The Second Birth of Theatre: Performances of Anglo-Saxon Monks
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Frankfurt a.M.
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
2017
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (226 Seiten) 13 ill |
| ISBN: | 9783653071276 |
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| 505 | 8 | |a This book presents a new approach to early English theatre by exposing a genuine relationship between monastic performances and theatricality. It argues that modern theatre was reinvented in Anglo-Saxon monasteries by monks who were required to transform themselves by disciplining their bodies and performing complex religious acts. After extensively surveying the monastic and liturgical sources of theatre the author reconstructs the XII-century staging of the Anglo-Norman «Ordo representacionis Ade» and demonstrates the fundamental incongruity between the ancient and Christian performativity. On a more personal note he concludes with comments on references to the monastic rule in «Performer», a programmatic text by Jerzy Grotowski | |
| 505 | 8 | |a «[...] dem Autor [ist] ein inspirierendes, reich bebildertes Buch gelungen, dessen Übersetzung sich gelohnt hat und das von einem breiten Wissen des Verfassers zeugt.» (Jörg Sonntag, H-Soz-Kult Nov. 2017)<BR BR> Vollständige Rezension hier lesen | |
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Datensatz im Suchindex
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|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Kocur, Miroslaw |
| author_facet | Kocur, Miroslaw |
| author_role | aut |
| author_sort | Kocur, Miroslaw |
| author_variant | m k mk |
| building | Verbundindex |
| bvnumber | BV048207802 |
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| contents | This book presents a new approach to early English theatre by exposing a genuine relationship between monastic performances and theatricality. It argues that modern theatre was reinvented in Anglo-Saxon monasteries by monks who were required to transform themselves by disciplining their bodies and performing complex religious acts. After extensively surveying the monastic and liturgical sources of theatre the author reconstructs the XII-century staging of the Anglo-Norman «Ordo representacionis Ade» and demonstrates the fundamental incongruity between the ancient and Christian performativity. On a more personal note he concludes with comments on references to the monastic rule in «Performer», a programmatic text by Jerzy Grotowski «[...] dem Autor [ist] ein inspirierendes, reich bebildertes Buch gelungen, dessen Übersetzung sich gelohnt hat und das von einem breiten Wissen des Verfassers zeugt.» (Jörg Sonntag, H-Soz-Kult Nov. 2017)<BR BR> Vollständige Rezension hier lesen |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | 1st, New ed |
| era | Geschichte 449-1066 gnd |
| era_facet | Geschichte 449-1066 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T09:32:01Z |
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| spelling | Kocur, Miroslaw Verfasser aut The Second Birth of Theatre Performances of Anglo-Saxon Monks Miroslaw Kocur 1st, New ed Frankfurt a.M. Peter Lang GmbH, Internationaler Verlag der Wissenschaften 2017 1 Online-Ressource (226 Seiten) 13 ill txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) This book presents a new approach to early English theatre by exposing a genuine relationship between monastic performances and theatricality. It argues that modern theatre was reinvented in Anglo-Saxon monasteries by monks who were required to transform themselves by disciplining their bodies and performing complex religious acts. After extensively surveying the monastic and liturgical sources of theatre the author reconstructs the XII-century staging of the Anglo-Norman «Ordo representacionis Ade» and demonstrates the fundamental incongruity between the ancient and Christian performativity. On a more personal note he concludes with comments on references to the monastic rule in «Performer», a programmatic text by Jerzy Grotowski «[...] dem Autor [ist] ein inspirierendes, reich bebildertes Buch gelungen, dessen Übersetzung sich gelohnt hat und das von einem breiten Wissen des Verfassers zeugt.» (Jörg Sonntag, H-Soz-Kult Nov. 2017)<BR BR> Vollständige Rezension hier lesen Geschichte 449-1066 gnd rswk-swf Ordensleben (DE-588)4043735-8 gnd rswk-swf Theatralik (DE-588)4375533-1 gnd rswk-swf Liturgie (DE-588)4036050-7 gnd rswk-swf Mönch (DE-588)4039902-3 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf England (DE-588)4014770-8 g Mönch (DE-588)4039902-3 s Ordensleben (DE-588)4043735-8 s Liturgie (DE-588)4036050-7 s Theatralik (DE-588)4375533-1 s Geschichte 449-1066 z DE-604 Erscheint auch als Druck-Ausgabe 9783631679128 Erscheint auch als Druck-Ausgabe 9783631709597 Erscheint auch als Druck-Ausgabe 9783631709603 https://www.peterlang.com/view/product/26250?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kocur, Miroslaw The Second Birth of Theatre Performances of Anglo-Saxon Monks This book presents a new approach to early English theatre by exposing a genuine relationship between monastic performances and theatricality. It argues that modern theatre was reinvented in Anglo-Saxon monasteries by monks who were required to transform themselves by disciplining their bodies and performing complex religious acts. After extensively surveying the monastic and liturgical sources of theatre the author reconstructs the XII-century staging of the Anglo-Norman «Ordo representacionis Ade» and demonstrates the fundamental incongruity between the ancient and Christian performativity. On a more personal note he concludes with comments on references to the monastic rule in «Performer», a programmatic text by Jerzy Grotowski «[...] dem Autor [ist] ein inspirierendes, reich bebildertes Buch gelungen, dessen Übersetzung sich gelohnt hat und das von einem breiten Wissen des Verfassers zeugt.» (Jörg Sonntag, H-Soz-Kult Nov. 2017)<BR BR> Vollständige Rezension hier lesen Ordensleben (DE-588)4043735-8 gnd Theatralik (DE-588)4375533-1 gnd Liturgie (DE-588)4036050-7 gnd Mönch (DE-588)4039902-3 gnd |
| subject_GND | (DE-588)4043735-8 (DE-588)4375533-1 (DE-588)4036050-7 (DE-588)4039902-3 (DE-588)4014770-8 |
| title | The Second Birth of Theatre Performances of Anglo-Saxon Monks |
| title_auth | The Second Birth of Theatre Performances of Anglo-Saxon Monks |
| title_exact_search | The Second Birth of Theatre Performances of Anglo-Saxon Monks |
| title_exact_search_txtP | The Second Birth of Theatre Performances of Anglo-Saxon Monks |
| title_full | The Second Birth of Theatre Performances of Anglo-Saxon Monks Miroslaw Kocur |
| title_fullStr | The Second Birth of Theatre Performances of Anglo-Saxon Monks Miroslaw Kocur |
| title_full_unstemmed | The Second Birth of Theatre Performances of Anglo-Saxon Monks Miroslaw Kocur |
| title_short | The Second Birth of Theatre |
| title_sort | the second birth of theatre performances of anglo saxon monks |
| title_sub | Performances of Anglo-Saxon Monks |
| topic | Ordensleben (DE-588)4043735-8 gnd Theatralik (DE-588)4375533-1 gnd Liturgie (DE-588)4036050-7 gnd Mönch (DE-588)4039902-3 gnd |
| topic_facet | Ordensleben Theatralik Liturgie Mönch England |
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