Das Museum, virtuelle Räume, Systemfehler und verlorene Welten: Sondra Perrys Videoinstallation IT'S IN THE GAME '17 (2017)
On the one hand museums use video, new media and the production of elaborate feature films as marketing tools to assert their international status as guardians of cultural heritage and to highlight the importance of their collections. On the other, the institutions’ desire for increased attention gi...
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| Format: | Elektronisch Artikel |
| Sprache: | German |
| Veröffentlicht: |
2022-05-11
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| Online-Zugang: | Volltext |
| Zusammenfassung: | On the one hand museums use video, new media and the production of elaborate feature films as marketing tools to assert their international status as guardians of cultural heritage and to highlight the importance of their collections. On the other, the institutions’ desire for increased attention gives artists and filmmakers the opportunity to make historical and otherwise static objects subjects of complex filmic, narrative and dynamic structures. "Joint ventures" between museums and video artists and filmmakers furthermore allow the latter to engage critically with the museum’s collection and to question its politics. At times, however, their critical perspective comes to fruition in such a poignant way that their works appear to be more an intervention in museums to address and change existing politics of collecting practices and display. Chris Marker and Alain Resnais’ Les statues meurent aussi (1953) is a paradigmatic example of this, which also serves as an important reference for Sondra Perry and her more recent video installation IT’S IN THE GAME ’17 (2017) – the main object of study of this text |
| Beschreibung: | 1 Online-Ressource 5 Illustrationen |
| ISSN: | 2701-1550 |
| DOI: | 10.11588/xxi.2022.1.85733 |
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| 520 | 3 | |a On the one hand museums use video, new media and the production of elaborate feature films as marketing tools to assert their international status as guardians of cultural heritage and to highlight the importance of their collections. On the other, the institutions’ desire for increased attention gives artists and filmmakers the opportunity to make historical and otherwise static objects subjects of complex filmic, narrative and dynamic structures. "Joint ventures" between museums and video artists and filmmakers furthermore allow the latter to engage critically with the museum’s collection and to question its politics. At times, however, their critical perspective comes to fruition in such a poignant way that their works appear to be more an intervention in museums to address and change existing politics of collecting practices and display. Chris Marker and Alain Resnais’ Les statues meurent aussi (1953) is a paradigmatic example of this, which also serves as an important reference for Sondra Perry and her more recent video installation IT’S IN THE GAME ’17 (2017) – the main object of study of this text | |
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| spelling | Berndt, Daniel 1982- Verfasser (DE-588)1140243411 aut Das Museum, virtuelle Räume, Systemfehler und verlorene Welten Sondra Perrys Videoinstallation IT'S IN THE GAME '17 (2017) Daniel Berndt 2022-05-11 1 Online-Ressource 5 Illustrationen txt rdacontent c rdamedia cr rdacarrier On the one hand museums use video, new media and the production of elaborate feature films as marketing tools to assert their international status as guardians of cultural heritage and to highlight the importance of their collections. On the other, the institutions’ desire for increased attention gives artists and filmmakers the opportunity to make historical and otherwise static objects subjects of complex filmic, narrative and dynamic structures. "Joint ventures" between museums and video artists and filmmakers furthermore allow the latter to engage critically with the museum’s collection and to question its politics. At times, however, their critical perspective comes to fruition in such a poignant way that their works appear to be more an intervention in museums to address and change existing politics of collecting practices and display. Chris Marker and Alain Resnais’ Les statues meurent aussi (1953) is a paradigmatic example of this, which also serves as an important reference for Sondra Perry and her more recent video installation IT’S IN THE GAME ’17 (2017) – the main object of study of this text Perry, Sondra 1986- (DE-588)1105482111 gnd rswk-swf Videokunst (DE-588)4188229-5 gnd rswk-swf Museum (DE-588)4040795-0 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Video-Installation (DE-588)4347940-6 gnd rswk-swf Digitales Video 3-D Rendering Neue Medien Sondra Perry Institutioneller Rassismus Skulptur Blackness Hoa Hakananai'a Gegenwartskunst Installation Kolonialgeschichte British Museum Metropolitan Museum Museum (DE-588)4040795-0 s Ausstellung (DE-588)4129601-1 s Videokunst (DE-588)4188229-5 s DE-604 Perry, Sondra 1986- (DE-588)1105482111 p Video-Installation (DE-588)4347940-6 s volume:3 number:1 year:2022 pages:235-258 21: inquiries into art, history, and the visual Heidelberg, 2022 Vol. 3, No. 1 (2022), Seite 235-258 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4 https://doi.org/10.11588/xxi.2022.1.85733 Resolving-System kostenfrei Volltext |
| spellingShingle | Berndt, Daniel 1982- Das Museum, virtuelle Räume, Systemfehler und verlorene Welten Sondra Perrys Videoinstallation IT'S IN THE GAME '17 (2017) Perry, Sondra 1986- (DE-588)1105482111 gnd Videokunst (DE-588)4188229-5 gnd Museum (DE-588)4040795-0 gnd Ausstellung (DE-588)4129601-1 gnd Video-Installation (DE-588)4347940-6 gnd |
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| title | Das Museum, virtuelle Räume, Systemfehler und verlorene Welten Sondra Perrys Videoinstallation IT'S IN THE GAME '17 (2017) |
| title_auth | Das Museum, virtuelle Räume, Systemfehler und verlorene Welten Sondra Perrys Videoinstallation IT'S IN THE GAME '17 (2017) |
| title_exact_search | Das Museum, virtuelle Räume, Systemfehler und verlorene Welten Sondra Perrys Videoinstallation IT'S IN THE GAME '17 (2017) |
| title_exact_search_txtP | Das Museum, virtuelle Räume, Systemfehler und verlorene Welten Sondra Perrys Videoinstallation IT'S IN THE GAME '17 (2017) |
| title_full | Das Museum, virtuelle Räume, Systemfehler und verlorene Welten Sondra Perrys Videoinstallation IT'S IN THE GAME '17 (2017) Daniel Berndt |
| title_fullStr | Das Museum, virtuelle Räume, Systemfehler und verlorene Welten Sondra Perrys Videoinstallation IT'S IN THE GAME '17 (2017) Daniel Berndt |
| title_full_unstemmed | Das Museum, virtuelle Räume, Systemfehler und verlorene Welten Sondra Perrys Videoinstallation IT'S IN THE GAME '17 (2017) Daniel Berndt |
| title_short | Das Museum, virtuelle Räume, Systemfehler und verlorene Welten |
| title_sort | das museum virtuelle raume systemfehler und verlorene welten sondra perrys videoinstallation it s in the game 17 2017 |
| title_sub | Sondra Perrys Videoinstallation IT'S IN THE GAME '17 (2017) |
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| topic_facet | Perry, Sondra 1986- Videokunst Museum Ausstellung Video-Installation |
| url | https://doi.org/10.11588/xxi.2022.1.85733 |
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