Tatian's Diatessaron: composition, redaction, recension, and reception
In the late second century, Tatian the Assyrian constructed a new Gospel by intricately harmonizing Matthew, Mark, Luke, and John. Tatian's work became known as the Diatessaron, since it was derived "out of the four" eventually canonical Gospels. Though it circulated widely for centur...
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Format: | Buch |
Sprache: | English |
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Oxford ; New York, NY
Oxford University Press
2021
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Ausgabe: | First edition |
Schriftenreihe: | Oxford early Christian studies
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | In the late second century, Tatian the Assyrian constructed a new Gospel by intricately harmonizing Matthew, Mark, Luke, and John. Tatian's work became known as the Diatessaron, since it was derived "out of the four" eventually canonical Gospels. Though it circulated widely for centuries, the Diatessaron disappeared in antiquity. Nevertheless, numerous ancient and medieval harmonies survive in various languages. Some texts are altogether independent of the Diatessaron, while others are definitely related. Yet even Tatian's known descendants differ in large and small ways, so attempts at reconstruction have proven confounding. In this book James W. Barker forges a new path in Diatessaron studies. Covering the widest array of manuscript evidence to date, Tatian's Diatessaron reconstructs the compositional and editorial practices by which Tatian wrote his Gospel. By sorting every extant witness according to its narrative sequence, the macrostructure of Tatian's Gospel becomes clear. Despite many shared agreements, there remain significant divergences between eastern and western witnesses. This book argues that the eastern ones preserve Tatian's order, whereas the western texts descend from a fourth-century recension of the Diatessaron. Victor of Capua and his scribe used the recension to produce the Latin Codex Fuldensis in the sixth century. More controversially, Barker offers new evidence that late medieval texts such as the Middle Dutch Stuttgart harmony independently preserve traces of the western recension. This study uncovers the composition and reception history behind one of early Christianity's most elusive texts |
Beschreibung: | viii, 157 Seiten 1 genealogische Tafel 24 cm |
ISBN: | 9780192844583 |
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505 | 8 | |a Introduction -- An overview of Diatessaron Witnesses -- Tatian's compositional practices -- Characteristics of the Diatessaron's sequence -- Quintessential changes in the western archetype -- The priority of Codex Fuldensis -- The priority of the Stuttgart-Liège-Zurich Harmonies -- The western archetype as a suffficient hypothesis -- Conclusion | |
520 | 3 | |a In the late second century, Tatian the Assyrian constructed a new Gospel by intricately harmonizing Matthew, Mark, Luke, and John. Tatian's work became known as the Diatessaron, since it was derived "out of the four" eventually canonical Gospels. Though it circulated widely for centuries, the Diatessaron disappeared in antiquity. Nevertheless, numerous ancient and medieval harmonies survive in various languages. Some texts are altogether independent of the Diatessaron, while others are definitely related. Yet even Tatian's known descendants differ in large and small ways, so attempts at reconstruction have proven confounding. In this book James W. Barker forges a new path in Diatessaron studies. Covering the widest array of manuscript evidence to date, Tatian's Diatessaron reconstructs the compositional and editorial practices by which Tatian wrote his Gospel. By sorting every extant witness according to its narrative sequence, the macrostructure of Tatian's Gospel becomes clear. Despite many shared agreements, there remain significant divergences between eastern and western witnesses. This book argues that the eastern ones preserve Tatian's order, whereas the western texts descend from a fourth-century recension of the Diatessaron. Victor of Capua and his scribe used the recension to produce the Latin Codex Fuldensis in the sixth century. More controversially, Barker offers new evidence that late medieval texts such as the Middle Dutch Stuttgart harmony independently preserve traces of the western recension. This study uncovers the composition and reception history behind one of early Christianity's most elusive texts | |
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Datensatz im Suchindex
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Contents List ofAbbreviations Introduction ix 1 7 7 9 18 1. An Overview of Diatessaron Witnesses 1.1 Eastern Witnesses 1.2 Western Witnesses 1.3 Unrelated and Distantly Related Harmonies 1.4 The Dura Europos Fragment as a Bridge between East and West 1.5 Summary 22 28 2. Tatian’s Compositional Practices 2.1 Mental Processes and Material Production 2.2 How Long was Tatian’s Diatessaron? 2.3 Tatian’s Authorial Expectations 29 29 39 42 3. Characteristics of the Diatessaron's Sequence 3.1 Jewish Festivals and the Chronology of Jesus’s Ministry 3.2 A Nonviolent Conclusion to Jesus’s (First) Sermon at Nazareth 3.3 A Blessing upon Jesus’s Mother, Who Happens to be Nearby 3.4 Intercalating the Pharisees’ Warning after the Transfiguration 3.5 A Sukkoth Parade of Money Men 3.6 Gathering the Pharisees in Jerusalem 3.7 Tatian’s Redactional Tendencies 44 44 53 54 55 56 56 57 4. Quintessential Changes in the Western Archetype 4.1 Eliminating Redundancies 4.2 Combining the Sermon on the Mount/Plain and Mission Discourse 4.3 Relocating Capernaum Miracles to Nain 4.4 Editorial Fatigue in the Return of the Twelve 4.5 Grouping the Shrewd Steward with the Sukkoth Money Men 4.6 Nicodemus, the Adulteress, and the Fig Tree 4.7 The Timing of Judas’s Suicide 4.8 The Western Recensionist's Redactional Tendencies 59 61 66 67 68 70 70 73 73
