Stories from architecture: behind the lines at Drawing Matter
The imagined histories of twenty-five architectural drawings and models, told through reminiscences, stories, conversations, letters, and monologues. Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, o...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Massachusetts ; London, England
The MIT Press
[2021]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The imagined histories of twenty-five architectural drawings and models, told through reminiscences, stories, conversations, letters, and monologues. Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists-working, observing, admiring, arguing. In Stories from Architecture, Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright's correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings-and with them their characters-into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg's Rolls-Royce so that the director's beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history. |
| Beschreibung: | Includes index |
| Beschreibung: | 213 Seiten Illustrationen |
| ISBN: | 9780262543026 |
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Datensatz im Suchindex
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|---|---|
| adam_text | FOREWORD
ADRIAN FORTY 9
1
REX SAVIDGE, ENTRANCE TO COMMERCIAL BUILDING,
NEWCASTLE UPON TYNE, 1957
15
2
ROBERT BREMMEL SCHNEBBELIE, VIEW OF THE
PICCADILLY ENTRANCE TO BURLINGTON ARCADE,
LONDON, 1827
19
3
GEORGE MARSHALL, PERSPECTIVE VIEW OF THE
INTERIOR OF ST. STEPHEN S WALBROOK, LONDON,
MID-EIGHTEENTH CENTURY
25
4
MOOS, DESIGNS FOR GRAVEYARD MEMORIALS
AND TOMBSTONES, 1811
29
5
RICHARD BENTLEY, GOTHICK FIREPLACE, POSSIBLY
FOR STRAWBERRY HILL, TWICKENHAM, SURREY, 1754
37
6
A. TOD, MR. TASSIE S HOUSE, LEICESTER SQUARE,
LONDON, 1806
41
7
CASSIUS GOLDSMITH, DESIGN FOR A GATE LODGE,
CA. 1827
45
8
UNATTRIBUTED FRENCH ARTIST,
HOUSE IN ISLAMIC STYLE, 1870S
51
9
RICHARD NEUTRA, RESIDENCE FOR
JOSEFVON STERNBERG, 1935
59
10
PEEPSHOW OF MARC BRUNEPS
THAMES TUNNEL, 1830S
63
11
OLIVER MESSEL, MODEL OF BAR FOR THE GREAT
OCTAGON, BATH ASSEMBLY ROOMS, 1961
69
12
GEORGE COKE, TOPOGRAPHICAL VIEW OFTHE
WALL AND TREES OF LONDON SMALLPOX HOSPITAL,
COLDBATH FIELDS, CLERKENWELL, LONDON, 1796
79
13
FREDERICK G. C. WEIR, PROPOSED PLAN FOR
ARTISANS DWELLINGS, 1875
83
14
PC HARRG WOODLEG, PLANS OFN131 CORNWALL
STREET, ST. GEORGE S IN THE EAST, LONDON, 1902
91
15
SAMUEL HARDY, COMPETITION ENTRY FOR
AN ALL-BRITISH 1,000 HOUSE, 1932
97
16
ROBERT BRAY, DESIGN FOR A PLAYBOY DUPLEX
PENTHOUSE, FEATURED IN PLAYBOY MAGAZINE,
JANUARY 1970
103
17
WILLIAM BEDDOE REES, SELSEY-ON-SEA LIMITED,
ARCHITECT S SUGGESTED PLAN FOR DEVELOPMENT,
1907
111
18
THREE PERSPECTIVE DRAWINGS FOR AN ESTATE OF
VILLAS, STREATHAM, SURREY, INSCRIBED ANGELIER
CA. 1825
119
19
HENRI GUERBOIS, DEPARTMENT STORE IN
KING STREET, KENSINGTON, FOR BARKER S, 1921
129
20
RENE-ANDRE COULON,
JEUX D EAU ET DE LUMIERE, 1937
135
21
P O NEIL, KITCHEN DESIGN, CA. 1955
141
22
GORDON M. HILLS, COLGATE CHAPEL,
SUSSEX, PROPOSED ENLARGEMENT
AND DESIGN FOR CEILING, 1871
145
23
JOHN NASH, DESIGNS FOR LANGHAM HOUSE,
PORTLAND PLACE, LONDON, CA. 1812-1816
153
24
FRANK LLOYD WRIGHT, GROUND PLAN AND
STREET ELEVATION OF BELOW ZERO HOUSE FOR
EDITH CARLSON, 1939
167
25
ANTONIO ASPRUCCI, ORNAMENTAL DETAIL FOR THE
STANZA DEL SOLE, VILLA BORGHESE, ROME, 1775-1780
181
NOTES 187
ACKNOWLEDGMENTS 213
|
| adam_txt |
FOREWORD
ADRIAN FORTY 9
1
REX SAVIDGE, ENTRANCE TO COMMERCIAL BUILDING,
NEWCASTLE UPON TYNE, 1957
15
2
ROBERT BREMMEL SCHNEBBELIE, VIEW OF THE
PICCADILLY ENTRANCE TO BURLINGTON ARCADE,
