Alan Lomax, the South, and the American folk music revival, 1933-1969:
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Bern ; Bruxelles ; New York ; Oxford ; Warszawa ; Wien
Peter Lang
[2022]
|
| Schriftenreihe: | American Culture
vol. 16 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | 447 Seiten Illustrationen 21 cm x 14.8 cm, 646 g |
| ISBN: | 9783631867723 3631867727 |
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| 245 | 1 | 0 | |a Alan Lomax, the South, and the American folk music revival, 1933-1969 |c Risto Lenz |
| 264 | 1 | |a Berlin ; Bern ; Bruxelles ; New York ; Oxford ; Warszawa ; Wien |b Peter Lang |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a 447 Seiten |b Illustrationen |c 21 cm x 14.8 cm, 646 g | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a American Culture |v vol. 16 | |
| 502 | |b Dissertation |c Universität Köln |d 2021 | ||
| 600 | 1 | 7 | |a Lomax, Alan |d 1915-2002 |0 (DE-588)129861537 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1933-1969 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Folk music |0 (DE-588)4137558-0 |2 gnd |9 rswk-swf |
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| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
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| 689 | 0 | 2 | |a Folk music |0 (DE-588)4137558-0 |D s |
| 689 | 0 | 3 | |a Geschichte 1933-1969 |A z |
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Datensatz im Suchindex
| _version_ | 1804183987043696640 |
|---|---|
| adam_text | LIST
OF
ABBREVIATIONS
...............................................................................
13
INTRODUCTION
..............................................................................................
17
PRIMARY
SOURCES
..............................................................................................
34
OUTLINE
.............................................................................................................
35
STATE
OF
RESEARCH
..............................................................................................
43
1
AMERICAN
FOLKLORE:
APPLIED
VERSUS
PURE
RESEARCH
.....................
47
1.1
THE
DUAL
MEANING
OF
FOLKLORE
...............................................................
49
1.1.1
ADVOCATING
THE
FOLK
....................................................................
53
1.1.2
KNOWLEDGE
AND
INTERPRETATION
......................................................
59
1.1.3
APPROACHING
THE
IRRECONCILABLE
.....................................................
62
1.1.4
LIVING
LORE
AS
CONTEMPORARY
HISTORY
.......................................
64
1.2
THE
FOLKLORE
APPROACH
OF
ALAN
LOMAX
.................................................
67
1.2.1
MAKING
FOLK
MUSIC
AVAILABLE
........................................................
68
1.1.2
AN
APPEAL
FOR
CULTURAL
EQUITY
......................................................
72
1.2.3
THE
FOLKLIFE
PRESERVATION
ACT
........................................................
75
2
THE
EXPERT
FROM
BELOW
.......................................................................
83
2.1
LOMAX
AND
THE
PUBLISHING
MEDIA
...........................................................
84
2.1.1
MUSIC
IN
YOUR
OWN
BACKYARD
:
DEMOCRATIZING
KNOWLEDGE
IN
FOLKLORE
.............................................................................
86
2.1.2
RURAL
AMERICA:
THE
NATION
S
DEMOCRATIC
BACKBONE
....................
91
2.1.3
FLIRTING
WITH
COSMOPOLIS:
LOMAX
AND
HIGHBROW
CULTURE
...........
94
2.2
BETWEEN
ADVOCATING
AND
EXPLOITING
....................................................
102
2.2.1
BEYOND
ENTERTAINMENT:
LEAD
BELLY
AND
HENRY
TRUVILLION
.........
106
2.2.2
CREATING
INTIMACY:
LOMAX
AS
THE
FRIEND
OF
THE
FOLK
...............
110
2.2.3
A
MACHINE
FOR
THE
VOICELESS
........................................................
115
3
RADIO
AND
FILM
...................................................................................
125
3.1
RADIO
AS
AN
EDUCATIONAL
FORCE
..............................................................
126
3.2
THE
RURAL
SOUTH
AND
THE
WAR
EFFORT:
LOMAX
AT
THE
OFFICE
OF
WAR
INFORMATION
.....................................................................................
