Parisian Intersections: Baudelaire's Legacy to Composers
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2012
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (228 Seiten) |
| ISBN: | 9783035303049 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048208739 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220510s2012 |||| o||u| ||||||eng d | ||
| 020 | |a 9783035303049 |9 978-3-0353-0304-9 | ||
| 024 | 7 | |a 10.3726/978-3-0353-0304-9 |2 doi | |
| 024 | 3 | |a 9783035303049 | |
| 035 | |a (ZDB-114-LAC)9783035303049 | ||
| 035 | |a (OCoLC)1317695509 | ||
| 035 | |a (DE-599)BVBBV048208739 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a IG 5605 |0 (DE-625)56131:11856 |2 rvk | ||
| 100 | 1 | |a Abbott, Helen |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Parisian Intersections |b Baudelaire's Legacy to Composers |c Helen Abbott |
| 250 | |a 1st, New ed | ||
| 264 | 1 | |a Bern |b Peter Lang AG, Internationaler Verlag der Wissenschaften |c 2012 | |
| 300 | |a 1 Online-Ressource (228 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Online resource; title from title screen (viewed June 10, 2019) | ||
| 505 | 8 | |a The period from the 1850s to the 1890s in Paris marked a key turning point for poets and composers, as they grappled with the new ways in which poetry and music could intersect. Under the particular conditions of the time and place, both art forms underwent significant developments which challenged the status of each form. In both creative and critical work from this era, poets and composers offered tantalising but problematic insights into 'musical' poetry and 'poetic' music. The central issue examined in this book is that of what happens to poetry when it encounters music, especially as song. The author places Baudelaire's famous sonnet 'La Mort des amants' at the heart of the analysis, tracing its transposition into song by a succession of both amateur and professional composers, examining works by Villiers de l'Isle-Adam, Serpette, Rollinat, Debussy and Charpentier, as well as an extraordinary parodic song version by Valade and Verlaine. A companion website offers recordings of each of the songs analysed in this book | |
| 505 | 8 | |a «This will prove an interesting and useful book for performers of French 'mélodie', and for those who work on the endlessly challenging and ambivalent intersection between the musical and poetic French cultural production.» (Claire Launchbury, French Studies 67, 2013) «This book is welcome as a truly analytical contribution to the literature about the interface - the 'loving and risky pact' (p. 41) - between poems and music. It has the added virtue of illuminating one fruitful facet of the arts: the interrelations between the highbrow and lowbrow, in both literature and song.» (Peter Low, New Zealand Journal of French Studies 34, 2013/2) | |
| 600 | 1 | 7 | |a Baudelaire, Charles |d 1821-1867 |t La mort des amants |0 (DE-588)4706419-5 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1850-1890 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Lied |0 (DE-588)4035669-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Vertonung |0 (DE-588)4063269-6 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Baudelaire, Charles |d 1821-1867 |t La mort des amants |0 (DE-588)4706419-5 |D u |
| 689 | 0 | 1 | |a Vertonung |0 (DE-588)4063269-6 |D s |
| 689 | 0 | 2 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 0 | 3 | |a Lied |0 (DE-588)4035669-3 |D s |
| 689 | 0 | 4 | |a Geschichte 1850-1890 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783034308052 |
| 856 | 4 | 0 | |u https://www.peterlang.com/view/product/44906?format=EPDF |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-114-LAC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033589616 | ||
| 966 | e | |u https://www.peterlang.com/view/product/44906?format=EPDF |l BSB01 |p ZDB-114-LAC |q BSB_PDA_LAC_Kauf |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183979788599296 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Abbott, Helen |
| author_facet | Abbott, Helen |
| author_role | aut |
| author_sort | Abbott, Helen |
| author_variant | h a ha |
| building | Verbundindex |
| bvnumber | BV048208739 |
| classification_rvk | IG 5605 |
| collection | ZDB-114-LAC |
| contents | The period from the 1850s to the 1890s in Paris marked a key turning point for poets and composers, as they grappled with the new ways in which poetry and music could intersect. Under the particular conditions of the time and place, both art forms underwent significant developments which challenged the status of each form. In both creative and critical work from this era, poets and composers offered tantalising but problematic insights into 'musical' poetry and 'poetic' music. The central issue examined in this book is that of what happens to poetry when it encounters music, especially as song. The author places Baudelaire's famous sonnet 'La Mort des amants' at the heart of the analysis, tracing its transposition into song by a succession of both amateur and professional composers, examining works by Villiers de l'Isle-Adam, Serpette, Rollinat, Debussy and Charpentier, as well as an extraordinary parodic song version by Valade and Verlaine. A companion website offers recordings of each of the songs analysed in this book «This will prove an interesting and useful book for performers of French 'mélodie', and for those who work on the endlessly challenging and ambivalent intersection between the musical and poetic French cultural production.» (Claire Launchbury, French Studies 67, 2013) «This book is welcome as a truly analytical contribution to the literature about the interface - the 'loving and risky pact' (p. 41) - between poems and music. It has the added virtue of illuminating one fruitful facet of the arts: the interrelations between the highbrow and lowbrow, in both literature and song.» (Peter Low, New Zealand Journal of French Studies 34, 2013/2) |
