Music and Rhythm: Fundamentals - History - Analysis
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Frankfurt a.M.
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
2013
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (312 Seiten) |
| ISBN: | 9783653034912 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048207308 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220510s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 9783653034912 |9 978-3-653-03491-2 | ||
| 024 | 7 | |a 10.3726/978-3-653-03491-2 |2 doi | |
| 024 | 3 | |a 9783653034912 | |
| 035 | |a (ZDB-114-LAC)9783653034912 | ||
| 035 | |a (OCoLC)1317695721 | ||
| 035 | |a (DE-599)BVBBV048207308 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a LR 55250 |0 (DE-625)109749:13528 |2 rvk | ||
| 100 | 1 | |a Petersen, Peter |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Music and Rhythm |b Fundamentals - History - Analysis |c Peter Petersen |
| 250 | |a 1st, New ed | ||
| 264 | 1 | |a Frankfurt a.M. |b Peter Lang GmbH, Internationaler Verlag der Wissenschaften |c 2013 | |
| 300 | |a 1 Online-Ressource (312 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Online resource; title from title screen (viewed June 10, 2019) | ||
| 505 | 8 | |a This book sets forth the first really novel theory of rhythm since Hugo Riemann: the components theory. Its approach will be of interest to musicologists and music theoreticians alike as well as to music performers, since it will enable them to describe and understand the rhythmic shape of music better and more fully than was previously possible. Instead of conceiving rhythm simply as interplay of short and long, of accents and meters, the present analysis takes its departure from secondary rhythms that are not notated but depend on specific qualities of a given sound or sound formation. Together with the basic rhythms, these components rhythms form a total rhythmic texture, whose temporal and weight structure allows a novel way of perceiving musical meter as not being primarily prescriptive but above all as the product of an overall compositional calculation of component rhythms | |
| 650 | 0 | 7 | |a Musikalische Analyse |0 (DE-588)4040814-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geschichte |0 (DE-588)4020517-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rhythmus |0 (DE-588)4132330-0 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 1 | |a Rhythmus |0 (DE-588)4132330-0 |D s |
| 689 | 0 | 2 | |a Geschichte |0 (DE-588)4020517-4 |D s |
| 689 | 0 | 3 | |a Musikalische Analyse |0 (DE-588)4040814-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783631643938 |
| 856 | 4 | 0 | |u https://www.peterlang.com/view/product/19664?format=EPDF |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-114-LAC | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033588185 | ||
| 966 | e | |u https://www.peterlang.com/view/product/19664?format=EPDF |l BSB01 |p ZDB-114-LAC |q BSB_PDA_LAC_Kauf |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804183976975269888 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Petersen, Peter |
| author_facet | Petersen, Peter |
| author_role | aut |
| author_sort | Petersen, Peter |
| author_variant | p p pp |
| building | Verbundindex |
| bvnumber | BV048207308 |
| classification_rvk | LR 55250 |
| collection | ZDB-114-LAC |
| contents | This book sets forth the first really novel theory of rhythm since Hugo Riemann: the components theory. Its approach will be of interest to musicologists and music theoreticians alike as well as to music performers, since it will enable them to describe and understand the rhythmic shape of music better and more fully than was previously possible. Instead of conceiving rhythm simply as interplay of short and long, of accents and meters, the present analysis takes its departure from secondary rhythms that are not notated but depend on specific qualities of a given sound or sound formation. Together with the basic rhythms, these components rhythms form a total rhythmic texture, whose temporal and weight structure allows a novel way of perceiving musical meter as not being primarily prescriptive but above all as the product of an overall compositional calculation of component rhythms |
| ctrlnum | (ZDB-114-LAC)9783653034912 (OCoLC)1317695721 (DE-599)BVBBV048207308 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 1st, New ed |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02799nmm a2200493zc 4500</leader><controlfield tag="001">BV048207308</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220510s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783653034912</subfield><subfield code="9">978-3-653-03491-2</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3726/978-3-653-03491-2</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9783653034912</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-114-LAC)9783653034912</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1317695721</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048207308</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 55250</subfield><subfield code="0">(DE-625)109749:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Petersen, Peter</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music and Rhythm</subfield><subfield code="b">Fundamentals - History - Analysis</subfield><subfield code="c">Peter Petersen</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st, New ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Frankfurt a.M.