Dialogic Materialism: Bakhtin, Embodiment and Moving Image Art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2014
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (156 Seiten) |
| ISBN: | 9781453912270 |
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| 245 | 1 | 0 | |a Dialogic Materialism |b Bakhtin, Embodiment and Moving Image Art |c Miriam Jordan-Haladyn |
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| 505 | 8 | |a Dialogic Materialism: Bakhtin, Embodiment and Moving Image Art argues for the relevance of Mikhail Bakhtin's theories of dialogism as a means of examining the interdisciplinary nature of contemporary moving image art forms. The volume comprises six chapters divided into two sections. The first section, Part I, illustrates the key concepts in Bakhtin's multifaceted dialogism and develops these ideas in relation to moving image art. The main focus of this first part is the proposal of what the author terms dialogic materialism, which builds upon the Marxism inherent in Bakhtin, examining the material processes of cultural exchange with a particular emphasis on multi-perspective subjective relations. Part II consists of case studies that apply dialogic materialism to the moving image artwork of three artists: Stan Douglas, Jamelie Hassan and Chris Marker. Applying Bakhtinian theory to the field of the visual arts provides a means of examining the fundamentally dialogic nature of moving image art making and viewing, a perspective that is not fully developed within the existing literature | |
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Datensatz im Suchindex
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| author | Jordan-Haladyn, Miriam |
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| contents | Dialogic Materialism: Bakhtin, Embodiment and Moving Image Art argues for the relevance of Mikhail Bakhtin's theories of dialogism as a means of examining the interdisciplinary nature of contemporary moving image art forms. The volume comprises six chapters divided into two sections. The first section, Part I, illustrates the key concepts in Bakhtin's multifaceted dialogism and develops these ideas in relation to moving image art. The main focus of this first part is the proposal of what the author terms dialogic materialism, which builds upon the Marxism inherent in Bakhtin, examining the material processes of cultural exchange with a particular emphasis on multi-perspective subjective relations. Part II consists of case studies that apply dialogic materialism to the moving image artwork of three artists: Stan Douglas, Jamelie Hassan and Chris Marker. Applying Bakhtinian theory to the field of the visual arts provides a means of examining the fundamentally dialogic nature of moving image art making and viewing, a perspective that is not fully developed within the existing literature |
| ctrlnum | (ZDB-114-LAC)9781453912270 (OCoLC)1317695765 (DE-599)BVBBV048208261 |
| discipline | Kunstgeschichte Literaturwissenschaft |
| discipline_str_mv | Kunstgeschichte Literaturwissenschaft |
| edition | 1st, New ed |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:48:02Z |
| indexdate | 2024-07-10T09:32:02Z |
| institution | BVB |
| isbn | 9781453912270 |
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| spelling | Jordan-Haladyn, Miriam Verfasser aut Dialogic Materialism Bakhtin, Embodiment and Moving Image Art Miriam Jordan-Haladyn 1st, New ed New York Peter Lang Inc., International Academic Publishers 2014 1 Online-Ressource (156 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Dialogic Materialism: Bakhtin, Embodiment and Moving Image Art argues for the relevance of Mikhail Bakhtin's theories of dialogism as a means of examining the interdisciplinary nature of contemporary moving image art forms. The volume comprises six chapters divided into two sections. The first section, Part I, illustrates the key concepts in Bakhtin's multifaceted dialogism and develops these ideas in relation to moving image art. The main focus of this first part is the proposal of what the author terms dialogic materialism, which builds upon the Marxism inherent in Bakhtin, examining the material processes of cultural exchange with a particular emphasis on multi-perspective subjective relations. Part II consists of case studies that apply dialogic materialism to the moving image artwork of three artists: Stan Douglas, Jamelie Hassan and Chris Marker. Applying Bakhtinian theory to the field of the visual arts provides a means of examining the fundamentally dialogic nature of moving image art making and viewing, a perspective that is not fully developed within the existing literature Bachtin, Michail Michajlovič 1895-1975 (DE-588)118505653 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Bachtin, Michail Michajlovič 1895-1975 (DE-588)118505653 p Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Druck-Ausgabe 9781433124457 Erscheint auch als Druck-Ausgabe 9781454197331 Erscheint auch als Druck-Ausgabe 9781454197348 https://www.peterlang.com/view/product/30621?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Jordan-Haladyn, Miriam Dialogic Materialism Bakhtin, Embodiment and Moving Image Art Dialogic Materialism: Bakhtin, Embodiment and Moving Image Art argues for the relevance of Mikhail Bakhtin's theories of dialogism as a means of examining the interdisciplinary nature of contemporary moving image art forms. The volume comprises six chapters divided into two sections. The first section, Part I, illustrates the key concepts in Bakhtin's multifaceted dialogism and develops these ideas in relation to moving image art. The main focus of this first part is the proposal of what the author terms dialogic materialism, which builds upon the Marxism inherent in Bakhtin, examining the material processes of cultural exchange with a particular emphasis on multi-perspective subjective relations. Part II consists of case studies that apply dialogic materialism to the moving image artwork of three artists: Stan Douglas, Jamelie Hassan and Chris Marker. Applying Bakhtinian theory to the field of the visual arts provides a means of examining the fundamentally dialogic nature of moving image art making and viewing, a perspective that is not fully developed within the existing literature Bachtin, Michail Michajlovič 1895-1975 (DE-588)118505653 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)118505653 (DE-588)4000626-8 |
| title | Dialogic Materialism Bakhtin, Embodiment and Moving Image Art |
| title_auth | Dialogic Materialism Bakhtin, Embodiment and Moving Image Art |
| title_exact_search | Dialogic Materialism Bakhtin, Embodiment and Moving Image Art |
| title_exact_search_txtP | Dialogic Materialism Bakhtin, Embodiment and Moving Image Art |
| title_full | Dialogic Materialism Bakhtin, Embodiment and Moving Image Art Miriam Jordan-Haladyn |
| title_fullStr | Dialogic Materialism Bakhtin, Embodiment and Moving Image Art Miriam Jordan-Haladyn |
| title_full_unstemmed | Dialogic Materialism Bakhtin, Embodiment and Moving Image Art Miriam Jordan-Haladyn |
| title_short | Dialogic Materialism |
| title_sort | dialogic materialism bakhtin embodiment and moving image art |
| title_sub | Bakhtin, Embodiment and Moving Image Art |
| topic | Bachtin, Michail Michajlovič 1895-1975 (DE-588)118505653 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Bachtin, Michail Michajlovič 1895-1975 Ästhetik |
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