Carnivalizing the Turkish novel: Oğuz Atay's dialogue with the canon in "The Disconnected</I>
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Frankfurt a.M.
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
2013
|
Ausgabe: | 1st, New ed |
Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
Beschreibung: | 1 Online-Ressource (200 Seiten) |
ISBN: | 9783653026665 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV048207209 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 220510s2013 |||| o||u| ||||||eng d | ||
020 | |a 9783653026665 |9 978-3-653-02666-5 | ||
024 | 7 | |a 10.3726/978-3-653-02666-5 |2 doi | |
024 | 3 | |a 9783653026665 | |
035 | |a (ZDB-114-LAC)9783653026665 | ||
035 | |a (OCoLC)1317691504 | ||
035 | |a (DE-599)BVBBV048207209 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
100 | 1 | |a Gürle, Meltem |e Verfasser |4 aut | |
245 | 1 | 0 | |a Carnivalizing the Turkish novel |b Oğuz Atay's dialogue with the canon in "The Disconnected</I> |c Meltem Gürle |
250 | |a 1st, New ed | ||
264 | 1 | |a Frankfurt a.M. |b Peter Lang GmbH, Internationaler Verlag der Wissenschaften |c 2013 | |
264 | 4 | |c ©2012 | |
300 | |a 1 Online-Ressource (200 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Online resource; title from title screen (viewed June 10, 2019) | ||
505 | 8 | |a Oğuz Atay's 1971 novel The Disconnected [Tutunamayanlar] is distinctly unique, but it can also be read as a response to Joyce's Ulysses - a singular and a very Turkish response. Any review of The Disconnected begins with the humble acknowledgement of its vast frame of reference, the multiplicity of the voices and styles that it presents, and finally its resistance to being translated into another language. What makes it interesting for the readers of modern literature, however, is not only the variety of idiosyncrasies and verbal conventions, but also its critical attitude towards Turkey's project of modernity. Drawing on Bakhtin's theory of the novel, this study traces the echoes of carnival laughter in The Disconnected while establishing Atay's work as a «world text» in dialogue with the masters of the canon: Shakespeare, Goethe, Dostoevsky, Joyce, and others | |
600 | 1 | 7 | |a Atay, Oğuz |d 1934-1977 |t Tutunamayanlar |0 (DE-588)4284626-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Das Karnevaleske |0 (DE-588)4375587-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Intertextualität |0 (DE-588)4114051-5 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
689 | 0 | 0 | |a Atay, Oğuz |d 1934-1977 |t Tutunamayanlar |0 (DE-588)4284626-2 |D u |
689 | 0 | 1 | |a Intertextualität |0 (DE-588)4114051-5 |D s |
689 | 0 | 2 | |a Das Karnevaleske |0 (DE-588)4375587-2 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783631634592 |
856 | 4 | 0 | |u https://www.peterlang.com/view/product/17893?format=EPDF |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-114-LAC | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-033588086 | ||
966 | e | |u https://www.peterlang.com/view/product/17893?format=EPDF |l BSB01 |p ZDB-114-LAC |q BSB_PDA_LAC_Kauf |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804183976807497728 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Gürle, Meltem |
author_facet | Gürle, Meltem |
author_role | aut |
author_sort | Gürle, Meltem |
author_variant | m g mg |
building | Verbundindex |
bvnumber | BV048207209 |
collection | ZDB-114-LAC |
contents | Oğuz Atay's 1971 novel The Disconnected [Tutunamayanlar] is distinctly unique, but it can also be read as a response to Joyce's Ulysses - a singular and a very Turkish response. Any review of The Disconnected begins with the humble acknowledgement of its vast frame of reference, the multiplicity of the voices and styles that it presents, and finally its resistance to being translated into another language. What makes it interesting for the readers of modern literature, however, is not only the variety of idiosyncrasies and verbal conventions, but also its critical attitude towards Turkey's project of modernity. Drawing on Bakhtin's theory of the novel, this study traces the echoes of carnival laughter in The Disconnected while establishing Atay's work as a «world text» in dialogue with the masters of the canon: Shakespeare, Goethe, Dostoevsky, Joyce, and others |
