Music and recording in King Chulalongkorn's Bangkok:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chiang Mai, Thailand
Silkworm Books
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xviii, 342 Seiten Illustrationen |
| ISBN: | 9786162151712 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Acknowledgments.................................................................................... viii Preface........................................................................................................ xi Introduction.............................................................................................. xiii Chapter One: King Chulalongkorn’s Bangkok.................................. i The Founding of Bangkok and Rattanakosin................................... i KingMongkut ...................................................................................... 3 Development under King Chulalongkorn........................................ 5 Everyday Life in Chulalongkorn’s Bangkok..................................... 15 Titles and Positions.............................................................................. 20 Education and Its Effect on the Consumption of Recorded Music 25 Entertainment in Bangkok.................................................................. 30 Chapter Two: The Chinese in Bangkok............................................... 35 Secret Societies...................................................................................... 42 Hong Techawanit................................................................. - 45 Siamese Chinese and Catholicism..................................................... 51 Jacobe Low Khiok Chiang................................................................... 54 Joseph Kuang Nguang.......................................................................... 58 Chai
Bamrungtrakun.......................................................................... 59 The Chino-Siamese Daily News......................................................... 60 The Chinese Strike of June 1910......... 62 V
Contents Ramifications of the Chinese Strike.............................................. Music and Theater in Bangkok’s Chinese Community................. 65 69 Chapter Three: Music and Theater in Siam Before 1903................ Siamese Dance-Drama.................................................................. Siamese Music and Ensembles...................................................... Fundamentals of Thai Music......................................................... Other Relevant Thai Music and Theater Genres........................... The Modernization of Siamese Dance-Drama.............................. Lakhon Phan Thang................................................................... Lakhon Rong and Lakhon Pridalai............................................ Lakhon Duekdamban (Ancient Dance-Drama)........................ “Sansoen Phra Barami”............................................................. A Modern Siamese Cultural Identity........................................ Sunthon Phu, Phra Aphai Mani, and Samuel John Smith......... Chaophraya Thewetwongwiwat............................................... Phraya Prašan Duriyasap (Plaek)............................................. MomSomjin.............................................................................. Prince Naradhip Praphanphong............................................... Nai Jon...................................................................................... Prince Narisara Nuvatiwongse................................................. Phraya Sano
Duriyang.............................................................. Mom Jaroen.............................................................................. Luang Praditphairo................................................................... Mom Malai Kunchon Na Ayutthaya......................................... Mom Jan Kunchon Na Ayutthaya............................................. MaeThet.................................................................................... MaePaen................................................................................... SaoKhrueaFa........................................................................... “Lao Duang Duean”.................................................................. 75 75 78 83 89 94 96 100 101 105 106 108 111 117 121 134 137 140 141 142 146 149 153 155 157 159 162 vi
