Painted Poetry: Colour in Baudelaire's Art Criticism
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2011
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| Ausgabe: | 1st, New ed |
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Beschreibung: | 1 Online-Ressource (253 Seiten) |
| ISBN: | 9783035301052 |
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| 505 | 8 | |a Before becoming a poet, Charles Baudelaire was an art critic; and he made his literary début with the Salon de 1845. Its failure to find a receptive audience led him to write the groundbreaking Salon de 1846 with its pivotal chapter on colour, in which Baudelaire challenged fundamental critical concepts of art by insisting on colour's complexity, expressivity and modernity. Through a close reading of his critical essays on art, this book examines how Baudelaire's thoughts on colour developed throughout his life and sets them in the context of traditional views of colour. What effect did the new scientific theories of colour harmony, filtered through his conversations with Delacroix and other artists, have on Baudelaire? Why did he see Daumier as a colourist, but not Ingres? What made him turn his back on French art in 1859 and which artist changed his mind? Baudelaire's interest in a highly personal form of colour symbolism is investigated, as well as the part that colour plays in developing his later, central idea of a creative and poetic imagination capable of translating all the arts | |
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Datensatz im Suchindex
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| author | Kennedy Smith, Ann |
| author_facet | Kennedy Smith, Ann |
| author_role | aut |
| author_sort | Kennedy Smith, Ann |
| author_variant | s a k sa sak |
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| contents | Before becoming a poet, Charles Baudelaire was an art critic; and he made his literary début with the Salon de 1845. Its failure to find a receptive audience led him to write the groundbreaking Salon de 1846 with its pivotal chapter on colour, in which Baudelaire challenged fundamental critical concepts of art by insisting on colour's complexity, expressivity and modernity. Through a close reading of his critical essays on art, this book examines how Baudelaire's thoughts on colour developed throughout his life and sets them in the context of traditional views of colour. What effect did the new scientific theories of colour harmony, filtered through his conversations with Delacroix and other artists, have on Baudelaire? Why did he see Daumier as a colourist, but not Ingres? What made him turn his back on French art in 1859 and which artist changed his mind? Baudelaire's interest in a highly personal form of colour symbolism is investigated, as well as the part that colour plays in developing his later, central idea of a creative and poetic imagination capable of translating all the arts |
| ctrlnum | (ZDB-114-LAC)9783035301052 (OCoLC)1317693240 (DE-599)BVBBV048206766 |
| discipline | Romanistik |
| discipline_str_mv | Romanistik |
| edition | 1st, New ed |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:48:00Z |
| indexdate | 2024-07-10T09:31:59Z |
| institution | BVB |
| isbn | 9783035301052 |
| language | English |
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| spelling | Kennedy Smith, Ann Verfasser aut Painted Poetry Colour in Baudelaire's Art Criticism Ann Kennedy Smith 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2011 1 Online-Ressource (253 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Before becoming a poet, Charles Baudelaire was an art critic; and he made his literary début with the Salon de 1845. Its failure to find a receptive audience led him to write the groundbreaking Salon de 1846 with its pivotal chapter on colour, in which Baudelaire challenged fundamental critical concepts of art by insisting on colour's complexity, expressivity and modernity. Through a close reading of his critical essays on art, this book examines how Baudelaire's thoughts on colour developed throughout his life and sets them in the context of traditional views of colour. What effect did the new scientific theories of colour harmony, filtered through his conversations with Delacroix and other artists, have on Baudelaire? Why did he see Daumier as a colourist, but not Ingres? What made him turn his back on French art in 1859 and which artist changed his mind? Baudelaire's interest in a highly personal form of colour symbolism is investigated, as well as the part that colour plays in developing his later, central idea of a creative and poetic imagination capable of translating all the arts Baudelaire, Charles 1821-1867 (DE-588)118507184 gnd rswk-swf Farbe (DE-588)4016443-3 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Baudelaire, Charles 1821-1867 (DE-588)118507184 p Kunstkritik (DE-588)4033659-1 s Farbe (DE-588)4016443-3 s DE-604 Erscheint auch als Druck-Ausgabe 9783039110940 https://www.peterlang.com/view/product/10306?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kennedy Smith, Ann Painted Poetry Colour in Baudelaire's Art Criticism Before becoming a poet, Charles Baudelaire was an art critic; and he made his literary début with the Salon de 1845. Its failure to find a receptive audience led him to write the groundbreaking Salon de 1846 with its pivotal chapter on colour, in which Baudelaire challenged fundamental critical concepts of art by insisting on colour's complexity, expressivity and modernity. Through a close reading of his critical essays on art, this book examines how Baudelaire's thoughts on colour developed throughout his life and sets them in the context of traditional views of colour. What effect did the new scientific theories of colour harmony, filtered through his conversations with Delacroix and other artists, have on Baudelaire? Why did he see Daumier as a colourist, but not Ingres? What made him turn his back on French art in 1859 and which artist changed his mind? Baudelaire's interest in a highly personal form of colour symbolism is investigated, as well as the part that colour plays in developing his later, central idea of a creative and poetic imagination capable of translating all the arts Baudelaire, Charles 1821-1867 (DE-588)118507184 gnd Farbe (DE-588)4016443-3 gnd Kunstkritik (DE-588)4033659-1 gnd |
| subject_GND | (DE-588)118507184 (DE-588)4016443-3 (DE-588)4033659-1 |
| title | Painted Poetry Colour in Baudelaire's Art Criticism |
| title_auth | Painted Poetry Colour in Baudelaire's Art Criticism |
| title_exact_search | Painted Poetry Colour in Baudelaire's Art Criticism |
| title_exact_search_txtP | Painted Poetry Colour in Baudelaire's Art Criticism |
| title_full | Painted Poetry Colour in Baudelaire's Art Criticism Ann Kennedy Smith |
| title_fullStr | Painted Poetry Colour in Baudelaire's Art Criticism Ann Kennedy Smith |
| title_full_unstemmed | Painted Poetry Colour in Baudelaire's Art Criticism Ann Kennedy Smith |
| title_short | Painted Poetry |
| title_sort | painted poetry colour in baudelaire s art criticism |
| title_sub | Colour in Baudelaire's Art Criticism |
| topic | Baudelaire, Charles 1821-1867 (DE-588)118507184 gnd Farbe (DE-588)4016443-3 gnd Kunstkritik (DE-588)4033659-1 gnd |
| topic_facet | Baudelaire, Charles 1821-1867 Farbe Kunstkritik |
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