viii CONTENTS 5. The Priority of Codex Fuldensis 5.1 Interpolations in the Stuttgart-Liège-Zurich Harmonies 5.2 The Timing of the Outsider Exorcist 5.3 Matthew s Parable of the Talents and Luke’s Parable of the Minas 5.4 The Last Supper and Jesus’s Washing of the Disciples’ Feet 5.5 Resurrection Appearances to Mary Magdalene 5.6 The Stuttgart-Liège-Zurich Harmonies’ Redactional Tendencies 75 76 78 81 83 86 87 6. The Priority of the Stuttgart-Liège-Zurich Harmonies 6.1 The Absence of the Lukan Prologue 6.2 The Timing of the Triumphal Entry 6.3 The Presence of Luke’s Parable of the Faithful Slave 6.4 The Presence of the Capernaum Synagogue Exorcism 6.5 Victor of Capua and His Scribes Redactional Tendencies 88 88 90 94 95 107 7. The Western Archetype as a Sufficient Hypothesis 7.1 Prefaces to the Western Harmonies 7.2 The Insufficiency of Extant Glossed Manuscripts 7.3 Circularity versus Alternating Primitivity 7.4 A Stemma ofDiatessaron Witnesses 7.5 The Fate of the Western Archetype 109 110 112 114 116 119 Conclusion Appendix: Comparison of Sequences of the Arabic Harmony, Stuttgart-Liège-Zurich Harmonies, and Codex Fuldensis Bibliography Scripture Index Index ofMedieval Manuscripts Index of Modern Authors Subject Index 122 127 139 149 153 155 156 |
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contents | Introduction -- An overview of Diatessaron Witnesses -- Tatian's compositional practices -- Characteristics of the Diatessaron's sequence -- Quintessential changes in the western archetype -- The priority of Codex Fuldensis -- The priority of the Stuttgart-Liège-Zurich Harmonies -- The western archetype as a suffficient hypothesis -- Conclusion |
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spelling | Barker, James W. Verfasser (DE-588)1064662323 aut Tatian's Diatessaron composition, redaction, recension, and reception James W. Barker First edition Oxford ; New York, NY Oxford University Press 2021 viii, 157 Seiten 1 genealogische Tafel 24 cm txt rdacontent n rdamedia nc rdacarrier Oxford early Christian studies Introduction -- An overview of Diatessaron Witnesses -- Tatian's compositional practices -- Characteristics of the Diatessaron's sequence -- Quintessential changes in the western archetype -- The priority of Codex Fuldensis -- The priority of the Stuttgart-Liège-Zurich Harmonies -- The western archetype as a suffficient hypothesis -- Conclusion In the late second century, Tatian the Assyrian constructed a new Gospel by intricately harmonizing Matthew, Mark, Luke, and John. Tatian's work became known as the Diatessaron, since it was derived "out of the four" eventually canonical Gospels. Though it circulated widely for centuries, the Diatessaron disappeared in antiquity. Nevertheless, numerous ancient and medieval harmonies survive in various languages. Some texts are altogether independent of the Diatessaron, while others are definitely related. Yet even Tatian's known descendants differ in large and small ways, so attempts at reconstruction have proven confounding. In this book James W. Barker forges a new path in Diatessaron studies. Covering the widest array of manuscript evidence to date, Tatian's Diatessaron reconstructs the compositional and editorial practices by which Tatian wrote his Gospel. By sorting every extant witness according to its narrative sequence, the macrostructure of Tatian's Gospel becomes clear. Despite many shared agreements, there remain significant divergences between eastern and western witnesses. This book argues that the eastern ones preserve Tatian's order, whereas the western texts descend from a fourth-century recension of the Diatessaron. Victor of Capua and his scribe used the recension to produce the Latin Codex Fuldensis in the sixth century. More controversially, Barker offers new evidence that late medieval texts such as the Middle Dutch Stuttgart harmony independently preserve traces of the western recension. This study uncovers the composition and reception history behind one of early Christianity's most elusive texts Tatianus Syrus -172 Diatessaron (DE-588)4078672-9 gnd rswk-swf Tatian / approximately 120-173 Bible / Gospels / Syriac / Diatessaron Bible / Gospels Tatianus apol. TLG 1766 (DE-2581)TH000002968 gbd Syriaca varia (DE-2581)TH000002940 gbd Tatianus Syrus -172 Diatessaron (DE-588)4078672-9 u DE-604 Erscheint auch als Online-Ausgabe 978-0-191-93322-6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033608872&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Barker, James W. Tatian's Diatessaron composition, redaction, recension, and reception Introduction -- An overview of Diatessaron Witnesses -- Tatian's compositional practices -- Characteristics of the Diatessaron's sequence -- Quintessential changes in the western archetype -- The priority of Codex Fuldensis -- The priority of the Stuttgart-Liège-Zurich Harmonies -- The western archetype as a suffficient hypothesis -- Conclusion Tatianus Syrus -172 Diatessaron (DE-588)4078672-9 gnd |
subject_GND | (DE-588)4078672-9 |
title | Tatian's Diatessaron composition, redaction, recension, and reception |
title_auth | Tatian's Diatessaron composition, redaction, recension, and reception |
title_exact_search | Tatian's Diatessaron composition, redaction, recension, and reception |
title_exact_search_txtP | Tatian's Diatessaron composition, redaction, recension, and reception |
title_full | Tatian's Diatessaron composition, redaction, recension, and reception James W. Barker |
title_fullStr | Tatian's Diatessaron composition, redaction, recension, and reception James W. Barker |
title_full_unstemmed | Tatian's Diatessaron composition, redaction, recension, and reception James W. Barker |
title_short | Tatian's Diatessaron |
title_sort | tatian s diatessaron composition redaction recension and reception |
title_sub | composition, redaction, recension, and reception |
topic | Tatianus Syrus -172 Diatessaron (DE-588)4078672-9 gnd |
topic_facet | Tatianus Syrus -172 Diatessaron |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033608872&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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