Identity Trouble: Fragmentation and Disillusionment in the Works of Guy de Maupassant
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2017
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (142 Seiten) |
| ISBN: | 9781453917794 |
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| 505 | 8 | |a In this book, Eva Yampolsky explores the questions of identity, illusion and suicide in the works of Guy de Maupassant. Utilizing a historical context which stimulated numerous social, technological and scientific transformations and developments during the 19th century, Dr. Yampolsky identifies two defining aims. Firstly, she examines the various figures of the double, such as visual representations of the subject through painting, mirror reflection, generational proximity and resemblance, and the relation between self-perception and social norms. She seeks to show the complex and often conflicting relation between the individual and society, and more specifically the attempts and frequent failures to manipulate, control and embody a unique definition of self. This divergence between the social norms, such as class, profession, gender and honor, and the characters' notion of self is what drives the narrative. | |
| 505 | 8 | |a Secondly, Eva Yampolsky analyzes the consequent psychological turmoil, madness and even suicide of many Maupassantian characters. This impossible task of embodying an identity that is sole and unique, as it is lived and perceived by the subject and others, in most short stories and novels leads to the characters' disillusionment and, in a great number of texts, violence or suicide. This book draws on the social, political and economic revolutions that redefined the individual. New forms of visual representation and communication, namely with the invention of photography and the developments of the press, bring forth questions of authenticity, doubling, and a new distinction between private and public spheres. Finally, the birth of psychiatry at the turn of the 19th century and the emergence of new disciplines, such as sociology and psychoanalysis, inscribe passions, illusions and suicide in new discursive and disciplinary frameworks. | |
| 505 | 8 | |a These transformations and developments are pervasive and, in many cases, explicit in Maupassant's work, influences that have aided and nourished the literary analysis of his texts | |
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| contents | In this book, Eva Yampolsky explores the questions of identity, illusion and suicide in the works of Guy de Maupassant. Utilizing a historical context which stimulated numerous social, technological and scientific transformations and developments during the 19th century, Dr. Yampolsky identifies two defining aims. Firstly, she examines the various figures of the double, such as visual representations of the subject through painting, mirror reflection, generational proximity and resemblance, and the relation between self-perception and social norms. She seeks to show the complex and often conflicting relation between the individual and society, and more specifically the attempts and frequent failures to manipulate, control and embody a unique definition of self. This divergence between the social norms, such as class, profession, gender and honor, and the characters' notion of self is what drives the narrative. Secondly, Eva Yampolsky analyzes the consequent psychological turmoil, madness and even suicide of many Maupassantian characters. This impossible task of embodying an identity that is sole and unique, as it is lived and perceived by the subject and others, in most short stories and novels leads to the characters' disillusionment and, in a great number of texts, violence or suicide. This book draws on the social, political and economic revolutions that redefined the individual. New forms of visual representation and communication, namely with the invention of photography and the developments of the press, bring forth questions of authenticity, doubling, and a new distinction between private and public spheres. Finally, the birth of psychiatry at the turn of the 19th century and the emergence of new disciplines, such as sociology and psychoanalysis, inscribe passions, illusions and suicide in new discursive and disciplinary frameworks. These transformations and developments are pervasive and, in many cases, explicit in Maupassant's work, influences that have aided and nourished the literary analysis of his texts |
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| edition | 1st, New ed |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:48:02Z |
| indexdate | 2024-07-10T09:32:02Z |
| institution | BVB |
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| spelling | Identity Trouble Fragmentation and Disillusionment in the Works of Guy de Maupassant Michael G. Paulson, Tamara Alvarez-Detrell, Eva Yampolsky 1st, New ed New York Peter Lang Inc., International Academic Publishers 2017 1 Online-Ressource (142 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) In this book, Eva Yampolsky explores the questions of identity, illusion and suicide in the works of Guy de Maupassant. Utilizing a historical context which stimulated numerous social, technological and scientific transformations and developments during the 19th century, Dr. Yampolsky identifies two defining aims. Firstly, she examines the various figures of the double, such as visual representations of the subject through painting, mirror reflection, generational proximity and resemblance, and the relation between self-perception and social norms. She seeks to show the complex and often conflicting relation between the individual and society, and more specifically the attempts and frequent failures to manipulate, control and embody