPUS
BUILDING
IN
RETROSPECT
48
VII
3
THE
LITERARY MOTIF
OF
CHILD-STEALING
'
GYPSIES
'
AND
SILENT
FILM
51
3.1
THE
SYMBOLISM
OF
LIGHT
AND
COLOUR
IN
THE
ADVENTURES
OFDOLLIE
AND
ZIGEUNEREN
RAPHAEL
53
3.1.1
THE
ADVENTURES
OFDOLLIE
(1908),
USA
55
3.1.2
LUCRATIVE
LITERARY
MOTIF
59
3.1.3
ZIGEUNEREN
RAPHAEL
(1914),
DENMARK
62
3.2
THE
MOTIF
OF
'
GYPSY
'
CHILD-THEFT
IN
SILENT
FILM
71
3.3
THE
MOTIF
'
S
LITERARY
ROOTS:
"
LA
GITANILLA
"
(1613),
SPAIN
73
3.4
STOCK
CHARACTERS
IN
AN
IMPROBABLE
STORY
81
3.4.1
THE
DISCIPLINARY
MESSAGE
OF
THE
BOHEMIAN
GIRL
(1936),
USA
84
3.5
MASQUERADE
AT
A
STAND-STILL:
FOUR
CINEMATIC
VERSIONS
OF
THE
HUNCHBACK
OF
NOTRE-DAME
88
3.6
CONCLUSION
95
4
THE
PHENOMENON
OF
'
GYPSY
'
-THEMED
FILMS
AND
THEIR
TECHNOLOGY
OF
TRUTH
PRODUCTION
97
4.1
THE
RACIALISING
AESTHETICS
OF
AUTHENTICATION
DESCRIBED
AS
A
LIST
OF
FILMS
98
4.2
QUESTIONING
'GYPSY
'
-THEMED
FILMS
OR
THE
RACIALISING
AESTHETICS
OF
AUTHENTICATION
DESCRIBED
AS
A
TECHNOLOGY
OF
TRUTH
PRODUCTION
106
4.2.1
PRODUCTION
SET-UP
107
4.2.2
CONTENT
ANALYSIS
OF
THE
'
GYPSY
'
MASK:
CHARACTER
PORTRAYAL
AND
PLOT
108
4.2.3
FORMAL
ANALYSIS
OF
THE
'
GYPSY
'
MASK
110
4.2.4
CLAIM
TO
TRUTH
AND
AUTHENTICATION
STRATEGIES
110
4.2.5
FUNCTIONAL
ANALYSIS
OF
THE
'
GYPSY
'
MASK
112
4.2.6
HOW
TO
PRODUCE
A
'
GYPSY
'
-THEMED
FILM
IN
FIVE
STEPS
113
5
PRODUCTION
SET-UP
'
GYPSY
'
-THEMED
FILMS
PARALLELED
TO
BLACKFACE
MINSTRELSY
SHOWS
117
5.1
FILM
DIRECTORS
OF
'
GYPSY
'
-THEMED
FILMS
122
5.2
FICTION
AUTHORS
WITH
A
CONTRIBUTION
TO
'
GYPSY
'
-THEMED
FILMS
125
5.3
CELEBRITY
ACTORS
IN
GYPSYFACE
129
5.4
ROMA
CAST
IN
'
GYPSY
'
-THEMED
FILMS
133
5.4.1
THE
DEVASTATING
EFFECT
OF
FILMMAKING
INTERVENTIONS
135
5.4.2
TYPECASTING
BASED
ON
SKIN
TONE
AND
CONFORMITY
TO
STEREOTYPE
138
5.5
THE
POWER
ADDED
BY
DIGITAL
TECHNOLOGY
142
5.6
CONCLUSION
144
VIII
6
CONTENT
ANALYSIS
OF
THE
'
GYPSY
'
MASK
OR
THE
'
GYPSY
'
MASK
147
AS
A
CLUSTER
OF
ATTRIBUTES
6.1
THE
CONTENT
MATRIX
OF
THE
'
GYPSY
'
MASK
IN
THE
BOHEMIAN
GIRL
(1936):
151
SEQUENCE-BY-SEQUENCE
DESCRIPTION
6.2
THE
CONTENT
MATRIX
OF
THE
'
GYPSY
'
MASK
IN
KING
OF
THE
GYPSIES
(1978):
171
SEQUENCE-BY-SEQUENCE
DESCRIPTION
6.2.1
PLOT
STRUCTURE
AND
GENRE
189
6.2.2
ELEMENTS
OF
FILM
NOIR
AND
THE
MESSAGE
OF
THE
PLOT
192
6.3
THE
'
GYPSY
'
MASK
IN
MOTION
OR
THE
VERTICAL
STORYLINE
198
IN
GYPSY-THEMED
FILMS
7
FORMAL
ANALYSIS
OF
THE
'
GYPSY
'
MASK
OR
THE
'
GYPSY
'
MASK
217
AS
A
SET
OF
CINEMATOGRAPHIC
CONVENTIONS
AND
DEVICES
7.1
