Playing it Queer: Popular music, identity and queer world-making
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2012
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (266 Seiten) |
| ISBN: | 9783035104202 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048208663 | ||
| 003 | DE-604 | ||
| 005 | 20231020 | ||
| 006 | a m||| 00||| | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220510s2012 |||| o||u| ||||||eng d | ||
| 020 | |a 9783035104202 |9 978-3-0351-0420-2 | ||
| 024 | 7 | |a 10.3726/978-3-0351-0420-2 |2 doi | |
| 024 | 3 | |a 9783035104202 | |
| 035 | |a (ZDB-114-LAC)9783035104202 | ||
| 035 | |a (OCoLC)1317694475 | ||
| 035 | |a (DE-599)BVBBV048208663 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 | ||
| 084 | |a LR 54600 |0 (DE-625)109706:13528 |2 rvk | ||
| 084 | |a LR 56618 |0 (DE-625)109804:13536 |2 rvk | ||
| 084 | |a MS 2870 |0 (DE-625)123648: |2 rvk | ||
| 084 | |a MS 8020 |0 (DE-625)123808: |2 rvk | ||
| 100 | 1 | |a Taylor, Jodie |e Verfasser |0 (DE-588)1023733439 |4 aut | |
| 245 | 1 | 0 | |a Playing it Queer |b Popular music, identity and queer world-making |c Jodie Taylor |
| 250 | |a 1st, New ed | ||
| 264 | 1 | |a Bern |b Peter Lang AG, Internationaler Verlag der Wissenschaften |c 2012 | |
| 300 | |a 1 Online-Ressource (266 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Online resource; title from title screen (viewed June 10, 2019) | ||
| 505 | 8 | |a Popular music has always been a dynamic mediator of gender and sexuality, and a productive site of rebellion, oddity and queerness. The transformative capacity of music-making, performance and consumption helps us to make sense of identity and allows us to glimpse otherworldliness, arousing the political imagination. With an activist voice that is impassioned yet adherent to scholarly rigour, Playing it Queer provides an original and compelling ethnographic account of the relationship between popular music, queer self-fashioning and (sub)cultural world-making. This book begins with a comprehensive survey and critical evaluation of relevant literatures on queer identity and political debates as well as popular music, identity and (sub)cultural style. Contextualised within a detailed history of queer sensibilities and creative practices, including camp, drag, genderfuck, queercore, feminist music and club cultures, the author's rich empirical studies of local performers and translocal scenes intimately capture the meaning and value of popular musics and (sub)cultural style in everyday queer lives | |
| 505 | 8 | |a «This is an exemplary study of queer music-making. An engrossing read, it covers a range of topics many scholars in popular music, as well as queer and gender studies, will find eminently useful and insightful. [...] Taylor's book provides us with an inspiring and invigorating model of scholarship, bringing together a range of concepts, terms and approaches to develop a rich and provocative theoretical matrix. This aligns very usefully with a methodology that is both reflexive as well as marked by a depth of participant observation that is admirable, giving the entire book a richness that comes through in Taylor's theoretical musings as well as in the voices of all those involved in the study.» (Geoff Stahl, Media International Australia 148, 2013) | |
| 650 | 0 | 7 | |a Unterhaltungsmusik |0 (DE-588)4061916-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geschlechterrolle |0 (DE-588)4071776-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Queer-Theorie |0 (DE-588)7628620-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Unterhaltungsmusik |0 (DE-588)4061916-3 |D s |
| 689 | 0 | 1 | |a Geschlechterrolle |0 (DE-588)4071776-8 |D s |
| 689 | 0 | 2 | |a Queer-Theorie |0 (DE-588)7628620-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783034305532 |
| 856 | 4 | 0 | |u https://www.peterlang.com/view/product/44415?format=EPDF |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-114-LAC |a ebook | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033589540 | ||
| 966 | e | |u https://www.peterlang.com/view/product/44415?format=EPDF |l BSB01 |p ZDB-114-LAC |q BSB_PDA_LAC_Kauf |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183979638652928 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Taylor, Jodie |
| author_GND | (DE-588)1023733439 |
| author_facet | Taylor, Jodie |
| author_role | aut |
| author_sort | Taylor, Jodie |
| author_variant | j t jt |
| building | Verbundindex |
| bvnumber | BV048208663 |
| classification_rvk | LR 54600 LR 56618 MS 2870 MS 8020 |
| collection | ZDB-114-LAC ebook |
| contents | Popular music has always been a dynamic mediator of gender and sexuality, and a productive site of rebellion, oddity and queerness. The transformative capacity of music-making, performance and consumption helps us to make sense of identity and allows us to glimpse otherworldliness, arousing the political imagination. With an activist voice that is impassioned yet adherent to scholarly rigour, Playing it Queer provides an original and compelling ethnographic account of the relationship between popular music, queer self-fashioning and (sub)cultural world-making. This book begins with a comprehensive survey and critical evaluation of relevant literatures on queer identity and political debates as well as popular music, identity and (sub)cultural style. Contextualised within a detailed history of queer sensibilities and creative practices, including camp, drag, genderfuck, queercore, feminist music and club cultures, the author's rich empirical studies of local performers and translocal scenes intimately capture the meaning and value of popular musics and (sub)cultural style in everyday queer lives «This is an exemplary study of queer music-making. An engrossing read, it covers a range of topics many scholars in popular music, as well as queer and gender studies, will find eminently useful and insightful. [...] Taylor's book provides us with an inspiring and invigorating model of scholarship, bringing together a range of concepts, terms and approaches to develop a rich and provocative theoretical matrix. This aligns very usefully with a methodology that is both reflexive as well as marked by a depth of participant observation that is admirable, giving the entire book a richness that comes through in Taylor's theoretical musings as well as in the voices of all those involved in the study.» (Geoff Stahl, Media International Australia 148, 2013) |