</subfield><subfield code="b">Peter Lang GmbH, Internationaler Verlag der Wissenschaften</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (312 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Online resource; title from title screen (viewed June 10, 2019)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">This book sets forth the first really novel theory of rhythm since Hugo Riemann: the components theory. Its approach will be of interest to musicologists and music theoreticians alike as well as to music performers, since it will enable them to describe and understand the rhythmic shape of music better and more fully than was previously possible. Instead of conceiving rhythm simply as interplay of short and long, of accents and meters, the present analysis takes its departure from secondary rhythms that are not notated but depend on specific qualities of a given sound or sound formation. Together with the basic rhythms, these components rhythms form a total rhythmic texture, whose temporal and weight structure allows a novel way of perceiving musical meter as not being primarily prescriptive but above all as the product of an overall compositional calculation of component rhythms</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rhythmus</subfield><subfield code="0">(DE-588)4132330-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Rhythmus</subfield><subfield code="0">(DE-588)4132330-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783631643938</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.peterlang.com/view/product/19664?format=EPDF</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-114-LAC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033588185</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.peterlang.com/view/product/19664?format=EPDF</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-114-LAC</subfield><subfield code="q">BSB_PDA_LAC_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048207308 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:48:01Z |
| indexdate | 2024-07-10T09:32:00Z |
| institution | BVB |
| isbn | 9783653034912 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033588185 |
| oclc_num | 1317695721 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (312 Seiten) |
| psigel | ZDB-114-LAC ZDB-114-LAC BSB_PDA_LAC_Kauf |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Peter Lang GmbH, Internationaler Verlag der Wissenschaften |
| record_format | marc |
| spelling | Petersen, Peter Verfasser aut Music and Rhythm Fundamentals - History - Analysis Peter Petersen 1st, New ed Frankfurt a.M. Peter Lang GmbH, Internationaler Verlag der Wissenschaften 2013 1 Online-Ressource (312 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) This book sets forth the first really novel theory of rhythm since Hugo Riemann: the components theory. Its approach will be of interest to musicologists and music theoreticians alike as well as to music performers, since it will enable them to describe and understand the rhythmic shape of music better and more fully than was previously possible. Instead of conceiving rhythm simply as interplay of short and long, of accents and meters, the present analysis takes its departure from secondary rhythms that are not notated but depend on specific qualities of a given sound or sound formation. Together with the basic rhythms, these components rhythms form a total rhythmic texture, whose temporal and weight structure allows a novel way of perceiving musical meter as not being primarily prescriptive but above all as the product of an overall compositional calculation of component rhythms Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Rhythmus (DE-588)4132330-0 gnd rswk-swf Musik (DE-588)4040802-4 s Rhythmus (DE-588)4132330-0 s Geschichte (DE-588)4020517-4 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Erscheint auch als Druck-Ausgabe 9783631643938 https://www.peterlang.com/view/product/19664?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Petersen, Peter Music and Rhythm Fundamentals - History - Analysis This book sets forth the first really novel theory of rhythm since Hugo Riemann: the components theory. Its approach will be of interest to musicologists and music theoreticians alike as well as to music performers, since it will enable them to describe and understand the rhythmic shape of music better and more fully than was previously possible. Instead of conceiving rhythm simply as interplay of short and long, of accents and meters, the present analysis takes its departure from secondary rhythms that are not notated but depend on specific qualities of a given sound or sound formation. Together with the basic rhythms, these components rhythms form a total rhythmic texture, whose temporal and weight structure allows a novel way of perceiving musical meter as not being primarily prescriptive but above all as the product of an overall compositional calculation of component rhythms Musikalische Analyse (DE-588)4040814-0 gnd Geschichte (DE-588)4020517-4 gnd Musik (DE-588)4040802-4 gnd Rhythmus (DE-588)4132330-0 gnd |
| subject_GND | (DE-588)4040814-0 (DE-588)4020517-4 (DE-588)4040802-4 (DE-588)4132330-0 |
| title | Music and Rhythm Fundamentals - History - Analysis |
| title_auth | Music and Rhythm Fundamentals - History - Analysis |
| title_exact_search | Music and Rhythm Fundamentals - History - Analysis |
| title_exact_search_txtP | Music and Rhythm Fundamentals - History - Analysis |
| title_full | Music and Rhythm Fundamentals - History - Analysis Peter Petersen |
| title_fullStr | Music and Rhythm Fundamentals - History - Analysis Peter Petersen |
| title_full_unstemmed | Music and Rhythm Fundamentals - History - Analysis Peter Petersen |
| title_short | Music and Rhythm |
| title_sort | music and rhythm fundamentals history analysis |
| title_sub | Fundamentals - History - Analysis |
| topic | Musikalische Analyse (DE-588)4040814-0 gnd Geschichte (DE-588)4020517-4 gnd Musik (DE-588)4040802-4 gnd Rhythmus (DE-588)4132330-0 gnd |
| topic_facet | Musikalische Analyse Geschichte Musik Rhythmus |
| url | https://www.peterlang.com/view/product/19664?format=EPDF |
| work_keys_str_mv | AT petersenpeter musicandrhythmfundamentalshistoryanalysis |