Routledge companion to audiences and the performing arts:
The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and...
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
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| Schriftenreihe: | Audience research
Routledge companion to ... |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxi, 557 Seiten Illustrationen (schwarz-weiß) 25,3 cm |
| ISBN: | 9780367470753 9780367695842 |
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| 245 | 1 | 0 | |a Routledge companion to audiences and the performing arts |c edited by Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley |
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| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2022 | |
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| 490 | 0 | |a Audience research | |
| 490 | 0 | |a Routledge companion to ... | |
| 500 | |a Includes bibliographical references and index | ||
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Datensatz im Suchindex
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CONTENTS List of contributors Acknowledgements xii xxi The paradox of audiences Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley 1 Part One Histories, theories and questions of social justice Lynne Conner 17 1 Ellen Dissanayake in conversation Ellen Dissanayake and Lynne Conner 24 2 Histories of audiencing: on evidence, mythology and nostalgia Helen Freshwater 37 3 Disrupting the audience as monolith Lynne Conner 53 4 Who?, Why? and How?: the contribution of sociology to the study of arts audiences Laurie Hanquinet 5 The future of audiences and audiencing Jennifer L. Novak-Leonard vii 68 83
Contents 6 Which global? Which local?: Aucitya, Rasa, development, Ase and other demands on the audience Glenn Odom and Giridhar Raghunathan 7 Forced experiences: shifting modes of audience involvement in immersive performances Doris Kolesch and Theresa Schütz 96 111 Part Two 125 Policies, politics and practices Ben Walmsley 8 Alan Brown in conversation Alan Brown and Emma McDowell 131 9 Are we the baddies? Audience development, cultural policy and ideological precarity Steven Hadley 143 10 At what cost? Working class audiences and the price of culture Maria Barrett 159 11 A ‘Universal Design’ for audiences with disabilities? Bree Hadley 177 12 Fans and fandom in the performing arts Kirsty Sedgman 190 13 Breaking barriers: the role of the audience in Interactive theatre in Bangladesh Meghna Guhathakurta 203 14 Audience engagement and the production of efficacious theatre: case studies from Ghana Awo Mana Asiedu 217 15 Critical perspectives on valuing culture: tensions and disconnections between research, policy and practice Ben Walmsley and Julian Meyrick 229 viii
Contents Part Three Methods, methodologies and understanding audiences Matthew Reason 241 16 Martin Barker in conversation Martin Barker and Matthew Reason 249 17 Mixing methods in audience research practice: a multi-method(ological) discussion Emma McDowell 18 Quantifying dance in the audience’s mind: a methodological quest for neuroscience research CorinneJola 264 278 19 Continuous and collective measures of real-time audience engagement L. S. Merritt Millman, Daniel C. Richardson and Guido Orgs 20 Audience interaction: approaches to researching the social dynamics of live audiences Patrick G.T. Healey, Matthew T. Harris and Michael F. Schober 293 308 21 Quantitative measures of audience experience Wing Tung Au, Zhumeng Zuo and Paton Pak Chun Yam 326 22 The benefits and challenges of large-scale qualitative research Stephanie E. Pitts and Sarah Μ. Price 343 23 Creative methods and audience research: affordances and radical potential Matthew Reason 24 Ethics in audience research: by the book or on the hop? Katya Johanson and Hilary Glow 355 374 Part Four Shorts: adventures in thinking about audiences Katya Johanson 391 25 Affect Lucy Thornett 394 ix
Contents 26 Agency Astrid Breel 402 27 Co-creation Rachel Baynton and Michael Pinchbeck 409 28 Covid-19 Tully Barnett 418 29 Data Rishi Coupland ■ 424 30 Dialogue Maddy Costa 429 31 Integrated and inclusive Vipavinee Artpradid 435 32 Labour Martin Young 442 33 Language Michelle Loh 447 34 Laughter Natalie Diddams 453 35 Marginalia Helen Yung 459 36 Memory Elaine Faull 465 37 One-to-one Rachel Gomme 472 38 Pantomime Robert Marsden 477 39 Post-humanity Fayen d’Evie 484 40 Post-show Diane Ragsdale 490
Contents 41 Rehearsal Anja Ali-Haapala 497 42 Relaxed Lauren Hall and Paul Wilshaw 503 43 Risk Ella de Βήκα 509 44 Sickness Veronica Rodriguez 516 45 Thresholds Stefania Donini 522 46 Touch Elena S. V, Flys 529 Afterword: Covid-19, audiences and the future of the performing arts Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley 535 545 Index xi |
| adam_txt |
CONTENTS List of contributors Acknowledgements xii xxi The paradox of audiences Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley 1 Part One Histories, theories and questions of social justice Lynne Conner 17 1 Ellen Dissanayake in conversation Ellen Dissanayake and Lynne Conner 24 2 Histories of audiencing: on evidence, mythology and nostalgia Helen Freshwater 37 3 Disrupting the audience as monolith Lynne Conner 53 4 Who?, Why? and How?: the contribution of sociology to the study of arts audiences Laurie Hanquinet 5 The future of audiences and audiencing Jennifer L. Novak-Leonard vii 68 83
