Against Repression: Surrealism, Sublimation and the Recuperation of Desire
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Peter Lang Ltd, International Academic Publishers
2018
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (314 Seiten) 30 ill |
| ISBN: | 9781787077706 |
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| 505 | 8 | |a Surrealism has been criticised for having been too steeped in idealism and poetry to have been an effective force for political and personal emancipation in the early twentieth century. The movement, its detractors claim, was conservative in outlook, denying the sexual and material poles of existence, and preferring sublimation over the direct expression of (and engagement with) base desire. These arguments are carefully re-examined and re-evaluated in this book, which focuses on the movement's artistic and political activities of the late 1930s, 1940s and beyond. The book reveals how a more transgressive strand of Surrealist art and thought emerged in France in this period, a strand that is underpinned by an increasing openness to sexual alterity. Surrealist works from this time are considered in terms of their more subversive aspect and shown not only to validate erotic desire but also to challenge the certainties (socio-political, personal) of their audience. Surrealist art and literature are thus presented as actively countering the repressive effects of a socially conservative France, aspiring not only to be at the vanguard of social change but of a change of consciousness in society | |
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Datensatz im Suchindex
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| author | James, Klem |
| author_facet | James, Klem |
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| bvnumber | BV048209374 |
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| contents | Surrealism has been criticised for having been too steeped in idealism and poetry to have been an effective force for political and personal emancipation in the early twentieth century. The movement, its detractors claim, was conservative in outlook, denying the sexual and material poles of existence, and preferring sublimation over the direct expression of (and engagement with) base desire. These arguments are carefully re-examined and re-evaluated in this book, which focuses on the movement's artistic and political activities of the late 1930s, 1940s and beyond. The book reveals how a more transgressive strand of Surrealist art and thought emerged in France in this period, a strand that is underpinned by an increasing openness to sexual alterity. Surrealist works from this time are considered in terms of their more subversive aspect and shown not only to validate erotic desire but also to challenge the certainties (socio-political, personal) of their audience. Surrealist art and literature are thus presented as actively countering the repressive effects of a socially conservative France, aspiring not only to be at the vanguard of social change but of a change of consciousness in society |
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| edition | 1st, New ed |
| format | Electronic eBook |
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| spelling | James, Klem Verfasser aut Against Repression Surrealism, Sublimation and the Recuperation of Desire Klem James 1st, New ed Oxford Peter Lang Ltd, International Academic Publishers 2018 ©2019 1 Online-Ressource (314 Seiten) 30 ill txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Surrealism has been criticised for having been too steeped in idealism and poetry to have been an effective force for political and personal emancipation in the early twentieth century. The movement, its detractors claim, was conservative in outlook, denying the sexual and material poles of existence, and preferring sublimation over the direct expression of (and engagement with) base desire. These arguments are carefully re-examined and re-evaluated in this book, which focuses on the movement's artistic and political activities of the late 1930s, 1940s and beyond. The book reveals how a more transgressive strand of Surrealist art and thought emerged in France in this period, a strand that is underpinned by an increasing openness to sexual alterity. Surrealist works from this time are considered in terms of their more subversive aspect and shown not only to validate erotic desire but also to challenge the certainties (socio-political, personal) of their audience. Surrealist art and literature are thus presented as actively countering the repressive effects of a socially conservative France, aspiring not only to be at the vanguard of social change but of a change of consciousness in society Sexualverhalten Motiv (DE-588)1147792143 gnd rswk-swf Erotik Motiv (DE-588)4123157-0 gnd rswk-swf Sublimierung (DE-588)4116654-1 gnd rswk-swf Surrealismus (DE-588)4058665-0 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Surrealismus (DE-588)4058665-0 s Erotik Motiv (DE-588)4123157-0 s Sexualverhalten Motiv (DE-588)1147792143 s Sublimierung (DE-588)4116654-1 s DE-604 Erscheint auch als Druck-Ausgabe 9781787077690 Erscheint auch als Druck-Ausgabe 9781787077713 Erscheint auch als Druck-Ausgabe 9781787077720 https://www.peterlang.com/view/product/81625?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | James, Klem Against Repression Surrealism, Sublimation and the Recuperation of Desire Surrealism has been criticised for having been too steeped in idealism and poetry to have been an effective force for political and personal emancipation in the early twentieth century. The movement, its detractors claim, was conservative in outlook, denying the sexual and material poles of existence, and preferring sublimation over the direct expression of (and engagement with) base desire. These arguments are carefully re-examined and re-evaluated in this book, which focuses on the movement's artistic and political activities of the late 1930s, 1940s and beyond. The book reveals how a more transgressive strand of Surrealist art and thought emerged in France in this period, a strand that is underpinned by an increasing openness to sexual alterity. Surrealist works from this time are considered in terms of their more subversive aspect and shown not only to validate erotic desire but also to challenge the certainties (socio-political, personal) of their audience. Surrealist art and literature are thus presented as actively countering the repressive effects of a socially conservative France, aspiring not only to be at the vanguard of social change but of a change of consciousness in society Sexualverhalten Motiv (DE-588)1147792143 gnd Erotik Motiv (DE-588)4123157-0 gnd Sublimierung (DE-588)4116654-1 gnd Surrealismus (DE-588)4058665-0 gnd |
| subject_GND | (DE-588)1147792143 (DE-588)4123157-0 (DE-588)4116654-1 (DE-588)4058665-0 (DE-588)4018145-5 |
| title | Against Repression Surrealism, Sublimation and the Recuperation of Desire |
| title_auth | Against Repression Surrealism, Sublimation and the Recuperation of Desire |
| title_exact_search | Against Repression Surrealism, Sublimation and the Recuperation of Desire |
| title_exact_search_txtP | Against Repression Surrealism, Sublimation and the Recuperation of Desire |
| title_full | Against Repression Surrealism, Sublimation and the Recuperation of Desire Klem James |
| title_fullStr | Against Repression Surrealism, Sublimation and the Recuperation of Desire Klem James |
| title_full_unstemmed | Against Repression Surrealism, Sublimation and the Recuperation of Desire Klem James |
| title_short | Against Repression |
| title_sort | against repression surrealism sublimation and the recuperation of desire |
| title_sub | Surrealism, Sublimation and the Recuperation of Desire |
| topic | Sexualverhalten Motiv (DE-588)1147792143 gnd Erotik Motiv (DE-588)4123157-0 gnd Sublimierung (DE-588)4116654-1 gnd Surrealismus (DE-588)4058665-0 gnd |
| topic_facet | Sexualverhalten Motiv Erotik Motiv Sublimierung Surrealismus Frankreich |
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