Aestheticism: Deep Formalism and the Emergence of Modernist Aesthetics
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2015
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| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (164 Seiten) |
| ISBN: | 9783035107876 |
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| 250 | |a 1st, New ed | ||
| 264 | 1 | |a Bern |b Peter Lang AG, Internationaler Verlag der Wissenschaften |c 2015 | |
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| 505 | 8 | |a This book offers, for the first time in aesthetics, a comprehensive account of aestheticism of the 19th century as a philosophical theory of its own right. Taking philosophical and art-historical viewpoints, this cross-disciplinary book presents aestheticism as the foundational movement of modernist aesthetics of the 20th century. Emerging in the writings of the foremost aestheticists - Oscar Wilde, Walter Pater, James Whistler, and their formalist successors such as Clive Bell, Roger Fry, and Clement Greenberg - aestheticism offers a uniquely synthetic definition of art. It captures the artwork's relations between form and content, art's independent ontology and autonomy, art's internal completeness, criticism, immunity to recruitment, the uniqueness of each medium, and musicality, as well as the logical-theoretical affiliation of art for art's sake to epistemology, ethics and philosophy of language. Those are used by Michalle Gal to formulate a definition of art in terms of a theory of Deep Formalism, setting aestheticism, which aspires to preserve the artistic medium, as a critique of the current linguistic-conceptual aesthetics that developed after the linguistic turn of aesthetics | |
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Datensatz im Suchindex
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| author | Gal, Michalle |
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| contents | This book offers, for the first time in aesthetics, a comprehensive account of aestheticism of the 19th century as a philosophical theory of its own right. Taking philosophical and art-historical viewpoints, this cross-disciplinary book presents aestheticism as the foundational movement of modernist aesthetics of the 20th century. Emerging in the writings of the foremost aestheticists - Oscar Wilde, Walter Pater, James Whistler, and their formalist successors such as Clive Bell, Roger Fry, and Clement Greenberg - aestheticism offers a uniquely synthetic definition of art. It captures the artwork's relations between form and content, art's independent ontology and autonomy, art's internal completeness, criticism, immunity to recruitment, the uniqueness of each medium, and musicality, as well as the logical-theoretical affiliation of art for art's sake to epistemology, ethics and philosophy of language. Those are used by Michalle Gal to formulate a definition of art in terms of a theory of Deep Formalism, setting aestheticism, which aspires to preserve the artistic medium, as a critique of the current linguistic-conceptual aesthetics that developed after the linguistic turn of aesthetics |
| ctrlnum | (ZDB-114-LAC)9783035107876 (OCoLC)1317698231 (DE-599)BVBBV048208652 |
| discipline | Kunstgeschichte Philosophie |
| discipline_str_mv | Kunstgeschichte Philosophie |
| edition | 1st, New ed |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:48:03Z |
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| institution | BVB |
| isbn | 9783035107876 |
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| spelling | Gal, Michalle Verfasser aut Aestheticism Deep Formalism and the Emergence of Modernist Aesthetics Michalle Gal 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2015 1 Online-Ressource (164 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) This book offers, for the first time in aesthetics, a comprehensive account of aestheticism of the 19th century as a philosophical theory of its own right. Taking philosophical and art-historical viewpoints, this cross-disciplinary book presents aestheticism as the foundational movement of modernist aesthetics of the 20th century. Emerging in the writings of the foremost aestheticists - Oscar Wilde, Walter Pater, James Whistler, and their formalist successors such as Clive Bell, Roger Fry, and Clement Greenberg - aestheticism offers a uniquely synthetic definition of art. It captures the artwork's relations between form and content, art's independent ontology and autonomy, art's internal completeness, criticism, immunity to recruitment, the uniqueness of each medium, and musicality, as well as the logical-theoretical affiliation of art for art's sake to epistemology, ethics and philosophy of language. Those are used by Michalle Gal to formulate a definition of art in terms of a theory of Deep Formalism, setting aestheticism, which aspires to preserve the artistic medium, as a critique of the current linguistic-conceptual aesthetics that developed after the linguistic turn of aesthetics Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 s Moderne (DE-588)4039827-4 s Kunst (DE-588)4114333-4 s DE-604 Erscheint auch als Druck-Ausgabe 9783034305273 Erscheint auch als Druck-Ausgabe 9783035199918 Erscheint auch als Druck-Ausgabe 9783035199925 https://www.peterlang.com/view/product/44362?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gal, Michalle Aestheticism Deep Formalism and the Emergence of Modernist Aesthetics This book offers, for the first time in aesthetics, a comprehensive account of aestheticism of the 19th century as a philosophical theory of its own right. Taking philosophical and art-historical viewpoints, this cross-disciplinary book presents aestheticism as the foundational movement of modernist aesthetics of the 20th century. Emerging in the writings of the foremost aestheticists - Oscar Wilde, Walter Pater, James Whistler, and their formalist successors such as Clive Bell, Roger Fry, and Clement Greenberg - aestheticism offers a uniquely synthetic definition of art. It captures the artwork's relations between form and content, art's independent ontology and autonomy, art's internal completeness, criticism, immunity to recruitment, the uniqueness of each medium, and musicality, as well as the logical-theoretical affiliation of art for art's sake to epistemology, ethics and philosophy of language. Those are used by Michalle Gal to formulate a definition of art in terms of a theory of Deep Formalism, setting aestheticism, which aspires to preserve the artistic medium, as a critique of the current linguistic-conceptual aesthetics that developed after the linguistic turn of aesthetics Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Moderne (DE-588)4039827-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4039827-4 |
| title | Aestheticism Deep Formalism and the Emergence of Modernist Aesthetics |
| title_auth | Aestheticism Deep Formalism and the Emergence of Modernist Aesthetics |
| title_exact_search | Aestheticism Deep Formalism and the Emergence of Modernist Aesthetics |
| title_exact_search_txtP | Aestheticism Deep Formalism and the Emergence of Modernist Aesthetics |
| title_full | Aestheticism Deep Formalism and the Emergence of Modernist Aesthetics Michalle Gal |
| title_fullStr | Aestheticism Deep Formalism and the Emergence of Modernist Aesthetics Michalle Gal |
| title_full_unstemmed | Aestheticism Deep Formalism and the Emergence of Modernist Aesthetics Michalle Gal |
| title_short | Aestheticism |
| title_sort | aestheticism deep formalism and the emergence of modernist aesthetics |
| title_sub | Deep Formalism and the Emergence of Modernist Aesthetics |
| topic | Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Moderne (DE-588)4039827-4 gnd |
| topic_facet | Kunst Ästhetik Moderne |
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