Chaos and Coincidence in Contemporary Spanish Fiction:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2012
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (162 Seiten) |
| ISBN: | 9783035103335 |
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| 100 | 1 | |a Walsh, Anne L. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Chaos and Coincidence in Contemporary Spanish Fiction |c Anne L. Walsh |
| 250 | |a 1st, New ed | ||
| 264 | 1 | |a Bern |b Peter Lang AG, Internationaler Verlag der Wissenschaften |c 2012 | |
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| 505 | 8 | |a This book is an investigation of contemporary Spanish fiction, specifically a group of fictional texts (written and film) that appeared in Spain in the first decade of this century (2001- 2010). The author focuses on textual analysis and studies how chaos and coincidence appear in these narratives and shape them. The texts analyzed are Soldados de Salamina (2001) by Javier Cercas, Tu rostro manaña (2002-2007) by Javier Marías, La catedral del mar (2006) by Ildefonso Falcones, Volver (2006) directed by Pedro Almodóvar, Instrucciones para salvar el mundo (2008) by Rosa Montero and El asedio (2010) by Arturo Pérez-Reverte, with reference to other texts by these authors also included. Though very different storytellers, these authors share an interest in chaos as a theme and as a narrative device. This work shows that the recurrence in their stories of the theme of chaos indicates a move away from postmodern apathy to a growing sense of empowerment, both for characters and for their readers | |
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Datensatz im Suchindex
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| author | Walsh, Anne L. |
| author_facet | Walsh, Anne L. |
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| contents | This book is an investigation of contemporary Spanish fiction, specifically a group of fictional texts (written and film) that appeared in Spain in the first decade of this century (2001- 2010). The author focuses on textual analysis and studies how chaos and coincidence appear in these narratives and shape them. The texts analyzed are Soldados de Salamina (2001) by Javier Cercas, Tu rostro manaña (2002-2007) by Javier Marías, La catedral del mar (2006) by Ildefonso Falcones, Volver (2006) directed by Pedro Almodóvar, Instrucciones para salvar el mundo (2008) by Rosa Montero and El asedio (2010) by Arturo Pérez-Reverte, with reference to other texts by these authors also included. Though very different storytellers, these authors share an interest in chaos as a theme and as a narrative device. This work shows that the recurrence in their stories of the theme of chaos indicates a move away from postmodern apathy to a growing sense of empowerment, both for characters and for their readers |
| ctrlnum | (ZDB-114-LAC)9783035103335 (OCoLC)1317692380 (DE-599)BVBBV048208786 |
| discipline | Romanistik |
| discipline_str_mv | Romanistik |
| edition | 1st, New ed |
| era | Geschichte 2001-2010 gnd |
| era_facet | Geschichte 2001-2010 |
| format | Electronic eBook |
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| isbn | 9783035103335 |
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| spelling | Walsh, Anne L. Verfasser aut Chaos and Coincidence in Contemporary Spanish Fiction Anne L. Walsh 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2012 1 Online-Ressource (162 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) This book is an investigation of contemporary Spanish fiction, specifically a group of fictional texts (written and film) that appeared in Spain in the first decade of this century (2001- 2010). The author focuses on textual analysis and studies how chaos and coincidence appear in these narratives and shape them. The texts analyzed are Soldados de Salamina (2001) by Javier Cercas, Tu rostro manaña (2002-2007) by Javier Marías, La catedral del mar (2006) by Ildefonso Falcones, Volver (2006) directed by Pedro Almodóvar, Instrucciones para salvar el mundo (2008) by Rosa Montero and El asedio (2010) by Arturo Pérez-Reverte, with reference to other texts by these authors also included. Though very different storytellers, these authors share an interest in chaos as a theme and as a narrative device. This work shows that the recurrence in their stories of the theme of chaos indicates a move away from postmodern apathy to a growing sense of empowerment, both for characters and for their readers Geschichte 2001-2010 gnd rswk-swf Spanisch (DE-588)4077640-2 gnd rswk-swf Zufall Motiv (DE-588)4125894-0 gnd rswk-swf Chaos Motiv (DE-588)4147567-7 gnd rswk-swf Prosa (DE-588)4047497-5 gnd rswk-swf Spanisch (DE-588)4077640-2 s Prosa (DE-588)4047497-5 s Chaos Motiv (DE-588)4147567-7 s Zufall Motiv (DE-588)4125894-0 s Geschichte 2001-2010 z DE-604 Erscheint auch als Druck-Ausgabe 9783034310185 https://www.peterlang.com/view/product/45330?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Walsh, Anne L. Chaos and Coincidence in Contemporary Spanish Fiction This book is an investigation of contemporary Spanish fiction, specifically a group of fictional texts (written and film) that appeared in Spain in the first decade of this century (2001- 2010). The author focuses on textual analysis and studies how chaos and coincidence appear in these narratives and shape them. The texts analyzed are Soldados de Salamina (2001) by Javier Cercas, Tu rostro manaña (2002-2007) by Javier Marías, La catedral del mar (2006) by Ildefonso Falcones, Volver (2006) directed by Pedro Almodóvar, Instrucciones para salvar el mundo (2008) by Rosa Montero and El asedio (2010) by Arturo Pérez-Reverte, with reference to other texts by these authors also included. Though very different storytellers, these authors share an interest in chaos as a theme and as a narrative device. This work shows that the recurrence in their stories of the theme of chaos indicates a move away from postmodern apathy to a growing sense of empowerment, both for characters and for their readers Spanisch (DE-588)4077640-2 gnd Zufall Motiv (DE-588)4125894-0 gnd Chaos Motiv (DE-588)4147567-7 gnd Prosa (DE-588)4047497-5 gnd |
| subject_GND | (DE-588)4077640-2 (DE-588)4125894-0 (DE-588)4147567-7 (DE-588)4047497-5 |
| title | Chaos and Coincidence in Contemporary Spanish Fiction |
| title_auth | Chaos and Coincidence in Contemporary Spanish Fiction |
| title_exact_search | Chaos and Coincidence in Contemporary Spanish Fiction |
| title_exact_search_txtP | Chaos and Coincidence in Contemporary Spanish Fiction |
| title_full | Chaos and Coincidence in Contemporary Spanish Fiction Anne L. Walsh |
| title_fullStr | Chaos and Coincidence in Contemporary Spanish Fiction Anne L. Walsh |
| title_full_unstemmed | Chaos and Coincidence in Contemporary Spanish Fiction Anne L. Walsh |
| title_short | Chaos and Coincidence in Contemporary Spanish Fiction |
| title_sort | chaos and coincidence in contemporary spanish fiction |
| topic | Spanisch (DE-588)4077640-2 gnd Zufall Motiv (DE-588)4125894-0 gnd Chaos Motiv (DE-588)4147567-7 gnd Prosa (DE-588)4047497-5 gnd |
| topic_facet | Spanisch Zufall Motiv Chaos Motiv Prosa |
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| work_keys_str_mv | AT walshannel chaosandcoincidenceincontemporaryspanishfiction |