Performativity in the Gallery: Staging Interactive Encounters
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2013
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (253 Seiten) |
| ISBN: | 9783035305616 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048208773 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220510s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 9783035305616 |9 978-3-0353-0561-6 | ||
| 024 | 7 | |a 10.3726/978-3-0353-0561-6 |2 doi | |
| 024 | 3 | |a 9783035305616 | |
| 035 | |a (ZDB-114-LAC)9783035305616 | ||
| 035 | |a (OCoLC)1317689827 | ||
| 035 | |a (DE-599)BVBBV048208773 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a LH 39930 |0 (DE-625)93362: |2 rvk | ||
| 084 | |a LH 65830 |0 (DE-625)94562:13114 |2 rvk | ||
| 084 | |a LH 65880 |0 (DE-625)94564: |2 rvk | ||
| 245 | 1 | 0 | |a Performativity in the Gallery |b Staging Interactive Encounters |c Outi Remes, Laura MacCulloch, Marika Leino |
| 250 | |a 1st, New ed | ||
| 264 | 1 | |a Bern |b Peter Lang AG, Internationaler Verlag der Wissenschaften |c 2013 | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 Online-Ressource (253 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Online resource; title from title screen (viewed June 10, 2019) | ||
| 505 | 8 | |a This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space | |
| 650 | 0 | 7 | |a Interaktive Kunst |0 (DE-588)4557518-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstgalerie |0 (DE-588)4166030-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstausstellung |0 (DE-588)4033628-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |y 2012 |z Milton Keynes |2 gnd-content | |
| 689 | 0 | 0 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
| 689 | 0 | 1 | |a Interaktive Kunst |0 (DE-588)4557518-6 |D s |
| 689 | 0 | 2 | |a Kunstausstellung |0 (DE-588)4033628-1 |D s |
| 689 | 0 | 3 | |a Kunstgalerie |0 (DE-588)4166030-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Remes, Outi |4 edt | |
| 700 | 1 | |a MacCulloch, Laura |4 edt | |
| 700 | 1 | |a Leino, Marika |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783034309660 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783035395105 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783035395112 |
| 856 | 4 | 0 | |u https://www.peterlang.com/view/product/45226?format=EPDF |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-114-LAC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033589650 | ||
| 966 | e | |u https://www.peterlang.com/view/product/45226?format=EPDF |l BSB01 |p ZDB-114-LAC |q BSB_PDA_LAC_Kauf |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183979846270976 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Remes, Outi MacCulloch, Laura Leino, Marika |
| author2_role | edt edt edt |
| author2_variant | o r or l m lm m l ml |
| author_facet | Remes, Outi MacCulloch, Laura Leino, Marika |
| building | Verbundindex |
| bvnumber | BV048208773 |
| classification_rvk | LH 39930 LH 65830 LH 65880 |
| collection | ZDB-114-LAC |
| contents | This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space |
| ctrlnum | (ZDB-114-LAC)9783035305616 (OCoLC)1317689827 (DE-599)BVBBV048208773 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| edition | 1st, New ed |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03500nmm a2200589zc 4500</leader><controlfield tag="001">BV048208773</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220510s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783035305616</subfield><subfield code="9">978-3-0353-0561-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3726/978-3-0353-0561-6</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9783035305616</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-114-LAC)9783035305616</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1317689827</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048208773</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 39930</subfield><subfield code="0">(DE-625)93362:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 65830</subfield><subfield code="0">(DE-625)94562:13114</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 65880</subfield><subfield code="0">(DE-625)94564:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Performativity in the Gallery</subfield><subfield code="b">Staging Interactive Encounters</subfield><subfield code="c">Outi Remes, Laura MacCulloch, Marika Leino</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st, New ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bern</subfield><subfield code="b">Peter Lang AG, Internationaler Verlag der Wissenschaften</subfield><subfield code="c">2013</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (253 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Online resource; title from title screen (viewed June 10, 2019)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Interaktive Kunst</subfield><subfield