134
3.2.1
FOLK
MUSIC
OF
AMERICA
AND
BACK
WHERE
I
COME
FROM
................
141
3.2.1.1
WORK
AND
PRISON
SONGS
OF
THE
SOUTH
..............................
144
3.2.1.2
THE
RURAL
MESSENGER
........................................................
153
3.3
EDUCATIONAL
FILM
....................................................................................
166
3.3.1
THE
INTEGRATED
SOUTH VERSUS
THE
BENIGHTED
SOUTH
.....................
169
3.3.1.1
TO
HEAR
YOUR
BANJO
PLAY
..................................................
171
3.3.1.2
RAINBOW
QUEST
.................................................................
174
3.3.1.3
BALLADS,
BLUES
AND
BLUEGRASS
............................................
180
4
GENDER,
RACE
AND
THE
FOLKLORIST
.....................................................
189
4.1
GENDER
AND
AFRICAN
AMERICAN
STUDIES
IN
FOLKLORE
SCHOLARSHIP
......
191
4.1.1
THE
ACCUSATION
OF
CULTURAL
APPROPRIATION
..................................
194
4.1.2
GENDER
AND
RACE
BIAS
IN
HISTORY
AND
FOLKLORE
STUDIES
.............
197
4.2
SIDNEY
ROBERTSON
...................................................................................
201
4.2.1
A
MINOR
VOICE
...............................................................................
203
4.2.2
A
CLASH
OF
VIEWS
...........................................................................
205
4.3
ZORA
NEALE
HURSTON
...............................................................................
211
4.3.1
UNIQUENESS
OUT
OF
NECESSITY
.........................................................
212
4.3.2
EATONVILLE
CHRONICLER
....................................................................
215
5
A
MISSISSIPPI
OF
SONG
:
LOMAX
AND
THE
CONSTRUCTION
OF
DELTA
BLUES
.............................................................................................
229
5.1
THE
CRADLE
OF
THE
BLUES?:
THE
MYTH
OF
THE
DELTA
................................
231
5.1.1
THE
PICTURE
AND
THE
MIRROR:
LOMAX
AND
THE
SEARCH
FOR
HISTORY
233
5.1.2
URBAN
NORTH
OR
RURAL
SOUTH:
THE
BLUES
OF
BIG
BILL
BROONZY
235
5.1.3
BLUES
AT
MIDNIGHT
:
BECOMING
A
PEOPLES
ARTIST
........................
236
5.1.3
MEETING
EXPECTATIONS:
BROONZY
AS
THE
CHRONICLER
OF
THE
BLUES
..
238
5.1.4
BLUES
IN
THE
MISSISSIPPI
NIGHT
......................................................
240
5.1.5
FICTION
OR
HISTORY:
LOMAX
AND
I
GOT
THE
BLUES
.......................
245
5.1.6
THREE
DELTA
MEN
:
THE
BLUES
IN
THE
MISSISSIPPI
NIGHT
LPS
.........
247
5.1.7
LOMAX
AND
THE
USE
OF
ORAL
HISTORY
.............................................
251
5.1.8
THE
BLUES
IN
THE
MISSISSIPPI
NIGHT
LEGACY
....................................
254
5.2
THE
FISK
/
LIBRARY
OF
CONGRESS
COAHOMA
COUNTY
STUDY,
1941-1942
.....................................................................
258
5.2.1
NATCHEZ
OR
COAHOMA:
LOCATING
THE
STUDY
..................................
259
5.2.2
THE
REDISCOVERED
MANUSCRIPTS:
LOMAX
AND
THE
FISK
SCHOLARS
...
262
5.2.3
FOLK
CULTURE
AND
POPULAR
CULTURE
IN
COAHOMA
COUNTY
............
265
5.4.2
WORK
SONG,
LEVEE
SONG
AND
THE
HOLLER
......................................
272
5.2.5
NATIVE
AMERICAN
INFLUENCE
ON
THE
BLUES
....................................
280
5.2.6
HAVING
THE
BLUES
:
A
VERY
SHORT
SURVEY
...................................
