Socially engaged public art in East Asia: space, place, and community in action
This anthology elucidates the historical, global, and regional connections, as well as current manifestations, of socially engaged public art (SEPA) in East Asia. It covers case studies and theoretical inquiries on artistic practices from Hong Kong, Japan, mainland China, South Korea, and Taiwan wit...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Wilmington, Delaware
Vernon Press
[2022]
|
Schriftenreihe: | Series in art
|
Schlagworte: | |
Zusammenfassung: | This anthology elucidates the historical, global, and regional connections, as well as current manifestations, of socially engaged public art (SEPA) in East Asia. It covers case studies and theoretical inquiries on artistic practices from Hong Kong, Japan, mainland China, South Korea, and Taiwan with a focus on the period since the 2000s. It examines how public art has been employed by artists, curators, ordinary citizens, and grassroots organizations in the region to raise awareness of prevailing social problems, foster collaborations among people of varying backgrounds, establish alternative value systems and social relations, and stimulate action to advance changes in real life situations. It argues that through the endeavors of critically-minded art professionals, public art has become artivism as it ventures into an expanded field of transdisciplinary practices, a site of new possibilities where disparate domains such as aesthetics, sustainability, placemaking, social justice, and politics interact and where people work together to activate space, place, and community in a way that impacts the everyday lives of ordinary people. As the first book-length anthology on the thriving yet disparate scenes of SEPA in East Asia, it consists of eight chapters by eight authors who have knowledge of a specific locality or localities in East Asia. In their analyses of ideas and actions, emerging from varying geographical, sociopolitical, and cultural circumstances in the region, most authors also engage with concepts and key publications from scholars which examine artistic practices striving for social intervention and public participation in different parts of the world. Although grounded in the realities of SEPA from East Asia, this book contributes to global conversations and debates concerning the evolving relationship between public art, civic politics, and society at large. |
Beschreibung: | xviii, 287 Seiten Illustrationen 24 cm |
ISBN: | 9781648893421 9781648894602 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV048204275 | ||
003 | DE-604 | ||
005 | 20230310 | ||
007 | t | ||
008 | 220509s2022 a||| |||| 00||| eng d | ||
020 | |a 9781648893421 |q hbk |9 978-1-64889-342-1 | ||
020 | |a 9781648894602 |q pbk |9 978-1-64889-460-2 | ||
035 | |a (OCoLC)1335402399 | ||
035 | |a (DE-599)BVBBV048204275 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-19 | ||
084 | |a LH 60240 |0 (DE-625)94184: |2 rvk | ||
084 | |a 20.10 |2 bkl | ||
245 | 1 | 0 | |a Socially engaged public art in East Asia |b space, place, and community in action |c edited by Meiqin Wang (Carlifornia State University, Northridge) |
264 | 1 | |a Wilmington, Delaware |b Vernon Press |c [2022] | |
264 | 4 | |c © 2022 | |
300 | |a xviii, 287 Seiten |b Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Series in art | |
520 | 3 | |a This anthology elucidates the historical, global, and regional connections, as well as current manifestations, of socially engaged public art (SEPA) in East Asia. It covers case studies and theoretical inquiries on artistic practices from Hong Kong, Japan, mainland China, South Korea, and Taiwan with a focus on the period since the 2000s. It examines how public art has been employed by artists, curators, ordinary citizens, and grassroots organizations in the region to raise awareness of prevailing social problems, foster collaborations among people of varying backgrounds, establish alternative value systems and social relations, and stimulate action to advance changes in real life situations. It argues that through the endeavors of critically-minded art professionals, public art has become artivism as it ventures into an expanded field of transdisciplinary practices, a site of new possibilities where disparate domains such as aesthetics, sustainability, placemaking, social justice, and politics interact and where people work together to activate space, place, and community in a way that impacts the everyday lives of ordinary people. As the first book-length anthology on the thriving yet disparate scenes of SEPA in East Asia, it consists of eight chapters by eight authors who have knowledge of a specific locality or localities in East Asia. In their analyses of ideas and actions, emerging from varying geographical, sociopolitical, and cultural circumstances in the region, most authors also engage with concepts and key publications from scholars which examine artistic practices striving for social intervention and public participation in different parts of the world. Although grounded in the realities of SEPA from East Asia, this book contributes to global conversations and debates concerning the evolving relationship between public art, civic politics, and society at large. | |
648 | 7 | |a Geschichte 2000-2021 |2 gnd |9 rswk-swf | |
648 | 7 | |a Geschichte 2000- |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Öffentlicher Raum |0 (DE-588)4172385-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Soziale Probleme |g Motiv |0 (DE-588)4302498-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
651 | 7 | |a Ostasien |0 (DE-588)4075727-4 |2 gnd |9 rswk-swf | |
653 | 0 | |a Social practice (Art) / East Asia | |
653 | 0 | |a Public art / East Asia | |
653 | 0 | |a Political art / East Asia | |
653 | 0 | |a Public art | |
653 | 0 | |a Social practice (Art) | |