| ctrlnum | (ZDB-114-LAC)9783035303049 (OCoLC)1317695509 (DE-599)BVBBV048208739 |
| discipline | Romanistik |
| discipline_str_mv | Romanistik |
| edition | 1st, New ed |
| era | Geschichte 1850-1890 gnd |
| era_facet | Geschichte 1850-1890 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03757nmm a2200529zc 4500</leader><controlfield tag="001">BV048208739</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220510s2012 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783035303049</subfield><subfield code="9">978-3-0353-0304-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3726/978-3-0353-0304-9</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9783035303049</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-114-LAC)9783035303049</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1317695509</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048208739</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">IG 5605</subfield><subfield code="0">(DE-625)56131:11856</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Abbott, Helen</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Parisian Intersections</subfield><subfield code="b">Baudelaire's Legacy to Composers</subfield><subfield code="c">Helen Abbott</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st, New ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bern</subfield><subfield code="b">Peter Lang AG, Internationaler Verlag der Wissenschaften</subfield><subfield code="c">2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (228 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Online resource; title from title screen (viewed June 10, 2019)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The period from the 1850s to the 1890s in Paris marked a key turning point for poets and composers, as they grappled with the new ways in which poetry and music could intersect. Under the particular conditions of the time and place, both art forms underwent significant developments which challenged the status of each form. In both creative and critical work from this era, poets and composers offered tantalising but problematic insights into 'musical' poetry and 'poetic' music. The central issue examined in this book is that of what happens to poetry when it encounters music, especially as song. The author places Baudelaire's famous sonnet 'La Mort des amants' at the heart of the analysis, tracing its transposition into song by a succession of both amateur and professional composers, examining works by Villiers de l'Isle-Adam, Serpette, Rollinat, Debussy and Charpentier, as well as an extraordinary parodic song version by Valade and Verlaine. A companion website offers recordings of each of the songs analysed in this book</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">«This will prove an interesting and useful book for performers of French 'mélodie', and for those who work on the endlessly challenging and ambivalent intersection between the musical and poetic French cultural production.» (Claire Launchbury, French Studies 67, 2013) «This book is welcome as a truly analytical contribution to the literature about the interface - the 'loving and risky pact' (p. 41) - between poems and music. It has the added virtue of illuminating one fruitful facet of the arts: the interrelations between the highbrow and lowbrow, in both literature and song.» (Peter Low, New Zealand Journal of French Studies 34, 2013/2)</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Baudelaire, Charles</subfield><subfield code="d">1821-1867</subfield><subfield code="t">La mort des amants</subfield><subfield code="0">(DE-588)4706419-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1850-1890</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lied</subfield><subfield code="0">(DE-588)4035669-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Vertonung</subfield><subfield code="0">(DE-588)4063269-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Baudelaire, Charles</subfield><subfield code="d">1821-1867</subfield><subfield code="t">La mort des amants</subfield><subfield code="0">(DE-588)4706419-5</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Vertonung</subfield><subfield code="0">(DE-588)4063269-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Lied</subfield><subfield code="0">(DE-588)4035669-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1850-1890</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783034308052</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.peterlang.com/view/product/44906?format=EPDF</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-114-LAC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033589616</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.peterlang.com/view/product/44906?format=EPDF</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-114-LAC</subfield><subfield code="q">BSB_PDA_LAC_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Frankreich (DE-588)4018145-5 gnd |
| geographic_facet | Frankreich |
| id | DE-604.BV048208739 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:48:03Z |
| indexdate | 2024-07-10T09:32:03Z |
| institution | BVB |
| isbn | 9783035303049 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033589616 |
| oclc_num | 1317695509 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (228 Seiten) |