285
5.3
THE
INDIVIDUAL
VERSUS
THE
COMMUNITY:
LOMAX
AND
MISSISSIPPI
BLUESMEN
.........................................................................................
289
5.3.1
POOR
MULESKINNER
OR
ASPIRING
ARTISTS:
MUDDY
WATERS
..............
292
5.3.2
EMPLOTTING
THE
NARRATIVE:
LOMAX
AND
THE
ROYAL
LINEAGE
OF
BLUES
.....................................................................................
295
5.3.3
POSSESSED
BY
THE
SONG
:
LOMAX
AND
SON
HOUSE
.......................
298
5.3.4
THE
MODERN
STYLE:
DAVID
HONEYBOY
EDWARDS
.......................
1
301
5.4
THEY
LOST
SOME
OF
THEIR
MELANCHOLY
:
LOMAX
AND
NEW
ORLEANS
BLUES
.......................................................................................................
305
5.4.1
JELLY
ROLL
MORTON
AND
THE
CONTAMINATION
OF
THE
BLUES
..............
307
5.4.2
RURAL
AND
URBAN
BLUES
IN
THE
EARLY
RECORDING
INDUSTRY
............
310
5.5
LOMAX
AND
THE
FEMALE
BLUES
................................................................
314
5.5.1
STORYVILLE
AND
THE
LIMITATIONS
OF
BLUESWOMEN
...........................
320
5.5.2
THEY
COULD
BRING
IT
TO
CHURCH
:
LOMAX
AND
THE
STRUGGLES
OF
BLUESWOMEN
324
5.6
LOMAX
AND
THE
MISSISSIPPI
STATE
PENITENTIARY
....................................
329
5.6.1
NEGRO
PRISON
SONGS
FROM
THE
MISSISSIPPI
STATE
PENITENTIARY
(1958)
..................................................................................
337
6
LOMAX
AND
THE
1960S
FOLK
BOOM
..............................................
347
6.1
REFLECTING
PRIVILEGE:
THE
SEARCH
FOR
OUTSIDERS
....................................
350
6.2
THE
DRIVEN
GENERATION:
THE
LUCKY
FEW
..............................................
354
6.2.1
A
STORY
OF
BLACK
AND
WHITE
.........................................................
356
6.3
THE
NEWPORT
FOLK
FESTIVAL,
1963
TO
1965
............................................
357
6.3.1
LOMAX
AS
NEWPORT
BOARD
MEMBER
............................................
362
6.3.2
THE
FOLK
REDISCOVERIES
................................................................
364
6.3.3
DEVIL
GOT
MY
WOMAN
.................................................................
374
6.3.4
MEDIATORS
OF
THE
FOLK
BOOM
-
RINZLER,
SHELTON,
SILBER
AND
LOMAX
.................................................................................
380
6.4
REDISCOVERIES
OF
APPALACHIA
..................................................................
385
CONCLUSION
..................................................................................................
403
PRIMARY
SOURCES
LIST
OF
FIGURES
...........................................................
417
AUDIO
RECORDINGS
.....................................................................................
419
|
| adam_txt |
LIST
OF
ABBREVIATIONS
.
13
INTRODUCTION
.
17
PRIMARY
SOURCES
.
34
OUTLINE
.
35
STATE
OF
RESEARCH
.
43
1
AMERICAN
FOLKLORE:
APPLIED
VERSUS
PURE
RESEARCH
.
47
1.1
THE
DUAL
MEANING
OF
FOLKLORE
.
49
1.1.1
ADVOCATING
"
THE
FOLK
"
.
53
1.1.2
KNOWLEDGE
AND
INTERPRETATION
.
59
1.1.3
APPROACHING
THE
IRRECONCILABLE
.
62
1.1.4
"
LIVING
LORE
"
AS
CONTEMPORARY
HISTORY
.
64
1.2
THE
FOLKLORE
APPROACH
OF
ALAN
LOMAX
.
67
1.2.1
MAKING
FOLK
MUSIC
AVAILABLE
.
