Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Frankfurt a.M.
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
2016
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | DE-12 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (227 Seiten) |
| ISBN: | 9783653070361 |
Internformat
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| 100 | 1 | |a Kang, Monica |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb |c Monica Kang |
| 250 | |a 1st, New ed | ||
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| 505 | 8 | |a The book explores cellular pivots as a new means of progression, functional tonality having disappeared in much of contemporary music. Béla Bartók can be seen as a kind of father figure to the other two composers, Chen Yi and George Crumb, in terms of their stylistic, technical, and even philosophical connections. The musical affinities of all three composers reflect a larger body of post-tonal music. Cell constructions and their pivotal motions span the gamut from traditional/asymmetrical to more abstract/symmetrical formations. This study provides insight into universal principles of the post-tonal era and reveals a broader evolution of the musical language as represented by the three composers | |
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| 600 | 1 | 7 | |a Chen, Yi |d 1953- |0 (DE-588)133287947 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
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| author | Kang, Monica |
| author_facet | Kang, Monica |
| author_role | aut |
| author_sort | Kang, Monica |
| author_variant | m k mk |
| building | Verbundindex |
| bvnumber | BV048207777 |
| classification_rvk | LP 91020 LP 91306 |
| collection | ZDB-114-LAC |
| contents | The book explores cellular pivots as a new means of progression, functional tonality having disappeared in much of contemporary music. Béla Bartók can be seen as a kind of father figure to the other two composers, Chen Yi and George Crumb, in terms of their stylistic, technical, and even philosophical connections. The musical affinities of all three composers reflect a larger body of post-tonal music. Cell constructions and their pivotal motions span the gamut from traditional/asymmetrical to more abstract/symmetrical formations. This study provides insight into universal principles of the post-tonal era and reveals a broader evolution of the musical language as represented by the three composers |
| ctrlnum | (ZDB-114-LAC)9783653070361 (OCoLC)1317693901 (DE-599)BVBBV048207777 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 1st, New ed |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:48:01Z |
| indexdate | 2024-10-13T16:01:11Z |
| institution | BVB |
| isbn | 9783653070361 |
| language | English |
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| spelling | Kang, Monica Verfasser aut Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb Monica Kang 1st, New ed Frankfurt a.M. Peter Lang GmbH, Internationaler Verlag der Wissenschaften 2016 1 Online-Ressource (227 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) The book explores cellular pivots as a new means of progression, functional tonality having disappeared in much of contemporary music. Béla Bartók can be seen as a kind of father figure to the other two composers, Chen Yi and George Crumb, in terms of their stylistic, technical, and even philosophical connections. The musical affinities of all three composers reflect a larger body of post-tonal music. Cell constructions and their pivotal motions span the gamut from traditional/asymmetrical to more abstract/symmetrical formations. This study provides insight into universal principles of the post-tonal era and reveals a broader evolution of the musical language as represented by the three composers Crumb, George 1929-2022 (DE-588)118820443 gnd rswk-swf Bartók, Béla 1881-1945 (DE-588)118506900 gnd rswk-swf Chen, Yi 1953- (DE-588)133287947 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Klaviermusik (DE-588)4030993-9 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Bartók, Béla 1881-1945 (DE-588)118506900 p Chen, Yi 1953- (DE-588)133287947 p Crumb, George 1929-2022 (DE-588)118820443 p Klaviermusik (DE-588)4030993-9 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Erscheint auch als Druck-Ausgabe 9783631676455 Erscheint auch als Druck-Ausgabe 9783631693131 Erscheint auch als Druck-Ausgabe 9783631693148 https://www.peterlang.com/view/product/25916?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kang, Monica Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb The book explores cellular pivots as a new means of progression, functional tonality having disappeared in much of contemporary music. Béla Bartók can be seen as a kind of father figure to the other two composers, Chen Yi and George Crumb, in terms of their stylistic, technical, and even philosophical connections. The musical affinities of all three composers reflect a larger body of post-tonal music. Cell constructions and their pivotal motions span the gamut from traditional/asymmetrical to more abstract/symmetrical formations. This study provides insight into universal principles of the post-tonal era and reveals a broader evolution of the musical language as represented by the three composers Crumb, George 1929-2022 (DE-588)118820443 gnd Bartók, Béla 1881-1945 (DE-588)118506900 gnd Chen, Yi 1953- (DE-588)133287947 gnd Musikalische Analyse (DE-588)4040814-0 gnd Klaviermusik (DE-588)4030993-9 gnd |
| subject_GND | (DE-588)118820443 (DE-588)118506900 (DE-588)133287947 (DE-588)4040814-0 (DE-588)4030993-9 (DE-588)4113937-9 |
| title | Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb |
| title_auth | Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb |
| title_exact_search | Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb |
| title_exact_search_txtP | Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb |
| title_full | Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb Monica Kang |
| title_fullStr | Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb Monica Kang |
| title_full_unstemmed | Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb Monica Kang |
| title_short | Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb |
| title_sort | post tonal affinities in piano works of bartok chen and crumb |
| topic | Crumb, George 1929-2022 (DE-588)118820443 gnd Bartók, Béla 1881-1945 (DE-588)118506900 gnd Chen, Yi 1953- (DE-588)133287947 gnd Musikalische Analyse (DE-588)4040814-0 gnd Klaviermusik (DE-588)4030993-9 gnd |
| topic_facet | Crumb, George 1929-2022 Bartók, Béla 1881-1945 Chen, Yi 1953- Musikalische Analyse Klaviermusik Hochschulschrift |
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| work_keys_str_mv | AT kangmonica posttonalaffinitiesinpianoworksofbartokchenandcrumb |