Klaviermethodik:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | German |
Veröffentlicht: |
Leipzig ; London ; New York
Edition Peters
[2022]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 400 Seiten Illustrationen, Notenbeispiele 230 cm x 230 cm, 1325 g |
ISBN: | 9783876261829 3876261821 |
Internformat
MARC
LEADER | 00000nam a22000008c 4500 | ||
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016 | 7 | |a 1252645295 |2 DE-101 | |
020 | |a 9783876261829 |c : EUR 89.00 (DE), EUR 91.50 (AT) |9 978-3-87626-182-9 | ||
020 | |a 3876261821 |9 3-87626-182-1 | ||
024 | 3 | |a 9783876261829 | |
028 | 5 | 2 | |a Bestellnummer: EP11511 |
035 | |a (OCoLC)1302590702 | ||
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040 | |a DE-604 |b ger |e rda | ||
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100 | 1 | |a Pohl, Christian A. |d 1975- |e Verfasser |0 (DE-588)1255727535 |4 aut | |
245 | 1 | 0 | |a Klaviermethodik |c Christian A. Pohl |
264 | 1 | |a Leipzig ; London ; New York |b Edition Peters |c [2022] | |
264 | 4 | |c © 2022 | |
300 | |a 400 Seiten |b Illustrationen, Notenbeispiele |c 230 cm x 230 cm, 1325 g | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
650 | 0 | 7 | |a Übung |0 (DE-588)4131557-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Klavierunterricht |0 (DE-588)4114218-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Methode |0 (DE-588)4038971-6 |2 gnd |9 rswk-swf |
653 | |a Klavier | ||
653 | |a Klaviermethodik | ||
653 | |a Klavierunterricht | ||
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689 | 0 | 1 | |a Methode |0 (DE-588)4038971-6 |D s |
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Datensatz im Suchindex
_version_ | 1804183966561861632 |
---|---|
adam_text | VORWORT
9
KONZEPTE
15
EINFUEHRUNG
......................................................................................................................................................................................................................
17
ANSCHLAGSPARAMETER
.....................................................................................................................................................................................................
19
ANSCHLAGSMODELLE
........................................................................................................................................................................................................
30
ARTIKULATION
...................................................................................................................................................................................................................
34
DYNAMISCHE
UMGEBUNG
.............................................................................................................................................................................................
48
MUSIKALISCHE
ENTWICKLUNG
............................................................................................................................................................................................
58
PROGRESSIVE
KLANGBILDER
................................................................................................................................................................................................
81
PROGRESSIVE
ARTIKULATION
...............................................................................................................................................................................................
89
POSITIONSTECHNIK
...........................................................................................................................................................................................................
92
GESTALTUNGSPLAN
.........................................................................................................................................................................................................
100
INNERE
UND
AEUSSERE
PARAMETER
....................................................................................................................................................................................
104
FLEXIBILISIERUNG
.............................................................................................................................................................................................................
106
METHODISCH
RELEVANTE
TEMPOBEGRIFFE
......................................................................................................................................................................
109
MIKROSKOPISCHES
UND
MAKROSKOPISCHES
UEBEN
.........................................................................................................................................................
112
METHODEN
119
EINFUEHRUNG
....................................................................................................................................................................................................................
121
LERNGEBIET
DEKODIEREN
...................................................................................................................................................................................................
125
EINFUEHRUNG
....................................................................................................................................................................................................................
126
LERNZIELE
.......................................................................................................................................................................................................................
128
STOPPUHR-METHODE
.....................................................................................................................................................................................................
137
DEKODIER-METHODE
.....................................................................................................................................................................................................
141
KNOTENPUNKT-METHODE
................................................................................................................................................................................................
161
RETRO-METHODE
.............................................................................................................................................................................................................
172
BUCHSTABEN-METHODE
...................................................................................................................................................................................................
175
STUMMSPIEL-METHODE
...................................................................................................................................................................................................
181
LERNGEBIET
AUTOMATISIEREN
..............................................................................................................................................................................................
187
EINFUEHRUNG
......................................................................................................................................................................................................................
189
LERNZIELE
.........................................................................................................................................................................................................................
191
METRONOMAUFBAU-METHODE
.........................................................................................................................................................................................
199
HORIZONTALE
ADDITIONS-METHODE
..................................................................................................................................................................................
215
STABILISIERUNGS-METHODE
..............................................................................................................................................................................................
221
GRUPPIERUNGS-METHODE
...............................................................................................................................................................................................226
REDUKTIV-ADDITIVE
METHODE
.........................................................................................................................................................................................
231
PERFORATIONS-METHODE
.................................................................................................................................................................................................