653 | 2 | |a East Asia | |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Ostasien |0 (DE-588)4075727-4 |D g |
689 | 0 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | 2 | |a Öffentlicher Raum |0 (DE-588)4172385-5 |D s |
689 | 0 | 3 | |a Soziale Probleme |g Motiv |0 (DE-588)4302498-1 |D s |
689 | 0 | 4 | |a Geschichte 2000- |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Ostasien |0 (DE-588)4075727-4 |D g |
689 | 1 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 1 | 2 | |a Öffentlicher Raum |0 (DE-588)4172385-5 |D s |
689 | 1 | 3 | |a Geschichte 2000-2021 |A z |
689 | 1 | |5 DE-604 | |
700 | 1 | |a Wang, Meiqin |d 1974- |0 (DE-588)1136874593 |4 edt | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-64889-404-6 |
999 | |a oai:aleph.bib-bvb.de:BVB01-033585199 |
Datensatz im Suchindex
_version_ | 1804183971613900800 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Wang, Meiqin 1974- |
author2_role | edt |
author2_variant | m w mw |
author_GND | (DE-588)1136874593 |
author_facet | Wang, Meiqin 1974- |
building | Verbundindex |
bvnumber | BV048204275 |
classification_rvk | LH 60240 |
ctrlnum | (OCoLC)1335402399 (DE-599)BVBBV048204275 |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte 2000-2021 gnd Geschichte 2000- gnd |
era_facet | Geschichte 2000-2021 Geschichte 2000- |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04154nam a2200625 c 4500</leader><controlfield tag="001">BV048204275</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230310 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220509s2022 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781648893421</subfield><subfield code="q">hbk</subfield><subfield code="9">978-1-64889-342-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781648894602</subfield><subfield code="q">pbk</subfield><subfield code="9">978-1-64889-460-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1335402399</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048204275</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 60240</subfield><subfield code="0">(DE-625)94184:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">20.10</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Socially engaged public art in East Asia</subfield><subfield code="b">space, place, and community in action</subfield><subfield code="c">edited by Meiqin Wang (Carlifornia State University, Northridge)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Wilmington, Delaware</subfield><subfield code="b">Vernon Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xviii, 287 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Series in art</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This anthology elucidates the historical, global, and regional connections, as well as current manifestations, of socially engaged public art (SEPA) in East Asia. It covers case studies and theoretical inquiries on artistic practices from Hong Kong, Japan, mainland China, South Korea, and Taiwan with a focus on the period since the 2000s. It examines how public art has been employed by artists, curators, ordinary citizens, and grassroots organizations in the region to raise awareness of prevailing social problems, foster collaborations among people of varying backgrounds, establish alternative value systems and social relations, and stimulate action to advance changes in real life situations. It argues that through the endeavors of critically-minded art professionals, public art has become artivism as it ventures into an expanded field of transdisciplinary practices, a site of new possibilities where disparate domains such as aesthetics, sustainability, placemaking, social justice, and politics interact and where people work together to activate space, place, and community in a way that impacts the everyday lives of ordinary people. As the first book-length anthology on the thriving yet disparate scenes of SEPA in East Asia, it consists of eight chapters by eight authors who have knowledge of a specific locality or localities in East Asia. In their analyses of ideas and actions, emerging from varying geographical, sociopolitical, and cultural circumstances in the region, most authors also engage with concepts and key publications from scholars which examine artistic practices striving for social intervention and public participation in different parts of the world. Although grounded in the realities of SEPA from East Asia, this book contributes to global conversations and debates concerning the evolving relationship between public art, civic politics, and society at large.</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2000-2021</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2000-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Öffentlicher Raum</subfield><subfield code="0">(DE-588)4172385-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Soziale Probleme</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4302498-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Ostasien</subfield><subfield code="0">(DE-588)4075727-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Social practice (Art) / East Asia</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Public art / East Asia</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Political art / East Asia</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Public art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Social practice (Art)</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">East Asia</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Ostasien</subfield><subfield code="0">(DE-588)4075727-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Öffentlicher Raum</subfield><subfield code="0">(DE-588)4172385-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Soziale Probleme</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4302498-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 2000-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Ostasien</subfield><subfield code="0">(DE-588)4075727-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Öffentlicher Raum</subfield><subfield code="0">(DE-588)4172385-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte 2000-2021</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wang, Meiqin</subfield><subfield code="d">1974-</subfield><subfield code="0">(DE-588)1136874593</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-64889-404-6</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033585199</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