68
1.1.2
AN
APPEAL
FOR
CULTURAL
EQUITY
.
72
1.2.3
THE
FOLKLIFE
PRESERVATION
ACT
.
75
2
THE
EXPERT
FROM
BELOW
.
83
2.1
LOMAX
AND
THE
PUBLISHING
MEDIA
.
84
2.1.1
"
MUSIC
IN
YOUR
OWN
BACKYARD
"
:
DEMOCRATIZING
KNOWLEDGE
IN
FOLKLORE
.
86
2.1.2
RURAL
AMERICA:
THE
NATION
'
S
DEMOCRATIC
BACKBONE
.
91
2.1.3
FLIRTING
WITH
COSMOPOLIS:
LOMAX
AND
HIGHBROW
CULTURE
.
94
2.2
BETWEEN
ADVOCATING
AND
EXPLOITING
.
102
2.2.1
BEYOND
ENTERTAINMENT:
LEAD
BELLY
AND
HENRY
TRUVILLION
.
106
2.2.2
CREATING
INTIMACY:
LOMAX
AS
THE
FRIEND
OF
"
THE
FOLK
"
.
110
2.2.3
A
MACHINE
FOR
THE
VOICELESS
.
115
3
RADIO
AND
FILM
.
125
3.1
RADIO
AS
AN
EDUCATIONAL
FORCE
.
126
3.2
THE
RURAL
SOUTH
AND
THE
WAR
EFFORT:
LOMAX
AT
THE
OFFICE
OF
WAR
INFORMATION
.
134
3.2.1
FOLK
MUSIC
OF
AMERICA
AND
BACK
WHERE
I
COME
FROM
.
141
3.2.1.1
WORK
AND
PRISON
SONGS
OF
THE
SOUTH
.
144
3.2.1.2
THE
RURAL
MESSENGER
.
153
3.3
EDUCATIONAL
FILM
.
166
3.3.1
THE
INTEGRATED
SOUTH VERSUS
THE
BENIGHTED
SOUTH
.
169
3.3.1.1
TO
HEAR
YOUR
BANJO
PLAY
.
171
3.3.1.2
RAINBOW
QUEST
.
174
3.3.1.3
BALLADS,
BLUES
AND
BLUEGRASS
.
180
4
GENDER,
RACE
AND
THE
FOLKLORIST
.
189
4.1
GENDER
AND
AFRICAN
AMERICAN
STUDIES
IN
FOLKLORE
SCHOLARSHIP
.
191
4.1.1
THE
ACCUSATION
OF
CULTURAL
APPROPRIATION
.
194
4.1.2
GENDER
AND
RACE
BIAS
IN
HISTORY
AND
FOLKLORE
STUDIES
.
197
4.2
SIDNEY
ROBERTSON
.
201
4.2.1
A
MINOR
VOICE
.
203
4.2.2
A
CLASH
OF
VIEWS
.
205
4.3
ZORA
NEALE
HURSTON
.
211
4.3.1
UNIQUENESS
OUT
OF
NECESSITY
.
212
4.3.2
EATONVILLE
CHRONICLER
.
215
5
"
A
MISSISSIPPI
OF
SONG
"
:
LOMAX
AND
THE
CONSTRUCTION
OF
DELTA
BLUES
.
229
5.1
THE
CRADLE
OF
THE
BLUES?:
THE
MYTH
OF
THE
DELTA
.
231
5.1.1
THE
PICTURE
AND
THE
MIRROR:
LOMAX
AND
THE
SEARCH
FOR
HISTORY
233
5.1.2
URBAN
NORTH
OR
RURAL
SOUTH:
THE
BLUES
OF
BIG
BILL
BROONZY
235
5.1.3
"
BLUES
AT
MIDNIGHT
"
:
BECOMING
A
PEOPLES
ARTIST
.
236
5.1.3
MEETING
EXPECTATIONS:
BROONZY
AS
THE
CHRONICLER
OF
THE
BLUES
.
238
5.1.4
BLUES
IN
THE
MISSISSIPPI
NIGHT
.