| ctrlnum | (ZDB-114-LAC)9783035104202 (OCoLC)1317694475 (DE-599)BVBBV048208663 |
| discipline | Soziologie Musikwissenschaft |
| discipline_str_mv | Soziologie Musikwissenschaft |
| edition | 1st, New ed |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03986nmm a2200541zc 4500</leader><controlfield tag="001">BV048208663</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231020 </controlfield><controlfield tag="006">a m||| 00||| </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220510s2012 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783035104202</subfield><subfield code="9">978-3-0351-0420-2</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3726/978-3-0351-0420-2</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9783035104202</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-114-LAC)9783035104202</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1317694475</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048208663</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54600</subfield><subfield code="0">(DE-625)109706:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56618</subfield><subfield code="0">(DE-625)109804:13536</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MS 2870</subfield><subfield code="0">(DE-625)123648:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MS 8020</subfield><subfield code="0">(DE-625)123808:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Taylor, Jodie</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1023733439</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Playing it Queer</subfield><subfield code="b">Popular music, identity and queer world-making</subfield><subfield code="c">Jodie Taylor</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st, New ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bern</subfield><subfield code="b">Peter Lang AG, Internationaler Verlag der Wissenschaften</subfield><subfield code="c">2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (266 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Online resource; title from title screen (viewed June 10, 2019)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Popular music has always been a dynamic mediator of gender and sexuality, and a productive site of rebellion, oddity and queerness. The transformative capacity of music-making, performance and consumption helps us to make sense of identity and allows us to glimpse otherworldliness, arousing the political imagination. With an activist voice that is impassioned yet adherent to scholarly rigour, Playing it Queer provides an original and compelling ethnographic account of the relationship between popular music, queer self-fashioning and (sub)cultural world-making. This book begins with a comprehensive survey and critical evaluation of relevant literatures on queer identity and political debates as well as popular music, identity and (sub)cultural style. Contextualised within a detailed history of queer sensibilities and creative practices, including camp, drag, genderfuck, queercore, feminist music and club cultures, the author's rich empirical studies of local performers and translocal scenes intimately capture the meaning and value of popular musics and (sub)cultural style in everyday queer lives</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">«This is an exemplary study of queer music-making. An engrossing read, it covers a range of topics many scholars in popular music, as well as queer and gender studies, will find eminently useful and insightful. [...] Taylor's book provides us with an inspiring and invigorating model of scholarship, bringing together a range of concepts, terms and approaches to develop a rich and provocative theoretical matrix. This aligns very usefully with a methodology that is both reflexive as well as marked by a depth of participant observation that is admirable, giving the entire book a richness that comes through in Taylor's theoretical musings as well as in the voices of all those involved in the study.» (Geoff Stahl, Media International Australia 148, 2013)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Unterhaltungsmusik</subfield><subfield code="0">(DE-588)4061916-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Queer-Theorie</subfield><subfield code="0">(DE-588)7628620-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Unterhaltungsmusik</subfield><subfield code="0">(DE-588)4061916-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Queer-Theorie</subfield><subfield code="0">(DE-588)7628620-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783034305532</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.peterlang.com/view/product/44415?format=EPDF</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-114-LAC</subfield><subfield code="a">ebook</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033589540</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.peterlang.com/view/product/44415?format=EPDF</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-114-LAC</subfield><subfield code="q">BSB_PDA_LAC_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV048208663 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:48:03Z |
| indexdate | 2024-07-10T09:32:03Z |
| institution | BVB |
| isbn | 9783035104202 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033589540 |
| oclc_num | 1317694475 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | 1 Online-Ressource (266 Seiten) |
