Africana Women Writers: Performing Diaspora, Staging Healing
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2013
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (152 Seiten) |
| ISBN: | 9781453901885 |
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| 505 | 8 | |a Africana Women Writers: Performing Diaspora, Staging Healing focuses on contemporary literary works, plays in particular, written after 1976 by Africana women writers. From a cross-cultural, transnational perspective, the author examines how these women writers - emanating from Cameroon (Nicole Werewere Liking), Britain (Winsome Pinnock), Guadeloupe (Maryse Condé and Simone Schwartz-Bart), Nigeria (Tess Onwueme), and the United States (Ntozake Shange) - move beyond static, conventional notions regarding blackness and being female and reconfigure newer identities and spaces to thrive. DeLinda Marzette explores the numerous ways these women writers create black female agency and vital, energizing communities. Contextually, she uses the term diaspora to refer to the mass dispersal of peoples from their homelands - herein Africa - to other global locations; objects of diasporic dispersal, these individuals then become a kind of migrant, physically and psychologically. Each author shares a diasporic heritage; hence, much of their subjects, settings, and themes express diaspora consciousness. Marzette explores who these women are, how they define themselves, how they convey and experience their worlds, how they broach, loosen, and explode the multiple yokes of race, class, and gender-based oppression and exploitation in their works. What is fostered, encouraged, shunned, ignored - the spoken, the unspoken and, perhaps, the unspeakable - are all issues of critical exploration. Ultimately, all the women of this study depend on female bonds for survival, enrichment, healing, and hope. The plays by these women are especially important in that they add a diverse dimension to the standard dramatic canon | |
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Datensatz im Suchindex
| _version_ | 1804183978436984832 |
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| adam_txt | |
| any_adam_object | |
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| author | Marzette, DeLinda |
| author_facet | Marzette, DeLinda |
| author_role | aut |
| author_sort | Marzette, DeLinda |
| author_variant | d m dm |
| building | Verbundindex |
| bvnumber | BV048208063 |
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| contents | Africana Women Writers: Performing Diaspora, Staging Healing focuses on contemporary literary works, plays in particular, written after 1976 by Africana women writers. From a cross-cultural, transnational perspective, the author examines how these women writers - emanating from Cameroon (Nicole Werewere Liking), Britain (Winsome Pinnock), Guadeloupe (Maryse Condé and Simone Schwartz-Bart), Nigeria (Tess Onwueme), and the United States (Ntozake Shange) - move beyond static, conventional notions regarding blackness and being female and reconfigure newer identities and spaces to thrive. DeLinda Marzette explores the numerous ways these women writers create black female agency and vital, energizing communities. Contextually, she uses the term diaspora to refer to the mass dispersal of peoples from their homelands - herein Africa - to other global locations; objects of diasporic dispersal, these individuals then become a kind of migrant, physically and psychologically. Each author shares a diasporic heritage; hence, much of their subjects, settings, and themes express diaspora consciousness. Marzette explores who these women are, how they define themselves, how they convey and experience their worlds, how they broach, loosen, and explode the multiple yokes of race, class, and gender-based oppression and exploitation in their works. What is fostered, encouraged, shunned, ignored - the spoken, the unspoken and, perhaps, the unspeakable - are all issues of critical exploration. Ultimately, all the women of this study depend on female bonds for survival, enrichment, healing, and hope. The plays by these women are especially important in that they add a diverse dimension to the standard dramatic canon |
| ctrlnum | (ZDB-114-LAC)9781453901885 (OCoLC)1317688683 (DE-599)BVBBV048208063 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | 1st, New ed |
| era | Geschichte 1976-2002 gnd |
| era_facet | Geschichte 1976-2002 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T09:32:02Z |
