Alice McDermott's Fiction: Voice, Memory, Trauma, and Lies
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2018
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (214 Seiten) |
| ISBN: | 9781433144172 |
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| 245 | 1 | 0 | |a Alice McDermott's Fiction |b Voice, Memory, Trauma, and Lies |c Gail Shanley Corso |
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| 505 | 8 | |a In Alice McDermott's Fiction, contributors explore the emotional pain, the uncertainty about identity, and the faulty relationships within families and communities of characters in the writer's work. In the Foreword, Monica McGoldrick identifies how complications such characters as in McDermott's fiction experience often relate to "reverberations of the pain and shame of their Irish ancestors that have been silenced over time." The aftermath of lies, self-deception, and trauma are analyzed, and McDermott's themes, stylistics, and aesthetics are identified: familial relationships in second- and third-generation Irish-American families; trauma that characters experience when living their lives of repressed feelings or conflicted self-identity-or forgotten cultural identity; silence in families and inauthentic relationships between mothers and daughters; propensity for characters to lie to show care and concern for another and to cling to mythical images of a patriarchal hero; allusions to Catholic ritual and belief; conflict of female characters as they grapple with choice and autonomy; wit and farce as social commentary; craft with spontaneity and recursion in her narrative structures; emblematic use of peak moments as significant to memory; use of stealth narrators; use of allusions wryly to provide for an astute reader the intertextuality of her stories; repetitive metaphoric use of language to indirectly reveal truth; and, finally, focus on art or telling the story to compensate for sorrow from loss and death. As McDermott's characters grapple with their trauma and loss, the redemptive quality of the arts is identified | |
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Datensatz im Suchindex
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| author2 | Corso, Gail Shanley |
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| contents | In Alice McDermott's Fiction, contributors explore the emotional pain, the uncertainty about identity, and the faulty relationships within families and communities of characters in the writer's work. In the Foreword, Monica McGoldrick identifies how complications such characters as in McDermott's fiction experience often relate to "reverberations of the pain and shame of their Irish ancestors that have been silenced over time." The aftermath of lies, self-deception, and trauma are analyzed, and McDermott's themes, stylistics, and aesthetics are identified: familial relationships in second- and third-generation Irish-American families; trauma that characters experience when living their lives of repressed feelings or conflicted self-identity-or forgotten cultural identity; silence in families and inauthentic relationships between mothers and daughters; propensity for characters to lie to show care and concern for another and to cling to mythical images of a patriarchal hero; allusions to Catholic ritual and belief; conflict of female characters as they grapple with choice and autonomy; wit and farce as social commentary; craft with spontaneity and recursion in her narrative structures; emblematic use of peak moments as significant to memory; use of stealth narrators; use of allusions wryly to provide for an astute reader the intertextuality of her stories; repetitive metaphoric use of language to indirectly reveal truth; and, finally, focus on art or telling the story to compensate for sorrow from loss and death. As McDermott's characters grapple with their trauma and loss, the redemptive quality of the arts is identified |
| ctrlnum | (ZDB-114-LAC)9781433144172 (OCoLC)1344264522 (DE-599)BVBBV048208454 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | 1st, New ed |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:48:03Z |
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| spelling | Alice McDermott's Fiction Voice, Memory, Trauma, and Lies Gail Shanley Corso 1st, New ed New York Peter Lang Inc., International Academic Publishers 2018 1 Online-Ressource (214 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) In Alice McDermott's Fiction, contributors explore the emotional pain, the uncertainty about identity, and the faulty relationships within families and communities of characters in the writer's work. In the Foreword, Monica McGoldrick identifies how complications such characters as in McDermott's fiction experience often relate to "reverberations of the pain and shame of their Irish ancestors that have been silenced over time." The aftermath of lies, self-deception, and trauma are analyzed, and McDermott's themes, stylistics, and aesthetics are identified: familial relationships in second- and third-generation Irish-American families; trauma that characters experience when living their lives of repressed feelings or conflicted self-identity-or forgotten cultural identity; silence in families and inauthentic relationships between mothers and daughters; propensity for characters to lie to show care and concern for another and to cling to mythical images of a patriarchal hero; allusions to Catholic ritual and belief; conflict of female characters as they grapple with choice and autonomy; wit and farce as social commentary; craft with spontaneity and recursion in her narrative structures; emblematic use of peak moments as significant to memory; use of stealth narrators; use of allusions wryly to provide for an astute reader the intertextuality of her stories; repetitive metaphoric use of language to indirectly reveal truth; and, finally, focus on art or telling the story to compensate for sorrow from loss and death. As McDermott's characters grapple with their trauma and loss, the redemptive quality of the arts is identified McDermott, Alice 1953- (DE-588)121534553 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content McDermott, Alice 1953- (DE-588)121534553 p DE-604 Corso, Gail Shanley edt Erscheint auch als Druck-Ausgabe 9781433144165 Erscheint auch als Druck-Ausgabe 9781433144189 Erscheint auch als Druck-Ausgabe 9781433144196 https://www.peterlang.com/view/product/82745?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Alice McDermott's Fiction Voice, Memory, Trauma, and Lies In Alice McDermott's Fiction, contributors explore the emotional pain, the uncertainty about identity, and the faulty relationships within families and communities of characters in the writer's work. In the Foreword, Monica McGoldrick identifies how complications such characters as in McDermott's fiction experience often relate to "reverberations of the pain and shame of their Irish ancestors that have been silenced over time." The aftermath of lies, self-deception, and trauma are analyzed, and McDermott's themes, stylistics, and aesthetics are identified: familial relationships in second- and third-generation Irish-American families; trauma that characters experience when living their lives of repressed feelings or conflicted self-identity-or forgotten cultural identity; silence in families and inauthentic relationships between mothers and daughters; propensity for characters to lie to show care and concern for another and to cling to mythical images of a patriarchal hero; allusions to Catholic ritual and belief; conflict of female characters as they grapple with choice and autonomy; wit and farce as social commentary; craft with spontaneity and recursion in her narrative structures; emblematic use of peak moments as significant to memory; use of stealth narrators; use of allusions wryly to provide for an astute reader the intertextuality of her stories; repetitive metaphoric use of language to indirectly reveal truth; and, finally, focus on art or telling the story to compensate for sorrow from loss and death. As McDermott's characters grapple with their trauma and loss, the redemptive quality of the arts is identified McDermott, Alice 1953- (DE-588)121534553 gnd |
| subject_GND | (DE-588)121534553 (DE-588)4143413-4 |
| title | Alice McDermott's Fiction Voice, Memory, Trauma, and Lies |
| title_auth | Alice McDermott's Fiction Voice, Memory, Trauma, and Lies |
| title_exact_search | Alice McDermott's Fiction Voice, Memory, Trauma, and Lies |
| title_exact_search_txtP | Alice McDermott's Fiction Voice, Memory, Trauma, and Lies |
| title_full | Alice McDermott's Fiction Voice, Memory, Trauma, and Lies Gail Shanley Corso |
| title_fullStr | Alice McDermott's Fiction Voice, Memory, Trauma, and Lies Gail Shanley Corso |
| title_full_unstemmed | Alice McDermott's Fiction Voice, Memory, Trauma, and Lies Gail Shanley Corso |
| title_short | Alice McDermott's Fiction |
| title_sort | alice mcdermott s fiction voice memory trauma and lies |
| title_sub | Voice, Memory, Trauma, and Lies |
| topic | McDermott, Alice 1953- (DE-588)121534553 gnd |
| topic_facet | McDermott, Alice 1953- Aufsatzsammlung |
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