The Play of Reasons: The Sacred and the Profane in Salman Rushdie's Fiction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2012
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (243 Seiten) |
| ISBN: | 9781453902080 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048208055 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220510s2012 |||| o||u| ||||||eng d | ||
| 020 | |a 9781453902080 |9 978-1-4539-0208-0 | ||
| 024 | 7 | |a 10.3726/978-1-4539-0208-0 |2 doi | |
| 024 | 3 | |a 9781453902080 | |
| 035 | |a (ZDB-114-LAC)9781453902080 | ||
| 035 | |a (OCoLC)1317691883 | ||
| 035 | |a (DE-599)BVBBV048208055 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a HN 7649 |0 (DE-625)51546:11637 |2 rvk | ||
| 100 | 1 | |a Yacoubi, Youssef |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The Play of Reasons |b The Sacred and the Profane in Salman Rushdie's Fiction |c Youssef Yacoubi |
| 250 | |a 1st, New ed | ||
| 264 | 1 | |a New York |b Peter Lang Inc., International Academic Publishers |c 2012 | |
| 300 | |a 1 Online-Ressource (243 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Online resource; title from title screen (viewed June 10, 2019) | ||
| 505 | 8 | |a The Play of Reasons argues that Salman Rushdie's eclectic and hybridized work can be situated within an Islamic genealogy of theological and literary traditions. Rushdie's prose is difficult to conceive as unitary in meaning precisely because it operates according to a polymorphous Islamic literary and theological register, while also being divided by the Greek, Abrahamic, and Indian dimensions. There is a parallax when Rushdie is viewed from within Islamic traditions, creating interest in a certain postcolonial saturation of Islamic literary traces, theological, and political anxieties; closures and ruptures of the sacred and the profane. Rushdie's writing is neither essentially Islamic or Indian, nor essentially Western or Greek, but to read him, in terms of an Islamic tradition, is an intervention in what the author calls «Diasporic criticism.» Rushdie's work construed as «a kind of philosophy-in-literature» foregrounds an engagement with a number of Muslim «masters of suspicion» (classical and modern), whose literary and philosophical ideas have been deeply immersed in the limits of tradition. In the final analysis the author argues that Rushdie's prose demonstrates the extent to which literature is committed to a critical reconceptualization of history, truth, meaning, and value systems based in the possibilities of risk, constructive doubt, and contingency | |
| 505 | 8 | |a «Youssef Yacoubi does justice to Salman Rushdie's complex prose by astutely teasing out the interplay of Islamic traditions with Greek and Hindu influences in his postmodern magical realism. In the process, Yacoubi also offers a nuanced, postcolonial reading of Islam, one that identifies a reflexivity in its literary and theological traditions.» (Gyan Prakash, Department of History, Princeton University) «Youssef Yacoubi's book offers new and fascinating perspectives on one of the most notorious cultural and religious controversies of recent times. It is also an original and important contribution to Salman Rushdie scholarship, postcolonial criticism, and Islamic theological debates and studies.» (Isabel Santaolalla, Department of Media, Culture and Language, University of Roehampton, London) «One of the strongest tropes of the play of reason, in any culture, is the requirement for more light than heat in engagement with criticism whether textual or contextual. Youssef Yacoubi's tireless commitment to patient enlightenment is achieved by the avoidance of the rhetoric of over-heated debates on Salman Rushdie and related matters. The attentive reader of this book will be inspired to do no less.» (Bernard McGuirk, Professor of Romance Literatures and Literary Theory, Director of International Consortium for the Study of Post-Conflict Cultures, University of Nottingham) | |
| 600 | 1 | 7 | |a Rushdie, Salman |d 1947- |0 (DE-588)118873520 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Das Heilige |0 (DE-588)4128109-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Das Profane |0 (DE-588)4401346-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Islam |g Motiv |0 (DE-588)4351633-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Rushdie, Salman |d 1947- |0 (DE-588)118873520 |D p |
| 689 | 0 | 1 | |a Islam |g Motiv |0 (DE-588)4351633-6 |D s |
| 689 | 0 | 2 | |a Das Heilige |0 (DE-588)4128109-3 |D s |
| 689 | 0 | 3 | |a Das Profane |0 (DE-588)4401346-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9781433113260 |
| 856 | 4 | 0 | |u https://www.peterlang.com/view/product/29071?format=EPDF |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-114-LAC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033588932 | ||
| 966 | e | |u https://www.peterlang.com/view/product/29071?format=EPDF |l BSB01 |p ZDB-114-LAC |q BSB_PDA_LAC_Kauf |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183978432790528 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Yacoubi, Youssef |
| author_facet | Yacoubi, Youssef |
| author_role | aut |
| author_sort | Yacoubi, Youssef |
| author_variant | y y yy |
| building | Verbundindex |
| bvnumber | BV048208055 |
| classification_rvk | HN 7649 |
| collection | ZDB-114-LAC |