COLOUR
SCHEMES
IN
GUCHA
-
DISTANT
TRUMPET
(2006),
SERBIA
219
7.2
EUROPE
'
S
GOLDEN-HAIRED
NATIONS
VS
'
GYPSIES
'
226
7.3
ELEMENTS
OF
VISUAL
STYLE
AND
FACIAL
VISIBILITY
230
7.3.1
FACIAL
VISIBILITY,
CHARACTER
CENTRALITY
AND
WHITE
MAKE-UP
232
IN
GIPSY
ANNE
(1920),
NORWAY
7.3.2
LIGHTING,
FRAMING
AND
FACIAL
VISIBILITY
IN
PAPUSZA
(2013),
POLAND
237
7.3.3
THE
STRATEGY
OF
DIMINISHED
LIGHT
242
7.3.4
THE
FILM
'
S
TAKE
ON
THE
IDEAL
OF
'
WHITENESS
'
243
7.3.5
FACE
LIGHTING
AND
SKIN
COLOUR
248
7.3.6
A
'
GYPSY
'
-THEMED
FILM
RATHER
THAN
A
HISTORICAL
BIOGRAPHY
251
7.4
LIGHTING
SET-UP
AND
SKIN
HUE
IN
COLOUR
FILM
253
7.5
CONCLUSION
255
8
CLAIMS
TO
TRUTH
AND
AUTHENTICATION
STRATEGIES
259
8.1
PARATEXTS
260
8.2
THE
AUDIO-VISUAL
EFFECT
OF
AUTHENTICITY
288
8.2.1
ART
DIRECTION:
COSTUMES
289
8.2.2
ART
DIRECTION:
SETS
298
8.2.3
SOUND
DESIGN:
ROMANI
FOLKLORE/GYPSY
MUSIC
308
8.2.4
SOUND
DESIGN:
VOICE
AND
ROMANI
LANGUAGE
314
8.3
CONCLUSION
317
9
THE
FUNCTIONS
OF
THE
'
GYPSY
'
MASQUERADE
STAGED
IN
FILM
319
9.1
AESTHETIC
FUNCTION
321
9.2
DISCIPLINING
FUNCTION
329
9.3
CARNIVAL
(EXPRESSIVE)
FUNCTION
336
9.4
SUBVERSIVE
FUNCTION
339
IX
9.5
SOCIALLY
INTEGRATIVE
FUNCTION
343
9.6
THE
PHENOMENON
OF
'
GYPSY
'
-THEMED
FILMS
VIEWED
FROM
FIVE
352
DIFFERENT
PERSPECTIVES:
AN
OVERALL
CONCLUSION
10
ANNEXES
357
10.1
ANNEX
I
-
ONLINE
FILM
CATALOGUES,
ARCHIVES
AND
HERITAGE
PLATFORMS
357
10.2
ANNEX
II
-
SILENT
FILMS
WITH
THE
MOTIF
OF
'
GYPSY
'
CHILD-THEFT
358
10.3
ANNEX
III
-
FILM
DIRECTORS
OF
'
GYPSY
'
-THEMED
FILMS
366
10.4
ANNEX
IV
-
LITERARY
SOURCES
OF
'
GYPSY
'
-THEMED
FILMS
367
10.5
ANNEX
V
-
(INTER-)NATIONAL
CELEBRITY
ACTORS
IN
GYPSYFACE
369
11
LIST
OF
ILLUSTRATIONS
371
12
FILMOGRAPHY
13
BIBLIOGRAPHY
14
INDEX
OF
PERSONS
AND
WORKS
379
395
415
X |
| adam_txt |
TABLE
OF
CONTENTS
PREFACE
XI
ACKNOWLEDGEMENTS
XV
ABSTRACT
XIX
1
TWO
MASKS,
ONE
CULTURAL
CONSCIOUSNESS
1
THEORETICAL
BACKGROUND
1.1
THE
ALTERNATIVE
ENDING
IN
EMIR
KUSTURICA
'
S
FILM
1
TIME
OF
THE
GYPSIES
(1988)
AS
AN
INTRODUCTION
1.2
THE
MASK
AS
A
WORKING
CONCEPT
7
1.3
THE
SEMIOSPHERE:
YURI
LOTMAN
'
S
DIALOGIC
MODEL
OF
CULTURE
1
1
1.3.1
CULTURAL
CENTRE
AND
PERIPHERY
13
1.3.2
CULTURAL
BOUNDARY
14
1.3.3
NORM
FACE
AND
ANTI-FACE
16
1.4
THE
'
WHITE
'
MASK
OR
THE
ASPIRATIONAL
IDEAL
OF
'
WHITENESS
'
20
1.4.1
THE
VISUAL
RHETORIC
OF
WHITENESS
26
1.4.2
WHITENESS
AS
AN
AESTHETIC
TECHNOLOGY
29
1.5
THE
DYNAMIC
PRINCIPLE
OF
THE
'
WHITE
'
MASK
AND
30
THE
DYNAMIC
PRINCIPLE
OF
