Spectacle:
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2015
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | DE-12 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (317 Seiten) |
| ISBN: | 9783035306545 |
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| 505 | 8 | |a How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity? What are the limits - aesthetic, political, social, cultural, economic - of spectacle? How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle? In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary | |
| 505 | 8 | |a «Overall, this volume provides a fascinating, multifaceted, and truly interdisciplinary look at spectacle in the German context. It is of considerable value to students and scholars in German studies.» (Rick McCormick, Feminist German Studies 34/2019) | |
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Datensatz im Suchindex
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| contents | How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity? What are the limits - aesthetic, political, social, cultural, economic - of spectacle? How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle? In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary «Overall, this volume provides a fascinating, multifaceted, and truly interdisciplinary look at spectacle in the German context. It is of considerable value to students and scholars in German studies.» (Rick McCormick, Feminist German Studies 34/2019) |
| ctrlnum | (ZDB-114-LAC)9783035306545 (OCoLC)1317697688 (DE-599)BVBBV048209061 |
| discipline | Allgemeines Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| discipline_str_mv | Allgemeines Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| edition | 1st, New ed |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| spelling | Spectacle Deborah Ascher Barnstone, Thomas O. Haakenson, Jennifer Creech, Thomas O. Haakenson 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2015 1 Online-Ressource (317 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity? What are the limits - aesthetic, political, social, cultural, economic - of spectacle? How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle? In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary «Overall, this volume provides a fascinating, multifaceted, and truly interdisciplinary look at spectacle in the German context. It is of considerable value to students and scholars in German studies.» (Rick McCormick, Feminist German Studies 34/2019) Geschichte gnd rswk-swf Visuelle Kommunikation (DE-588)4131112-7 gnd rswk-swf Spektakel (DE-588)4182161-0 gnd rswk-swf Massenkultur (DE-588)4125858-7 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutschland (DE-588)4011882-4 g Massenkultur (DE-588)4125858-7 s Spektakel (DE-588)4182161-0 s Visuelle Kommunikation (DE-588)4131112-7 s Geschichte z DE-604 Kultur (DE-588)4125698-0 s Barnstone, Deborah Ascher 1959- (DE-588)133080552 edt Haakenson, Thomas O. edt Creech, Jennifer edt Erscheint auch als Druck-Ausgabe 9783034318037 Erscheint auch als Druck-Ausgabe 9783035397789 Erscheint auch als Druck-Ausgabe 9783035397796 https://www.peterlang.com/view/product/46853?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Spectacle How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity? What are the limits - aesthetic, political, social, cultural, economic - of spectacle? How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle? In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary «Overall, this volume provides a fascinating, multifaceted, and truly interdisciplinary look at spectacle in the German context. It is of considerable value to students and scholars in German studies.» (Rick McCormick, Feminist German Studies 34/2019) Visuelle Kommunikation (DE-588)4131112-7 gnd Spektakel (DE-588)4182161-0 gnd Massenkultur (DE-588)4125858-7 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4131112-7 (DE-588)4182161-0 (DE-588)4125858-7 (DE-588)4125698-0 (DE-588)4011882-4 (DE-588)4143413-4 |
| title | Spectacle |
| title_auth | Spectacle |
| title_exact_search | Spectacle |
| title_exact_search_txtP | Spectacle |
| title_full | Spectacle Deborah Ascher Barnstone, Thomas O. Haakenson, Jennifer Creech, Thomas O. Haakenson |
| title_fullStr | Spectacle Deborah Ascher Barnstone, Thomas O. Haakenson, Jennifer Creech, Thomas O. Haakenson |
| title_full_unstemmed | Spectacle Deborah Ascher Barnstone, Thomas O. Haakenson, Jennifer Creech, Thomas O. Haakenson |
| title_short | Spectacle |
| title_sort | spectacle |
| topic | Visuelle Kommunikation (DE-588)4131112-7 gnd Spektakel (DE-588)4182161-0 gnd Massenkultur (DE-588)4125858-7 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Visuelle Kommunikation Spektakel Massenkultur Kultur Deutschland Aufsatzsammlung |
| url | https://www.peterlang.com/view/product/46853?format=EPDF |
| work_keys_str_mv | AT barnstonedeborahascher spectacle AT haakensonthomaso spectacle AT creechjennifer spectacle |