Imagined Topographies: From Colonial Resource to Postcolonial Homeland
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2013
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (189 Seiten) |
| ISBN: | 9781453909232 |
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| 505 | 8 | |a One important legacy of colonialism is the separation of a culture from the land upon which its people live. Populations are displaced; topographical objects are renamed, and the land becomes a resource to be exploited. Starting with three landscapes viewed as threatening by the Europeans who colonized them, Imagined Topographies examines the ways artists, writers, and musicians distill new meaning in formerly colonized spaces through the articulation of landscapes that are homelands, not commodities. In the Irish bog Seamus Heaney explores legacies of violence, John Dunne looks at rural poverty and religious faith, and Catherine Harper creates art connecting landscape and gender. Influenced by the Amazon, Wilson Harris creates dense multi-layered Guyanese epics, Karen Tei Yamashita plays with the telenovela to explore the role of multinational corporations in deforestation, and in recordings Douglas Quin combines the natural world with the technological, raising questions of connected cultural and natural loss. The two landscapes of Australia, the empty land of the colonizers and the fertile land known by the original inhabitants, are explored in the novels of David Malouf, while Peter Carey turns to the animal world to define the Australian national character, and the people of Ramingining, in films and a website created in collaboration with the filmmaker Rolf de Heer, intervene in the Australian land rights struggle. Challenging the dominant perceptions of land in these regions, artists, musicians, and writers create new visions of landscapes tied to cultures where social and ecological justice offer choices other than emigration and habitat destruction | |
| 505 | 8 | |a «'Imagined Topographies' is in every sense a vital work of materialist scholarship, alive to the way landscapes act as imaginative repositories for stories and meanings. Working across the arts, Jonathan Bishop Highfield is an astute interpreter of the complex topographies of colonial dispossession and creative repossession. This is an impressive, essential book that straddles postcolonial, visual, and environmental studies.» (Rob Nixon, Author of 'Slow Violence and the Environmentalism of the Poor') «With the lyrics of Bob Marley as signposts urging us to reflect on our existential condition and with a range of poets and writers, 'Imagined Topographies' takes us into some of the unanswered issues of coloniality and its traces upon our contemporary moment. Reminding us that colonial power is about conquest and dispossession and that decolonization is a time yet to arrive, this book takes us on a journey from Ireland to Guyana and Australia. The reading of Wilson Harris is original and we are treated to insights into how landscape repossessed becomes home. The text broadens the field of postcolonial theory and should be read.» (Anthony Bogues, Harmon Family Professor of Africana Studies, Brown University; Author of 'Empire of Liberty: Power, Desire, and Freedom') | |
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| contents | One important legacy of colonialism is the separation of a culture from the land upon which its people live. Populations are displaced; topographical objects are renamed, and the land becomes a resource to be exploited. Starting with three landscapes viewed as threatening by the Europeans who colonized them, Imagined Topographies examines the ways artists, writers, and musicians distill new meaning in formerly colonized spaces through the articulation of landscapes that are homelands, not commodities. In the Irish bog Seamus Heaney explores legacies of violence, John Dunne looks at rural poverty and religious faith, and Catherine Harper creates art connecting landscape and gender. Influenced by the Amazon, Wilson Harris creates dense multi-layered Guyanese epics, Karen Tei Yamashita plays with the telenovela to explore the role of multinational corporations in deforestation, and in recordings Douglas Quin combines the natural world with the technological, raising questions of connected cultural and natural loss. The two landscapes of Australia, the empty land of the colonizers and the fertile land known by the original inhabitants, are explored in the novels of David Malouf, while Peter Carey turns to the animal world to define the Australian national character, and the people of Ramingining, in films and a website created in collaboration with the filmmaker Rolf de Heer, intervene in the Australian land rights struggle. Challenging the dominant perceptions of land in these regions, artists, musicians, and writers create new visions of landscapes