geographic | Ostasien (DE-588)4075727-4 gnd |
geographic_facet | Ostasien |
id | DE-604.BV048204275 |
illustrated | Illustrated |
index_date | 2024-07-03T19:47:29Z |
indexdate | 2024-07-10T09:31:55Z |
institution | BVB |
isbn | 9781648893421 9781648894602 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033585199 |
oclc_num | 1335402399 |
open_access_boolean | |
owner | DE-12 DE-19 DE-BY-UBM |
owner_facet | DE-12 DE-19 DE-BY-UBM |
physical | xviii, 287 Seiten Illustrationen 24 cm |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Vernon Press |
record_format | marc |
series2 | Series in art |
spelling | Socially engaged public art in East Asia space, place, and community in action edited by Meiqin Wang (Carlifornia State University, Northridge) Wilmington, Delaware Vernon Press [2022] © 2022 xviii, 287 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Series in art This anthology elucidates the historical, global, and regional connections, as well as current manifestations, of socially engaged public art (SEPA) in East Asia. It covers case studies and theoretical inquiries on artistic practices from Hong Kong, Japan, mainland China, South Korea, and Taiwan with a focus on the period since the 2000s. It examines how public art has been employed by artists, curators, ordinary citizens, and grassroots organizations in the region to raise awareness of prevailing social problems, foster collaborations among people of varying backgrounds, establish alternative value systems and social relations, and stimulate action to advance changes in real life situations. It argues that through the endeavors of critically-minded art professionals, public art has become artivism as it ventures into an expanded field of transdisciplinary practices, a site of new possibilities where disparate domains such as aesthetics, sustainability, placemaking, social justice, and politics interact and where people work together to activate space, place, and community in a way that impacts the everyday lives of ordinary people. As the first book-length anthology on the thriving yet disparate scenes of SEPA in East Asia, it consists of eight chapters by eight authors who have knowledge of a specific locality or localities in East Asia. In their analyses of ideas and actions, emerging from varying geographical, sociopolitical, and cultural circumstances in the region, most authors also engage with concepts and key publications from scholars which examine artistic practices striving for social intervention and public participation in different parts of the world. Although grounded in the realities of SEPA from East Asia, this book contributes to global conversations and debates concerning the evolving relationship between public art, civic politics, and society at large. Geschichte 2000-2021 gnd rswk-swf Geschichte 2000- gnd rswk-swf Öffentlicher Raum (DE-588)4172385-5 gnd rswk-swf Soziale Probleme Motiv (DE-588)4302498-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ostasien (DE-588)4075727-4 gnd rswk-swf Social practice (Art) / East Asia Public art / East Asia Political art / East Asia Public art Social practice (Art) East Asia (DE-588)4143413-4 Aufsatzsammlung gnd-content Ostasien (DE-588)4075727-4 g Kunst (DE-588)4114333-4 s Öffentlicher Raum (DE-588)4172385-5 s Soziale Probleme Motiv (DE-588)4302498-1 s Geschichte 2000- z DE-604 Geschichte 2000-2021 z Wang, Meiqin 1974- (DE-588)1136874593 edt Erscheint auch als Online-Ausgabe 978-1-64889-404-6 |
spellingShingle | Socially engaged public art in East Asia space, place, and community in action Öffentlicher Raum (DE-588)4172385-5 gnd Soziale Probleme Motiv (DE-588)4302498-1 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4172385-5 (DE-588)4302498-1 (DE-588)4114333-4 (DE-588)4075727-4 (DE-588)4143413-4 |
title | Socially engaged public art in East Asia space, place, and community in action |
title_auth | Socially engaged public art in East Asia space, place, and community in action |
title_exact_search | Socially engaged public art in East Asia space, place, and community in action |
title_exact_search_txtP | Socially engaged public art in East Asia space, place, and community in action |
title_full | Socially engaged public art in East Asia space, place, and community in action edited by Meiqin Wang (Carlifornia State University, Northridge) |
title_fullStr | Socially engaged public art in East Asia space, place, and community in action edited by Meiqin Wang (Carlifornia State University, Northridge) |
title_full_unstemmed | Socially engaged public art in East Asia space, place, and community in action edited by Meiqin Wang (Carlifornia State University, Northridge) |
title_short | Socially engaged public art in East Asia |
title_sort | socially engaged public art in east asia space place and community in action |
title_sub | space, place, and community in action |
topic | Öffentlicher Raum (DE-588)4172385-5 gnd Soziale Probleme Motiv (DE-588)4302498-1 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Öffentlicher Raum Soziale Probleme Motiv Kunst Ostasien Aufsatzsammlung |
work_keys_str_mv | AT wangmeiqin sociallyengagedpublicartineastasiaspaceplaceandcommunityinaction |