Aeolian Harp: An Essay Concerning the Nature of Tone
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Frankfurt a.M.
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
2012
|
| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (120 Seiten) |
| ISBN: | 9783653011876 |
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| 505 | 8 | |a Generally speaking, the philosophy of music hitherto can be said to approach music, as it were, from above or from outside. Music, thus envisaged, can be «absolute» or «sounding forms in motion». It can be expression, have a linguistic meaning, tell a story, be a manifestation of «the world as will and conceptualization», and mirror society's inward contradictions. Music is seen as an activity, sometimes as interactivity, not least through an anthropological approach in which prominence is given to its origins. This work is an attempt to reverse the argument, by taking the phenomenon of tone as the starting point to work the way up to an understanding of the phenomenon of music, to make a philosophy of tone the foundation of a philosophy of music. Such thoughts were already present in the author's previous works, but, being available only in Swedish, will be enlarged here | |
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Datensatz im Suchindex
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| author | Bucht, Gunnar |
| author_facet | Bucht, Gunnar |
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| building | Verbundindex |
| bvnumber | BV048207215 |
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| contents | Generally speaking, the philosophy of music hitherto can be said to approach music, as it were, from above or from outside. Music, thus envisaged, can be «absolute» or «sounding forms in motion». It can be expression, have a linguistic meaning, tell a story, be a manifestation of «the world as will and conceptualization», and mirror society's inward contradictions. Music is seen as an activity, sometimes as interactivity, not least through an anthropological approach in which prominence is given to its origins. This work is an attempt to reverse the argument, by taking the phenomenon of tone as the starting point to work the way up to an understanding of the phenomenon of music, to make a philosophy of tone the foundation of a philosophy of music. Such thoughts were already present in the author's previous works, but, being available only in Swedish, will be enlarged here |
| ctrlnum | (ZDB-114-LAC)9783653011876 (OCoLC)1317697376 (DE-599)BVBBV048207215 |
| edition | 1st, New ed |
| format | Electronic eBook |
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| index_date | 2024-07-03T19:48:01Z |
| indexdate | 2024-07-10T09:32:00Z |
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| isbn | 9783653011876 |
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| spelling | Bucht, Gunnar Verfasser aut Aeolian Harp An Essay Concerning the Nature of Tone Gunnar Bucht 1st, New ed Frankfurt a.M. Peter Lang GmbH, Internationaler Verlag der Wissenschaften 2012 1 Online-Ressource (120 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Generally speaking, the philosophy of music hitherto can be said to approach music, as it were, from above or from outside. Music, thus envisaged, can be «absolute» or «sounding forms in motion». It can be expression, have a linguistic meaning, tell a story, be a manifestation of «the world as will and conceptualization», and mirror society's inward contradictions. Music is seen as an activity, sometimes as interactivity, not least through an anthropological approach in which prominence is given to its origins. This work is an attempt to reverse the argument, by taking the phenomenon of tone as the starting point to work the way up to an understanding of the phenomenon of music, to make a philosophy of tone the foundation of a philosophy of music. Such thoughts were already present in the author's previous works, but, being available only in Swedish, will be enlarged here Ton Akustik (DE-588)4185645-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Ton Akustik (DE-588)4185645-4 s Musik (DE-588)4040802-4 s DE-604 Erscheint auch als Druck-Ausgabe 9783631635759 https://www.peterlang.com/view/product/18089?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bucht, Gunnar Aeolian Harp An Essay Concerning the Nature of Tone Generally speaking, the philosophy of music hitherto can be said to approach music, as it were, from above or from outside. Music, thus envisaged, can be «absolute» or «sounding forms in motion». It can be expression, have a linguistic meaning, tell a story, be a manifestation of «the world as will and conceptualization», and mirror society's inward contradictions. Music is seen as an activity, sometimes as interactivity, not least through an anthropological approach in which prominence is given to its origins. This work is an attempt to reverse the argument, by taking the phenomenon of tone as the starting point to work the way up to an understanding of the phenomenon of music, to make a philosophy of tone the foundation of a philosophy of music. Such thoughts were already present in the author's previous works, but, being available only in Swedish, will be enlarged here Ton Akustik (DE-588)4185645-4 gnd Musik (DE-588)4040802-4 gnd |
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| title | Aeolian Harp An Essay Concerning the Nature of Tone |
| title_auth | Aeolian Harp An Essay Concerning the Nature of Tone |
| title_exact_search | Aeolian Harp An Essay Concerning the Nature of Tone |
| title_exact_search_txtP | Aeolian Harp An Essay Concerning the Nature of Tone |
| title_full | Aeolian Harp An Essay Concerning the Nature of Tone Gunnar Bucht |
| title_fullStr | Aeolian Harp An Essay Concerning the Nature of Tone Gunnar Bucht |
| title_full_unstemmed | Aeolian Harp An Essay Concerning the Nature of Tone Gunnar Bucht |
| title_short | Aeolian Harp |
| title_sort | aeolian harp an essay concerning the nature of tone |
| title_sub | An Essay Concerning the Nature of Tone |
| topic | Ton Akustik (DE-588)4185645-4 gnd Musik (DE-588)4040802-4 gnd |
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