Ingrid Pollard - carbon slowly turning:
Ingrid Pollard is a British media artist and researcher who has developed a social practice concerned with representation, using portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. While she became known for her photographi...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
[London]
Philip Wilson Publishers
2022
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Schlagworte: | |
Zusammenfassung: | Ingrid Pollard is a British media artist and researcher who has developed a social practice concerned with representation, using portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. While she became known for her photographic series, she has also throughout her career been uncovering unseen and hidden histories in a variety of practices from printmaking, drawing, mixed media and film. Ingrid Pollard: Carbon Slow Turning situates Pollard's practice in a wider context and weaves together her personal story and Caribbean heritage with broader narratives of post war black settlement and photographic history. Continuing the theme of exposing what is hidden, Pollard challenges in her works the representation and derogatory portrayals of the 'black figure'. For four decades, Pollard's important photographic collages have offset traditionally idyllic representations of Britain with unseen legacies of xenophobia and exclusion. Pastoral Interlude (1988) places the Black figure within an imagined picturesque setting, undermining perceptions of 'urban' and 'authentic rural'. Seaside Series (1989) combines cyphers of coastal tourism with stories of historic and contemporary immigration to the UK. More recently, Seventeen of Sixty-Eight (2019) documents how the African body is represented in popular signwriting. Despite Pollard's work being held in several national collections and discussed in every publication on black artists in Britain, the artist is little known to the general public. There is no doubt that her practice and achievements are nationally significant and this first monograph seeks to widen her exposure |
Beschreibung: | Impressum: This publication accompanies the exhibition "Ingrid Pollard: Carbon Slowly Turning" at MK Gallery, Milton Keynes, from 12 March-29 May, 2022. ... organised in partnership with Turner Contemporary, Margate where it is on display from 9 July-25 September, 2022 Includes bibliographical references |
Beschreibung: | 191 Seiten 25 cm |
ISBN: | 1781301190 9781781301197 |
Internformat
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264 | 1 | |a [London] |b Philip Wilson Publishers |c 2022 | |
300 | |a 191 Seiten |c 25 cm | ||
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500 | |a Impressum: This publication accompanies the exhibition "Ingrid Pollard: Carbon Slowly Turning" at MK Gallery, Milton Keynes, from 12 March-29 May, 2022. ... organised in partnership with Turner Contemporary, Margate where it is on display from 9 July-25 September, 2022 | ||
500 | |a Includes bibliographical references | ||
520 | 3 | |a Ingrid Pollard is a British media artist and researcher who has developed a social practice concerned with representation, using portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. While she became known for her photographic series, she has also throughout her career been uncovering unseen and hidden histories in a variety of practices from printmaking, drawing, mixed media and film. Ingrid Pollard: Carbon Slow Turning situates Pollard's practice in a wider context and weaves together her personal story and Caribbean heritage with broader narratives of post war black settlement and photographic history. Continuing the theme of exposing what is hidden, Pollard challenges in her works the representation and derogatory portrayals of the 'black figure'. For four decades, Pollard's important photographic collages have offset traditionally idyllic representations of Britain with unseen legacies of xenophobia and exclusion. Pastoral Interlude (1988) places the Black figure within an imagined picturesque setting, undermining perceptions of 'urban' and 'authentic rural'. Seaside Series (1989) combines cyphers of coastal tourism with stories of historic and contemporary immigration to the UK. More recently, Seventeen of Sixty-Eight (2019) documents how the African body is represented in popular signwriting. Despite Pollard's work being held in several national collections and discussed in every publication on black artists in Britain, the artist is little known to the general public. There is no doubt that her practice and achievements are nationally significant and this first monograph seeks to widen her exposure | |
600 | 1 | 7 | |a Pollard, Ingrid |d 1953- |0 (DE-588)1130793559 |2 gnd |9 rswk-swf |
653 | 1 | |a Pollard, Ingrid / Exhibitions | |
653 | 0 | |a Art, British / 20th century / Exhibitions | |
653 | 0 | |a exhibition catalogs | |
653 | 0 | |a Exhibition catalogs | |
653 | 0 | |a Catalogues d'exposition | |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x MK Gallery |y 12.03.2022-29.05.2022 |z Milton Keynes |2 gnd-content | |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Turner Contemporary |y 09.07.2022-25.09.2022 |z Margate |2 gnd-content | |
655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
689 | 0 | 0 | |a Pollard, Ingrid |d 1953- |0 (DE-588)1130793559 |D p |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Blanchard, Fay |0 (DE-588)1261469623 |4 edt | |
700 | 1 | |a Spira, Anthony |0 (DE-588)1078686068 |4 edt | |
710 | 2 | |a Milton Keynes Gallery |0 (DE-588)10049216-2 |4 his | |
710 | 2 | |a Turner Contemporary |0 (DE-588)10124458-7 |4 his | |
999 | |a oai:aleph.bib-bvb.de:BVB01-033616376 |
Datensatz im Suchindex
