The Double, the Labyrinth and the Locked Room: Metaphors of Paradox in Crime Fiction and Film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2011
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (196 Seiten) |
| ISBN: | 9781453900888 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048209335 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220510s2011 |||| o||u| ||||||eng d | ||
| 020 | |a 9781453900888 |9 978-1-4539-0088-8 | ||
| 024 | 7 | |a 10.3726/978-1-4539-0088-8 |2 doi | |
| 024 | 3 | |a 9781453900888 | |
| 035 | |a (ZDB-114-LAC)9781453900888 | ||
| 035 | |a (OCoLC)1317692246 | ||
| 035 | |a (DE-599)BVBBV048209335 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a HR 1801 |0 (DE-625)53034: |2 rvk | ||
| 084 | |a HR 1819 |0 (DE-625)53035: |2 rvk | ||
| 100 | 1 | |a Shiloh, Ilana |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The Double, the Labyrinth and the Locked Room |b Metaphors of Paradox in Crime Fiction and Film |c Ilana Shiloh |
| 250 | |a 1st, New ed | ||
| 264 | 1 | |a New York |b Peter Lang Inc., International Academic Publishers |c 2011 | |
| 300 | |a 1 Online-Ressource (196 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Online resource; title from title screen (viewed June 10, 2019) | ||
| 505 | 8 | |a Traditional detective fiction celebrates the victory of order and reason over the senseless violence of crime. Yet in spite of its apparent valorization of rationality, the detective genre has been associated from its inception with three paradoxical motifs - the double, the labyrinth and the locked room. Rational thought relies on binary oppositions, such as chaos and order, appearance and reality or truth and falsehood. Paradoxes subvert such customary distinctions, logically proving as true what we experientially know to be false. The present book explores detective and crime-mystery fiction and film from the perspective of their entrenched metaphors of paradox. This new and intriguing angle yields fresh insights into a genre that has become one of the hallmarks of postmodernism | |
| 650 | 0 | 7 | |a Zimmer |g Motiv |0 (DE-588)4230389-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kriminalfilm |0 (DE-588)4033175-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Labyrinth |g Motiv |0 (DE-588)4166337-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Doppelgänger |0 (DE-588)4136043-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kriminalroman |0 (DE-588)4033187-8 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Kriminalroman |0 (DE-588)4033187-8 |D s |
| 689 | 0 | 2 | |a Kriminalfilm |0 (DE-588)4033175-1 |D s |
| 689 | 0 | 3 | |a Doppelgänger |0 (DE-588)4136043-6 |D s |
| 689 | 0 | 4 | |a Labyrinth |g Motiv |0 (DE-588)4166337-8 |D s |
| 689 | 0 | 5 | |a Zimmer |g Motiv |0 (DE-588)4230389-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9780820468433 |
| 856 | 4 | 0 | |u https://www.peterlang.com/view/product/69825?format=EPDF |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-114-LAC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033590211 | ||
| 966 | e | |u https://www.peterlang.com/view/product/69825?format=EPDF |l BSB01 |p ZDB-114-LAC |q BSB_PDA_LAC_Kauf |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183980977684480 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Shiloh, Ilana |
| author_facet | Shiloh, Ilana |
| author_role | aut |
| author_sort | Shiloh, Ilana |
| author_variant | i s is |
| building | Verbundindex |
| bvnumber | BV048209335 |
| classification_rvk | HR 1801 HR 1819 |
| collection | ZDB-114-LAC |
| contents | Traditional detective fiction celebrates the victory of order and reason over the senseless violence of crime. Yet in spite of its apparent valorization of rationality, the detective genre has been associated from its inception with three paradoxical motifs - the double, the labyrinth and the locked room. Rational thought relies on binary oppositions, such as chaos and order, appearance and reality or truth and falsehood. Paradoxes subvert such customary distinctions, logically proving as true what we experientially know to be false. The present book explores detective and crime-mystery fiction and film from the perspective of their entrenched metaphors of paradox. This new and intriguing angle yields fresh insights into a genre that has become one of the hallmarks of postmodernism |
| ctrlnum | (ZDB-114-LAC)9781453900888 (OCoLC)1317692246 (DE-599)BVBBV048209335 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | 1st, New ed |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02999nmm a2200553zc 4500</leader><controlfield tag="001">BV048209335</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220510s2011 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781453900888</subfield><subfield code="9">978-1-4539-0088-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3726/978-1-4539-0088-8</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9781453900888</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-114-LAC)9781453900888</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1317692246</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048209335</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HR 1801</subfield><subfield code="0">(DE-625)53034:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HR 1819</subfield><subfield code="0">(DE-625)53035:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Shiloh, Ilana</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Double, the Labyrinth and the Locked Room</subfield><subfield code="b">Metaphors of Paradox in Crime Fiction and Film</subfield><subfield code="c">Ilana Shiloh</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st, New ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Peter Lang Inc., International Academic Publishers</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (196 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Online resource; title from title screen (viewed June 10, 2019)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Traditional detective fiction celebrates the victory of order and reason over the senseless violence of crime. Yet in spite of its apparent valorization of rationality, the detective genre has been associated from its inception with three paradoxical motifs - the double, the labyrinth and the locked room. Rational thought relies on binary oppositions, such as chaos and order, appearance and reality or truth and falsehood. Paradoxes subvert such customary distinctions, logically proving as true what we experientially know to be false. The present book explores detective and crime-mystery fiction and film from the perspective of their entrenched metaphors of paradox. This