The Sacred Cause: The Europe that was Lost - Thoughts on Central and Eastern European Modernism
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Frankfurt a.M.
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
2013
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (534 Seiten) |
| ISBN: | 9783653024098 |
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| 505 | 8 | |a «This book is about Modernism and Avant-Garde movements in Central and Eastern European art around the last turn of the century. It sketches a surrealistic, bewildering, irrational arena. At the same time, we are offered a differentiated view on the complex whole of the avantgarde scene in Eastern Europe. The author takes us to dark soirées, scandalous dada theatrical performances, drunken bouts with loudmouthed reformers. Subjectivity stands against rationality, ethnonationalism against internationalism. Yugoslavian zenitism, Czech poetism, Hungarian activism, and other less-known isms, are proposed in exstatic outbursts in shortlived magazines. The pace is hectic, the commitment enormous, and the sheer force of strongminded individuals overwhelming. All in all, the inversed perspective seems alluringly fresh, with Eastern Europe as the co-producer of ideological content, instead as the receiver, or, even worse, the passive reflection of Western thought. I am impressed by the tolerance of much of the audience before and after the First World War: To be a genius seems to be just a matter of course. Karel Teige in Prague, Ljubomir Micić in Zagreb, Lajos Kassák in Budapest, and Jacek Malczewski in Krakow were tireless propagators of avant-garde art - but also of nostalgic messianism. How did they get away with this, at times, monomaniac egoism, one wonders. Sandqvist finds the answer in that subjectivity was the remedy for avantgarde artists as a defence mechanism against the repressive society and destructive socioeconomical forces.» (Jan von Bonsdorff, Professor, Uppsala University) | |
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Datensatz im Suchindex
| _version_ | 1804183976909209600 |
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| adam_txt | |
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| author | Sandqvist, Tom |
| author_facet | Sandqvist, Tom |
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| author_sort | Sandqvist, Tom |
| author_variant | t s ts |
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| bvnumber | BV048207273 |
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| contents | «This book is about Modernism and Avant-Garde movements in Central and Eastern European art around the last turn of the century. It sketches a surrealistic, bewildering, irrational arena. At the same time, we are offered a differentiated view on the complex whole of the avantgarde scene in Eastern Europe. The author takes us to dark soirées, scandalous dada theatrical performances, drunken bouts with loudmouthed reformers. Subjectivity stands against rationality, ethnonationalism against internationalism. Yugoslavian zenitism, Czech poetism, Hungarian activism, and other less-known isms, are proposed in exstatic outbursts in shortlived magazines. The pace is hectic, the commitment enormous, and the sheer force of strongminded individuals overwhelming. All in all, the inversed perspective seems alluringly fresh, with Eastern Europe as the co-producer of ideological content, instead as the receiver, or, even worse, the passive reflection of Western thought. I am impressed by the tolerance of much of the audience before and after the First World War: To be a genius seems to be just a matter of course. Karel Teige in Prague, Ljubomir Micić in Zagreb, Lajos Kassák in Budapest, and Jacek Malczewski in Krakow were tireless propagators of avant-garde art - but also of nostalgic messianism. How did they get away with this, at times, monomaniac egoism, one wonders. Sandqvist finds the answer in that subjectivity was the remedy for avantgarde artists as a defence mechanism against the repressive society and destructive socioeconomical forces.» (Jan von Bonsdorff, Professor, Uppsala University) |
| ctrlnum | (ZDB-114-LAC)9783653024098 (OCoLC)1317695976 (DE-599)BVBBV048207273 |
| discipline | Slavistik |
| discipline_str_mv | Slavistik |
| edition | 1st, New ed |
| format | Electronic eBook |
