The Story of the Mexican Screenplay: A Study of the Invisible Art Form and Interviews with Women Screenwriters
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2011
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Ausgabe: | 1st, New ed |
Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
Beschreibung: | 1 Online-Ressource (127 Seiten) |
ISBN: | 9781453912874 |
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Datensatz im Suchindex
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author | DePaoli, Maria Teresa |
author_facet | DePaoli, Maria Teresa |
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author_sort | DePaoli, Maria Teresa |
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bvnumber | BV048208022 |
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contents | The Story of the Mexican Screenplay: A Study of the Invisible Art Form and Interviews with Women Screenwriters contributes to the international development of screenplay studies. While the debate on the ontology of the screenplay continues, a fact remains clear for screenwriters: the screenplay is the film's skeleton and the main base that sustains a story told through images. Certainly, lack of visibility, including publication, distribution, and promotion, are some of the problems that the screenplay confronts, but these are not the only challenges. Traditionally, the form has been unappreciated and regarded by many as only an initial step in the complexity of film production. In this study, the author elaborates on the cultural baggage that the screenplay carries since it is text imbued with multiple signs that - for various reasons - often get lost in the process and never make it to the screen. In this context, the author touches on the concept of adaptation since it is often a key element in screenplay research. The Story of the Mexican Screenplay focuses on a general historical investigation of the Mexican screenplay, specifically on women's screenwriting. In addition to screenplay analysis, the interviews with women screenwriters are revealing of various cultural issues such as gender discrimination in the work place, political censorship, collective screenwriting, and collaboration among writers, and with the director. These topics explain, in part, the double marginalization of female screenwriting in Mexico |
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edition | 1st, New ed |
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era_facet | Geschichte |
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spelling | DePaoli, Maria Teresa Verfasser aut The Story of the Mexican Screenplay A Study of the Invisible Art Form and Interviews with Women Screenwriters Maria Teresa DePaoli 1st, New ed New York Peter Lang Inc., International Academic Publishers 2011 ©2014 1 Online-Ressource (127 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) The Story of the Mexican Screenplay: A Study of the Invisible Art Form and Interviews with Women Screenwriters contributes to the international development of screenplay studies. While the debate on the ontology of the screenplay continues, a fact remains clear for screenwriters: the screenplay is the film's skeleton and the main base that sustains a story told through images. Certainly, lack of visibility, including publication, distribution, and promotion, are some of the problems that the screenplay confronts, but these are not the only challenges. Traditionally, the form has been unappreciated and regarded by many as only an initial step in the complexity of film production. In this study, the author elaborates on the cultural baggage that the screenplay carries since it is text imbued with multiple signs that - for various reasons - often get lost in the process and never make it to the screen. In this context, the author touches on the concept of adaptation since it is often a key element in screenplay research. The Story of the Mexican Screenplay focuses on a general historical investigation of the Mexican screenplay, specifically on women's screenwriting. In addition to screenplay analysis, the interviews with women screenwriters are revealing of various cultural issues such as gender discrimination in the work place, political censorship, collective screenwriting, and collaboration among writers, and with the director. These topics explain, in part, the double marginalization of female screenwriting in Mexico Geschichte gnd rswk-swf Drehbuch (DE-588)4127976-1 gnd rswk-swf Drehbuchautorin (DE-588)4302523-7 gnd rswk-swf Mexiko (DE-588)4039058-5 gnd rswk-swf (DE-588)4027503-6 Interview gnd-content Mexiko (DE-588)4039058-5 g Drehbuch (DE-588)4127976-1 s Geschichte z DE-604 Drehbuchautorin (DE-588)4302523-7 s Erscheint auch als Druck-Ausgabe 9781433110344 Erscheint auch als Druck-Ausgabe 9781433123818 Erscheint auch als Druck-Ausgabe 9781454195207 Erscheint auch als Druck-Ausgabe 9781454195214 https://www.peterlang.com/view/product/28708?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | DePaoli, Maria Teresa The Story of the Mexican Screenplay A Study of the Invisible Art Form and Interviews with Women Screenwriters The Story of the Mexican Screenplay: A Study of the Invisible Art Form and Interviews with Women Screenwriters contributes to the international development of screenplay studies. While the debate on the ontology of the screenplay continues, a fact remains clear for screenwriters: the screenplay is the film's skeleton and the main base that sustains a story told through images. Certainly, lack of visibility, including publication, distribution, and promotion, are some of the problems that the screenplay confronts, but these are not the only challenges. Traditionally, the form has been unappreciated and regarded by many as only an initial step in the complexity of film production. In this study, the author elaborates on the cultural baggage that the screenplay carries since it is text imbued with multiple signs that - for various reasons - often get lost in the process and never make it to the screen. In this context, the author touches on the concept of adaptation since it is often a key element in screenplay research. The Story of the Mexican Screenplay focuses on a general historical investigation of the Mexican screenplay, specifically on women's screenwriting. In addition to screenplay analysis, the interviews with women screenwriters are revealing of various cultural issues such as gender discrimination in the work place, political censorship, collective screenwriting, and collaboration among writers, and with the director. These topics explain, in part, the double marginalization of female screenwriting in Mexico Drehbuch (DE-588)4127976-1 gnd Drehbuchautorin (DE-588)4302523-7 gnd |
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title | The Story of the Mexican Screenplay A Study of the Invisible Art Form and Interviews with Women Screenwriters |
title_auth | The Story of the Mexican Screenplay A Study of the Invisible Art Form and Interviews with Women Screenwriters |
title_exact_search | The Story of the Mexican Screenplay A Study of the Invisible Art Form and Interviews with Women Screenwriters |
title_exact_search_txtP | The Story of the Mexican Screenplay A Study of the Invisible Art Form and Interviews with Women Screenwriters |
title_full | The Story of the Mexican Screenplay A Study of the Invisible Art Form and Interviews with Women Screenwriters Maria Teresa DePaoli |
title_fullStr | The Story of the Mexican Screenplay A Study of the Invisible Art Form and Interviews with Women Screenwriters Maria Teresa DePaoli |
title_full_unstemmed | The Story of the Mexican Screenplay A Study of the Invisible Art Form and Interviews with Women Screenwriters Maria Teresa DePaoli |
title_short | The Story of the Mexican Screenplay |
title_sort | the story of the mexican screenplay a study of the invisible art form and interviews with women screenwriters |
title_sub | A Study of the Invisible Art Form and Interviews with Women Screenwriters |
topic | Drehbuch (DE-588)4127976-1 gnd Drehbuchautorin (DE-588)4302523-7 gnd |
topic_facet | Drehbuch Drehbuchautorin Mexiko Interview |
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