LONDON, 1827
19
3
GEORGE MARSHALL, PERSPECTIVE VIEW OF THE
INTERIOR OF ST. STEPHEN'S WALBROOK, LONDON,
MID-EIGHTEENTH CENTURY
25
4
MOOS, DESIGNS FOR GRAVEYARD MEMORIALS
AND TOMBSTONES, 1811
29
5
RICHARD BENTLEY, GOTHICK FIREPLACE, POSSIBLY
FOR STRAWBERRY HILL, TWICKENHAM, SURREY, 1754
37
6
A. TOD, MR. TASSIE'S HOUSE, LEICESTER SQUARE,
LONDON, 1806
41
7
CASSIUS GOLDSMITH, DESIGN FOR A GATE LODGE,
CA. 1827
45
8
UNATTRIBUTED FRENCH ARTIST,
HOUSE IN ISLAMIC STYLE, 1870S
51
9
RICHARD NEUTRA, RESIDENCE FOR
JOSEFVON STERNBERG, 1935
59
10
PEEPSHOW OF MARC BRUNEPS
THAMES TUNNEL, 1830S
63
11
OLIVER MESSEL, MODEL OF BAR FOR THE GREAT
OCTAGON, BATH ASSEMBLY ROOMS, 1961
69
12
GEORGE COKE, TOPOGRAPHICAL VIEW OFTHE
WALL AND TREES OF LONDON SMALLPOX HOSPITAL,
COLDBATH FIELDS, CLERKENWELL, LONDON, 1796
79
13
FREDERICK G. C. WEIR, PROPOSED PLAN FOR
ARTISANS' DWELLINGS, 1875
83
14
PC HARRG WOODLEG, PLANS OFN131 CORNWALL
STREET, ST. GEORGE'S IN THE EAST, LONDON, 1902
91
15
SAMUEL HARDY, COMPETITION ENTRY FOR
AN ALL-BRITISH 1,000 HOUSE, 1932
97
16
ROBERT BRAY, DESIGN FOR A PLAYBOY DUPLEX
PENTHOUSE, FEATURED IN PLAYBOY MAGAZINE,
JANUARY 1970
103
17
WILLIAM BEDDOE REES, SELSEY-ON-SEA LIMITED,
ARCHITECT'S SUGGESTED PLAN FOR DEVELOPMENT,
1907
111
18
THREE PERSPECTIVE DRAWINGS FOR AN ESTATE OF
VILLAS, STREATHAM, SURREY, INSCRIBED "ANGELIER"
CA. 1825
119
19
HENRI GUERBOIS, DEPARTMENT STORE IN
KING STREET, KENSINGTON, FOR BARKER'S, 1921
129
20
RENE-ANDRE COULON,
JEUX D'EAU ET DE LUMIERE, 1937
135
21
P O'NEIL, KITCHEN DESIGN, CA. 1955
141
22
GORDON M. HILLS, COLGATE CHAPEL,
SUSSEX, PROPOSED ENLARGEMENT
AND DESIGN FOR CEILING, 1871
145
23
JOHN NASH, DESIGNS FOR LANGHAM HOUSE,
PORTLAND PLACE, LONDON, CA. 1812-1816
153
24
FRANK LLOYD WRIGHT, GROUND PLAN AND
STREET ELEVATION OF"BELOW ZERO" HOUSE FOR
EDITH CARLSON, 1939
167
25
ANTONIO ASPRUCCI, ORNAMENTAL DETAIL FOR THE
STANZA DEL SOLE, VILLA BORGHESE, ROME, 1775-1780
181
NOTES 187
ACKNOWLEDGMENTS 213 |
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| spelling | Lewis, Philippa 1947- Verfasser (DE-588)1046213679 aut Stories from architecture behind the lines at Drawing Matter by Philippa Lewis ; foreword by Adrian Forty Cambridge, Massachusetts ; London, England The MIT Press [2021] 213 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes index The imagined histories of twenty-five architectural drawings and models, told through reminiscences, stories, conversations, letters, and monologues. Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists-working, observing, admiring, arguing. In Stories from Architecture, Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright's correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings-and with them their characters-into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg's Rolls-Royce so that the director's beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history. Architekturzeichnung (DE-588)4068827-6 gnd rswk-swf Fiktion (DE-588)4192723-0 gnd rswk-swf Architecture / Anecdotes Architecture / Humor (DE-588)4143413-4 Aufsatzsammlung gnd-content Architekturzeichnung (DE-588)4068827-6 s Fiktion (DE-588)4192723-0 s DE-604 Forty, Adrian 1948- (DE-588)132883406 aui V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033585014&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Stories from architecture behind the lines at Drawing Matter |
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| title_short | Stories from architecture |
| title_sort | stories from architecture behind the lines at drawing matter |
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