Music and Space: A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2011
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (441 Seiten) |
| ISBN: | 9783035103052 |
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| 505 | 8 | |a This book explores a paradox: how can a musical work that was written specifically for a certain architectural space «survive» dramatic changes in performance conditions, as in the case of Handel's Messiah? From the chamber music hall in Dublin where it was first performed in 1742, small baroque theaters, and the chapel of London's Foundling Hospital, performances of Messiah after Handel's death moved to cathedrals, to new and large 19th-century concert halls, and finally to the immense Crystal Palace in Sydenham. Are there boundaries determining an adequate performance? How can we define the quality of room acoustics and how does this quality affect the performance as actual sonorous presentation of a musical work? In short, how do different acoustical conditions affect basic aesthetic premises? There are no simple answers to these complex questions, which elicit different responses according to varying points of view. This aspect of cultural history necessarily calls for an investigation based on systematic, historical, and psychological methods. In the first part of this book, which draws from an extensive database of documents on halls, theatres, and churches, essential concepts from the main disciplines involved are introduced in order to define quality of room acoustics in relation to different performance situations. This background then serves as framework to investigate the performance history of Handel's Messiah in the second part | |
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| contents | This book explores a paradox: how can a musical work that was written specifically for a certain architectural space «survive» dramatic changes in performance conditions, as in the case of Handel's Messiah? From the chamber music hall in Dublin where it was first performed in 1742, small baroque theaters, and the chapel of London's Foundling Hospital, performances of Messiah after Handel's death moved to cathedrals, to new and large 19th-century concert halls, and finally to the immense Crystal Palace in Sydenham. Are there boundaries determining an adequate performance? How can we define the quality of room acoustics and how does this quality affect the performance as actual sonorous presentation of a musical work? In short, how do different acoustical conditions affect basic aesthetic premises? There are no simple answers to these complex questions, which elicit different responses according to varying points of view. This aspect of cultural history necessarily calls for an investigation based on systematic, historical, and psychological methods. In the first part of this book, which draws from an extensive database of documents on halls, theatres, and churches, essential concepts from the main disciplines involved are introduced in order to define quality of room acoustics in relation to different performance situations. This background then serves as framework to investigate the performance history of Handel's Messiah in the second part |
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| discipline | Musikwissenschaft |
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| edition | 1st, New ed |
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| era_facet | Geschichte |
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| id | DE-604.BV048208683 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:48:03Z |
| indexdate | 2024-07-10T09:32:03Z |
| institution | BVB |
| isbn | 9783035103052 |
| language | English |
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| spelling | Baumann, Dorothea Verfasser aut Music and Space A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah Dorothea Baumann 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2011 ©2012 1 Online-Ressource (441 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) This book explores a paradox: how can a musical work that was written specifically for a certain architectural space «survive» dramatic changes in performance conditions, as in the case of Handel's Messiah? From the chamber music hall in Dublin where it was first performed in 1742, small baroque theaters, and the chapel of London's Foundling Hospital, performances of Messiah after Handel's death moved to cathedrals, to new and large 19th-century concert halls, and finally to the immense Crystal Palace in Sydenham. Are there boundaries determining an adequate performance? How can we define the quality of room acoustics and how does this quality affect the performance as actual sonorous presentation of a musical work? In short, how do different acoustical conditions affect basic aesthetic premises? There are no simple answers to these complex questions, which elicit different responses according to varying points of view. This aspect of cultural history necessarily calls for an investigation based on systematic, historical, and psychological methods. In the first part of this book, which draws from an extensive database of documents on halls, theatres, and churches, essential concepts from the main disciplines involved are introduced in order to define quality of room acoustics in relation to different performance situations. This background then serves as framework to investigate the performance history of Handel's Messiah in the second part Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 gnd rswk-swf Geschichte gnd rswk-swf Konzert Veranstaltung (DE-588)4317474-7 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Raumakustik (DE-588)4048567-5 gnd rswk-swf Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 u Aufführung (DE-588)4143388-9 s Raumakustik (DE-588)4048567-5 s Geschichte z DE-604 Konzert Veranstaltung (DE-588)4317474-7 s Erscheint auch als Druck-Ausgabe 9783034306157 https://www.peterlang.com/view/product/44539?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Baumann, Dorothea Music and Space A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah This book explores a paradox: how can a musical work that was written specifically for a certain architectural space «survive» dramatic changes in performance conditions, as in the case of Handel's Messiah? From the chamber music hall in Dublin where it was first performed in 1742, small baroque theaters, and the chapel of London's Foundling Hospital, performances of Messiah after Handel's death moved to cathedrals, to new and large 19th-century concert halls, and finally to the immense Crystal Palace in Sydenham. Are there boundaries determining an adequate performance? How can we define the quality of room acoustics and how does this quality affect the performance as actual sonorous presentation of a musical work? In short, how do different acoustical conditions affect basic aesthetic premises? There are no simple answers to these complex questions, which elicit different responses according to varying points of view. This aspect of cultural history necessarily calls for an investigation based on systematic, historical, and psychological methods. In the first part of this book, which draws from an extensive database of documents on halls, theatres, and churches, essential concepts from the main disciplines involved are introduced in order to define quality of room acoustics in relation to different performance situations. This background then serves as framework to investigate the performance history of Handel's Messiah in the second part Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 gnd Konzert Veranstaltung (DE-588)4317474-7 gnd Aufführung (DE-588)4143388-9 gnd Raumakustik (DE-588)4048567-5 gnd |
| subject_GND | (DE-588)300065175 (DE-588)4317474-7 (DE-588)4143388-9 (DE-588)4048567-5 |
| title | Music and Space A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah |
| title_auth | Music and Space A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah |
| title_exact_search | Music and Space A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah |
| title_exact_search_txtP | Music and Space A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah |
| title_full | Music and Space A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah Dorothea Baumann |
| title_fullStr | Music and Space A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah Dorothea Baumann |
| title_full_unstemmed | Music and Space A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah Dorothea Baumann |
| title_short | Music and Space |
| title_sort | music and space a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of handel s messiah |
| title_sub | A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah |
| topic | Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 gnd Konzert Veranstaltung (DE-588)4317474-7 gnd Aufführung (DE-588)4143388-9 gnd Raumakustik (DE-588)4048567-5 gnd |
| topic_facet | Händel, Georg Friedrich 1685-1759 Messiah Konzert Veranstaltung Aufführung Raumakustik |
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