tied to cultures where social and ecological justice offer choices other than emigration and habitat destruction «'Imagined Topographies' is in every sense a vital work of materialist scholarship, alive to the way landscapes act as imaginative repositories for stories and meanings. Working across the arts, Jonathan Bishop Highfield is an astute interpreter of the complex topographies of colonial dispossession and creative repossession. This is an impressive, essential book that straddles postcolonial, visual, and environmental studies.» (Rob Nixon, Author of 'Slow Violence and the Environmentalism of the Poor') «With the lyrics of Bob Marley as signposts urging us to reflect on our existential condition and with a range of poets and writers, 'Imagined Topographies' takes us into some of the unanswered issues of coloniality and its traces upon our contemporary moment. Reminding us that colonial power is about conquest and dispossession and that decolonization is a time yet to arrive, this book takes us on a journey from Ireland to Guyana and Australia. The reading of Wilson Harris is original and we are treated to insights into how landscape repossessed becomes home. The text broadens the field of postcolonial theory and should be read.» (Anthony Bogues, Harmon Family Professor of Africana Studies, Brown University; Author of 'Empire of Liberty: Power, Desire, and Freedom') |
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| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| edition | 1st, New ed |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:48:02Z |
| indexdate | 2024-07-10T09:32:02Z |
| institution | BVB |
| isbn | 9781453909232 |
| language | English |
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| spelling | Bishop Highfield, Jonathan Verfasser aut Imagined Topographies From Colonial Resource to Postcolonial Homeland Jonathan Bishop Highfield 1st, New ed New York Peter Lang Inc., International Academic Publishers 2013 1 Online-Ressource (189 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) One important legacy of colonialism is the separation of a culture from the land upon which its people live. Populations are displaced; topographical objects are renamed, and the land becomes a resource to be exploited. Starting with three landscapes viewed as threatening by the Europeans who colonized them, Imagined Topographies examines the ways artists, writers, and musicians distill new meaning in formerly colonized spaces through the articulation of landscapes that are homelands, not commodities. In the Irish bog Seamus Heaney explores legacies of violence, John Dunne looks at rural poverty and religious faith, and Catherine Harper creates art connecting landscape and gender. Influenced by the Amazon, Wilson Harris creates dense multi-layered Guyanese epics, Karen Tei Yamashita plays with the telenovela to explore the role of multinational corporations in deforestation, and in recordings Douglas Quin combines the natural world with the technological, raising questions of connected cultural and natural loss. The two landscapes of Australia, the empty land of the colonizers and the fertile land known by the original inhabitants, are explored in the novels of David Malouf, while Peter Carey turns to the animal world to define the Australian national character, and the people of Ramingining, in films and a website created in collaboration with the filmmaker Rolf de Heer, intervene in the Australian land rights struggle. Challenging the dominant perceptions of land in these regions, artists, musicians, and writers create new visions of landscapes tied to cultures where social and ecological justice offer choices other than emigration and habitat destruction «'Imagined Topographies' is in every sense a vital work of materialist scholarship, alive to the way landscapes act as imaginative repositories for stories and meanings. Working across the arts, Jonathan Bishop Highfield is an astute interpreter of the complex topographies of colonial dispossession and creative repossession. This is an impressive, essential book that straddles postcolonial, visual, and environmental studies.» (Rob Nixon, Author of 'Slow Violence and the Environmentalism of the Poor') «With the lyrics of Bob Marley as signposts urging us to reflect on our existential condition and with a range of poets and writers, 'Imagined Topographies' takes us into some of the unanswered issues of coloniality and its traces upon our contemporary moment. Reminding us that colonial power is about conquest and dispossession and that decolonization is a time yet to arrive, this book takes us on a journey from Ireland to Guyana and Australia. The reading of Wilson Harris is original and we are treated to insights into how landscape repossessed becomes home. The text broadens the field of postcolonial theory and should be read.» (Anthony Bogues, Harmon Family Professor of Africana Studies, Brown University; Author of 'Empire of Liberty: Power, Desire, and Freedom') Landschaft Motiv (DE-588)4114354-1 gnd rswk-swf Nationalbewusstsein Motiv (DE-588)4197358-6 gnd rswk-swf Postkoloniale Literatur (DE-588)4428936-4 gnd rswk-swf Landschaft Motiv (DE-588)4114354-1 s Nationalbewusstsein Motiv (DE-588)4197358-6 s Postkoloniale Literatur (DE-588)4428936-4 s DE-604 Erscheint auch als Druck-Ausgabe 9781433119873 https://www.peterlang.com/view/product/29968?