Suffrage and the Silver Screen:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2014
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (252 Seiten) |
| ISBN: | 9781453911242 |
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| 505 | 8 | |a In the 1910s, the American woman suffrage movement became a modern mass movement by using visual culture to transform consciousness and gain adherents. As part of this transformation, suffrage organizations produced several films and related cinematic projects, including four full-length, nationally distributed feature productions. This activist use was one of the first instances in the United States that a social movement recognized and harnessed the power of cinema to transform consciousness and, in turn, the social order. Suffrage and the Silver Screen discusses how the suffrage movement accomplished this formidable goal through analysis of the local and national uses of cinema by the movement. Amy Shore argues that these works must be considered as part of a political filmmaking tradition among feminists. The book contextualizes the films within the politics and practices of the suffrage organizations that produced them in order to understand and assess the strategic role of these films. By examining these works, the history of both suffrage and cinema is necessarily reconsidered and expanded. Suffrage and the Silver Screen is an essential resource for those studying early cinema, women and cinema, the woman suffrage movement, and the use of visual media in social movements | |
| 505 | 8 | |a «Amy Shore has uncovered a wealth of new information to document the enormous impact of early motion pictures on the campaign for women's suffrage. In doing so, she challenges conventional histories of the suffrage movement which have tended to view cinema and other visual media as, at best, footnotes to the larger campaign. A phenomenal study, 'Suffrage and the Silver Screen' is essential reading for anyone interested in histories of feminism, activist cinema, and the role of visual culture in modern politics.» (Shelley Stamp, Author of 'Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon') «Die Dissertation von Amy Shore besticht nicht nur durch die gelungene Bündelung verschiedener Diskursebenen (soziale und kulturelle Produktionsbedinungen, Filmästhetik und Filmrezeption), sondern vor allem durch die Erweiterung des Forschungsfeldes der Filmgeschichtsschreibung auf eine bisher lediglich rudimentär entwickelte gender-basierte Filmhistoriografie. Die Studie ist damit sowohl für Filmwissenschaftler wie für Historiker und Geschlechterforscher gleichermassen interessant und relevant.» (Katarina Saalfeld, rkm, April 2015 | |
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Datensatz im Suchindex
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| contents | In the 1910s, the American woman suffrage movement became a modern mass movement by using visual culture to transform consciousness and gain adherents. As part of this transformation, suffrage organizations produced several films and related cinematic projects, including four full-length, nationally distributed feature productions. This activist use was one of the first instances in the United States that a social movement recognized and harnessed the power of cinema to transform consciousness and, in turn, the social order. Suffrage and the Silver Screen discusses how the suffrage movement accomplished this formidable goal through analysis of the local and national uses of cinema by the movement. Amy Shore argues that these works must be considered as part of a political filmmaking tradition among feminists. The book contextualizes the films within the politics and practices of the suffrage organizations that produced them in order to understand and assess the strategic role of these films. By examining these works, the history of both suffrage and cinema is necessarily reconsidered and expanded. Suffrage and the Silver Screen is an essential resource for those studying early cinema, women and cinema, the woman suffrage movement, and the use of visual media in social movements «Amy Shore has uncovered a wealth of new information to document the enormous impact of early motion pictures on the campaign for women's suffrage. In doing so, she challenges conventional histories of the suffrage movement which have tended to view cinema and other visual media as, at best, footnotes to the larger campaign. A phenomenal study, 'Suffrage and the Silver Screen' is essential reading for anyone interested in histories of feminism, activist cinema, and the role of visual culture in modern politics.» (Shelley Stamp, Author of 'Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon') «Die Dissertation von Amy Shore besticht nicht nur durch die gelungene Bündelung verschiedener Diskursebenen (soziale und kulturelle Produktionsbedinungen, Filmästhetik und Filmrezeption), sondern vor allem durch die Erweiterung des Forschungsfeldes der Filmgeschichtsschreibung auf eine bisher lediglich rudimentär entwickelte gender-basierte Filmhistoriografie. Die Studie ist damit sowohl für Filmwissenschaftler wie für Historiker und Geschlechterforscher gleichermassen interessant und relevant.» (Katarina Saalfeld, rkm, April 2015 |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | 1st, New ed |
| era | Geschichte 1910-1915 gnd |
| era_facet | Geschichte 1910-1915 |
| format | Electronic eBook |