THE
'
GYPSY
'
MASK
2
ON
THE
FILM
CORPUS
41
2.1
THE
CORPUS
STRUCTURE
AND
SELECTION
CRITERIA
41
2.2
QUANTITATIVE
DESCRIPTION
44
2.3
SOURCES
OF
INFORMATION
47
2.4
THE
CORPUS
BUILDING
IN
RETROSPECT
48
VII
3
THE
LITERARY MOTIF
OF
CHILD-STEALING
'
GYPSIES
'
AND
SILENT
FILM
51
3.1
THE
SYMBOLISM
OF
LIGHT
AND
COLOUR
IN
THE
ADVENTURES
OFDOLLIE
AND
ZIGEUNEREN
RAPHAEL
53
3.1.1
THE
ADVENTURES
OFDOLLIE
(1908),
USA
55
3.1.2
LUCRATIVE
LITERARY
MOTIF
59
3.1.3
ZIGEUNEREN
RAPHAEL
(1914),
DENMARK
62
3.2
THE
MOTIF
OF
'
GYPSY
'
CHILD-THEFT
IN
SILENT
FILM
71
3.3
THE
MOTIF
'
S
LITERARY
ROOTS:
"
LA
GITANILLA
"
(1613),
SPAIN
73
3.4
STOCK
CHARACTERS
IN
AN
IMPROBABLE
STORY
81
3.4.1
THE
DISCIPLINARY
MESSAGE
OF
THE
BOHEMIAN
GIRL
(1936),
USA
84
3.5
MASQUERADE
AT
A
STAND-STILL:
FOUR
CINEMATIC
VERSIONS
OF
THE
HUNCHBACK
OF
NOTRE-DAME
88
3.6
CONCLUSION
95
4
THE
PHENOMENON
OF
'
GYPSY
'
-THEMED
FILMS
AND
THEIR
TECHNOLOGY
OF
TRUTH
PRODUCTION
97
4.1
THE
RACIALISING
AESTHETICS
OF
AUTHENTICATION
DESCRIBED
AS
A
LIST
OF
FILMS
98
4.2
QUESTIONING
'GYPSY
'
-THEMED
FILMS
OR
THE
RACIALISING
AESTHETICS
OF
AUTHENTICATION
DESCRIBED
AS
A
TECHNOLOGY
OF
TRUTH
PRODUCTION
106
4.2.1
PRODUCTION
SET-UP
107
4.2.2
CONTENT
ANALYSIS
OF
THE
'
GYPSY
'
MASK:
CHARACTER
PORTRAYAL
AND
PLOT
108
4.2.3
FORMAL
ANALYSIS
OF
THE
'
GYPSY
'
MASK
110
4.2.4
CLAIM
TO
TRUTH
AND
AUTHENTICATION
STRATEGIES
110
4.2.5
FUNCTIONAL
ANALYSIS
OF
THE
'
GYPSY
'
MASK
112
4.2.6
HOW
TO
PRODUCE
A
'
GYPSY
'
-THEMED
FILM
IN
FIVE
STEPS
113
5
PRODUCTION
SET-UP
'
GYPSY
'
-THEMED
FILMS
PARALLELED
TO
BLACKFACE
MINSTRELSY
SHOWS
117
5.1
FILM
DIRECTORS
OF
'
GYPSY
'
-THEMED
FILMS
122
5.2
FICTION
AUTHORS
WITH
A
CONTRIBUTION
TO
'
GYPSY
'
-THEMED
FILMS
125
5.3
CELEBRITY
ACTORS
IN
GYPSYFACE
129
5.4
ROMA
CAST
IN
'
GYPSY
'
-THEMED
FILMS
133
5.4.1
THE
DEVASTATING
EFFECT
OF
FILMMAKING
INTERVENTIONS
135
5.4.2
TYPECASTING
BASED
ON
SKIN
TONE
AND
CONFORMITY
TO
STEREOTYPE
138
5.5
THE
POWER
ADDED
BY
DIGITAL
TECHNOLOGY
142
5.6
CONCLUSION
144
VIII
6
CONTENT
ANALYSIS
OF
THE
'
GYPSY
'
MASK
OR
THE
'
GYPSY
'
MASK
147
AS
A
CLUSTER
OF
ATTRIBUTES
6.1
THE
CONTENT
MATRIX
OF
THE
'
GYPSY
'
MASK
IN
THE
BOHEMIAN
GIRL
(1936):
151
SEQUENCE-BY-SEQUENCE
DESCRIPTION
6.2
THE
CONTENT
MATRIX
OF
THE
'
GYPSY
'
MASK
IN
KING
OF
THE
GYPSIES
(1978):
171
SEQUENCE-BY-SEQUENCE
DESCRIPTION
6.2.1
PLOT
STRUCTURE
AND
GENRE
189
6.2.2
ELEMENTS
OF
FILM
NOIR
AND
THE
MESSAGE
OF
THE
PLOT
192
6.3
THE
'
GYPSY
'
MASK
IN
MOTION
OR
THE
