Romantic comedy:
"'The course of true love never did run smooth'. For more than 2000 years the problems faced by young men and women fighting to find and keep an appropriate sexual partner in the face of external opposition, or internal contradictions, has been a staple of the theatre in the form of r...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Methuen Drama
2022
|
Schriftenreihe: | Forms of drama
|
Schlagworte: | |
Zusammenfassung: | "'The course of true love never did run smooth'. For more than 2000 years the problems faced by young men and women fighting to find and keep an appropriate sexual partner in the face of external opposition, or internal contradictions, has been a staple of the theatre in the form of romantic comedy. This book explores and analyses the shapes that romantic comedy has assumed in the theatre from Greek New Comedy via Shakespeare to the present. Organized chronologically to allow readers to trace the development of the form against changing societal norms, the book features a range of case studies of key works from the British tradition - including A Midsummer Night's Dream, Twelfth Night, Susanna Centlivre's A Bold Stroke for a Wife and Oliver Goldsmith's She Stoops to Conquer, and from the 20th-century Stanley Houghton's Hindle Wakes (1912), Noel Coward's Private Lives (1930), Shelagh Delaney's A Taste of Honey (1958) and Ayub Khan-Din's East is East (1996) - while containing reference to many other plays. In romantic comedy, sexual attraction is potentially disruptive of patriarchal order, since it pits individual desires against social norms and must be channelled appropriately if that order is to be maintained. At the same time, in romantic comedy the contradictions contingent on the exercise of patriarchal power must in some way accommodate the desires and needs of the lovers. Traditionally romantic comedy has been hetero-normative, however, changing social values and legal developments, particularly the wider acceptance of divorce and of homosexual attraction and marriage, have helped to redefine the forms of romantic comedy. Similarly, a recent trend towards more fluid forms of casting in which the race and gender of a character are no longer regarded as fixed has opened up many Romantic Comedies to radical reinterpretations that are be explored in this book"-- |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xix, 164 Seiten |
ISBN: | 9781350183377 |
Internformat
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520 | 3 | |a "'The course of true love never did run smooth'. For more than 2000 years the problems faced by young men and women fighting to find and keep an appropriate sexual partner in the face of external opposition, or internal contradictions, has been a staple of the theatre in the form of romantic comedy. This book explores and analyses the shapes that romantic comedy has assumed in the theatre from Greek New Comedy via Shakespeare to the present. Organized chronologically to allow readers to trace the development of the form against changing societal norms, the book features a range of case studies of key works from the British tradition - including A Midsummer Night's Dream, Twelfth Night, Susanna Centlivre's A Bold Stroke for a Wife and Oliver Goldsmith's She Stoops to Conquer, and from the 20th-century Stanley Houghton's Hindle Wakes (1912), Noel Coward's Private Lives (1930), Shelagh Delaney's A Taste of Honey (1958) and Ayub Khan-Din's East is East (1996) - while containing reference to many other plays. In romantic comedy, sexual attraction is potentially disruptive of patriarchal order, since it pits individual desires against social norms and must be channelled appropriately if that order is to be maintained. At the same time, in romantic comedy the contradictions contingent on the exercise of patriarchal power must in some way accommodate the desires and needs of the lovers. Traditionally romantic comedy has been hetero-normative, however, changing social values and legal developments, particularly the wider acceptance of divorce and of homosexual attraction and marriage, have helped to redefine the forms of romantic comedy. Similarly, a recent trend towards more fluid forms of casting in which the race and gender of a character are no longer regarded as fixed has opened up many Romantic Comedies to radical reinterpretations that are be explored in this book"-- | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Griffiths, Trevor R. 1949- |
author_GND | (DE-588)142137006 |
author_facet | Griffiths, Trevor R. 1949- |
author_role | aut |
author_sort | Griffiths, Trevor R. 1949- |