| contents | The Play of Reasons argues that Salman Rushdie's eclectic and hybridized work can be situated within an Islamic genealogy of theological and literary traditions. Rushdie's prose is difficult to conceive as unitary in meaning precisely because it operates according to a polymorphous Islamic literary and theological register, while also being divided by the Greek, Abrahamic, and Indian dimensions. There is a parallax when Rushdie is viewed from within Islamic traditions, creating interest in a certain postcolonial saturation of Islamic literary traces, theological, and political anxieties; closures and ruptures of the sacred and the profane. Rushdie's writing is neither essentially Islamic or Indian, nor essentially Western or Greek, but to read him, in terms of an Islamic tradition, is an intervention in what the author calls «Diasporic criticism.» Rushdie's work construed as «a kind of philosophy-in-literature» foregrounds an engagement with a number of Muslim «masters of suspicion» (classical and modern), whose literary and philosophical ideas have been deeply immersed in the limits of tradition. In the final analysis the author argues that Rushdie's prose demonstrates the extent to which literature is committed to a critical reconceptualization of history, truth, meaning, and value systems based in the possibilities of risk, constructive doubt, and contingency «Youssef Yacoubi does justice to Salman Rushdie's complex prose by astutely teasing out the interplay of Islamic traditions with Greek and Hindu influences in his postmodern magical realism. In the process, Yacoubi also offers a nuanced, postcolonial reading of Islam, one that identifies a reflexivity in its literary and theological traditions.» (Gyan Prakash, Department of History, Princeton University) «Youssef Yacoubi's book offers new and fascinating perspectives on one of the most notorious cultural and religious controversies of recent times. It is also an original and important contribution to Salman Rushdie scholarship, postcolonial criticism, and Islamic theological debates and studies.» (Isabel Santaolalla, Department of Media, Culture and Language, University of Roehampton, London) «One of the strongest tropes of the play of reason, in any culture, is the requirement for more light than heat in engagement with criticism whether textual or contextual. Youssef Yacoubi's tireless commitment to patient enlightenment is achieved by the avoidance of the rhetoric of over-heated debates on Salman Rushdie and related matters. The attentive reader of this book will be inspired to do no less.» (Bernard McGuirk, Professor of Romance Literatures and Literary Theory, Director of International Consortium for the Study of Post-Conflict Cultures, University of Nottingham) |
| ctrlnum | (ZDB-114-LAC)9781453902080 (OCoLC)1317691883 (DE-599)BVBBV048208055 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | 1st, New ed |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04764nmm a2200505zc 4500</leader><controlfield tag="001">BV048208055</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220510s2012 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781453902080</subfield><subfield code="9">978-1-4539-0208-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3726/978-1-4539-0208-0</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9781453902080</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-114-LAC)9781453902080</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1317691883</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048208055</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HN 7649</subfield><subfield code="0">(DE-625)51546:11637</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Yacoubi, Youssef</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Play of Reasons</subfield><subfield code="b">The Sacred and the Profane in Salman Rushdie's Fiction</subfield><subfield code="c">Youssef Yacoubi</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st, New ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Peter Lang Inc., International Academic Publishers</subfield><subfield code="c">2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (243 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Online resource; title from title screen (viewed June 10, 2019)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Play of Reasons argues that Salman Rushdie's eclectic and hybridized work can be situated within an Islamic genealogy of theological and literary traditions. Rushdie's prose is difficult to conceive as unitary in meaning precisely because it operates according to a polymorphous Islamic literary and theological register, while also being divided by the Greek, Abrahamic, and Indian dimensions. There is a parallax when Rushdie is viewed from within Islamic traditions, creating interest in a certain postcolonial saturation of Islamic literary traces, theological, and political anxieties; closures and ruptures of the sacred and the profane. Rushdie's writing is neither essentially Islamic or Indian, nor essentially Western or Greek, but to read him, in terms of an Islamic tradition, is an intervention in what the author calls «Diasporic criticism.» Rushdie's work construed as «a kind of philosophy-in-literature» foregrounds an engagement with a number of Muslim «masters of suspicion» (classical and modern), whose literary and philosophical ideas have been deeply immersed in the limits of tradition. In the final analysis the author argues that Rushdie's prose demonstrates the extent to which literature is committed to a critical reconceptualization of history, truth, meaning, and value systems based in the possibilities of risk, constructive doubt, and contingency</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">«Youssef Yacoubi does justice to Salman Rushdie's complex prose by astutely teasing out the