ctrlnum | (ZDB-114-LAC)9783653026665 (OCoLC)1317691504 (DE-599)BVBBV048207209 |
edition | 1st, New ed |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02834nmm a2200481zc 4500</leader><controlfield tag="001">BV048207209</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220510s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783653026665</subfield><subfield code="9">978-3-653-02666-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3726/978-3-653-02666-5</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9783653026665</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-114-LAC)9783653026665</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1317691504</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048207209</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gürle, Meltem</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Carnivalizing the Turkish novel</subfield><subfield code="b">Oğuz Atay's dialogue with the canon in "The Disconnected</I></subfield><subfield code="c">Meltem Gürle</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st, New ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Frankfurt a.M.</subfield><subfield code="b">Peter Lang GmbH, Internationaler Verlag der Wissenschaften</subfield><subfield code="c">2013</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (200 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Online resource; title from title screen (viewed June 10, 2019)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Oğuz Atay's 1971 novel The Disconnected [Tutunamayanlar] is distinctly unique, but it can also be read as a response to Joyce's Ulysses - a singular and a very Turkish response. Any review of The Disconnected begins with the humble acknowledgement of its vast frame of reference, the multiplicity of the voices and styles that it presents, and finally its resistance to being translated into another language. What makes it interesting for the readers of modern literature, however, is not only the variety of idiosyncrasies and verbal conventions, but also its critical attitude towards Turkey's project of modernity. Drawing on Bakhtin's theory of the novel, this study traces the echoes of carnival laughter in The Disconnected while establishing Atay's work as a «world text» in dialogue with the masters of the canon: Shakespeare, Goethe, Dostoevsky, Joyce, and others</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Atay, Oğuz</subfield><subfield code="d">1934-1977</subfield><subfield code="t">Tutunamayanlar</subfield><subfield code="0">(DE-588)4284626-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Das Karnevaleske</subfield><subfield code="0">(DE-588)4375587-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Intertextualität</subfield><subfield code="0">(DE-588)4114051-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Atay, Oğuz</subfield><subfield code="d">1934-1977</subfield><subfield code="t">Tutunamayanlar</subfield><subfield code="0">(DE-588)4284626-2</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Intertextualität</subfield><subfield code="0">(DE-588)4114051-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Das Karnevaleske</subfield><subfield code="0">(DE-588)4375587-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783631634592</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.peterlang.com/view/product/17893?format=EPDF</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-114-LAC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033588086</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.peterlang.com/view/product/17893?format=EPDF</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-114-LAC</subfield><subfield code="q">BSB_PDA_LAC_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
id | DE-604.BV048207209 |
illustrated | Not Illustrated |
index_date | 2024-07-03T19:48:01Z |
indexdate | 2024-07-10T09:32:00Z |
institution | BVB |
isbn | 9783653026665 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033588086 |
oclc_num | 1317691504 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource (200 Seiten) |
psigel | ZDB-114-LAC ZDB-114-LAC BSB_PDA_LAC_Kauf |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | Peter Lang GmbH, Internationaler Verlag der Wissenschaften |
record_format | marc |
