The Body of the Musician: An Annotated Translation and Study of the Piṇḍotpatti-prakaraṇa of Śārngadeva's Sangītaratnākara
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2012
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| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (346 Seiten) |
| ISBN: | 9783035104172 |
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| 505 | 8 | |a The Sangītaratnākara («The Ocean of Music») written by Śārngadeva in the 13th century is the most important theoretical work on Indian classical music. Its prologue, the Pindotpatti-prakarana («The Section of the Arising of the Human Body»), deals with the Indian science of the human body, i.e. embryology, anatomy, and the Hathayogic heory of Cakras. The sources of this work are found in the classical medical texts (Āyurveda) such as Caraka, Suśruta and Vāgbhata, the Hathayogic texts as well as in the encyclopaedic texts (Purāna). After philologically analyzing the mutual relation and background of these texts, the author demonstrates the reasons why the human body is described in this musicological work. His investigation reveals the Indian mystic thought of body and sound. This study, although an Indological one, is an attempt to answer the universal question what music is, i.e. how music is created in the human body, what the effect of music on the human body is, and what music aims at. The second half of the book consists of a translation of the original text of the Pindotpatti-prakarana, including commentaries, with plenty of annotations | |
| 505 | 8 | |a «[...] Kitadaʼs work is distinguished not only by formidable scholarship but also sharp critical judgment. This will be a book to be used by all serious scholars of musicology and choreology as well as biology in the Sanskritic tradition.» (Mandakranta Bose, Orientalische Literaturzeitung 112/2017) | |
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Datensatz im Suchindex
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| contents | The Sangītaratnākara («The Ocean of Music») written by Śārngadeva in the 13th century is the most important theoretical work on Indian classical music. Its prologue, the Pindotpatti-prakarana («The Section of the Arising of the Human Body»), deals with the Indian science of the human body, i.e. embryology, anatomy, and the Hathayogic heory of Cakras. The sources of this work are found in the classical medical texts (Āyurveda) such as Caraka, Suśruta and Vāgbhata, the Hathayogic texts as well as in the encyclopaedic texts (Purāna). After philologically analyzing the mutual relation and background of these texts, the author demonstrates the reasons why the human body is described in this musicological work. His investigation reveals the Indian mystic thought of body and sound. This study, although an Indological one, is an attempt to answer the universal question what music is, i.e. how music is created in the human body, what the effect of music on the human body is, and what music aims at. The second half of the book consists of a translation of the original text of the Pindotpatti-prakarana, including commentaries, with plenty of annotations «[...] Kitadaʼs work is distinguished not only by formidable scholarship but also sharp critical judgment. This will be a book to be used by all serious scholars of musicology and choreology as well as biology in the Sanskritic tradition.» (Mandakranta Bose, Orientalische Literaturzeitung 112/2017) |
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| edition | 1st, New ed |
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| era_facet | Geschichte 1200-1300 |
| format | Electronic eBook |
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| spelling | Kitada, Makoto Verfasser aut The Body of the Musician An Annotated Translation and Study of the Piṇḍotpatti-prakaraṇa of Śārngadeva's Sangītaratnākara Makoto Kitada 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2012 1 Online-Ressource (346 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) The Sangītaratnākara («The Ocean of Music») written by Śārngadeva in the 13th century is the most important theoretical work on Indian classical music. Its prologue, the Pindotpatti-prakarana («The Section of the Arising of the Human Body»), deals with the Indian science of the human body, i.e. embryology, anatomy, and the Hathayogic heory of Cakras. The sources of this work are found in the classical medical texts (Āyurveda) such as Caraka, Suśruta and Vāgbhata, the Hathayogic texts as well as in the encyclopaedic texts (Purāna). After philologically analyzing the mutual relation and background of these texts, the author demonstrates the reasons why the human body is described in this musicological work. His investigation reveals the Indian mystic thought of body and sound. This study, although