| psigel | ZDB-114-LAC ebook ZDB-114-LAC BSB_PDA_LAC_Kauf |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Peter Lang AG, Internationaler Verlag der Wissenschaften |
| record_format | marc |
| spelling | Taylor, Jodie Verfasser (DE-588)1023733439 aut Playing it Queer Popular music, identity and queer world-making Jodie Taylor 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2012 1 Online-Ressource (266 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Popular music has always been a dynamic mediator of gender and sexuality, and a productive site of rebellion, oddity and queerness. The transformative capacity of music-making, performance and consumption helps us to make sense of identity and allows us to glimpse otherworldliness, arousing the political imagination. With an activist voice that is impassioned yet adherent to scholarly rigour, Playing it Queer provides an original and compelling ethnographic account of the relationship between popular music, queer self-fashioning and (sub)cultural world-making. This book begins with a comprehensive survey and critical evaluation of relevant literatures on queer identity and political debates as well as popular music, identity and (sub)cultural style. Contextualised within a detailed history of queer sensibilities and creative practices, including camp, drag, genderfuck, queercore, feminist music and club cultures, the author's rich empirical studies of local performers and translocal scenes intimately capture the meaning and value of popular musics and (sub)cultural style in everyday queer lives «This is an exemplary study of queer music-making. An engrossing read, it covers a range of topics many scholars in popular music, as well as queer and gender studies, will find eminently useful and insightful. [...] Taylor's book provides us with an inspiring and invigorating model of scholarship, bringing together a range of concepts, terms and approaches to develop a rich and provocative theoretical matrix. This aligns very usefully with a methodology that is both reflexive as well as marked by a depth of participant observation that is admirable, giving the entire book a richness that comes through in Taylor's theoretical musings as well as in the voices of all those involved in the study.» (Geoff Stahl, Media International Australia 148, 2013) Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Queer-Theorie (DE-588)7628620-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Unterhaltungsmusik (DE-588)4061916-3 s Geschlechterrolle (DE-588)4071776-8 s Queer-Theorie (DE-588)7628620-4 s DE-604 Erscheint auch als Druck-Ausgabe 9783034305532 https://www.peterlang.com/view/product/44415?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Taylor, Jodie Playing it Queer Popular music, identity and queer world-making Popular music has always been a dynamic mediator of gender and sexuality, and a productive site of rebellion, oddity and queerness. The transformative capacity of music-making, performance and consumption helps us to make sense of identity and allows us to glimpse otherworldliness, arousing the political imagination. With an activist voice that is impassioned yet adherent to scholarly rigour, Playing it Queer provides an original and compelling ethnographic account of the relationship between popular music, queer self-fashioning and (sub)cultural world-making. This book begins with a comprehensive survey and critical evaluation of relevant literatures on queer identity and political debates as well as popular music, identity and (sub)cultural style. Contextualised within a detailed history of queer sensibilities and creative practices, including camp, drag, genderfuck, queercore, feminist music and club cultures, the author's rich empirical studies of local performers and translocal scenes intimately capture the meaning and value of popular musics and (sub)cultural style in everyday queer lives «This is an exemplary study of queer music-making. An engrossing read, it covers a range of topics many scholars in popular music, as well as queer and gender studies, will find eminently useful and insightful. [...] Taylor's book provides us with an inspiring and invigorating model of scholarship, bringing together a range of concepts, terms and approaches to develop a rich and provocative theoretical matrix. This aligns very usefully with a methodology that is both reflexive as well as marked by a depth of participant observation that is admirable, giving the entire book a richness that comes through in Taylor's theoretical musings as well as in the voices of all those involved in the study.» (Geoff Stahl, Media International Australia 148, 2013) Unterhaltungsmusik (DE-588)4061916-3 gnd Geschlechterrolle (DE-588)4071776-8 gnd Queer-Theorie (DE-588)7628620-4 gnd |
| subject_GND | (DE-588)4061916-3 (DE-588)4071776-8 (DE-588)7628620-4 (DE-588)4113937-9 |
| title | Playing it Queer Popular music, identity and queer world-making |
| title_auth | Playing it Queer Popular music, identity and queer world-making |
| title_exact_search | Playing it Queer Popular music, identity and queer world-making |
| title_exact_search_txtP | Playing it Queer Popular music, identity and queer world-making |
| title_full | Playing it Queer Popular music, identity and queer world-making Jodie Taylor |
| title_fullStr | Playing it Queer Popular music, identity and queer world-making Jodie Taylor |
| title_full_unstemmed | Playing it Queer Popular music, identity and queer world-making Jodie Taylor |
| title_short | Playing it Queer |
| title_sort | playing it queer popular music identity and queer world making |
| title_sub | Popular music, identity and queer world-making |
| topic | Unterhaltungsmusik (DE-588)4061916-3 gnd Geschlechterrolle (DE-588)4071776-8 gnd Queer-Theorie (DE-588)7628620-4 gnd |
| topic_facet | Unterhaltungsmusik Geschlechterrolle Queer-Theorie Hochschulschrift |
| url | https://www.peterlang.com/view/product/44415?format=EPDF |
| work_keys_str_mv | AT taylorjodie playingitqueerpopularmusicidentityandqueerworldmaking |