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author2 | Blanchard, Fay Spira, Anthony |
author2_role | edt edt |
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author_GND | (DE-588)1130793559 (DE-588)1261469623 (DE-588)1078686068 |
author_facet | Blanchard, Fay Spira, Anthony |
building | Verbundindex |
bvnumber | BV048235759 |
callnumber-first | N - Fine Arts |
callnumber-label | N6797 |
callnumber-raw | N6797 |
callnumber-search | N6797 |
callnumber-sort | N 46797 |
callnumber-subject | N - Visual Arts |
ctrlnum | (OCoLC)1312259835 (DE-599)KXP1800083750 |
dewey-full | 709.41 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.41 |
dewey-search | 709.41 |
dewey-sort | 3709.41 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
format | Book |
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Seaside Series (1989) combines cyphers of coastal tourism with stories of historic and contemporary immigration to the UK. More recently, Seventeen of Sixty-Eight (2019) documents how the African body is represented in popular signwriting. Despite Pollard's work being held in several national collections and discussed in every publication on black artists in Britain, the artist is little known to the general public. 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genre_facet | Ausstellungskatalog MK Gallery 12.03.2022-29.05.2022 Milton Keynes Ausstellungskatalog Turner Contemporary 09.07.2022-25.09.2022 Margate Bildband |
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illustrated | Not Illustrated |
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isbn | 1781301190 9781781301197 |
language | English |
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physical | 191 Seiten 25 cm |
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spelling | Pollard, Ingrid 1953- (DE-588)1130793559 art Ingrid Pollard - carbon slowly turning [edited by] Fay Blanchard and Anthony Spira Carbon slowly turning [London] Philip Wilson Publishers 2022 191 Seiten 25 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Impressum: This publication accompanies the exhibition "Ingrid Pollard: Carbon Slowly Turning" at MK Gallery, Milton Keynes, from 12 March-29 May, 2022. ... organised in partnership with Turner Contemporary, Margate where it is on display from 9 July-25 September, 2022 Includes bibliographical references Ingrid Pollard is a British media artist and researcher who has developed a social practice concerned with representation, using portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. While she became known for her photographic series, she has also throughout her career been uncovering unseen and hidden histories in a variety of practices from printmaking, drawing, mixed media and film. Ingrid Pollard: Carbon Slow Turning situates Pollard's practice in a wider context and weaves together her personal story and Caribbean heritage with broader narratives of post war black settlement and photographic history. Continuing the theme of exposing what is hidden, Pollard challenges in her works the representation and derogatory portrayals of the 'black figure'. For four decades, Pollard's important photographic collages have offset traditionally idyllic representations of Britain with unseen legacies of xenophobia and exclusion. Pastoral Interlude (1988) places the Black figure within an imagined picturesque setting, undermining perceptions of 'urban' and 'authentic rural'. Seaside Series (1989) combines cyphers of coastal tourism with stories of historic and contemporary immigration to the UK. More recently, Seventeen of Sixty-Eight (2019) documents how the African body is represented in popular signwriting. Despite Pollard's work being held in several national collections and discussed in every publication on black artists in Britain, the artist is little known to the general public. There is no doubt that her practice and achievements are nationally significant and this first monograph seeks to widen her exposure Pollard, Ingrid 1953- (DE-588)1130793559 gnd rswk-swf Pollard, Ingrid / Exhibitions Art, British / 20th century / Exhibitions exhibition catalogs Exhibition catalogs Catalogues d'exposition (DE-588)4135467-9 Ausstellungskatalog MK Gallery 12.03.2022-29.05.2022 Milton Keynes gnd-content (DE-588)4135467-9 Ausstellungskatalog Turner Contemporary 09.07.2022-25.09.2022 Margate gnd-content (DE-588)4145395-5 Bildband gnd-content Pollard, Ingrid 1953- (DE-588)1130793559 p DE-604 Blanchard, Fay (DE-588)1261469623 edt Spira, Anthony (DE-588)1078686068 edt Milton Keynes Gallery (DE-588)10049216-2 his Turner Contemporary (DE-588)10124458-7 his |
spellingShingle | Ingrid Pollard - carbon slowly turning Pollard, Ingrid 1953- (DE-588)1130793559 gnd |
subject_GND | (DE-588)1130793559 (DE-588)4135467-9 (DE-588)4145395-5 |
title | Ingrid Pollard - carbon slowly turning |
title_alt | Carbon slowly turning |
title_auth | Ingrid Pollard - carbon slowly turning |
title_exact_search | Ingrid Pollard - carbon slowly turning |
title_exact_search_txtP | Ingrid Pollard - carbon slowly turning |
title_full | Ingrid Pollard - carbon slowly turning [edited by] Fay Blanchard and Anthony Spira |
title_fullStr | Ingrid Pollard - carbon slowly turning [edited by] Fay Blanchard and Anthony Spira |
title_full_unstemmed | Ingrid Pollard - carbon slowly turning [edited by] Fay Blanchard and Anthony Spira |
title_short | Ingrid Pollard - carbon slowly turning |
title_sort | ingrid pollard carbon slowly turning |
topic | Pollard, Ingrid 1953- (DE-588)1130793559 gnd |
topic_facet | Pollard, Ingrid 1953- Ausstellungskatalog MK Gallery 12.03.2022-29.05.2022 Milton Keynes Ausstellungskatalog Turner Contemporary 09.07.2022-25.09.2022 Margate Bildband |
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