interplay of Islamic traditions with Greek and Hindu influences in his postmodern magical realism. In the process, Yacoubi also offers a nuanced, postcolonial reading of Islam, one that identifies a reflexivity in its literary and theological traditions.» (Gyan Prakash, Department of History, Princeton University) «Youssef Yacoubi's book offers new and fascinating perspectives on one of the most notorious cultural and religious controversies of recent times. It is also an original and important contribution to Salman Rushdie scholarship, postcolonial criticism, and Islamic theological debates and studies.» (Isabel Santaolalla, Department of Media, Culture and Language, University of Roehampton, London) «One of the strongest tropes of the play of reason, in any culture, is the requirement for more light than heat in engagement with criticism whether textual or contextual. Youssef Yacoubi's tireless commitment to patient enlightenment is achieved by the avoidance of the rhetoric of over-heated debates on Salman Rushdie and related matters. The attentive reader of this book will be inspired to do no less.» (Bernard McGuirk, Professor of Romance Literatures and Literary Theory, Director of International Consortium for the Study of Post-Conflict Cultures, University of Nottingham)</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Rushdie, Salman</subfield><subfield code="d">1947-</subfield><subfield code="0">(DE-588)118873520</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Das Heilige</subfield><subfield code="0">(DE-588)4128109-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Das Profane</subfield><subfield code="0">(DE-588)4401346-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Islam</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4351633-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Rushdie, Salman</subfield><subfield code="d">1947-</subfield><subfield code="0">(DE-588)118873520</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Islam</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4351633-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Das Heilige</subfield><subfield code="0">(DE-588)4128109-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Das Profane</subfield><subfield code="0">(DE-588)4401346-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9781433113260</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.peterlang.com/view/product/29071?format=EPDF</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-114-LAC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033588932</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.peterlang.com/view/product/29071?format=EPDF</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-114-LAC</subfield><subfield code="q">BSB_PDA_LAC_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048208055 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:48:02Z |
| indexdate | 2024-07-10T09:32:02Z |
| institution | BVB |
| isbn | 9781453902080 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033588932 |
| oclc_num | 1317691883 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (243 Seiten) |
| psigel | ZDB-114-LAC ZDB-114-LAC BSB_PDA_LAC_Kauf |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Peter Lang Inc., International Academic Publishers |
| record_format | marc |
| spelling | Yacoubi, Youssef Verfasser aut The Play of Reasons The Sacred and the Profane in Salman Rushdie's Fiction Youssef Yacoubi 1st, New ed New York Peter Lang Inc., International Academic Publishers 2012 1 Online-Ressource (243 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) The Play of Reasons argues that Salman Rushdie's eclectic and hybridized work can be situated within an Islamic genealogy of theological and literary traditions. Rushdie's prose is difficult to conceive as unitary in meaning precisely because it operates according to a polymorphous Islamic literary and theological register, while also being divided by the Greek, Abrahamic, and Indian dimensions. There is a parallax when Rushdie is viewed from within Islamic traditions, creating interest in a certain postcolonial saturation of Islamic literary traces, theological, and political anxieties; closures and ruptures of the sacred and the profane. Rushdie's writing is neither essentially Islamic or Indian, nor essentially Western or Greek, but to read him, in terms of an Islamic tradition, is an intervention in what the author calls «Diasporic criticism.» Rushdie's work construed as «a kind of philosophy-in-literature» foregrounds an engagement with a number of Muslim «masters of suspicion» (classical and modern), whose literary and philosophical ideas have been deeply immersed in the limits of tradition. In the final analysis the author argues that Rushdie's prose demonstrates the extent to which literature is committed to a critical reconceptualization of history, truth, meaning, and value systems based in the possibilities of risk, constructive doubt, and contingency «Youssef Yacoubi does justice to Salman Rushdie's complex prose by astutely teasing out the interplay of Islamic traditions with Greek and Hindu influences in his postmodern magical realism. In the process, Yacoubi also offers a nuanced, postcolonial reading of Islam, one that identifies a reflexivity in its literary and theological traditions.» (Gyan Prakash, Department of History, Princeton University) «Youssef Yacoubi's book offers new and fascinating perspectives on one of the most notorious cultural and religious controversies of recent times. It is also an original and important contribution to Salman Rushdie scholarship, postcolonial