240
5.1.5
FICTION
OR
HISTORY:
LOMAX
AND
"
I
GOT
THE
BLUES
"
.
245
5.1.6
"
THREE
DELTA
MEN
"
:
THE
BLUES
IN
THE
MISSISSIPPI
NIGHT
LPS
.
247
5.1.7
LOMAX
AND
THE
USE
OF
ORAL
HISTORY
.
251
5.1.8
THE
BLUES
IN
THE
MISSISSIPPI
NIGHT
LEGACY
.
254
5.2
THE
FISK
/
LIBRARY
OF
CONGRESS
COAHOMA
COUNTY
STUDY,
1941-1942
.
258
5.2.1
NATCHEZ
OR
COAHOMA:
LOCATING
THE
STUDY
.
259
5.2.2
THE
REDISCOVERED
MANUSCRIPTS:
LOMAX
AND
THE
FISK
SCHOLARS
.
262
5.2.3
FOLK
CULTURE
AND
POPULAR
CULTURE
IN
COAHOMA
COUNTY
.
265
5.4.2
WORK
SONG,
LEVEE
SONG
AND
THE
HOLLER
.
272
5.2.5
NATIVE
AMERICAN
INFLUENCE
ON
THE
BLUES
.
280
5.2.6
"
HAVING
THE
BLUES
"
:
A
VERY
SHORT
SURVEY
.
285
5.3
THE
INDIVIDUAL
VERSUS
THE
COMMUNITY:
LOMAX
AND
MISSISSIPPI
BLUESMEN
.
289
5.3.1
POOR
MULESKINNER
OR
ASPIRING
ARTISTS:
MUDDY
WATERS
.
292
5.3.2
EMPLOTTING
THE
NARRATIVE:
LOMAX
AND
THE
"
ROYAL
LINEAGE
"
OF
BLUES
.
295
5.3.3
"
POSSESSED
BY
THE
SONG
"
:
LOMAX
AND
SON
HOUSE
.
298
5.3.4
THE
MODERN
STYLE:
DAVID
"
HONEYBOY
"
EDWARDS
.
1
301
5.4
"
THEY
LOST
SOME
OF
THEIR
MELANCHOLY
"
:
LOMAX
AND
NEW
ORLEANS
BLUES
.
305
5.4.1
JELLY
ROLL
MORTON
AND
THE
CONTAMINATION
OF
THE
BLUES
.
307
5.4.2
RURAL
AND
URBAN
BLUES
IN
THE
EARLY
RECORDING
INDUSTRY
.
310
5.5
LOMAX
AND
THE
FEMALE
BLUES
.
314
5.5.1
STORYVILLE
AND
THE
LIMITATIONS
OF
BLUESWOMEN
.
320
5.5.2
"
THEY
COULD
BRING
IT
TO
CHURCH
"
:
LOMAX
AND
THE
STRUGGLES
OF
BLUESWOMEN
324
5.6
LOMAX
AND
THE
MISSISSIPPI
STATE
PENITENTIARY
.
329
5.6.1
NEGRO
PRISON
SONGS
FROM
THE
MISSISSIPPI
STATE
PENITENTIARY
(1958)
.
337
6
LOMAX
AND
THE
1960S
"
FOLK
BOOM
"
.
347
6.1
REFLECTING
PRIVILEGE:
THE
SEARCH
FOR
OUTSIDERS
.
350
6.2
THE
DRIVEN
GENERATION:
THE
LUCKY
FEW
.
354
6.2.1
A
STORY
OF
BLACK
AND
WHITE
.
356
6.3
THE
NEWPORT
FOLK
FESTIVAL,
1963
TO
1965
.
357
6.3.1
LOMAX
AS
NEWPORT
BOARD
MEMBER
.
362
6.3.2
THE
FOLK
REDISCOVERIES
.
364
6.3.3
DEVIL
GOT
MY
WOMAN
.
374
6.3.4
MEDIATORS
OF
THE
"
FOLK
BOOM
"
-
RINZLER,
SHELTON,
SILBER
AND
LOMAX
.
