Brahms and Bruckner as Artistic Antipodes: Studies in Musical Semantics
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Frankfurt a.M.
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
2015
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | DE-12 URL des Erstveröffentlichers |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (311 Seiten) |
| ISBN: | 9783653053906 |
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| 245 | 1 | 0 | |a Brahms and Bruckner as Artistic Antipodes |b Studies in Musical Semantics |c Ernest Bernhardt-Kabisch, Constantin Floros |
| 250 | |a 1st, New ed | ||
| 264 | 1 | |a Frankfurt a.M. |b Peter Lang GmbH, Internationaler Verlag der Wissenschaften |c 2015 | |
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| 505 | 8 | |a In the last third of the 19th century Brahms and Bruckner were regarded as antipodes. Is this perception really true to the historical reality or had their contemporaries overestimated the «dimension of their distance», as argued later? Both wrote autonomously conceived music, both held on to traditional forms, and both rejected program music. To find an answer to this question, part I tries to elucidate Brahms' relation to Bruckner in its biographic, historical, artistic and art-theoretical aspects. At the center of the second part, whose subject is Brahms' early work, is the question whether Brahms was indeed an autonomously working composer. The topic of the third part is a taboo of Bruckner research: Bruckner's relation to program music. «The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19th century), Floros gains convincing interpretations.» (Friedrich Heller about the German edition of the book) «The book is the result of Floros's intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms's and Bruckner's work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be 'absolute' music, Bruckner's compositions carry significant semantic meaning when the composer desired.» (Musical Borrowing) | |
| 505 | 8 | |a «The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19th century), Floros gains convincing interpretations.» (Friedrich Heller about the German edition of the book) «The book is the result of Floros's intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms's and Bruckner's work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be 'absolute' music, Bruckner's compositions carry significant semantic meaning when the composer desired.» (Mucical Borrowing) | |
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Datensatz im Suchindex
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| contents | In the last third of the 19th century Brahms and Bruckner were regarded as antipodes. Is this perception really true to the historical reality or had their contemporaries overestimated the «dimension of their distance», as argued later? Both wrote autonomously conceived music, both held on to traditional forms, and both rejected program music. To find an answer to this question, part I tries to elucidate Brahms' relation to Bruckner in its biographic, historical, artistic and art-theoretical aspects. At the center of the second part, whose subject is Brahms' early work, is the question whether Brahms was indeed an autonomously working composer. The topic of the third part is a taboo of Bruckner research: Bruckner's relation to program music. «The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19th century), Floros gains convincing interpretations.» (Friedrich Heller about the German edition of the book) «The book is the result of Floros's intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms's and Bruckner's work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be 'absolute' music, Bruckner's compositions carry significant semantic meaning when the composer desired.» (Musical Borrowing) «The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19th century), Floros gains convincing interpretations.» (Friedrich Heller about the German edition of the book) «The book is the result of Floros's intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms's and Bruckner's work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be 'absolute' music, Bruckner's compositions carry significant semantic meaning when the composer desired.» (Mucical Borrowing) |
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 1st, New ed |
| format | Electronic eBook |
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| id | DE-604.BV048207526 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:48:01Z |
| indexdate | 2025-01-07T15:02:53Z |
| institution | BVB |
| isbn | 9783653053906 |
| language | English |
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| oclc_num | 1317697730 |
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| physical | 1 Online-Ressource (311 Seiten) |
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| publishDate | 2015 |