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| spelling | Sandqvist, Tom Verfasser aut The Sacred Cause The Europe that was Lost - Thoughts on Central and Eastern European Modernism Tom Sandqvist 1st, New ed Frankfurt a.M. Peter Lang GmbH, Internationaler Verlag der Wissenschaften 2013 1 Online-Ressource (534 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) «This book is about Modernism and Avant-Garde movements in Central and Eastern European art around the last turn of the century. It sketches a surrealistic, bewildering, irrational arena. At the same time, we are offered a differentiated view on the complex whole of the avantgarde scene in Eastern Europe. The author takes us to dark soirées, scandalous dada theatrical performances, drunken bouts with loudmouthed reformers. Subjectivity stands against rationality, ethnonationalism against internationalism. Yugoslavian zenitism, Czech poetism, Hungarian activism, and other less-known isms, are proposed in exstatic outbursts in shortlived magazines. The pace is hectic, the commitment enormous, and the sheer force of strongminded individuals overwhelming. All in all, the inversed perspective seems alluringly fresh, with Eastern Europe as the co-producer of ideological content, instead as the receiver, or, even worse, the passive reflection of Western thought. I am impressed by the tolerance of much of the audience before and after the First World War: To be a genius seems to be just a matter of course. Karel Teige in Prague, Ljubomir Micić in Zagreb, Lajos Kassák in Budapest, and Jacek Malczewski in Krakow were tireless propagators of avant-garde art - but also of nostalgic messianism. How did they get away with this, at times, monomaniac egoism, one wonders. Sandqvist finds the answer in that subjectivity was the remedy for avantgarde artists as a defence mechanism against the repressive society and destructive socioeconomical forces.» (Jan von Bonsdorff, Professor, Uppsala University) Avantgarde (DE-588)4133965-4 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Osteuropa (DE-588)4075739-0 gnd rswk-swf Mitteleuropa (DE-588)4039677-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Mitteleuropa (DE-588)4039677-0 g Osteuropa (DE-588)4075739-0 g Moderne (DE-588)4039827-4 s Avantgarde (DE-588)4133965-4 s Künste (DE-588)4033422-3 s DE-604 Erscheint auch als Druck-Ausgabe 9783631640371 https://www.peterlang.com/view/product/18968?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sandqvist, Tom The Sacred Cause The Europe that was Lost - Thoughts on Central and Eastern European Modernism «This book is about Modernism and Avant-Garde movements in Central and Eastern European art around the last turn of the century. It sketches a surrealistic, bewildering, irrational arena. At the same time, we are offered a differentiated view on the complex whole of the avantgarde scene in Eastern Europe. The author takes us to dark soirées, scandalous dada theatrical performances, drunken bouts with loudmouthed reformers. Subjectivity stands against rationality, ethnonationalism against internationalism. Yugoslavian zenitism, Czech poetism, Hungarian activism, and other less-known isms, are proposed in exstatic outbursts in shortlived magazines. The pace is hectic, the commitment enormous, and the sheer force of strongminded individuals overwhelming. All in all, the inversed perspective seems alluringly fresh, with Eastern Europe as the co-producer of ideological content, instead as the receiver, or, even worse, the passive reflection of Western thought. I am impressed by the tolerance of much of the audience before and after the First World War: To be a genius seems to be just a matter of course. Karel Teige in Prague, Ljubomir Micić in Zagreb, Lajos Kassák in Budapest, and Jacek Malczewski in Krakow were tireless propagators of avant-garde art - but also of nostalgic messianism. How did they get away with this, at times, monomaniac egoism, one wonders. Sandqvist finds the answer in that subjectivity was the remedy for avantgarde artists as a defence mechanism against the repressive society and destructive socioeconomical forces.» (Jan von Bonsdorff, Professor, Uppsala University) Avantgarde (DE-588)4133965-4 gnd Moderne (DE-588)4039827-4 gnd Künste (DE-588)4033422-3 gnd |
| subject_GND | (DE-588)4133965-4 (DE-588)4039827-4 (DE-588)4033422-3 (DE-588)4075739-0 (DE-588)4039677-0 (DE-588)4143413-4 |
| title | The Sacred Cause The Europe that was Lost - Thoughts on Central and Eastern European Modernism |
| title_auth | The Sacred Cause The Europe that was Lost - Thoughts on Central and Eastern European Modernism |
| title_exact_search | The Sacred Cause The Europe that was Lost - Thoughts on Central and Eastern European Modernism |
| title_exact_search_txtP | The Sacred Cause The Europe that was Lost - Thoughts on Central and Eastern European Modernism |
| title_full | The Sacred Cause The Europe that was Lost - Thoughts on Central and Eastern European Modernism Tom Sandqvist |
| title_fullStr | The Sacred Cause The Europe that was Lost - Thoughts on Central and Eastern European Modernism Tom Sandqvist |
| title_full_unstemmed | The Sacred Cause The Europe that was Lost - Thoughts on Central and Eastern European Modernism Tom Sandqvist |
| title_short | The Sacred Cause |
| title_sort | the sacred cause the europe that was lost thoughts on central and eastern european modernism |
| title_sub | The Europe that was Lost - Thoughts on Central and Eastern European Modernism |
| topic | Avantgarde (DE-588)4133965-4 gnd Moderne (DE-588)4039827-4 gnd Künste (DE-588)4033422-3 gnd |
| topic_facet | Avantgarde Moderne Künste Osteuropa Mitteleuropa Aufsatzsammlung |
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