Contents Chapter Four: Recording of Siamese Music up to 1915................... 163 Cylinder Recording in Siam............................................................... 163 Boosra Mahin and the First Extant Recordings of Siamese Music............................................................................. 171 Commercial Gramophone Recording Comes to Siam................... 183 The Gramophone Company’s First Visit........................................... 185 Competition Comes to Siam.............................................................. 190 The Columbia Phonograph Company.............................................. 191 The Robinson Piano Company.......................................................... 193 Odeons First Visit................................................................................ 195 Beka’s First Recording Session........ ................................................... 197 The Gramophone Company Responds............................................. 199 George Dillnutt..................................................................................... 206 The Gramophone Company’s Second Expedition........................... 208 Translation Of The Siamese Notice................................................... 214 Pathé...................................................................................................... 222 Lyrophon............................................................................................... 227
Favorite.................................................................................................. 228 Odeon.................................................................................. 231 The Gramophone Company’s Third Visit......................................... 232 Near Destruction of the Industry...................................................... 234 Who Was Nai Pae?............................................................................... 244 Conclusion................................................................................................. 247 Appendices................................................................................................. 255 A. Chronology 1898-1912.................................................................. 255 B. Chronological Discography........................................................... 259 C. Thai Classical Songs Recorded 1903-1915.................................. 302 References.................................................................................................. 3θ7 Index........................................................................................................... З1? vii
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| adam_txt |
CONTENTS Acknowledgments. viii Preface. xi Introduction. xiii Chapter One: King Chulalongkorn’s Bangkok. i The Founding of Bangkok and Rattanakosin. i KingMongkut . 3 Development under King Chulalongkorn. 5 Everyday Life in Chulalongkorn’s Bangkok. 15 Titles and Positions. 20 Education and Its Effect on the Consumption of Recorded Music 25 Entertainment in Bangkok. 30 Chapter Two: The Chinese in Bangkok. 35 Secret Societies. 42 Hong Techawanit. - 45 Siamese Chinese and Catholicism. 51 Jacobe Low Khiok Chiang. 54 Joseph Kuang Nguang. 58 Chai
Bamrungtrakun. 59 The Chino-Siamese Daily News. 60 The Chinese Strike of June 1910. 62 V
Contents Ramifications of the Chinese Strike. Music and Theater in Bangkok’s Chinese Community. 65 69 Chapter Three: Music and Theater in Siam Before 1903. Siamese Dance-Drama. Siamese Music and Ensembles. Fundamentals of Thai Music. Other Relevant Thai Music and Theater Genres. The Modernization of Siamese Dance-Drama. Lakhon Phan Thang. Lakhon Rong and Lakhon Pridalai. Lakhon Duekdamban (Ancient Dance-Drama). “Sansoen Phra Barami”. A Modern Siamese Cultural Identity. Sunthon Phu, Phra Aphai Mani, and Samuel John Smith. Chaophraya Thewetwongwiwat. Phraya Prašan Duriyasap (Plaek). MomSomjin. Prince Naradhip Praphanphong. Nai Jon. Prince Narisara Nuvatiwongse. Phraya Sano
Duriyang. Mom Jaroen. Luang Praditphairo. Mom Malai Kunchon Na Ayutthaya. Mom Jan Kunchon Na Ayutthaya. MaeThet. MaePaen. SaoKhrueaFa. “Lao Duang Duean”. 75 75 78 83 89 94 96 100 101 105 106 108 111 117 121 134 137 140 141 142 146 149 153 155 157 159 162 vi
Contents Chapter Four: Recording of Siamese Music up to 1915. 163 Cylinder Recording in Siam. 163 Boosra Mahin and the First Extant Recordings of Siamese Music. 171 Commercial Gramophone Recording Comes to Siam. 183 The Gramophone Company’s First Visit. 185 Competition Comes to Siam. 190 The Columbia Phonograph Company. 191 The Robinson Piano Company. 193 Odeons First Visit. 195 Beka’s First Recording Session. . 197 The Gramophone Company Responds. 199 George Dillnutt. 206 The Gramophone Company’s Second Expedition. 208 Translation Of The Siamese Notice. 214 Pathé. 222 Lyrophon. 227
Favorite. 228 Odeon. 231 The Gramophone Company’s Third Visit. 232 Near Destruction of the Industry. 234 Who Was Nai Pae?. 244 Conclusion. 247 Appendices. 255 A. Chronology 1898-1912. 255 B. Chronological Discography. 259 C. Thai Classical Songs Recorded 1903-1915. 302 References. 3θ7 Index. З1? vii |
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| title | Music and recording in King Chulalongkorn's Bangkok |
| title_auth | Music and recording in King Chulalongkorn's Bangkok |
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| title_full | Music and recording in King Chulalongkorn's Bangkok James Leonard Mitchell |
| title_fullStr | Music and recording in King Chulalongkorn's Bangkok James Leonard Mitchell |
| title_full_unstemmed | Music and recording in King Chulalongkorn's Bangkok James Leonard Mitchell |
| title_short | Music and recording in King Chulalongkorn's Bangkok |
| title_sort | music and recording in king chulalongkorn s bangkok |
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