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| spelling | Shore, Amy Verfasser aut Suffrage and the Silver Screen Amy Shore 1st, New ed New York Peter Lang Inc., International Academic Publishers 2014 1 Online-Ressource (252 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) In the 1910s, the American woman suffrage movement became a modern mass movement by using visual culture to transform consciousness and gain adherents. As part of this transformation, suffrage organizations produced several films and related cinematic projects, including four full-length, nationally distributed feature productions. This activist use was one of the first instances in the United States that a social movement recognized and harnessed the power of cinema to transform consciousness and, in turn, the social order. Suffrage and the Silver Screen discusses how the suffrage movement accomplished this formidable goal through analysis of the local and national uses of cinema by the movement. Amy Shore argues that these works must be considered as part of a political filmmaking tradition among feminists. The book contextualizes the films within the politics and practices of the suffrage organizations that produced them in order to understand and assess the strategic role of these films. By examining these works, the history of both suffrage and cinema is necessarily reconsidered and expanded. Suffrage and the Silver Screen is an essential resource for those studying early cinema, women and cinema, the woman suffrage movement, and the use of visual media in social movements «Amy Shore has uncovered a wealth of new information to document the enormous impact of early motion pictures on the campaign for women's suffrage. In doing so, she challenges conventional histories of the suffrage movement which have tended to view cinema and other visual media as, at best, footnotes to the larger campaign. A phenomenal study, 'Suffrage and the Silver Screen' is essential reading for anyone interested in histories of feminism, activist cinema, and the role of visual culture in modern politics.» (Shelley Stamp, Author of 'Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon') «Die Dissertation von Amy Shore besticht nicht nur durch die gelungene Bündelung verschiedener Diskursebenen (soziale und kulturelle Produktionsbedinungen, Filmästhetik und Filmrezeption), sondern vor allem durch die Erweiterung des Forschungsfeldes der Filmgeschichtsschreibung auf eine bisher lediglich rudimentär entwickelte gender-basierte Filmhistoriografie. Die Studie ist damit sowohl für Filmwissenschaftler wie für Historiker und Geschlechterforscher gleichermassen interessant und relevant.» (Katarina Saalfeld, rkm, April 2015 Geschichte 1910-1915 gnd rswk-swf Feministischer Film (DE-588)4153986-2 gnd rswk-swf Frauenwahlrecht Motiv (DE-588)7560362-7 gnd rswk-swf Aktivismus Motiv (DE-588)1054049661 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Feministischer Film (DE-588)4153986-2 s Frauenwahlrecht Motiv (DE-588)7560362-7 s Aktivismus Motiv (DE-588)1054049661 s Geschichte 1910-1915 z DE-604 Erscheint auch als Druck-Ausgabe 9781433117817 Erscheint auch als Druck-Ausgabe 9781454192398 Erscheint auch als Druck-Ausgabe 9781454192404 https://www.peterlang.com/view/product/29691?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shore, Amy Suffrage and the Silver Screen In the 1910s, the American woman suffrage movement became a modern mass movement by using visual culture to transform consciousness and gain adherents. As part of this transformation, suffrage organizations produced several films and related cinematic projects, including four full-length, nationally distributed feature productions. This activist use was one of the first instances in the United States that a social movement recognized and harnessed the power of cinema to transform consciousness and, in turn, the social order. Suffrage and the Silver Screen discusses how the suffrage movement accomplished this formidable goal through analysis of the local and national uses of cinema by the movement. Amy Shore argues that these works must be considered as part of a political filmmaking tradition among feminists. The book contextualizes the films within the politics and practices of the suffrage organizations that produced them in order to understand and assess the strategic role of these films. By examining these works, the history of both suffrage and cinema is necessarily reconsidered and expanded. Suffrage and the Silver Screen is an essential resource for those studying early cinema, women and cinema, the woman suffrage movement, and the use of visual media in social movements «Amy Shore has uncovered a wealth of new information to document the enormous impact of early motion pictures on the campaign for women's suffrage. In doing so, she challenges conventional histories of the suffrage movement which have tended to view cinema and other visual media as, at best, footnotes to the larger campaign. A phenomenal study, 'Suffrage and the Silver Screen' is essential reading for anyone interested in histories of feminism, activist cinema, and the role of visual culture in modern politics.» (Shelley Stamp, Author of 'Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon') «Die Dissertation von Amy Shore besticht nicht nur durch die gelungene Bündelung verschiedener Diskursebenen (soziale und kulturelle Produktionsbedinungen, Filmästhetik und Filmrezeption), sondern vor allem durch die Erweiterung des Forschungsfeldes der Filmgeschichtsschreibung auf eine bisher lediglich rudimentär entwickelte gender-basierte Filmhistoriografie. Die Studie ist damit sowohl für Filmwissenschaftler wie für Historiker und Geschlechterforscher gleichermassen interessant und relevant.» (Katarina Saalfeld, rkm, April 2015 Feministischer Film (DE-588)4153986-2 gnd Frauenwahlrecht Motiv (DE-588)7560362-7 gnd Aktivismus Motiv (DE-588)1054049661 gnd |
| subject_GND | (DE-588)4153986-2 (DE-588)7560362-7 (DE-588)1054049661 (DE-588)4078704-7 |
| title | Suffrage and the Silver Screen |
| title_auth | Suffrage and the Silver Screen |
| title_exact_search | Suffrage and the Silver Screen |
| title_exact_search_txtP | Suffrage and the Silver Screen |
| title_full | Suffrage and the Silver Screen Amy Shore |
| title_fullStr | Suffrage and the Silver Screen Amy Shore |
| title_full_unstemmed | Suffrage and the Silver Screen Amy Shore |
| title_short | Suffrage and the Silver Screen |
| title_sort | suffrage and the silver screen |
| topic | Feministischer Film (DE-588)4153986-2 gnd Frauenwahlrecht Motiv (DE-588)7560362-7 gnd Aktivismus Motiv (DE-588)1054049661 gnd |
| topic_facet | Feministischer Film Frauenwahlrecht Motiv Aktivismus Motiv USA |
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