author_variant | t r g tr trg |
building | Verbundindex |
bvnumber | BV048232888 |
callnumber-first | P - Language and Literature |
callnumber-label | PR635 |
callnumber-raw | PR635.L68 |
callnumber-search | PR635.L68 |
callnumber-sort | PR 3635 L68 |
callnumber-subject | PR - English Literature |
classification_rvk | HG 590 |
ctrlnum | (OCoLC)1291692150 (DE-599)KXP1777570506 |
dewey-full | 822/.0523093543 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822/.0523093543 |
dewey-search | 822/.0523093543 |
dewey-sort | 3822 9523093543 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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id | DE-604.BV048232888 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:51:31Z |
indexdate | 2024-07-10T09:32:38Z |
institution | BVB |
isbn | 9781350183377 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033613563 |
oclc_num | 1291692150 |
open_access_boolean | |
owner | DE-20 DE-19 DE-BY-UBM DE-11 |
owner_facet | DE-20 DE-19 DE-BY-UBM DE-11 |
physical | xix, 164 Seiten |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Methuen Drama |
record_format | marc |
series2 | Forms of drama |
spelling | Griffiths, Trevor R. 1949- Verfasser (DE-588)142137006 aut Romantic comedy Trevor R. Griffiths London ; New York Methuen Drama 2022 xix, 164 Seiten txt rdacontent n rdamedia nc rdacarrier Forms of drama Includes bibliographical references and index "'The course of true love never did run smooth'. For more than 2000 years the problems faced by young men and women fighting to find and keep an appropriate sexual partner in the face of external opposition, or internal contradictions, has been a staple of the theatre in the form of romantic comedy. This book explores and analyses the shapes that romantic comedy has assumed in the theatre from Greek New Comedy via Shakespeare to the present. Organized chronologically to allow readers to trace the development of the form against changing societal norms, the book features a range of case studies of key works from the British tradition - including A Midsummer Night's Dream, Twelfth Night, Susanna Centlivre's A Bold Stroke for a Wife and Oliver Goldsmith's She Stoops to Conquer, and from the 20th-century Stanley Houghton's Hindle Wakes (1912), Noel Coward's Private Lives (1930), Shelagh Delaney's A Taste of Honey (1958) and Ayub Khan-Din's East is East (1996) - while containing reference to many other plays. In romantic comedy, sexual attraction is potentially disruptive of patriarchal order, since it pits individual desires against social norms and must be channelled appropriately if that order is to be maintained. At the same time, in romantic comedy the contradictions contingent on the exercise of patriarchal power must in some way accommodate the desires and needs of the lovers. Traditionally romantic comedy has been hetero-normative, however, changing social values and legal developments, particularly the wider acceptance of divorce and of homosexual attraction and marriage, have helped to redefine the forms of romantic comedy. Similarly, a recent trend towards more fluid forms of casting in which the race and gender of a character are no longer regarded as fixed has opened up many Romantic Comedies to radical reinterpretations that are be explored in this book"-- Geschichte gnd rswk-swf Komödie (DE-588)4031952-0 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Liebe Motiv (DE-588)4123655-5 gnd rswk-swf Love in literature English drama / History and criticism Comedy / History and criticism Comic, The, in literature Literary criticism Komödie (DE-588)4031952-0 s Liebe Motiv (DE-588)4123655-5 s DE-604 Englisch (DE-588)4014777-0 s Geschichte z Erscheint auch als Online-Ausgabe, PDF 978-1-3501-8339-1 Erscheint auch als Online-Ausgabe 978-1-3501-8338-4 Erscheint auch als Online-Ausgabe 9781350183407 |
spellingShingle | Griffiths, Trevor R. 1949- Romantic comedy Komödie (DE-588)4031952-0 gnd Englisch (DE-588)4014777-0 gnd Liebe Motiv (DE-588)4123655-5 gnd |
subject_GND | (DE-588)4031952-0 (DE-588)4014777-0 (DE-588)4123655-5 |
title | Romantic comedy |
title_auth | Romantic comedy |
title_exact_search | Romantic comedy |
title_exact_search_txtP | Romantic comedy |
title_full | Romantic comedy Trevor R. Griffiths |
title_fullStr | Romantic comedy Trevor R. Griffiths |
title_full_unstemmed | Romantic comedy Trevor R. Griffiths |
title_short | Romantic comedy |
title_sort | romantic comedy |
topic | Komödie (DE-588)4031952-0 gnd Englisch (DE-588)4014777-0 gnd Liebe Motiv (DE-588)4123655-5 gnd |
topic_facet | Komödie Englisch Liebe Motiv |
work_keys_str_mv | AT griffithstrevorr romanticcomedy |