A study of the parallels between visual art and music: the big misconception
Standard surveys of 20th century visual art imply that there is a continuity between, say, Rembrandt and Koons, between Caravaggio and Hirst. Even the sharp critics of artists who dominate the contemporary art scene, such as Warhol, Hirst, Ai Weiwei and countless others, imply such a continuity. The...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2019
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| Schlagworte: | |
| Online-Zugang: | KUBA1 |
| Zusammenfassung: | Standard surveys of 20th century visual art imply that there is a continuity between, say, Rembrandt and Koons, between Caravaggio and Hirst. Even the sharp critics of artists who dominate the contemporary art scene, such as Warhol, Hirst, Ai Weiwei and countless others, imply such a continuity. They are all wrong. There is no such continuity, or, more precisely, it is only very weak, at best. This book explains why and how the claims regarding this continuity are false, and how we arrived at this point of great confusion about the arts |
| Beschreibung: | 1 Online-Ressource (xi, 134 Seiten) |
| ISBN: | 9781527543553 |
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| 246 | 1 | 3 | |a A study of the parallels between visual art and music: the big misconception |
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| 505 | 8 | |a Introduction -- Part I. Apparatus -- Part II. Parallels -- Part III. Reflections | |
| 520 | 3 | |a Standard surveys of 20th century visual art imply that there is a continuity between, say, Rembrandt and Koons, between Caravaggio and Hirst. Even the sharp critics of artists who dominate the contemporary art scene, such as Warhol, Hirst, Ai Weiwei and countless others, imply such a continuity. They are all wrong. There is no such continuity, or, more precisely, it is only very weak, at best. This book explains why and how the claims regarding this continuity are false, and how we arrived at this point of great confusion about the arts | |
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| author | Jurečič, Boštjan 1969- |
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| contents | Introduction -- Part I. Apparatus -- Part II. Parallels -- Part III. Reflections |
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| isbn | 9781527543553 |
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| spelling | Jurečič, Boštjan 1969- Verfasser (DE-588)1206704195 aut A study of the parallels between visual art and music the big misconception by Boštjan Jurečič ; translated by Urška Charney A study of the parallels between visual art and music: the big misconception Newcastle upon Tyne, UK Cambridge Scholars Publishing 2019 1 Online-Ressource (xi, 134 Seiten) txt rdacontent c rdamedia cr rdacarrier Introduction -- Part I. Apparatus -- Part II. Parallels -- Part III. Reflections Standard surveys of 20th century visual art imply that there is a continuity between, say, Rembrandt and Koons, between Caravaggio and Hirst. Even the sharp critics of artists who dominate the contemporary art scene, such as Warhol, Hirst, Ai Weiwei and countless others, imply such a continuity. They are all wrong. There is no such continuity, or, more precisely, it is only very weak, at best. This book explains why and how the claims regarding this continuity are false, and how we arrived at this point of great confusion about the arts Visuelle Kunst (DE-588)1064742459 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Geschichtstheorie (DE-588)4132931-4 gnd rswk-swf Art and music Art criticism / 20th century Art criticism Visuelle Kunst (DE-588)1064742459 b Musik (DE-588)4040802-4 s Geschichtstheorie (DE-588)4132931-4 s DE-604 Charney, Urška (DE-588)120701463X trl Erscheint auch als Druck-Ausgabe, Hardcover 978-1-5275-4022-4 Erscheint auch als Druck-Ausgabe 978-1-5275-4022-4 |
| spellingShingle | Jurečič, Boštjan 1969- A study of the parallels between visual art and music the big misconception Introduction -- Part I. Apparatus -- Part II. Parallels -- Part III. Reflections Visuelle Kunst (DE-588)1064742459 gnd Musik (DE-588)4040802-4 gnd Geschichtstheorie (DE-588)4132931-4 gnd |
| subject_GND | (DE-588)1064742459 (DE-588)4040802-4 (DE-588)4132931-4 |
| title | A study of the parallels between visual art and music the big misconception |
| title_alt | A study of the parallels between visual art and music: the big misconception |
| title_auth | A study of the parallels between visual art and music the big misconception |
| title_exact_search | A study of the parallels between visual art and music the big misconception |
| title_exact_search_txtP | A study of the parallels between visual art and music the big misconception |
| title_full | A study of the parallels between visual art and music the big misconception by Boštjan Jurečič ; translated by Urška Charney |
| title_fullStr | A study of the parallels between visual art and music the big misconception by Boštjan Jurečič ; translated by Urška Charney |
| title_full_unstemmed | A study of the parallels between visual art and music the big misconception by Boštjan Jurečič ; translated by Urška Charney |
| title_short | A study of the parallels between visual art and music |
| title_sort | a study of the parallels between visual art and music the big misconception |
| title_sub | the big misconception |
| topic | Visuelle Kunst (DE-588)1064742459 gnd Musik (DE-588)4040802-4 gnd Geschichtstheorie (DE-588)4132931-4 gnd |
| topic_facet | Visuelle Kunst Musik Geschichtstheorie |
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