VERTICAL
STORYLINE
198
IN
GYPSY-THEMED
FILMS
7
FORMAL
ANALYSIS
OF
THE
'
GYPSY
'
MASK
OR
THE
'
GYPSY
'
MASK
217
AS
A
SET
OF
CINEMATOGRAPHIC
CONVENTIONS
AND
DEVICES
7.1
COLOUR
SCHEMES
IN
GUCHA
-
DISTANT
TRUMPET
(2006),
SERBIA
219
7.2
EUROPE
'
S
GOLDEN-HAIRED
NATIONS
VS
'
GYPSIES
'
226
7.3
ELEMENTS
OF
VISUAL
STYLE
AND
FACIAL
VISIBILITY
230
7.3.1
FACIAL
VISIBILITY,
CHARACTER
CENTRALITY
AND
WHITE
MAKE-UP
232
IN
GIPSY
ANNE
(1920),
NORWAY
7.3.2
LIGHTING,
FRAMING
AND
FACIAL
VISIBILITY
IN
PAPUSZA
(2013),
POLAND
237
7.3.3
THE
STRATEGY
OF
DIMINISHED
LIGHT
242
7.3.4
THE
FILM
'
S
TAKE
ON
THE
IDEAL
OF
'
WHITENESS
'
243
7.3.5
FACE
LIGHTING
AND
SKIN
COLOUR
248
7.3.6
A
'
GYPSY
'
-THEMED
FILM
RATHER
THAN
A
HISTORICAL
BIOGRAPHY
251
7.4
LIGHTING
SET-UP
AND
SKIN
HUE
IN
COLOUR
FILM
253
7.5
CONCLUSION
255
8
CLAIMS
TO
TRUTH
AND
AUTHENTICATION
STRATEGIES
259
8.1
PARATEXTS
260
8.2
THE
AUDIO-VISUAL
EFFECT
OF
AUTHENTICITY
288
8.2.1
ART
DIRECTION:
COSTUMES
289
8.2.2
ART
DIRECTION:
SETS
298
8.2.3
SOUND
DESIGN:
ROMANI
FOLKLORE/GYPSY
MUSIC
308
8.2.4
SOUND
DESIGN:
VOICE
AND
ROMANI
LANGUAGE
314
8.3
CONCLUSION
317
9
THE
FUNCTIONS
OF
THE
'
GYPSY
'
MASQUERADE
STAGED
IN
FILM
319
9.1
AESTHETIC
FUNCTION
321
9.2
DISCIPLINING
FUNCTION
329
9.3
CARNIVAL
(EXPRESSIVE)
FUNCTION
336
9.4
SUBVERSIVE
FUNCTION
339
IX
9.5
SOCIALLY
INTEGRATIVE
FUNCTION
343
9.6
THE
PHENOMENON
OF
'
GYPSY
'
-THEMED
FILMS
VIEWED
FROM
FIVE
352
DIFFERENT
PERSPECTIVES:
AN
OVERALL
CONCLUSION
10
ANNEXES
357
10.1
ANNEX
I
-
ONLINE
FILM
CATALOGUES,
ARCHIVES
AND
HERITAGE
PLATFORMS
357
10.2
ANNEX
II
-
SILENT
FILMS
WITH
THE
MOTIF
OF
'
GYPSY
'
CHILD-THEFT
358
10.3
ANNEX
III
-
FILM
DIRECTORS
OF
'
GYPSY
'
-THEMED
FILMS
366
10.4
ANNEX
IV
-
LITERARY
SOURCES
OF
'
GYPSY
'
-THEMED
FILMS
367
10.5
ANNEX
V
-
(INTER-)NATIONAL
CELEBRITY
ACTORS
IN
GYPSYFACE
369
11
LIST
OF
ILLUSTRATIONS
371
12
FILMOGRAPHY
13
BIBLIOGRAPHY
14
INDEX
OF
PERSONS
AND
WORKS
379
395
415
X |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Mladenova, Radmila 1977- |
| author_GND | (DE-588)118735502X |
| author_facet | Mladenova, Radmila 1977- |
| author_role | aut |
| author_sort | Mladenova, Radmila 1977- |
| author_variant | r m rm |
| building | Verbundindex |
| bvnumber | BV048247384 |
| classification_rvk | AP 50300 MS 3500 |
| collection | ZDB-94-OAB |
| ctrlnum | (OCoLC)1334060844 (DE-599)DNB1255112948 |
| discipline | Allgemeines Soziologie |
| discipline_str_mv | Allgemeines Soziologie |
