tat*:
Tat* is a bit of a graphic designer's curse. Walk into any design studio and you will see tat pinned to the walls or placed with loving care on top of a computer screen. Even the purist will have a secret cache hidden away somewhere. Andy Altmann began collecting tat while he was on his Foundat...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Circa Press
2021
|
| Schlagworte: | |
| Zusammenfassung: | Tat* is a bit of a graphic designer's curse. Walk into any design studio and you will see tat pinned to the walls or placed with loving care on top of a computer screen. Even the purist will have a secret cache hidden away somewhere. Andy Altmann began collecting tat while he was on his Foundation course, getting ready for an interview at St Martins School of Art. He'd been asked to present a sketchbook, but worried that he couldn't draw very well, he decided to start a scrapbook: "I rummaged through the drawers at home and found some football cards from the late 1960s and early '70s (plenty of Georgie Best), an instruction leaflet from an old Hoover, Christmas cracker jokes, and so on. Then I started on the magazines, cutting out images of anything that interested me. And finally I took myself off to the college library, where I photocopied things from books before reaching for the scissors and glue." It was the beginning of a significant collecting habit. So what it is that makes a piece of graphic tat interesting? Is it the 'retro' thing - a fascination with a bygone age, the primitive printing techniques, the naivety of the design, or the use of colour? All of the above, of course, but it's not quite that simple. "Occasionally people offer me something they've found that they think I might like", says Andy. "But usually they're wrong - it doesn't excite me at all. The magic is missing." * tat (noun) - anything that looks cheap, is of low quality, or in bad condition; junk, rubbish, debris, detritus, crap, shite |
| Beschreibung: | Auf dem Umschlag Zusatz: Inspirational graphic ephemera Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | 383 Seiten 25 cm |
| ISBN: | 9781911422273 1911422278 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048201620 | ||
| 003 | DE-604 | ||
| 005 | 20230803 | ||
| 007 | t | ||
| 008 | 220505s2021 |||| 00||| eng d | ||
| 020 | |a 9781911422273 |9 978-1-911422-27-3 | ||
| 020 | |a 1911422278 |9 1-911422-27-8 | ||
| 035 | |a (OCoLC)1247740291 | ||
| 035 | |a (DE-599)KXP1756005699 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-B170 | ||
| 050 | 0 | |a NK1160-1590 | |
| 082 | 0 | |a 745.4 | |
| 084 | |a KUNST |q DE-14 |2 fid | ||
| 084 | |a AP 15040 |0 (DE-625)6912: |2 rvk | ||
| 245 | 1 | 0 | |a tat* |c Andy Altmann |
| 246 | 1 | 3 | |a Inspirational graphic ephemera |
| 264 | 1 | |a London |b Circa Press |c 2021 | |
| 300 | |a 383 Seiten |c 25 cm | ||
| 336 | |b sti |2 rdacontent | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Auf dem Umschlag Zusatz: Inspirational graphic ephemera | ||
| 500 | |a Hier auch später erschienene, unveränderte Nachdrucke | ||
| 520 | 3 | |a Tat* is a bit of a graphic designer's curse. Walk into any design studio and you will see tat pinned to the walls or placed with loving care on top of a computer screen. Even the purist will have a secret cache hidden away somewhere. Andy Altmann began collecting tat while he was on his Foundation course, getting ready for an interview at St Martins School of Art. He'd been asked to present a sketchbook, but worried that he couldn't draw very well, he decided to start a scrapbook: "I rummaged through the drawers at home and found some football cards from the late 1960s and early '70s (plenty of Georgie Best), an instruction leaflet from an old Hoover, Christmas cracker jokes, and so on. Then I started on the magazines, cutting out images of anything that interested me. And finally I took myself off to the college library, where I photocopied things from books before reaching for the scissors and glue." It was the beginning of a significant collecting habit. So what it is that makes a piece of graphic tat interesting? Is it the 'retro' thing - a fascination with a bygone age, the primitive printing techniques, the naivety of the design, or the use of colour? All of the above, of course, but it's not quite that simple. "Occasionally people offer me something they've found that they think I might like", says Andy. "But usually they're wrong - it doesn't excite me at all. The magic is missing." * tat (noun) - anything that looks cheap, is of low quality, or in bad condition; junk, rubbish, debris, detritus, crap, shite | |