380
6.4
REDISCOVERIES
OF
APPALACHIA
.
385
CONCLUSION
.
403
PRIMARY
SOURCES
LIST
OF
FIGURES
.
417
AUDIO
RECORDINGS
.
419 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Lenz, Risto |
| author_GND | (DE-588)1267421800 |
| author_facet | Lenz, Risto |
| author_role | aut |
| author_sort | Lenz, Risto |
| author_variant | r l rl |
| building | Verbundindex |
| bvnumber | BV048213009 |
| classification_rvk | LS 48610 |
| ctrlnum | (OCoLC)1317689925 (DE-599)DNB1256444510 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1933-1969 gnd |
| era_facet | Geschichte 1933-1969 |
| format | Thesis Book |
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| id | DE-604.BV048213009 |
| illustrated | Illustrated |
| index_date | 2024-07-03T19:49:09Z |
| indexdate | 2024-07-10T09:32:10Z |
| institution | BVB |
| institution_GND | (DE-588)1065711506 |
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| language | English |
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| physical | 447 Seiten Illustrationen 21 cm x 14.8 cm, 646 g |
| psigel | BSB_NED_20230616 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Peter Lang |
| record_format | marc |
| series | American Culture |
| series2 | American Culture |
| spelling | Lenz, Risto Verfasser (DE-588)1267421800 aut Alan Lomax, the South, and the American folk music revival, 1933-1969 Risto Lenz Berlin ; Bern ; Bruxelles ; New York ; Oxford ; Warszawa ; Wien Peter Lang [2022] © 2022 447 Seiten Illustrationen 21 cm x 14.8 cm, 646 g txt rdacontent n rdamedia nc rdacarrier American Culture vol. 16 Dissertation Universität Köln 2021 Lomax, Alan 1915-2002 (DE-588)129861537 gnd rswk-swf Geschichte 1933-1969 gnd rswk-swf Folk music (DE-588)4137558-0 gnd rswk-swf USA Südstaaten (DE-588)4078674-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Lomax, Alan 1915-2002 (DE-588)129861537 p USA Südstaaten (DE-588)4078674-2 g Folk music (DE-588)4137558-0 s Geschichte 1933-1969 z b DE-604 Peter Lang GmbH (DE-588)1065711506 pbl Erscheint auch als Online-Ausgabe, PDF 978-3-631-87588-9 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-87589-6 American Culture vol. 16 (DE-604)BV013864983 16 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=4b83f07214664c028a3357692805ba89&prov=M&dok_var=1&dok_ext=htm Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033593824&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20220429 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Lenz, Risto Alan Lomax, the South, and the American folk music revival, 1933-1969 American Culture Lomax, Alan 1915-2002 (DE-588)129861537 gnd Folk music (DE-588)4137558-0 gnd |
| subject_GND | (DE-588)129861537 (DE-588)4137558-0 (DE-588)4078674-2 (DE-588)4113937-9 |
| title | Alan Lomax, the South, and the American folk music revival, 1933-1969 |
| title_auth | Alan Lomax, the South, and the American folk music revival, 1933-1969 |
| title_exact_search | Alan Lomax, the South, and the American folk music revival, 1933-1969 |
| title_exact_search_txtP | Alan Lomax, the South, and the American folk music revival, 1933-1969 |
| title_full | Alan Lomax, the South, and the American folk music revival, 1933-1969 Risto Lenz |
| title_fullStr | Alan Lomax, the South, and the American folk music revival, 1933-1969 Risto Lenz |
| title_full_unstemmed | Alan Lomax, the South, and the American folk music revival, 1933-1969 Risto Lenz |
| title_short | Alan Lomax, the South, and the American folk music revival, 1933-1969 |
| title_sort | alan lomax the south and the american folk music revival 1933 1969 |
| topic | Lomax, Alan 1915-2002 (DE-588)129861537 gnd Folk music (DE-588)4137558-0 gnd |
| topic_facet | Lomax, Alan 1915-2002 Folk music USA Südstaaten Hochschulschrift |
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| volume_link | (DE-604)BV013864983 |
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