criticism, and Islamic theological debates and studies.» (Isabel Santaolalla, Department of Media, Culture and Language, University of Roehampton, London) «One of the strongest tropes of the play of reason, in any culture, is the requirement for more light than heat in engagement with criticism whether textual or contextual. Youssef Yacoubi's tireless commitment to patient enlightenment is achieved by the avoidance of the rhetoric of over-heated debates on Salman Rushdie and related matters. The attentive reader of this book will be inspired to do no less.» (Bernard McGuirk, Professor of Romance Literatures and Literary Theory, Director of International Consortium for the Study of Post-Conflict Cultures, University of Nottingham) Rushdie, Salman 1947- (DE-588)118873520 gnd rswk-swf Das Heilige (DE-588)4128109-3 gnd rswk-swf Das Profane (DE-588)4401346-2 gnd rswk-swf Islam Motiv (DE-588)4351633-6 gnd rswk-swf Rushdie, Salman 1947- (DE-588)118873520 p Islam Motiv (DE-588)4351633-6 s Das Heilige (DE-588)4128109-3 s Das Profane (DE-588)4401346-2 s DE-604 Erscheint auch als Druck-Ausgabe 9781433113260 https://www.peterlang.com/view/product/29071?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Yacoubi, Youssef The Play of Reasons The Sacred and the Profane in Salman Rushdie's Fiction The Play of Reasons argues that Salman Rushdie's eclectic and hybridized work can be situated within an Islamic genealogy of theological and literary traditions. Rushdie's prose is difficult to conceive as unitary in meaning precisely because it operates according to a polymorphous Islamic literary and theological register, while also being divided by the Greek, Abrahamic, and Indian dimensions. There is a parallax when Rushdie is viewed from within Islamic traditions, creating interest in a certain postcolonial saturation of Islamic literary traces, theological, and political anxieties; closures and ruptures of the sacred and the profane. Rushdie's writing is neither essentially Islamic or Indian, nor essentially Western or Greek, but to read him, in terms of an Islamic tradition, is an intervention in what the author calls «Diasporic criticism.» Rushdie's work construed as «a kind of philosophy-in-literature» foregrounds an engagement with a number of Muslim «masters of suspicion» (classical and modern), whose literary and philosophical ideas have been deeply immersed in the limits of tradition. In the final analysis the author argues that Rushdie's prose demonstrates the extent to which literature is committed to a critical reconceptualization of history, truth, meaning, and value systems based in the possibilities of risk, constructive doubt, and contingency «Youssef Yacoubi does justice to Salman Rushdie's complex prose by astutely teasing out the interplay of Islamic traditions with Greek and Hindu influences in his postmodern magical realism. In the process, Yacoubi also offers a nuanced, postcolonial reading of Islam, one that identifies a reflexivity in its literary and theological traditions.» (Gyan Prakash, Department of History, Princeton University) «Youssef Yacoubi's book offers new and fascinating perspectives on one of the most notorious cultural and religious controversies of recent times. It is also an original and important contribution to Salman Rushdie scholarship, postcolonial criticism, and Islamic theological debates and studies.» (Isabel Santaolalla, Department of Media, Culture and Language, University of Roehampton, London) «One of the strongest tropes of the play of reason, in any culture, is the requirement for more light than heat in engagement with criticism whether textual or contextual. Youssef Yacoubi's tireless commitment to patient enlightenment is achieved by the avoidance of the rhetoric of over-heated debates on Salman Rushdie and related matters. The attentive reader of this book will be inspired to do no less.» (Bernard McGuirk, Professor of Romance Literatures and Literary Theory, Director of International Consortium for the Study of Post-Conflict Cultures, University of Nottingham) Rushdie, Salman 1947- (DE-588)118873520 gnd Das Heilige (DE-588)4128109-3 gnd Das Profane (DE-588)4401346-2 gnd Islam Motiv (DE-588)4351633-6 gnd |
| subject_GND | (DE-588)118873520 (DE-588)4128109-3 (DE-588)4401346-2 (DE-588)4351633-6 |
| title | The Play of Reasons The Sacred and the Profane in Salman Rushdie's Fiction |
| title_auth | The Play of Reasons The Sacred and the Profane in Salman Rushdie's Fiction |
| title_exact_search | The Play of Reasons The Sacred and the Profane in Salman Rushdie's Fiction |
| title_exact_search_txtP | The Play of Reasons The Sacred and the Profane in Salman Rushdie's Fiction |
| title_full | The Play of Reasons The Sacred and the Profane in Salman Rushdie's Fiction Youssef Yacoubi |
| title_fullStr | The Play of Reasons The Sacred and the Profane in Salman Rushdie's Fiction Youssef Yacoubi |
| title_full_unstemmed | The Play of Reasons The Sacred and the Profane in Salman Rushdie's Fiction Youssef Yacoubi |
| title_short | The Play of Reasons |
| title_sort | the play of reasons the sacred and the profane in salman rushdie s fiction |
| title_sub | The Sacred and the Profane in Salman Rushdie's Fiction |
| topic | Rushdie, Salman 1947- (DE-588)118873520 gnd Das Heilige (DE-588)4128109-3 gnd Das Profane (DE-588)4401346-2 gnd Islam Motiv (DE-588)4351633-6 gnd |
| topic_facet | Rushdie, Salman 1947- Das Heilige Das Profane Islam Motiv |
| url | https://www.peterlang.com/view/product/29071?format=EPDF |
| work_keys_str_mv | AT yacoubiyoussef theplayofreasonsthesacredandtheprofaneinsalmanrushdiesfiction |