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| spelling | Brahms and Bruckner as Artistic Antipodes Studies in Musical Semantics Ernest Bernhardt-Kabisch, Constantin Floros 1st, New ed Frankfurt a.M. Peter Lang GmbH, Internationaler Verlag der Wissenschaften 2015 1 Online-Ressource (311 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) In the last third of the 19th century Brahms and Bruckner were regarded as antipodes. Is this perception really true to the historical reality or had their contemporaries overestimated the «dimension of their distance», as argued later? Both wrote autonomously conceived music, both held on to traditional forms, and both rejected program music. To find an answer to this question, part I tries to elucidate Brahms' relation to Bruckner in its biographic, historical, artistic and art-theoretical aspects. At the center of the second part, whose subject is Brahms' early work, is the question whether Brahms was indeed an autonomously working composer. The topic of the third part is a taboo of Bruckner research: Bruckner's relation to program music. «The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19th century), Floros gains convincing interpretations.» (Friedrich Heller about the German edition of the book) «The book is the result of Floros's intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms's and Bruckner's work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be 'absolute' music, Bruckner's compositions carry significant semantic meaning when the composer desired.» (Musical Borrowing) «The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19th century), Floros gains convincing interpretations.» (Friedrich Heller about the German edition of the book) «The book is the result of Floros's intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms's and Bruckner's work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be 'absolute' music, Bruckner's compositions carry significant semantic meaning when the composer desired.» (Mucical Borrowing) Bruckner, Anton 1824-1896 (DE-588)118515799 gnd rswk-swf Brahms, Johannes 1833-1897 (DE-588)118514253 gnd rswk-swf Brahms, Johannes 1833-1897 (DE-588)118514253 p Bruckner, Anton 1824-1896 (DE-588)118515799 p DE-604 Bernhardt-Kabisch, Ernest trl Floros, Constantin Sonstige oth Erscheint auch als Druck-Ausgabe 9783631660348 Erscheint auch als Druck-Ausgabe 9783653971613 Erscheint auch als Druck-Ausgabe 9783653971620 https://www.peterlang.com/view/product/22826?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brahms and Bruckner as Artistic Antipodes Studies in Musical Semantics In the last third of the 19th century Brahms and Bruckner were regarded as antipodes. Is this perception really true to the historical reality or had their contemporaries overestimated the «dimension of their distance», as argued later? Both wrote autonomously conceived music, both held on to traditional forms, and both rejected program music. To find an answer to this question, part I tries to elucidate Brahms' relation to Bruckner in its biographic, historical, artistic and art-theoretical aspects. At the center of the second part, whose subject is Brahms' early work, is the question whether Brahms was indeed an autonomously working composer. The topic of the third part is a taboo of Bruckner research: Bruckner's relation to program music. «The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19th century), Floros gains convincing interpretations.» (Friedrich Heller about the German edition of the book) «The book is the result of Floros's intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms's and Bruckner's work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be 'absolute' music, Bruckner's compositions carry significant semantic meaning when the composer desired.» (Musical Borrowing) «The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19th century), Floros gains convincing interpretations.» (Friedrich Heller about the German edition of the book) «The book is the result of Floros's intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms's and Bruckner's work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be 'absolute' music, Bruckner's compositions carry significant semantic meaning when the composer desired.» (Mucical Borrowing) Bruckner, Anton 1824-1896 (DE-588)118515799 gnd Brahms, Johannes 1833-1897 (DE-588)118514253 gnd |
| subject_GND | (DE-588)118515799 (DE-588)118514253 |
| title | Brahms and Bruckner as Artistic Antipodes Studies in Musical Semantics |
| title_auth | Brahms and Bruckner as Artistic Antipodes Studies in Musical Semantics |
| title_exact_search | Brahms and Bruckner as Artistic Antipodes Studies in Musical Semantics |
| title_exact_search_txtP | Brahms and Bruckner as Artistic Antipodes Studies in Musical Semantics |
| title_full | Brahms and Bruckner as Artistic Antipodes Studies in Musical Semantics Ernest Bernhardt-Kabisch, Constantin Floros |
| title_fullStr | Brahms and Bruckner as Artistic Antipodes Studies in Musical Semantics Ernest Bernhardt-Kabisch, Constantin Floros |
| title_full_unstemmed | Brahms and Bruckner as Artistic Antipodes Studies in Musical Semantics Ernest Bernhardt-Kabisch, Constantin Floros |
| title_short | Brahms and Bruckner as Artistic Antipodes |
| title_sort | brahms and bruckner as artistic antipodes studies in musical semantics |
| title_sub | Studies in Musical Semantics |
| topic | Bruckner, Anton 1824-1896 (DE-588)118515799 gnd Brahms, Johannes 1833-1897 (DE-588)118514253 gnd |
| topic_facet | Bruckner, Anton 1824-1896 Brahms, Johannes 1833-1897 |
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