Introduction to Kalophony, the Byzantine «Ars Nova»: The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2014
|
| Edition: | 1st, New ed |
| Subjects: | |
| Online Access: | BSB01 Volltext |
| Item Description: | Online resource; title from title screen (viewed June 10, 2019) |
| Physical Description: | 1 Online-Ressource (351 Seiten) |
| ISBN: | 9783035303575 |
Staff View
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048208764 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220510s2014 |||| o||u| ||||||eng d | ||
| 020 | |a 9783035303575 |9 978-3-0353-0357-5 | ||
| 024 | 7 | |a 10.3726/978-3-0353-0357-5 |2 doi | |
| 024 | 3 | |a 9783035303575 | |
| 035 | |a (ZDB-114-LAC)9783035303575 | ||
| 035 | |a (OCoLC)1317697118 | ||
| 035 | |a (DE-599)BVBBV048208764 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a LR 50000 |0 (DE-625)109469: |2 rvk | ||
| 100 | 1 | |a Stathis, Gregorios Th |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Introduction to Kalophony, the Byzantine «Ars Nova» |b The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |c Gregorios Th. Stathis, Konstantinos Terzopoulos |
| 250 | |a 1st, New ed | ||
| 264 | 1 | |a Bern |b Peter Lang AG, Internationaler Verlag der Wissenschaften |c 2014 | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 Online-Ressource (351 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Online resource; title from title screen (viewed June 10, 2019) | ||
| 505 | 8 | |a The anagrams, or more generally, the mathēmata and morphologically related kalophonic forms of Byzantine melopoeïa, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallōpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiïas (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression | |
| 650 | 0 | 7 | |a Notenschrift |0 (DE-588)4135339-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Byzantinischer Gesang |0 (DE-588)4304873-0 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Byzantinischer Gesang |0 (DE-588)4304873-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Notenschrift |0 (DE-588)4135339-0 |D s |
| 689 | 1 | |5 DE-604 | |
| 700 | 1 | |a Terzopoulos, Konstantinos |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783034309127 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783035399028 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783035399035 |
| 856 | 4 | 0 | |u https://www.peterlang.com/view/product/45115?format=EPDF |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-114-LAC | ||
| 940 | 1 | |q gbd_1 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033589641 | ||
| 966 | e | |u https://www.peterlang.com/view/product/45115?format=EPDF |l BSB01 |p ZDB-114-LAC |q BSB_PDA_LAC_Kauf |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1804183979829493760 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Stathis, Gregorios Th |
| author_facet | Stathis, Gregorios Th |
| author_role | aut |
| author_sort | Stathis, Gregorios Th |
| author_variant | g t s gt gts |
| building | Verbundindex |
| bvnumber | BV048208764 |
| classification_rvk | LR 50000 |
| collection | ZDB-114-LAC |
| contents | The anagrams, or more generally, the mathēmata and morphologically related kalophonic forms of Byzantine melopoeïa, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallōpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiïas (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression |
| ctrlnum | (ZDB-114-LAC)9783035303575 (OCoLC)1317697118 (DE-599)BVBBV048208764 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 1st, New ed |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03414nmm a2200517zc 4500</leader><controlfield tag="001">BV048208764</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220510s2014 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783035303575</subfield><subfield code="9">978-3-0353-0357-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3726/978-3-0353-0357-5</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9783035303575</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-114-LAC)9783035303575</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1317697118</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048208764</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 50000</subfield><subfield code="0">(DE-625)109469:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Stathis, Gregorios Th</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Introduction to Kalophony, the Byzantine «Ars Nova»</subfield><subfield code="b">The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant</subfield><subfield code="c">Gregorios Th. Stathis, Konstantinos Terzopoulos</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st, New ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bern</subfield><subfield code="b">Peter Lang AG, Internationaler Verlag der Wissenschaften</subfield><subfield code="c">2014</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (351 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Online resource; title from title screen (viewed June 10, 2019)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The anagrams, or more generally, the mathēmata and morphologically related kalophonic forms of Byzantine melopoeïa, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallōpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiïas (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Notenschrift</subfield><subfield code="0">(DE-588)4135339-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Byzantinischer Gesang</subfield><subfield code="0">(DE-588)4304873-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Byzantinischer Gesang</subfield><subfield code="0">(DE-588)4304873-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Notenschrift</subfield><subfield code="0">(DE-588)4135339-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Terzopoulos, Konstantinos</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783034309127</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783035399028</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783035399035</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.peterlang.com/view/product/45115?format=EPDF</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-114-LAC</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033589641</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.peterlang.com/view/product/45115?format=EPDF</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-114-LAC</subfield><subfield code="q">BSB_PDA_LAC_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048208764 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:48:03Z |
| indexdate | 2024-07-10T09:32:03Z |
| institution | BVB |
| isbn | 9783035303575 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033589641 |
| oclc_num | 1317697118 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (351 Seiten) |
| psigel | ZDB-114-LAC gbd_1 ZDB-114-LAC BSB_PDA_LAC_Kauf |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Peter Lang AG, Internationaler Verlag der Wissenschaften |
| record_format | marc |
| spelling | Stathis, Gregorios Th Verfasser aut Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant Gregorios Th. Stathis, Konstantinos Terzopoulos 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2014 ©2015 1 Online-Ressource (351 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) The anagrams, or more generally, the mathēmata and morphologically related kalophonic forms of Byzantine melopoeïa, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallōpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiïas (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression Notenschrift (DE-588)4135339-0 gnd rswk-swf Byzantinischer Gesang (DE-588)4304873-0 gnd rswk-swf Byzantinischer Gesang (DE-588)4304873-0 s DE-604 Notenschrift (DE-588)4135339-0 s Terzopoulos, Konstantinos Sonstige oth Erscheint auch als Druck-Ausgabe 9783034309127 Erscheint auch als Druck-Ausgabe 9783035399028 Erscheint auch als Druck-Ausgabe 9783035399035 https://www.peterlang.com/view/product/45115?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Stathis, Gregorios Th Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant The anagrams, or more generally, the mathēmata and morphologically related kalophonic forms of Byzantine melopoeïa, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallōpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiïas (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression Notenschrift (DE-588)4135339-0 gnd Byzantinischer Gesang (DE-588)4304873-0 gnd |
| subject_GND | (DE-588)4135339-0 (DE-588)4304873-0 |
| title | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |
| title_auth | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |
| title_exact_search | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |
| title_exact_search_txtP | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |
| title_full | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant Gregorios Th. Stathis, Konstantinos Terzopoulos |
| title_fullStr | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant Gregorios Th. Stathis, Konstantinos Terzopoulos |
| title_full_unstemmed | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant Gregorios Th. Stathis, Konstantinos Terzopoulos |
| title_short | Introduction to Kalophony, the Byzantine «Ars Nova» |
| title_sort | introduction to kalophony the byzantine ars nova the anagrammatismoi and mathemata of byzantine chant |
| title_sub | The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |
| topic | Notenschrift (DE-588)4135339-0 gnd Byzantinischer Gesang (DE-588)4304873-0 gnd |
| topic_facet | Notenschrift Byzantinischer Gesang |
| url | https://www.peterlang.com/view/product/45115?format=EPDF |
| work_keys_str_mv | AT stathisgregoriosth introductiontokalophonythebyzantinearsnovatheanagrammatismoiandmathemataofbyzantinechant AT terzopouloskonstantinos introductiontokalophonythebyzantinearsnovatheanagrammatismoiandmathemataofbyzantinechant |