| doi_str_mv | 10.17885/heiup.989 |
| format | Thesis Electronic eBook |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV048247384 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:56:10Z |
| indexdate | 2024-10-19T04:04:21Z |
| institution | BVB |
| isbn | 9783968221311 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033627743 |
| oclc_num | 1334060844 |
| open_access_boolean | 1 |
| owner | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| owner_facet | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| physical | 1 Online-Ressource |
| psigel | ZDB-94-OAB |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Heidelberg University Publishing |
| record_format | marc |
| series | Interdisciplinary studies in antigypsyism |
| series2 | Interdisciplinary studies in antigypsyism |
| spellingShingle | Mladenova, Radmila 1977- The "white" mask and the "gypsy" mask in film Interdisciplinary studies in antigypsyism Zigeuner Motiv (DE-588)4225237-4 gnd Antiziganismus (DE-588)4808992-8 gnd Film (DE-588)4017102-4 gnd Maske (DE-588)4037845-7 gnd |
| subject_GND | (DE-588)4225237-4 (DE-588)4808992-8 (DE-588)4017102-4 (DE-588)4037845-7 (DE-588)4113937-9 |
| title | The "white" mask and the "gypsy" mask in film |
| title_alt | The ‘white’ mask and the ‘gypsy’ mask in film |
| title_auth | The "white" mask and the "gypsy" mask in film |
| title_exact_search | The "white" mask and the "gypsy" mask in film |
| title_exact_search_txtP | The "white" mask and the "gypsy" mask in film |
| title_full | The "white" mask and the "gypsy" mask in film Radmila Mladenova |
| title_fullStr | The "white" mask and the "gypsy" mask in film Radmila Mladenova |
| title_full_unstemmed | The "white" mask and the "gypsy" mask in film Radmila Mladenova |
| title_short | The "white" mask and the "gypsy" mask in film |
| title_sort | the white mask and the gypsy mask in film |
| topic | Zigeuner Motiv (DE-588)4225237-4 gnd Antiziganismus (DE-588)4808992-8 gnd Film (DE-588)4017102-4 gnd Maske (DE-588)4037845-7 gnd |
| topic_facet | Zigeuner Motiv Antiziganismus Film Maske Hochschulschrift |
| url | https://doi.org/10.17885/heiup.989 https://directory.doabooks.org/handle/20.500.12854/81854 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033627743&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV046043295 |
| work_keys_str_mv | AT mladenovaradmila thewhitemaskandthegypsymaskinfilm |