Shakespeare, the Orient, and the Critics:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2011
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (158 Seiten) |
| ISBN: | 9781453900147 |
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| 505 | 8 | |a Previous criticism has not adequately discussed oriental aspects of the content of Shakespearean drama. In addition to his portrayal of oriental figures (such as Cleopatra, Othello, and Shylock) and his use of literary genres and motifs that have roots in oriental tradition (such as that of the tragic romance in Romeo and Juliet, there are certain key elements in Shakespeare's thought and outlook that can only be properly understood within the larger contribution of the oriental legacy. This legacy has clear relevance not only to the exemplary fate of the lovers in Romeo and Juliet, but also to the destinies of such major Shakespearean heroes as Hamlet and Lear. Shakespeare, the Orient, and the Critics investigates the boundaries of oriental framework within works such as Hamlet, King Lear, and The Tempest. Stylistically, at the heart of Shakespeare's orientalism are two long-recognized features of his dramatic art: his predilection for reversing stereotypes and his sympathy and identification with the alien and the «other.» This can be most clearly seen in the love tragedies of Othello and Anthony and Cleopatra as well as the romantic comedy of The Merchant of Venice. Ultimately, the philosophic underpinning of such works is a special expression of Renaissance humanism that transcends the boundaries of class, race, and culture | |
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Datensatz im Suchindex
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| author | Al-Dabbagh, Abdulla M. |
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| contents | Previous criticism has not adequately discussed oriental aspects of the content of Shakespearean drama. In addition to his portrayal of oriental figures (such as Cleopatra, Othello, and Shylock) and his use of literary genres and motifs that have roots in oriental tradition (such as that of the tragic romance in Romeo and Juliet, there are certain key elements in Shakespeare's thought and outlook that can only be properly understood within the larger contribution of the oriental legacy. This legacy has clear relevance not only to the exemplary fate of the lovers in Romeo and Juliet, but also to the destinies of such major Shakespearean heroes as Hamlet and Lear. Shakespeare, the Orient, and the Critics investigates the boundaries of oriental framework within works such as Hamlet, King Lear, and The Tempest. Stylistically, at the heart of Shakespeare's orientalism are two long-recognized features of his dramatic art: his predilection for reversing stereotypes and his sympathy and identification with the alien and the «other.» This can be most clearly seen in the love tragedies of Othello and Anthony and Cleopatra as well as the romantic comedy of The Merchant of Venice. Ultimately, the philosophic underpinning of such works is a special expression of Renaissance humanism that transcends the boundaries of class, race, and culture |
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| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | 1st, New ed |
| format | Electronic eBook |
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| indexdate | 2024-07-10T09:32:02Z |
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| spelling | Al-Dabbagh, Abdulla M. Verfasser aut Shakespeare, the Orient, and the Critics Abdulla M. Al-Dabbagh 1st, New ed New York Peter Lang Inc., International Academic Publishers 2011 ©2010 1 Online-Ressource (158 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Previous criticism has not adequately discussed oriental aspects of the content of Shakespearean drama. In addition to his portrayal of oriental figures (such as Cleopatra, Othello, and Shylock) and his use of literary genres and motifs that have roots in oriental tradition (such as that of the tragic romance in Romeo and Juliet, there are certain key elements in Shakespeare's thought and outlook that can only be properly understood within the larger contribution of the oriental legacy. This legacy has clear relevance not only to the exemplary fate of the lovers in Romeo and Juliet, but also to the destinies of such major Shakespearean heroes as Hamlet and Lear. Shakespeare, the Orient, and the Critics investigates the boundaries of oriental framework within works such as Hamlet, King Lear, and The Tempest. Stylistically, at the heart of Shakespeare's orientalism are two long-recognized features of his dramatic art: his predilection for reversing stereotypes and his sympathy and identification with the alien and the «other.» This can be most clearly seen in the love tragedies of Othello and Anthony and Cleopatra as well as the romantic comedy of The Merchant of Venice. Ultimately, the philosophic underpinning of such works is a special expression of Renaissance humanism that transcends the boundaries of class, race, and culture Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Orientalisierende Literatur (DE-588)4203154-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Orient (DE-588)4075699-3 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Rezeption (DE-588)4049716-1 s Orient (DE-588)4075699-3 g DE-604 Orientalisierende Literatur (DE-588)4203154-0 s Erscheint auch als Druck-Ausgabe 9781433110597 https://www.peterlang.com/view/product/28744?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Al-Dabbagh, Abdulla M. Shakespeare, the Orient, and the Critics Previous criticism has not adequately discussed oriental aspects of the content of Shakespearean drama. In addition to his portrayal of oriental figures (such as Cleopatra, Othello, and Shylock) and his use of literary genres and motifs that have roots in oriental tradition (such as that of the tragic romance in Romeo and Juliet, there are certain key elements in Shakespeare's thought and outlook that can only be properly understood within the larger contribution of the oriental legacy. This legacy has clear relevance not only to the exemplary fate of the lovers in Romeo and Juliet, but also to the destinies of such major Shakespearean heroes as Hamlet and Lear. Shakespeare, the Orient, and the Critics investigates the boundaries of oriental framework within works such as Hamlet, King Lear, and The Tempest. Stylistically, at the heart of Shakespeare's orientalism are two long-recognized features of his dramatic art: his predilection for reversing stereotypes and his sympathy and identification with the alien and the «other.» This can be most clearly seen in the love tragedies of Othello and Anthony and Cleopatra as well as the romantic comedy of The Merchant of Venice. Ultimately, the philosophic underpinning of such works is a special expression of Renaissance humanism that transcends the boundaries of class, race, and culture Shakespeare, William 1564-1616 (DE-588)118613723 gnd Orientalisierende Literatur (DE-588)4203154-0 gnd Rezeption (DE-588)4049716-1 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4203154-0 (DE-588)4049716-1 (DE-588)4012899-4 (DE-588)4075699-3 |
| title | Shakespeare, the Orient, and the Critics |
| title_auth | Shakespeare, the Orient, and the Critics |
| title_exact_search | Shakespeare, the Orient, and the Critics |
| title_exact_search_txtP | Shakespeare, the Orient, and the Critics |
| title_full | Shakespeare, the Orient, and the Critics Abdulla M. Al-Dabbagh |
| title_fullStr | Shakespeare, the Orient, and the Critics Abdulla M. Al-Dabbagh |
| title_full_unstemmed | Shakespeare, the Orient, and the Critics Abdulla M. Al-Dabbagh |
| title_short | Shakespeare, the Orient, and the Critics |
| title_sort | shakespeare the orient and the critics |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Orientalisierende Literatur (DE-588)4203154-0 gnd Rezeption (DE-588)4049716-1 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Orientalisierende Literatur Rezeption Drama Orient |
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