242
LOOP-METHODE
.............................................................................................................................................................................................................
247
KONZENTRISCHE
METHODE
...............................................................................................................................................................................................
251
DOPPIO-METHODE
.........................................................................................................................................................................................................
255
BETONUNGS-METHODE
....................................................................................................................................................................................................258
STOP-METHODE
...............................................................................................................................................................................................................
262
AUTOMATISIERUNGSMETHODEN
IM
VERGLEICH
.................................................................................................................................................................
267
LERNGEBIET
BALANCIEREN
....................................................................................................................................................................................................
271
EINFUEHRUNG
.....................................................................................................................................................................................................................
272
LERNZIELE
.........................................................................................................................................................................................................................
276
SCHWARZ-WEISS-METHODE
..............................................................................................................................................................................................
281
ZUSAMMENKLANGS-METHODE
........................................................................................................................................................................................
285
VERTIKALE
ADDITIONS-METHODE
.......................................................................................................................................................................................
292
RAUM-METHODE
.............................................................................................................................................................................................................296
KLANGEBENEN-METHODE
...............................................................................................................................................................................................
302
VERGLEICH
DER
METHODEN
..............................................................................................................................................................................................
305
LERNGEBIET
KOLORIEREN
....................................................................................................................................................................................................
307
EINFUEHRUNG
...................................................................................................................................................................................................................308
LERNZIELE
.......................................................................................................................................................................................................................
311
MIKRODYNAMIK-METHODE
............................................................................................................................................................................................
314
MIKROAGOGIK-METHODE
...............................................................................................................................................................................................
320
FLUSS-METHODE
.............................................................................................................................................................................................................
325
UEBERZEICHNUNGS-METHODE
.........................................................................................................................................................................................
329
KONTURIERUNGS-METHODE
............................................................................................................................................................................................
332
UEBEMODELLE
341
EINFUEHRUNG
...................................................................................................................................................................................................................
343
EXEMPLARISCHE
UEBEMODELLE
.......................................................................................................................................................................................
347
UEBEPLAN
......................................................................................................................................................................................................................360
GESTALTUNGSPLAN
UND
INTERPRETATIONSKONZEPT
...........................................................................................................................................................
376
SCHLUSSWORT
389
ANHANG
391
UEBERDEN
AUTOR
...........................................................................................................................................................................................................
393
STICHWORTVERZEICHNIS
..................................................................................................................................................................................................394
DIE
LERNKARTEN
...........................................................................................................................................................................................................
-
400
|
adam_txt |
VORWORT
9
KONZEPTE
15
EINFUEHRUNG
.
17
ANSCHLAGSPARAMETER
.
19
ANSCHLAGSMODELLE
.
30
ARTIKULATION
.
34
DYNAMISCHE
UMGEBUNG
.
48
MUSIKALISCHE
ENTWICKLUNG
.
58
PROGRESSIVE
KLANGBILDER
.
81
PROGRESSIVE
ARTIKULATION
.
89
POSITIONSTECHNIK
.
92
GESTALTUNGSPLAN
.
100
INNERE
UND
AEUSSERE
PARAMETER
.
104
FLEXIBILISIERUNG
.
106
METHODISCH
RELEVANTE
TEMPOBEGRIFFE
.
109
MIKROSKOPISCHES
UND
MAKROSKOPISCHES
UEBEN
.
112
METHODEN
119
EINFUEHRUNG
.
121
LERNGEBIET
DEKODIEREN
.
125
EINFUEHRUNG
.
126
LERNZIELE
.
128
STOPPUHR-METHODE
.
137
DEKODIER-METHODE
.
141
KNOTENPUNKT-METHODE
.
161
RETRO-METHODE
.
172
BUCHSTABEN-METHODE
.
175
STUMMSPIEL-METHODE
.
181
LERNGEBIET
AUTOMATISIEREN
.
187
EINFUEHRUNG
.
189
LERNZIELE
.
191
METRONOMAUFBAU-METHODE
.
199
HORIZONTALE
ADDITIONS-METHODE
.
215
STABILISIERUNGS-METHODE
.
221
GRUPPIERUNGS-METHODE
.226
REDUKTIV-ADDITIVE
METHODE
.
231
PERFORATIONS-METHODE
.
242
LOOP-METHODE
.
247
KONZENTRISCHE
METHODE
.
251
DOPPIO-METHODE
.
255
BETONUNGS-METHODE
.258
STOP-METHODE
.
262
AUTOMATISIERUNGSMETHODEN
IM
VERGLEICH
.
267
LERNGEBIET
BALANCIEREN
.