code="0">(DE-588)4557518-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstgalerie</subfield><subfield code="0">(DE-588)4166030-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstausstellung</subfield><subfield code="0">(DE-588)4033628-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="y">2012</subfield><subfield code="z">Milton Keynes</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Interaktive Kunst</subfield><subfield code="0">(DE-588)4557518-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunstausstellung</subfield><subfield code="0">(DE-588)4033628-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Kunstgalerie</subfield><subfield code="0">(DE-588)4166030-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Remes, Outi</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">MacCulloch, Laura</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Leino, Marika</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783034309660</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783035395105</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783035395112</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.peterlang.com/view/product/45226?format=EPDF</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-114-LAC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033589650</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.peterlang.com/view/product/45226?format=EPDF</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-114-LAC</subfield><subfield code="q">BSB_PDA_LAC_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift 2012 Milton Keynes gnd-content |
| genre_facet | Konferenzschrift 2012 Milton Keynes |
| id | DE-604.BV048208773 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:48:03Z |
| indexdate | 2024-07-10T09:32:03Z |
| institution | BVB |
| isbn | 9783035305616 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033589650 |
| oclc_num | 1317689827 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (253 Seiten) |
| psigel | ZDB-114-LAC ZDB-114-LAC BSB_PDA_LAC_Kauf |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Peter Lang AG, Internationaler Verlag der Wissenschaften |
| record_format | marc |
| spelling | Performativity in the Gallery Staging Interactive Encounters Outi Remes, Laura MacCulloch, Marika Leino 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2013 ©2014 1 Online-Ressource (253 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space Interaktive Kunst (DE-588)4557518-6 gnd rswk-swf Kunstgalerie (DE-588)4166030-4 gnd rswk-swf Kunstausstellung (DE-588)4033628-1 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2012 Milton Keynes gnd-content Performance Künste (DE-588)4173750-7 s Interaktive Kunst (DE-588)4557518-6 s Kunstausstellung (DE-588)4033628-1 s Kunstgalerie (DE-588)4166030-4 s DE-604 Remes, Outi edt MacCulloch, Laura edt Leino, Marika edt Erscheint auch als Druck-Ausgabe 9783034309660 Erscheint auch als Druck-Ausgabe 9783035395105 Erscheint auch als Druck-Ausgabe 9783035395112 https://www.peterlang.com/view/product/45226?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Performativity in the Gallery Staging Interactive Encounters This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space Interaktive Kunst (DE-588)4557518-6 gnd Kunstgalerie (DE-588)4166030-4 gnd Kunstausstellung (DE-588)4033628-1 gnd Performance Künste (DE-588)4173750-7 gnd |
| subject_GND | (DE-588)4557518-6 (DE-588)4166030-4 (DE-588)4033628-1 (DE-588)4173750-7 (DE-588)1071861417 |
| title | Performativity in the Gallery Staging Interactive Encounters |
| title_auth | Performativity in the Gallery Staging Interactive Encounters |
| title_exact_search | Performativity in the Gallery Staging Interactive Encounters |
| title_exact_search_txtP | Performativity in the Gallery Staging Interactive Encounters |
| title_full | Performativity in the Gallery Staging Interactive Encounters Outi Remes, Laura MacCulloch, Marika Leino |
| title_fullStr | Performativity in the Gallery Staging Interactive Encounters Outi Remes, Laura MacCulloch, Marika Leino |
| title_full_unstemmed | Performativity in the Gallery Staging Interactive Encounters Outi Remes, Laura MacCulloch, Marika Leino |
| title_short | Performativity in the Gallery |
| title_sort | performativity in the gallery staging interactive encounters |
| title_sub | Staging Interactive Encounters |
| topic | Interaktive Kunst (DE-588)4557518-6 gnd Kunstgalerie (DE-588)4166030-4 gnd Kunstausstellung (DE-588)4033628-1 gnd Performance Künste (DE-588)4173750-7 gnd |
| topic_facet | Interaktive Kunst Kunstgalerie Kunstausstellung Performance Künste Konferenzschrift 2012 Milton Keynes |
| url | https://www.peterlang.com/view/product/45226?format=EPDF |
| work_keys_str_mv | AT remesouti performativityinthegallerystaginginteractiveencounters AT maccullochlaura performativityinthegallerystaginginteractiveencounters AT leinomarika performativityinthegallerystaginginteractiveencounters |