Contents 6 Which global? Which local?: Aucitya, Rasa, development, Ase and other demands on the audience Glenn Odom and Giridhar Raghunathan 7 Forced experiences: shifting modes of audience involvement in immersive performances Doris Kolesch and Theresa Schütz 96 111 Part Two 125 Policies, politics and practices Ben Walmsley 8 Alan Brown in conversation Alan Brown and Emma McDowell 131 9 Are we the baddies? Audience development, cultural policy and ideological precarity Steven Hadley 143 10 At what cost? Working class audiences and the price of culture Maria Barrett 159 11 A ‘Universal Design’ for audiences with disabilities? Bree Hadley 177 12 Fans and fandom in the performing arts Kirsty Sedgman 190 13 Breaking barriers: the role of the audience in Interactive theatre in Bangladesh Meghna Guhathakurta 203 14 Audience engagement and the production of efficacious theatre: case studies from Ghana Awo Mana Asiedu 217 15 Critical perspectives on valuing culture: tensions and disconnections between research, policy and practice Ben Walmsley and Julian Meyrick 229 viii
Contents Part Three Methods, methodologies and understanding audiences Matthew Reason 241 16 Martin Barker in conversation Martin Barker and Matthew Reason 249 17 Mixing methods in audience research practice: a multi-method(ological) discussion Emma McDowell 18 Quantifying dance in the audience’s mind: a methodological quest for neuroscience research CorinneJola 264 278 19 Continuous and collective measures of real-time audience engagement L. S. Merritt Millman, Daniel C. Richardson and Guido Orgs 20 Audience interaction: approaches to researching the social dynamics of live audiences Patrick G.T. Healey, Matthew T. Harris and Michael F. Schober 293 308 21 Quantitative measures of audience experience Wing Tung Au, Zhumeng Zuo and Paton Pak Chun Yam 326 22 The benefits and challenges of large-scale qualitative research Stephanie E. Pitts and Sarah Μ. Price 343 23 Creative methods and audience research: affordances and radical potential Matthew Reason 24 Ethics in audience research: by the book or on the hop? Katya Johanson and Hilary Glow 355 374 Part Four Shorts: adventures in thinking about audiences Katya Johanson 391 25 Affect Lucy Thornett 394 ix
Contents 26 Agency Astrid Breel 402 27 Co-creation Rachel Baynton and Michael Pinchbeck 409 28 Covid-19 Tully Barnett 418 29 Data Rishi Coupland ■ 424 30 Dialogue Maddy Costa 429 31 Integrated and inclusive Vipavinee Artpradid 435 32 Labour Martin Young 442 33 Language Michelle Loh 447 34 Laughter Natalie Diddams 453 35 Marginalia Helen Yung 459 36 Memory Elaine Faull 465 37 One-to-one Rachel Gomme 472 38 Pantomime Robert Marsden 477 39 Post-humanity Fayen d’Evie 484 40 Post-show Diane Ragsdale 490
Contents 41 Rehearsal Anja Ali-Haapala 497 42 Relaxed Lauren Hall and Paul Wilshaw 503 43 Risk Ella de Βήκα 509 44 Sickness Veronica Rodriguez 516 45 Thresholds Stefania Donini 522 46 Touch Elena S. V, Flys 529 Afterword: Covid-19, audiences and the future of the performing arts Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley 535 545 Index xi |
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| spelling | Routledge companion to audiences and the performing arts edited by Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley Companion to audiences and the performing arts Audiences and the performing arts London ; New York Routledge, Taylor & Francis Group 2022 xxi, 557 Seiten Illustrationen (schwarz-weiß) 25,3 cm txt rdacontent n rdamedia nc rdacarrier Audience research Routledge companion to ... Includes bibliographical references and index The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities. Publikum (DE-588)4047764-2 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Beziehung (DE-588)4145198-3 gnd rswk-swf Performing arts / Audiences (DE-588)4143413-4 Aufsatzsammlung gnd-content Darstellende Kunst (DE-588)4129566-3 s Aufführung (DE-588)4143388-9 s Publikum (DE-588)4047764-2 s Beziehung (DE-588)4145198-3 s DE-604 Reason, Matthew 1975- (DE-588)132112159 edt Conner, Lynne 1958- (DE-588)134201035 edt Johanson, Katya (DE-588)1224704878 edt Walmsley, Ben (DE-588)1198961953 edt Erscheint auch als Online-Ausgabe 9781003033226 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033594074&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Routledge companion to audiences and the performing arts |
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| title_full | Routledge companion to audiences and the performing arts edited by Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley |
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| title_full_unstemmed | Routledge companion to audiences and the performing arts edited by Matthew Reason, Lynne Conner, Katya Johanson and Ben Walmsley |
| title_short | Routledge companion to audiences and the performing arts |
| title_sort | routledge companion to audiences and the performing arts |
| topic | Publikum (DE-588)4047764-2 gnd Aufführung (DE-588)4143388-9 gnd Darstellende Kunst (DE-588)4129566-3 gnd Beziehung (DE-588)4145198-3 gnd |
| topic_facet | Publikum Aufführung Darstellende Kunst Beziehung Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033594074&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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