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bishop Highfield, Jonathan Imagined Topographies From Colonial Resource to Postcolonial Homeland One important legacy of colonialism is the separation of a culture from the land upon which its people live. Populations are displaced; topographical objects are renamed, and the land becomes a resource to be exploited. Starting with three landscapes viewed as threatening by the Europeans who colonized them, Imagined Topographies examines the ways artists, writers, and musicians distill new meaning in formerly colonized spaces through the articulation of landscapes that are homelands, not commodities. In the Irish bog Seamus Heaney explores legacies of violence, John Dunne looks at rural poverty and religious faith, and Catherine Harper creates art connecting landscape and gender. Influenced by the Amazon, Wilson Harris creates dense multi-layered Guyanese epics, Karen Tei Yamashita plays with the telenovela to explore the role of multinational corporations in deforestation, and in recordings Douglas Quin combines the natural world with the technological, raising questions of connected cultural and natural loss. The two landscapes of Australia, the empty land of the colonizers and the fertile land known by the original inhabitants, are explored in the novels of David Malouf, while Peter Carey turns to the animal world to define the Australian national character, and the people of Ramingining, in films and a website created in collaboration with the filmmaker Rolf de Heer, intervene in the Australian land rights struggle. Challenging the dominant perceptions of land in these regions, artists, musicians, and writers create new visions of landscapes tied to cultures where social and ecological justice offer choices other than emigration and habitat destruction «'Imagined Topographies' is in every sense a vital work of materialist scholarship, alive to the way landscapes act as imaginative repositories for stories and meanings. Working across the arts, Jonathan Bishop Highfield is an astute interpreter of the complex topographies of colonial dispossession and creative repossession. This is an impressive, essential book that straddles postcolonial, visual, and environmental studies.» (Rob Nixon, Author of 'Slow Violence and the Environmentalism of the Poor') «With the lyrics of Bob Marley as signposts urging us to reflect on our existential condition and with a range of poets and writers, 'Imagined Topographies' takes us into some of the unanswered issues of coloniality and its traces upon our contemporary moment. Reminding us that colonial power is about conquest and dispossession and that decolonization is a time yet to arrive, this book takes us on a journey from Ireland to Guyana and Australia. The reading of Wilson Harris is original and we are treated to insights into how landscape repossessed becomes home. The text broadens the field of postcolonial theory and should be read.» (Anthony Bogues, Harmon Family Professor of Africana Studies, Brown University; Author of 'Empire of Liberty: Power, Desire, and Freedom') Landschaft Motiv (DE-588)4114354-1 gnd Nationalbewusstsein Motiv (DE-588)4197358-6 gnd Postkoloniale Literatur (DE-588)4428936-4 gnd |
| subject_GND | (DE-588)4114354-1 (DE-588)4197358-6 (DE-588)4428936-4 |
| title | Imagined Topographies From Colonial Resource to Postcolonial Homeland |
| title_auth | Imagined Topographies From Colonial Resource to Postcolonial Homeland |
| title_exact_search | Imagined Topographies From Colonial Resource to Postcolonial Homeland |
| title_exact_search_txtP | Imagined Topographies From Colonial Resource to Postcolonial Homeland |
| title_full | Imagined Topographies From Colonial Resource to Postcolonial Homeland Jonathan Bishop Highfield |
| title_fullStr | Imagined Topographies From Colonial Resource to Postcolonial Homeland Jonathan Bishop Highfield |
| title_full_unstemmed | Imagined Topographies From Colonial Resource to Postcolonial Homeland Jonathan Bishop Highfield |
| title_short | Imagined Topographies |
| title_sort | imagined topographies from colonial resource to postcolonial homeland |
| title_sub | From Colonial Resource to Postcolonial Homeland |
| topic | Landschaft Motiv (DE-588)4114354-1 gnd Nationalbewusstsein Motiv (DE-588)4197358-6 gnd Postkoloniale Literatur (DE-588)4428936-4 gnd |
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