| psigel | ZDB-114-LAC ZDB-114-LAC BSB_PDA_LAC_Kauf |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Peter Lang AG, Internationaler Verlag der Wissenschaften |
| record_format | marc |
| spelling | Abbott, Helen Verfasser aut Parisian Intersections Baudelaire's Legacy to Composers Helen Abbott 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2012 1 Online-Ressource (228 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) The period from the 1850s to the 1890s in Paris marked a key turning point for poets and composers, as they grappled with the new ways in which poetry and music could intersect. Under the particular conditions of the time and place, both art forms underwent significant developments which challenged the status of each form. In both creative and critical work from this era, poets and composers offered tantalising but problematic insights into 'musical' poetry and 'poetic' music. The central issue examined in this book is that of what happens to poetry when it encounters music, especially as song. The author places Baudelaire's famous sonnet 'La Mort des amants' at the heart of the analysis, tracing its transposition into song by a succession of both amateur and professional composers, examining works by Villiers de l'Isle-Adam, Serpette, Rollinat, Debussy and Charpentier, as well as an extraordinary parodic song version by Valade and Verlaine. A companion website offers recordings of each of the songs analysed in this book «This will prove an interesting and useful book for performers of French 'mélodie', and for those who work on the endlessly challenging and ambivalent intersection between the musical and poetic French cultural production.» (Claire Launchbury, French Studies 67, 2013) «This book is welcome as a truly analytical contribution to the literature about the interface - the 'loving and risky pact' (p. 41) - between poems and music. It has the added virtue of illuminating one fruitful facet of the arts: the interrelations between the highbrow and lowbrow, in both literature and song.» (Peter Low, New Zealand Journal of French Studies 34, 2013/2) Baudelaire, Charles 1821-1867 La mort des amants (DE-588)4706419-5 gnd rswk-swf Geschichte 1850-1890 gnd rswk-swf Lied (DE-588)4035669-3 gnd rswk-swf Vertonung (DE-588)4063269-6 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Baudelaire, Charles 1821-1867 La mort des amants (DE-588)4706419-5 u Vertonung (DE-588)4063269-6 s Frankreich (DE-588)4018145-5 g Lied (DE-588)4035669-3 s Geschichte 1850-1890 z DE-604 Erscheint auch als Druck-Ausgabe 9783034308052 https://www.peterlang.com/view/product/44906?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Abbott, Helen Parisian Intersections Baudelaire's Legacy to Composers The period from the 1850s to the 1890s in Paris marked a key turning point for poets and composers, as they grappled with the new ways in which poetry and music could intersect. Under the particular conditions of the time and place, both art forms underwent significant developments which challenged the status of each form. In both creative and critical work from this era, poets and composers offered tantalising but problematic insights into 'musical' poetry and 'poetic' music. The central issue examined in this book is that of what happens to poetry when it encounters music, especially as song. The author places Baudelaire's famous sonnet 'La Mort des amants' at the heart of the analysis, tracing its transposition into song by a succession of both amateur and professional composers, examining works by Villiers de l'Isle-Adam, Serpette, Rollinat, Debussy and Charpentier, as well as an extraordinary parodic song version by Valade and Verlaine. A companion website offers recordings of each of the songs analysed in this book «This will prove an interesting and useful book for performers of French 'mélodie', and for those who work on the endlessly challenging and ambivalent intersection between the musical and poetic French cultural production.» (Claire Launchbury, French Studies 67, 2013) «This book is welcome as a truly analytical contribution to the literature about the interface - the 'loving and risky pact' (p. 41) - between poems and music. It has the added virtue of illuminating one fruitful facet of the arts: the interrelations between the highbrow and lowbrow, in both literature and song.» (Peter Low, New Zealand Journal of French Studies 34, 2013/2) Baudelaire, Charles 1821-1867 La mort des amants (DE-588)4706419-5 gnd Lied (DE-588)4035669-3 gnd Vertonung (DE-588)4063269-6 gnd |
| subject_GND | (DE-588)4706419-5 (DE-588)4035669-3 (DE-588)4063269-6 (DE-588)4018145-5 |
| title | Parisian Intersections Baudelaire's Legacy to Composers |
| title_auth | Parisian Intersections Baudelaire's Legacy to Composers |
| title_exact_search | Parisian Intersections Baudelaire's Legacy to Composers |
| title_exact_search_txtP | Parisian Intersections Baudelaire's Legacy to Composers |
| title_full | Parisian Intersections Baudelaire's Legacy to Composers Helen Abbott |
| title_fullStr | Parisian Intersections Baudelaire's Legacy to Composers Helen Abbott |
| title_full_unstemmed | Parisian Intersections Baudelaire's Legacy to Composers Helen Abbott |
| title_short | Parisian Intersections |
| title_sort | parisian intersections baudelaire s legacy to composers |
| title_sub | Baudelaire's Legacy to Composers |
| topic | Baudelaire, Charles 1821-1867 La mort des amants (DE-588)4706419-5 gnd Lied (DE-588)4035669-3 gnd Vertonung (DE-588)4063269-6 gnd |
| topic_facet | Baudelaire, Charles 1821-1867 La mort des amants Lied Vertonung Frankreich |
| url | https://www.peterlang.com/view/product/44906?format=EPDF |
| work_keys_str_mv | AT abbotthelen parisianintersectionsbaudelaireslegacytocomposers |