271
EINFUEHRUNG
.
272
LERNZIELE
.
276
SCHWARZ-WEISS-METHODE
.
281
ZUSAMMENKLANGS-METHODE
.
285
VERTIKALE
ADDITIONS-METHODE
.
292
RAUM-METHODE
.296
KLANGEBENEN-METHODE
.
302
VERGLEICH
DER
METHODEN
.
305
LERNGEBIET
KOLORIEREN
.
307
EINFUEHRUNG
.308
LERNZIELE
.
311
MIKRODYNAMIK-METHODE
.
314
MIKROAGOGIK-METHODE
.
320
FLUSS-METHODE
.
325
UEBERZEICHNUNGS-METHODE
.
329
KONTURIERUNGS-METHODE
.
332
UEBEMODELLE
341
EINFUEHRUNG
.
343
EXEMPLARISCHE
UEBEMODELLE
.
347
UEBEPLAN
.360
GESTALTUNGSPLAN
UND
INTERPRETATIONSKONZEPT
.
376
SCHLUSSWORT
389
ANHANG
391
UEBERDEN
AUTOR
.
393
STICHWORTVERZEICHNIS
.394
DIE
LERNKARTEN
.
-
400 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Pohl, Christian A. 1975- |
author_GND | (DE-588)1255727535 |
author_facet | Pohl, Christian A. 1975- |
author_role | aut |
author_sort | Pohl, Christian A. 1975- |
author_variant | c a p ca cap |
building | Verbundindex |
bvnumber | BV048201208 |
classification_rvk | LR 11750 |
ctrlnum | (OCoLC)1302590702 (DE-599)DNB1252645295 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Book |
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genre | (DE-588)4123623-3 Lehrbuch gnd-content |
genre_facet | Lehrbuch |
id | DE-604.BV048201208 |
illustrated | Illustrated |
index_date | 2024-07-03T19:46:42Z |
indexdate | 2024-07-10T09:31:50Z |
institution | BVB |
institution_GND | (DE-588)1065130236 |
isbn | 9783876261829 3876261821 |
language | German |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033582215 |
oclc_num | 1302590702 |
open_access_boolean | |
owner | DE-M29 DE-B170 DE-20 DE-1259 DE-11 DE-W89 |
owner_facet | DE-M29 DE-B170 DE-20 DE-1259 DE-11 DE-W89 |
physical | 400 Seiten Illustrationen, Notenbeispiele 230 cm x 230 cm, 1325 g |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edition Peters |
record_format | marc |
spelling | Pohl, Christian A. 1975- Verfasser (DE-588)1255727535 aut Klaviermethodik Christian A. Pohl Leipzig ; London ; New York Edition Peters [2022] © 2022 400 Seiten Illustrationen, Notenbeispiele 230 cm x 230 cm, 1325 g txt rdacontent n rdamedia nc rdacarrier Übung (DE-588)4131557-1 gnd rswk-swf Klavierunterricht (DE-588)4114218-4 gnd rswk-swf Methode (DE-588)4038971-6 gnd rswk-swf Klavier Klaviermethodik Klavierunterricht (DE-588)4123623-3 Lehrbuch gnd-content Klavierunterricht (DE-588)4114218-4 s Methode (DE-588)4038971-6 s Übung (DE-588)4131557-1 s DE-604 C.F. Peters Ltd. & Co. KG (DE-588)1065130236 pbl DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033582215&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20220228 DE-101 https://d-nb.info/provenance/plan#vlb |
spellingShingle | Pohl, Christian A. 1975- Klaviermethodik Übung (DE-588)4131557-1 gnd Klavierunterricht (DE-588)4114218-4 gnd Methode (DE-588)4038971-6 gnd |
subject_GND | (DE-588)4131557-1 (DE-588)4114218-4 (DE-588)4038971-6 (DE-588)4123623-3 |
title | Klaviermethodik |
title_auth | Klaviermethodik |
title_exact_search | Klaviermethodik |
title_exact_search_txtP | Klaviermethodik |
title_full | Klaviermethodik Christian A. Pohl |
title_fullStr | Klaviermethodik Christian A. Pohl |
title_full_unstemmed | Klaviermethodik Christian A. Pohl |
title_short | Klaviermethodik |
title_sort | klaviermethodik |
topic | Übung (DE-588)4131557-1 gnd Klavierunterricht (DE-588)4114218-4 gnd Methode (DE-588)4038971-6 gnd |
topic_facet | Übung Klavierunterricht Methode Lehrbuch |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033582215&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT pohlchristiana klaviermethodik AT cfpetersltdcokg klaviermethodik |