new and intriguing angle yields fresh insights into a genre that has become one of the hallmarks of postmodernism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zimmer</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4230389-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kriminalfilm</subfield><subfield code="0">(DE-588)4033175-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Labyrinth</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4166337-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Doppelgänger</subfield><subfield code="0">(DE-588)4136043-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kriminalroman</subfield><subfield code="0">(DE-588)4033187-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kriminalroman</subfield><subfield code="0">(DE-588)4033187-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kriminalfilm</subfield><subfield code="0">(DE-588)4033175-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Doppelgänger</subfield><subfield code="0">(DE-588)4136043-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Labyrinth</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4166337-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Zimmer</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4230389-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9780820468433</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.peterlang.com/view/product/69825?format=EPDF</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-114-LAC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033590211</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.peterlang.com/view/product/69825?format=EPDF</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-114-LAC</subfield><subfield code="q">BSB_PDA_LAC_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV048209335 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:48:04Z |
| indexdate | 2024-07-10T09:32:04Z |
| institution | BVB |
| isbn | 9781453900888 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033590211 |
| oclc_num | 1317692246 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (196 Seiten) |
| psigel | ZDB-114-LAC ZDB-114-LAC BSB_PDA_LAC_Kauf |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Peter Lang Inc., International Academic Publishers |
| record_format | marc |
| spelling | Shiloh, Ilana Verfasser aut The Double, the Labyrinth and the Locked Room Metaphors of Paradox in Crime Fiction and Film Ilana Shiloh 1st, New ed New York Peter Lang Inc., International Academic Publishers 2011 1 Online-Ressource (196 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Traditional detective fiction celebrates the victory of order and reason over the senseless violence of crime. Yet in spite of its apparent valorization of rationality, the detective genre has been associated from its inception with three paradoxical motifs - the double, the labyrinth and the locked room. Rational thought relies on binary oppositions, such as chaos and order, appearance and reality or truth and falsehood. Paradoxes subvert such customary distinctions, logically proving as true what we experientially know to be false. The present book explores detective and crime-mystery fiction and film from the perspective of their entrenched metaphors of paradox. This new and intriguing angle yields fresh insights into a genre that has become one of the hallmarks of postmodernism Zimmer Motiv (DE-588)4230389-8 gnd rswk-swf Kriminalfilm (DE-588)4033175-1 gnd rswk-swf Labyrinth Motiv (DE-588)4166337-8 gnd rswk-swf Doppelgänger (DE-588)4136043-6 gnd rswk-swf Kriminalroman (DE-588)4033187-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Kriminalroman (DE-588)4033187-8 s Kriminalfilm (DE-588)4033175-1 s Doppelgänger (DE-588)4136043-6 s Labyrinth Motiv (DE-588)4166337-8 s Zimmer Motiv (DE-588)4230389-8 s DE-604 Erscheint auch als Druck-Ausgabe 9780820468433 https://www.peterlang.com/view/product/69825?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shiloh, Ilana The Double, the Labyrinth and the Locked Room Metaphors of Paradox in Crime Fiction and Film Traditional detective fiction celebrates the victory of order and reason over the senseless violence of crime. Yet in spite of its apparent valorization of rationality, the detective genre has been associated from its inception with three paradoxical motifs - the double, the labyrinth and the locked room. Rational thought relies on binary oppositions, such as chaos and order, appearance and reality or truth and falsehood. Paradoxes subvert such customary distinctions, logically proving as true what we experientially know to be false. The present book explores detective and crime-mystery fiction and film from the perspective of their entrenched metaphors of paradox. This new and intriguing angle yields fresh insights into a genre that has become one of the hallmarks of postmodernism Zimmer Motiv (DE-588)4230389-8 gnd Kriminalfilm (DE-588)4033175-1 gnd Labyrinth Motiv (DE-588)4166337-8 gnd Doppelgänger (DE-588)4136043-6 gnd Kriminalroman (DE-588)4033187-8 gnd |
| subject_GND | (DE-588)4230389-8 (DE-588)4033175-1 (DE-588)4166337-8 (DE-588)4136043-6 (DE-588)4033187-8 (DE-588)4078704-7 |
| title | The Double, the Labyrinth and the Locked Room Metaphors of Paradox in Crime Fiction and Film |
| title_auth | The Double, the Labyrinth and the Locked Room Metaphors of Paradox in Crime Fiction and Film |
| title_exact_search | The Double, the Labyrinth and the Locked Room Metaphors of Paradox in Crime Fiction and Film |
| title_exact_search_txtP | The Double, the Labyrinth and the Locked Room Metaphors of Paradox in Crime Fiction and Film |
| title_full | The Double, the Labyrinth and the Locked Room Metaphors of Paradox in Crime Fiction and Film Ilana Shiloh |
| title_fullStr | The Double, the Labyrinth and the Locked Room Metaphors of Paradox in Crime Fiction and Film Ilana Shiloh |
| title_full_unstemmed | The Double, the Labyrinth and the Locked Room Metaphors of Paradox in Crime Fiction and Film Ilana Shiloh |
| title_short | The Double, the Labyrinth and the Locked Room |
| title_sort | the double the labyrinth and the locked room metaphors of paradox in crime fiction and film |
| title_sub | Metaphors of Paradox in Crime Fiction and Film |
| topic | Zimmer Motiv (DE-588)4230389-8 gnd Kriminalfilm (DE-588)4033175-1 gnd Labyrinth Motiv (DE-588)4166337-8 gnd Doppelgänger (DE-588)4136043-6 gnd Kriminalroman (DE-588)4033187-8 gnd |
| topic_facet | Zimmer Motiv Kriminalfilm Labyrinth Motiv Doppelgänger Kriminalroman USA |
| url | https://www.peterlang.com/view/product/69825?format=EPDF |
| work_keys_str_mv | AT shilohilana thedoublethelabyrinthandthelockedroommetaphorsofparadoxincrimefictionandfilm |