spelling | Gürle, Meltem Verfasser aut Carnivalizing the Turkish novel Oğuz Atay's dialogue with the canon in "The Disconnected</I> Meltem Gürle 1st, New ed Frankfurt a.M. Peter Lang GmbH, Internationaler Verlag der Wissenschaften 2013 ©2012 1 Online-Ressource (200 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Oğuz Atay's 1971 novel The Disconnected [Tutunamayanlar] is distinctly unique, but it can also be read as a response to Joyce's Ulysses - a singular and a very Turkish response. Any review of The Disconnected begins with the humble acknowledgement of its vast frame of reference, the multiplicity of the voices and styles that it presents, and finally its resistance to being translated into another language. What makes it interesting for the readers of modern literature, however, is not only the variety of idiosyncrasies and verbal conventions, but also its critical attitude towards Turkey's project of modernity. Drawing on Bakhtin's theory of the novel, this study traces the echoes of carnival laughter in The Disconnected while establishing Atay's work as a «world text» in dialogue with the masters of the canon: Shakespeare, Goethe, Dostoevsky, Joyce, and others Atay, Oğuz 1934-1977 Tutunamayanlar (DE-588)4284626-2 gnd rswk-swf Das Karnevaleske (DE-588)4375587-2 gnd rswk-swf Intertextualität (DE-588)4114051-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Atay, Oğuz 1934-1977 Tutunamayanlar (DE-588)4284626-2 u Intertextualität (DE-588)4114051-5 s Das Karnevaleske (DE-588)4375587-2 s DE-604 Erscheint auch als Druck-Ausgabe 9783631634592 https://www.peterlang.com/view/product/17893?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Gürle, Meltem Carnivalizing the Turkish novel Oğuz Atay's dialogue with the canon in "The Disconnected</I> Oğuz Atay's 1971 novel The Disconnected [Tutunamayanlar] is distinctly unique, but it can also be read as a response to Joyce's Ulysses - a singular and a very Turkish response. Any review of The Disconnected begins with the humble acknowledgement of its vast frame of reference, the multiplicity of the voices and styles that it presents, and finally its resistance to being translated into another language. What makes it interesting for the readers of modern literature, however, is not only the variety of idiosyncrasies and verbal conventions, but also its critical attitude towards Turkey's project of modernity. Drawing on Bakhtin's theory of the novel, this study traces the echoes of carnival laughter in The Disconnected while establishing Atay's work as a «world text» in dialogue with the masters of the canon: Shakespeare, Goethe, Dostoevsky, Joyce, and others Atay, Oğuz 1934-1977 Tutunamayanlar (DE-588)4284626-2 gnd Das Karnevaleske (DE-588)4375587-2 gnd Intertextualität (DE-588)4114051-5 gnd |
subject_GND | (DE-588)4284626-2 (DE-588)4375587-2 (DE-588)4114051-5 (DE-588)4113937-9 |
title | Carnivalizing the Turkish novel Oğuz Atay's dialogue with the canon in "The Disconnected</I> |
title_auth | Carnivalizing the Turkish novel Oğuz Atay's dialogue with the canon in "The Disconnected</I> |
title_exact_search | Carnivalizing the Turkish novel Oğuz Atay's dialogue with the canon in "The Disconnected</I> |
title_exact_search_txtP | Carnivalizing the Turkish novel Oğuz Atay's dialogue with the canon in "The Disconnected</I> |
title_full | Carnivalizing the Turkish novel Oğuz Atay's dialogue with the canon in "The Disconnected</I> Meltem Gürle |
title_fullStr | Carnivalizing the Turkish novel Oğuz Atay's dialogue with the canon in "The Disconnected</I> Meltem Gürle |
title_full_unstemmed | Carnivalizing the Turkish novel Oğuz Atay's dialogue with the canon in "The Disconnected</I> Meltem Gürle |
title_short | Carnivalizing the Turkish novel |
title_sort | carnivalizing the turkish novel oguz atay s dialogue with the canon in the disconnected i |
title_sub | Oğuz Atay's dialogue with the canon in "The Disconnected</I> |
topic | Atay, Oğuz 1934-1977 Tutunamayanlar (DE-588)4284626-2 gnd Das Karnevaleske (DE-588)4375587-2 gnd Intertextualität (DE-588)4114051-5 gnd |
topic_facet | Atay, Oğuz 1934-1977 Tutunamayanlar Das Karnevaleske Intertextualität Hochschulschrift |
url | https://www.peterlang.com/view/product/17893?format=EPDF |
work_keys_str_mv | AT gurlemeltem carnivalizingtheturkishnoveloguzataysdialoguewiththecanoninthedisconnectedi |