an Indological one, is an attempt to answer the universal question what music is, i.e. how music is created in the human body, what the effect of music on the human body is, and what music aims at. The second half of the book consists of a translation of the original text of the Pindotpatti-prakarana, including commentaries, with plenty of annotations «[...] Kitadaʼs work is distinguished not only by formidable scholarship but also sharp critical judgment. This will be a book to be used by all serious scholars of musicology and choreology as well as biology in the Sanskritic tradition.» (Mandakranta Bose, Orientalische Literaturzeitung 112/2017) Śārṅgadeva 1210-1247 Piṇḍotpattiprakaraṇa (DE-588)1060935791 gnd rswk-swf Geschichte 1200-1300 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Traktat (DE-588)4203481-4 gnd rswk-swf Körper Motiv (DE-588)4164424-4 gnd rswk-swf Indien (DE-588)4026722-2 gnd rswk-swf (DE-588)4135952-5 Quelle gnd-content Indien (DE-588)4026722-2 g Musik (DE-588)4040802-4 s Traktat (DE-588)4203481-4 s Körper Motiv (DE-588)4164424-4 s Geschichte 1200-1300 z DE-604 Śārṅgadeva 1210-1247 Piṇḍotpattiprakaraṇa (DE-588)1060935791 u Erscheint auch als Druck-Ausgabe 9783034303194 https://www.peterlang.com/view/product/43967?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kitada, Makoto The Body of the Musician An Annotated Translation and Study of the Piṇḍotpatti-prakaraṇa of Śārngadeva's Sangītaratnākara The Sangītaratnākara («The Ocean of Music») written by Śārngadeva in the 13th century is the most important theoretical work on Indian classical music. Its prologue, the Pindotpatti-prakarana («The Section of the Arising of the Human Body»), deals with the Indian science of the human body, i.e. embryology, anatomy, and the Hathayogic heory of Cakras. The sources of this work are found in the classical medical texts (Āyurveda) such as Caraka, Suśruta and Vāgbhata, the Hathayogic texts as well as in the encyclopaedic texts (Purāna). After philologically analyzing the mutual relation and background of these texts, the author demonstrates the reasons why the human body is described in this musicological work. His investigation reveals the Indian mystic thought of body and sound. This study, although an Indological one, is an attempt to answer the universal question what music is, i.e. how music is created in the human body, what the effect of music on the human body is, and what music aims at. The second half of the book consists of a translation of the original text of the Pindotpatti-prakarana, including commentaries, with plenty of annotations «[...] Kitadaʼs work is distinguished not only by formidable scholarship but also sharp critical judgment. This will be a book to be used by all serious scholars of musicology and choreology as well as biology in the Sanskritic tradition.» (Mandakranta Bose, Orientalische Literaturzeitung 112/2017) Śārṅgadeva 1210-1247 Piṇḍotpattiprakaraṇa (DE-588)1060935791 gnd Musik (DE-588)4040802-4 gnd Traktat (DE-588)4203481-4 gnd Körper Motiv (DE-588)4164424-4 gnd |
| subject_GND | (DE-588)1060935791 (DE-588)4040802-4 (DE-588)4203481-4 (DE-588)4164424-4 (DE-588)4026722-2 (DE-588)4135952-5 |
| title | The Body of the Musician An Annotated Translation and Study of the Piṇḍotpatti-prakaraṇa of Śārngadeva's Sangītaratnākara |
| title_auth | The Body of the Musician An Annotated Translation and Study of the Piṇḍotpatti-prakaraṇa of Śārngadeva's Sangītaratnākara |
| title_exact_search | The Body of the Musician An Annotated Translation and Study of the Piṇḍotpatti-prakaraṇa of Śārngadeva's Sangītaratnākara |
| title_exact_search_txtP | The Body of the Musician An Annotated Translation and Study of the Piṇḍotpatti-prakaraṇa of Śārngadeva's Sangītaratnākara |
| title_full | The Body of the Musician An Annotated Translation and Study of the Piṇḍotpatti-prakaraṇa of Śārngadeva's Sangītaratnākara Makoto Kitada |
| title_fullStr | The Body of the Musician An Annotated Translation and Study of the Piṇḍotpatti-prakaraṇa of Śārngadeva's Sangītaratnākara Makoto Kitada |
| title_full_unstemmed | The Body of the Musician An Annotated Translation and Study of the Piṇḍotpatti-prakaraṇa of Śārngadeva's Sangītaratnākara Makoto Kitada |
| title_short | The Body of the Musician |
| title_sort | the body of the musician an annotated translation and study of the pindotpatti prakarana of sarngadeva s sangitaratnakara |
| title_sub | An Annotated Translation and Study of the Piṇḍotpatti-prakaraṇa of Śārngadeva's Sangītaratnākara |
| topic | Śārṅgadeva 1210-1247 Piṇḍotpattiprakaraṇa (DE-588)1060935791 gnd Musik (DE-588)4040802-4 gnd Traktat (DE-588)4203481-4 gnd Körper Motiv (DE-588)4164424-4 gnd |
| topic_facet | Śārṅgadeva 1210-1247 Piṇḍotpattiprakaraṇa Musik Traktat Körper Motiv Indien Quelle |
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