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| spelling | Marzette, DeLinda Verfasser aut Africana Women Writers Performing Diaspora, Staging Healing DeLinda Marzette 1st, New ed New York Peter Lang Inc., International Academic Publishers 2013 ©2014 1 Online-Ressource (152 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Africana Women Writers: Performing Diaspora, Staging Healing focuses on contemporary literary works, plays in particular, written after 1976 by Africana women writers. From a cross-cultural, transnational perspective, the author examines how these women writers - emanating from Cameroon (Nicole Werewere Liking), Britain (Winsome Pinnock), Guadeloupe (Maryse Condé and Simone Schwartz-Bart), Nigeria (Tess Onwueme), and the United States (Ntozake Shange) - move beyond static, conventional notions regarding blackness and being female and reconfigure newer identities and spaces to thrive. DeLinda Marzette explores the numerous ways these women writers create black female agency and vital, energizing communities. Contextually, she uses the term diaspora to refer to the mass dispersal of peoples from their homelands - herein Africa - to other global locations; objects of diasporic dispersal, these individuals then become a kind of migrant, physically and psychologically. Each author shares a diasporic heritage; hence, much of their subjects, settings, and themes express diaspora consciousness. Marzette explores who these women are, how they define themselves, how they convey and experience their worlds, how they broach, loosen, and explode the multiple yokes of race, class, and gender-based oppression and exploitation in their works. What is fostered, encouraged, shunned, ignored - the spoken, the unspoken and, perhaps, the unspeakable - are all issues of critical exploration. Ultimately, all the women of this study depend on female bonds for survival, enrichment, healing, and hope. The plays by these women are especially important in that they add a diverse dimension to the standard dramatic canon Geschichte 1976-2002 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Diaspora Sozialwissenschaften, Motiv (DE-588)1190054469 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Schriftstellerin (DE-588)4053311-6 gnd rswk-swf Schriftstellerin (DE-588)4053311-6 s Schwarze (DE-588)4116433-7 s Drama (DE-588)4012899-4 s Diaspora Sozialwissenschaften, Motiv (DE-588)1190054469 s Geschichte 1976-2002 z DE-604 Erscheint auch als Druck-Ausgabe 9781433113802 https://www.peterlang.com/view/product/29148?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Marzette, DeLinda Africana Women Writers Performing Diaspora, Staging Healing Africana Women Writers: Performing Diaspora, Staging Healing focuses on contemporary literary works, plays in particular, written after 1976 by Africana women writers. From a cross-cultural, transnational perspective, the author examines how these women writers - emanating from Cameroon (Nicole Werewere Liking), Britain (Winsome Pinnock), Guadeloupe (Maryse Condé and Simone Schwartz-Bart), Nigeria (Tess Onwueme), and the United States (Ntozake Shange) - move beyond static, conventional notions regarding blackness and being female and reconfigure newer identities and spaces to thrive. DeLinda Marzette explores the numerous ways these women writers create black female agency and vital, energizing communities. Contextually, she uses the term diaspora to refer to the mass dispersal of peoples from their homelands - herein Africa - to other global locations; objects of diasporic dispersal, these individuals then become a kind of migrant, physically and psychologically. Each author shares a diasporic heritage; hence, much of their subjects, settings, and themes express diaspora consciousness. Marzette explores who these women are, how they define themselves, how they convey and experience their worlds, how they broach, loosen, and explode the multiple yokes of race, class, and gender-based oppression and exploitation in their works. What is fostered, encouraged, shunned, ignored - the spoken, the unspoken and, perhaps, the unspeakable - are all issues of critical exploration. Ultimately, all the women of this study depend on female bonds for survival, enrichment, healing, and hope. The plays by these women are especially important in that they add a diverse dimension to the standard dramatic canon Drama (DE-588)4012899-4 gnd Diaspora Sozialwissenschaften, Motiv (DE-588)1190054469 gnd Schwarze (DE-588)4116433-7 gnd Schriftstellerin (DE-588)4053311-6 gnd |
| subject_GND | (DE-588)4012899-4 (DE-588)1190054469 (DE-588)4116433-7 (DE-588)4053311-6 |
| title | Africana Women Writers Performing Diaspora, Staging Healing |
| title_auth | Africana Women Writers Performing Diaspora, Staging Healing |
| title_exact_search | Africana Women Writers Performing Diaspora, Staging Healing |
| title_exact_search_txtP | Africana Women Writers Performing Diaspora, Staging Healing |
| title_full | Africana Women Writers Performing Diaspora, Staging Healing DeLinda Marzette |
| title_fullStr | Africana Women Writers Performing Diaspora, Staging Healing DeLinda Marzette |
| title_full_unstemmed | Africana Women Writers Performing Diaspora, Staging Healing DeLinda Marzette |
| title_short | Africana Women Writers |
| title_sort | africana women writers performing diaspora staging healing |
| title_sub | Performing Diaspora, Staging Healing |
| topic | Drama (DE-588)4012899-4 gnd Diaspora Sozialwissenschaften, Motiv (DE-588)1190054469 gnd Schwarze (DE-588)4116433-7 gnd Schriftstellerin (DE-588)4053311-6 gnd |
| topic_facet | Drama Diaspora Sozialwissenschaften, Motiv Schwarze Schriftstellerin |
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