a unique definition of self. This divergence between the social norms, such as class, profession, gender and honor, and the characters' notion of self is what drives the narrative. Secondly, Eva Yampolsky analyzes the consequent psychological turmoil, madness and even suicide of many Maupassantian characters. This impossible task of embodying an identity that is sole and unique, as it is lived and perceived by the subject and others, in most short stories and novels leads to the characters' disillusionment and, in a great number of texts, violence or suicide. This book draws on the social, political and economic revolutions that redefined the individual. New forms of visual representation and communication, namely with the invention of photography and the developments of the press, bring forth questions of authenticity, doubling, and a new distinction between private and public spheres. Finally, the birth of psychiatry at the turn of the 19th century and the emergence of new disciplines, such as sociology and psychoanalysis, inscribe passions, illusions and suicide in new discursive and disciplinary frameworks. These transformations and developments are pervasive and, in many cases, explicit in Maupassant's work, influences that have aided and nourished the literary analysis of his texts Maupassant, Guy de 1850-1893 (DE-588)118579207 gnd rswk-swf Suizid Motiv (DE-588)4180847-2 gnd rswk-swf Illusion Motiv (DE-588)4370345-8 gnd rswk-swf Identität Motiv (DE-588)4311101-4 gnd rswk-swf Maupassant, Guy de 1850-1893 (DE-588)118579207 p Identität Motiv (DE-588)4311101-4 s Illusion Motiv (DE-588)4370345-8 s Suizid Motiv (DE-588)4180847-2 s DE-604 Paulson, Michael G. edt Alvarez-Detrell, Tamara edt Yampolsky, Eva Sonstige oth Erscheint auch als Druck-Ausgabe 9781433121470 Erscheint auch als Druck-Ausgabe 9781433138577 Erscheint auch als Druck-Ausgabe 9781433138584 https://www.peterlang.com/view/product/78598?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Identity Trouble Fragmentation and Disillusionment in the Works of Guy de Maupassant In this book, Eva Yampolsky explores the questions of identity, illusion and suicide in the works of Guy de Maupassant. Utilizing a historical context which stimulated numerous social, technological and scientific transformations and developments during the 19th century, Dr. Yampolsky identifies two defining aims. Firstly, she examines the various figures of the double, such as visual representations of the subject through painting, mirror reflection, generational proximity and resemblance, and the relation between self-perception and social norms. She seeks to show the complex and often conflicting relation between the individual and society, and more specifically the attempts and frequent failures to manipulate, control and embody a unique definition of self. This divergence between the social norms, such as class, profession, gender and honor, and the characters' notion of self is what drives the narrative. Secondly, Eva Yampolsky analyzes the consequent psychological turmoil, madness and even suicide of many Maupassantian characters. This impossible task of embodying an identity that is sole and unique, as it is lived and perceived by the subject and others, in most short stories and novels leads to the characters' disillusionment and, in a great number of texts, violence or suicide. This book draws on the social, political and economic revolutions that redefined the individual. New forms of visual representation and communication, namely with the invention of photography and the developments of the press, bring forth questions of authenticity, doubling, and a new distinction between private and public spheres. Finally, the birth of psychiatry at the turn of the 19th century and the emergence of new disciplines, such as sociology and psychoanalysis, inscribe passions, illusions and suicide in new discursive and disciplinary frameworks. These transformations and developments are pervasive and, in many cases, explicit in Maupassant's work, influences that have aided and nourished the literary analysis of his texts Maupassant, Guy de 1850-1893 (DE-588)118579207 gnd Suizid Motiv (DE-588)4180847-2 gnd Illusion Motiv (DE-588)4370345-8 gnd Identität Motiv (DE-588)4311101-4 gnd |
| subject_GND | (DE-588)118579207 (DE-588)4180847-2 (DE-588)4370345-8 (DE-588)4311101-4 |
| title | Identity Trouble Fragmentation and Disillusionment in the Works of Guy de Maupassant |
| title_auth | Identity Trouble Fragmentation and Disillusionment in the Works of Guy de Maupassant |
| title_exact_search | Identity Trouble Fragmentation and Disillusionment in the Works of Guy de Maupassant |
| title_exact_search_txtP | Identity Trouble Fragmentation and Disillusionment in the Works of Guy de Maupassant |
| title_full | Identity Trouble Fragmentation and Disillusionment in the Works of Guy de Maupassant Michael G. Paulson, Tamara Alvarez-Detrell, Eva Yampolsky |
| title_fullStr | Identity Trouble Fragmentation and Disillusionment in the Works of Guy de Maupassant Michael G. Paulson, Tamara Alvarez-Detrell, Eva Yampolsky |
| title_full_unstemmed | Identity Trouble Fragmentation and Disillusionment in the Works of Guy de Maupassant Michael G. Paulson, Tamara Alvarez-Detrell, Eva Yampolsky |
| title_short | Identity Trouble |
| title_sort | identity trouble fragmentation and disillusionment in the works of guy de maupassant |
| title_sub | Fragmentation and Disillusionment in the Works of Guy de Maupassant |
| topic | Maupassant, Guy de 1850-1893 (DE-588)118579207 gnd Suizid Motiv (DE-588)4180847-2 gnd Illusion Motiv (DE-588)4370345-8 gnd Identität Motiv (DE-588)4311101-4 gnd |
| topic_facet | Maupassant, Guy de 1850-1893 Suizid Motiv Illusion Motiv Identität Motiv |
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