Introduction to Kalophony, the Byzantine «Ars Nova»: The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2014
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (351 Seiten) |
| ISBN: | 9783035303575 |
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| 245 | 1 | 0 | |a Introduction to Kalophony, the Byzantine «Ars Nova» |b The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |c Gregorios Th. Stathis, Konstantinos Terzopoulos |
| 250 | |a 1st, New ed | ||
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| 505 | 8 | |a The anagrams, or more generally, the mathēmata and morphologically related kalophonic forms of Byzantine melopoeïa, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallōpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiïas (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression | |
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Datensatz im Suchindex
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| author | Stathis, Gregorios Th |
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| author_sort | Stathis, Gregorios Th |
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| contents | The anagrams, or more generally, the mathēmata and morphologically related kalophonic forms of Byzantine melopoeïa, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallōpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiïas (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression |
| ctrlnum | (ZDB-114-LAC)9783035303575 (OCoLC)1317697118 (DE-599)BVBBV048208764 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 1st, New ed |
| format | Electronic eBook |
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| spelling | Stathis, Gregorios Th Verfasser aut Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant Gregorios Th. Stathis, Konstantinos Terzopoulos 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2014 ©2015 1 Online-Ressource (351 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) The anagrams, or more generally, the mathēmata and morphologically related kalophonic forms of Byzantine melopoeïa, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallōpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiïas (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression Notenschrift (DE-588)4135339-0 gnd rswk-swf Byzantinischer Gesang (DE-588)4304873-0 gnd rswk-swf Byzantinischer Gesang (DE-588)4304873-0 s DE-604 Notenschrift (DE-588)4135339-0 s Terzopoulos, Konstantinos Sonstige oth Erscheint auch als Druck-Ausgabe 9783034309127 Erscheint auch als Druck-Ausgabe 9783035399028 Erscheint auch als Druck-Ausgabe 9783035399035 https://www.peterlang.com/view/product/45115?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Stathis, Gregorios Th Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant The anagrams, or more generally, the mathēmata and morphologically related kalophonic forms of Byzantine melopoeïa, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallōpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiïas (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression Notenschrift (DE-588)4135339-0 gnd Byzantinischer Gesang (DE-588)4304873-0 gnd |
| subject_GND | (DE-588)4135339-0 (DE-588)4304873-0 |
| title | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |
| title_auth | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |
| title_exact_search | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |
| title_exact_search_txtP | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |
| title_full | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant Gregorios Th. Stathis, Konstantinos Terzopoulos |
| title_fullStr | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant Gregorios Th. Stathis, Konstantinos Terzopoulos |
| title_full_unstemmed | Introduction to Kalophony, the Byzantine «Ars Nova» The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant Gregorios Th. Stathis, Konstantinos Terzopoulos |
| title_short | Introduction to Kalophony, the Byzantine «Ars Nova» |
| title_sort | introduction to kalophony the byzantine ars nova the anagrammatismoi and mathemata of byzantine chant |
| title_sub | The «Anagrammatismoi» and «Mathēmata» of Byzantine Chant |
| topic | Notenschrift (DE-588)4135339-0 gnd Byzantinischer Gesang (DE-588)4304873-0 gnd |
| topic_facet | Notenschrift Byzantinischer Gesang |
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