| 648 | 7 | |a Geschichte 1960-1980 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Werbegrafik |0 (DE-588)4079177-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Grafikdesign |0 (DE-588)4019558-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Graphic arts | |
| 653 | 0 | |a Printed ephemera | |
| 653 | 0 | |a Graphic arts | |
| 653 | 0 | |a Printed ephemera | |
| 655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
| 689 | 0 | 0 | |a Grafikdesign |0 (DE-588)4019558-2 |D s |
| 689 | 0 | 1 | |a Werbegrafik |0 (DE-588)4079177-4 |D s |
| 689 | 0 | 2 | |a Geschichte 1960-1980 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Altmann, Andy |d 1962- |0 (DE-588)1256935131 |4 edt | |
Datensatz im Suchindex
| _version_ | 1805075375900852224 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Altmann, Andy 1962- |
| author2_role | edt |
| author2_variant | a a aa |
| author_GND | (DE-588)1256935131 |
| author_facet | Altmann, Andy 1962- |
| building | Verbundindex |
| bvnumber | BV048201620 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NK1160-1590 |
| callnumber-raw | NK1160-1590 |
| callnumber-search | NK1160-1590 |
| callnumber-sort | NK 41160 41590 |
| callnumber-subject | NK - Decorative Arts |
| classification_rvk | AP 15040 |
| ctrlnum | (OCoLC)1247740291 (DE-599)KXP1756005699 |
| dewey-full | 745.4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 745 - Decorative arts |
| dewey-raw | 745.4 |
| dewey-search | 745.4 |
| dewey-sort | 3745.4 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| era | Geschichte 1960-1980 gnd |
| era_facet | Geschichte 1960-1980 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV048201620</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230803</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220505s2021 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781911422273</subfield><subfield code="9">978-1-911422-27-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1911422278</subfield><subfield code="9">1-911422-27-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1247740291</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1756005699</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-B170</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">NK1160-1590</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">745.4</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUNST</subfield><subfield code="q">DE-14</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 15040</subfield><subfield code="0">(DE-625)6912:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">tat*</subfield><subfield code="c">Andy Altmann</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Inspirational graphic ephemera</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Circa Press</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">383 Seiten</subfield><subfield code="c">25 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Auf dem Umschlag Zusatz: Inspirational graphic ephemera</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Hier auch später erschienene, unveränderte Nachdrucke</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Tat* is a bit of a graphic designer's curse. Walk into any design studio and you will see tat pinned to the walls or placed with loving care on top of a computer screen. Even the purist will have a secret cache hidden away somewhere. Andy Altmann began collecting tat while he was on his Foundation course, getting ready for an interview at St Martins School of Art. He'd been asked to present a sketchbook, but worried that he couldn't draw very well, he decided to start a scrapbook: "I rummaged through the drawers at home and found some football cards from the late 1960s and early '70s (plenty of Georgie Best), an instruction leaflet from an old Hoover, Christmas cracker jokes, and so on. Then I started on the magazines, cutting out images of anything that interested me. And finally I took myself off to the college library, where I photocopied things from books before reaching for the scissors and glue." It was the beginning of a significant collecting habit. So what it is that makes a piece of graphic tat interesting? Is it the 'retro' thing - a fascination with a bygone age, the primitive printing techniques, the naivety of the design, or the use of colour? All of the above, of course, but it's not quite that simple. "Occasionally people offer me something they've found that they think I might like", says Andy. "But usually they're wrong - it doesn't excite me at all. The magic is missing." * tat (noun) - anything that looks cheap, is of low quality, or