Elizaveta Porodina - un/masked:
Porodina’s early years were impacted by the brutalist buildings in Moscow and her mother who introduced her daughter to art. Stored in her unconscious, art became the extension and expression of "her self," implying that every single one of her photographs is a self-portrait. Art became—an...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
Hatje Cantz
[2022]
|
| Schlagworte: | |
| Zusammenfassung: | Porodina’s early years were impacted by the brutalist buildings in Moscow and her mother who introduced her daughter to art. Stored in her unconscious, art became the extension and expression of "her self," implying that every single one of her photographs is a self-portrait. Art became—and still is—an inevitable, and inseparable, part of her. Porodina’s academic upbringing in post-Soviet Russia and her interest in emotional behavior led her to study clinical psychology. This background and her striving towards greater understanding of herself, her environment, and others, informed her move to photography. It became a frame by which she is not limited—photography is just another medium that allows to stimulate the mind by showing, rather than by speaking, since the unconscious is not verbal either |
| Beschreibung: | 160 ungezählte Seiten 30 cm x 24 cm |
| ISBN: | 9783775752466 3775752463 |
Internformat
MARC
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| 520 | 3 | |a Porodina’s early years were impacted by the brutalist buildings in Moscow and her mother who introduced her daughter to art. Stored in her unconscious, art became the extension and expression of "her self," implying that every single one of her photographs is a self-portrait. Art became—and still is—an inevitable, and inseparable, part of her. Porodina’s academic upbringing in post-Soviet Russia and her interest in emotional behavior led her to study clinical psychology. This background and her striving towards greater understanding of herself, her environment, and others, informed her move to photography. It became a frame by which she is not limited—photography is just another medium that allows to stimulate the mind by showing, rather than by speaking, since the unconscious is not verbal either | |
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Datensatz im Suchindex
| _version_ | 1812883322498449408 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Porodina, Elizaveta 1987- Baron, Fabien 1959- Barth, Nadine 1964- |
| author2_role | pht aui edt |
| author2_variant | e p ep f b fb n b nb |
| author_GND | (DE-588)1150266651 (DE-588)125001452 (DE-588)122058941 |
| author_facet | Porodina, Elizaveta 1987- Baron, Fabien 1959- Barth, Nadine 1964- |
| building | Verbundindex |
| bvnumber | BV048212102 |
| ctrlnum | (OCoLC)1317694991 (DE-599)DNB1251013481 |
| format | Book |
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| genre | (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Bildband |
| geographic | Russland (DE-588)4076899-5 gnd |
| geographic_facet | Russland |
| id | DE-604.BV048212102 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:48:53Z |
| indexdate | 2024-10-14T10:04:23Z |
| institution | BVB |
| institution_GND | (DE-588)10094104-7 |
| isbn | 9783775752466 3775752463 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033592935 |
| oclc_num | 1317694991 |
| open_access_boolean | |
| owner | DE-255 DE-12 DE-M508 |
| owner_facet | DE-255 DE-12 DE-M508 |
| physical | 160 ungezählte Seiten 30 cm x 24 cm |
| psigel | BSB_NED_20221107 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Hatje Cantz |
| record_format | marc |
| spelling | Porodina, Elizaveta 1987- (DE-588)1150266651 pht Elizaveta Porodina - un/masked foreword: Fabien Baron ; editor: Nadine Barth Un/masked Unmasked Un masked unmasked Berlin Hatje Cantz [2022] 160 ungezählte Seiten 30 cm x 24 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Porodina’s early years were impacted by the brutalist buildings in Moscow and her mother who introduced her daughter to art. Stored in her unconscious, art became the extension and expression of "her self," implying that every single one of her photographs is a self-portrait. Art became—and still is—an inevitable, and inseparable, part of her. Porodina’s academic upbringing in post-Soviet Russia and her interest in emotional behavior led her to study clinical psychology. This background and her striving towards greater understanding of herself, her environment, and others, informed her move to photography. It became a frame by which she is not limited—photography is just another medium that allows to stimulate the mind by showing, rather than by speaking, since the unconscious is not verbal either Porodina, Elizaveta 1987- (DE-588)1150266651 gnd rswk-swf Fotografin (DE-588)4262252-9 gnd rswk-swf Modefotografie (DE-588)4137739-4 gnd rswk-swf Porträtfotografie (DE-588)4046840-9 gnd rswk-swf Inszenierte Fotografie (DE-588)4371232-0 gnd rswk-swf Experimentelle Fotografie (DE-588)4016003-8 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Psychologie Das Unbewusste Russland Brutalismus Fashion Modefotografinnen Editorial Modemagagazin Modefotografie Surrealismus Portrait Carolina Herrera Jo Malone Moncler Vogue Dior (DE-588)4145395-5 Bildband gnd-content Porodina, Elizaveta 1987- (DE-588)1150266651 p DE-604 Porträtfotografie (DE-588)4046840-9 s Modefotografie (DE-588)4137739-4 s Inszenierte Fotografie (DE-588)4371232-0 s Experimentelle Fotografie (DE-588)4016003-8 s Russland (DE-588)4076899-5 g Fotografin (DE-588)4262252-9 s Baron, Fabien 1959- (DE-588)125001452 aui Barth, Nadine 1964- (DE-588)122058941 edt Hatje-Cantz-Verlag (DE-588)10094104-7 pbl 1\p vlb 20220204 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Elizaveta Porodina - un/masked Porodina, Elizaveta 1987- (DE-588)1150266651 gnd Fotografin (DE-588)4262252-9 gnd Modefotografie (DE-588)4137739-4 gnd Porträtfotografie (DE-588)4046840-9 gnd Inszenierte Fotografie (DE-588)4371232-0 gnd Experimentelle Fotografie (DE-588)4016003-8 gnd |
| subject_GND | (DE-588)1150266651 (DE-588)4262252-9 (DE-588)4137739-4 (DE-588)4046840-9 (DE-588)4371232-0 (DE-588)4016003-8 (DE-588)4076899-5 (DE-588)4145395-5 |
| title | Elizaveta Porodina - un/masked |
| title_alt | Un/masked Unmasked Un masked unmasked |
| title_auth | Elizaveta Porodina - un/masked |
| title_exact_search | Elizaveta Porodina - un/masked |
| title_exact_search_txtP | Elizaveta Porodina - un/masked |
| title_full | Elizaveta Porodina - un/masked foreword: Fabien Baron ; editor: Nadine Barth |
| title_fullStr | Elizaveta Porodina - un/masked foreword: Fabien Baron ; editor: Nadine Barth |
| title_full_unstemmed | Elizaveta Porodina - un/masked foreword: Fabien Baron ; editor: Nadine Barth |
| title_short | Elizaveta Porodina - un/masked |
| title_sort | elizaveta porodina un masked |
| topic | Porodina, Elizaveta 1987- (DE-588)1150266651 gnd Fotografin (DE-588)4262252-9 gnd Modefotografie (DE-588)4137739-4 gnd Porträtfotografie (DE-588)4046840-9 gnd Inszenierte Fotografie (DE-588)4371232-0 gnd Experimentelle Fotografie (DE-588)4016003-8 gnd |
| topic_facet | Porodina, Elizaveta 1987- Fotografin Modefotografie Porträtfotografie Inszenierte Fotografie Experimentelle Fotografie Russland Bildband |
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