in bad condition; junk, rubbish, debris, detritus, crap, shite</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-1980</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Werbegrafik</subfield><subfield code="0">(DE-588)4079177-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Grafikdesign</subfield><subfield code="0">(DE-588)4019558-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Graphic arts</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Printed ephemera</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Graphic arts</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Printed ephemera</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4145395-5</subfield><subfield code="a">Bildband</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Grafikdesign</subfield><subfield code="0">(DE-588)4019558-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Werbegrafik</subfield><subfield code="0">(DE-588)4079177-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1960-1980</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Altmann, Andy</subfield><subfield code="d">1962-</subfield><subfield code="0">(DE-588)1256935131</subfield><subfield code="4">edt</subfield></datafield></record></collection> |
| genre | (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Bildband |
| id | DE-604.BV048201620 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T19:46:50Z |
| indexdate | 2024-07-20T05:40:24Z |
| institution | BVB |
| isbn | 9781911422273 1911422278 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033582619 |
| oclc_num | 1247740291 |
| open_access_boolean | |
| owner | DE-255 DE-B170 |
| owner_facet | DE-255 DE-B170 |
| physical | 383 Seiten 25 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Circa Press |
| record_format | marc |
| spelling | tat* Andy Altmann Inspirational graphic ephemera London Circa Press 2021 383 Seiten 25 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Auf dem Umschlag Zusatz: Inspirational graphic ephemera Hier auch später erschienene, unveränderte Nachdrucke Tat* is a bit of a graphic designer's curse. Walk into any design studio and you will see tat pinned to the walls or placed with loving care on top of a computer screen. Even the purist will have a secret cache hidden away somewhere. Andy Altmann began collecting tat while he was on his Foundation course, getting ready for an interview at St Martins School of Art. He'd been asked to present a sketchbook, but worried that he couldn't draw very well, he decided to start a scrapbook: "I rummaged through the drawers at home and found some football cards from the late 1960s and early '70s (plenty of Georgie Best), an instruction leaflet from an old Hoover, Christmas cracker jokes, and so on. Then I started on the magazines, cutting out images of anything that interested me. And finally I took myself off to the college library, where I photocopied things from books before reaching for the scissors and glue." It was the beginning of a significant collecting habit. So what it is that makes a piece of graphic tat interesting? Is it the 'retro' thing - a fascination with a bygone age, the primitive printing techniques, the naivety of the design, or the use of colour? All of the above, of course, but it's not quite that simple. "Occasionally people offer me something they've found that they think I might like", says Andy. "But usually they're wrong - it doesn't excite me at all. The magic is missing." * tat (noun) - anything that looks cheap, is of low quality, or in bad condition; junk, rubbish, debris, detritus, crap, shite Geschichte 1960-1980 gnd rswk-swf Werbegrafik (DE-588)4079177-4 gnd rswk-swf Grafikdesign (DE-588)4019558-2 gnd rswk-swf Graphic arts Printed ephemera (DE-588)4145395-5 Bildband gnd-content Grafikdesign (DE-588)4019558-2 s Werbegrafik (DE-588)4079177-4 s Geschichte 1960-1980 z DE-604 Altmann, Andy 1962- (DE-588)1256935131 edt |
| spellingShingle | tat* Werbegrafik (DE-588)4079177-4 gnd Grafikdesign (DE-588)4019558-2 gnd |
| subject_GND | (DE-588)4079177-4 (DE-588)4019558-2 (DE-588)4145395-5 |
| title | tat* |
| title_alt | Inspirational graphic ephemera |
| title_auth | tat* |
| title_exact_search | tat* |
| title_exact_search_txtP | tat* |
| title_full | tat* Andy Altmann |
| title_fullStr | tat* Andy Altmann |
| title_full_unstemmed | tat* Andy Altmann |
| title_short | tat* |
| title_sort | tat |
| topic | Werbegrafik (DE-588)4079177-4 gnd Grafikdesign (DE-588)4019558-2 gnd |
| topic_facet | Werbegrafik Grafikdesign Bildband |
| work_keys_str_mv | AT altmannandy tat AT altmannandy inspirationalgraphicephemera |